The Romance of Transportation in Wordsworth, Emerson, De Quincey, and Dickinson

Romanticism ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 45-57
Author(s):  
Li-Hsin Hsu
Keyword(s):  
Nineteenth Century ◽  
Atlantic Ocean ◽  
Walter Benjamin ◽  
Literary Representations ◽  
Time And Space ◽  
Literary Works ◽  
Aesthetic Experiences ◽  
The Future ◽  
Anglo American ◽  
Technological Sublime

This essay investigates diverging transatlantic attitudes towards mechanisation in the mid-nineteenth century by looking at the portrayals of steam engines in Anglo-American Romantic literary works by Wordsworth, Emerson, De Quincey and Dickinson. Wolfgang Schivelbusch notes how time and space are ‘annihilated’ with the speed of industrialization. Walter Benjamin, alternatively, indicates how the metaphoric dressing up of steam engines as living creatures was a retreat from industrialization and modernization. Those conflicting perceptions of what David Nye calls the ‘technological sublime’ became sources of joy as well as sorrow for these authors. The essay examines how the literary representations of transportation show various literary attempts to make sense of and rewrite the technological promise of the future into distinct aesthetic experiences of modernity. Their imaginative engagement with the railway showcases a genealogy of metaphorical as well as mechanic transportation that indicates an evolving process of Romantic thought across the Atlantic Ocean.

The Poetry and the Prose of the Future

2016 ◽  
Author(s):  
Robert S. Lehman
Keyword(s):  
Nineteenth Century ◽  
Walter Benjamin ◽  
Fourth Century ◽  
Historical Method ◽  
The Third ◽  
Science Of History ◽  
The Future ◽  
Definition Of ◽  
Poetic Response ◽  
Century Science

The Introduction examines three moments that have proven foundational for the fraught relationship between poetry and history. The first occurs in the fourth century B. C. in Aristotle’s Poetics, the earliest attempt to provide a systematic definition of the structure and effects of poetry and, consequently, the origin of all later crises of verse. The second appears in Marx’s Eighteenth Brumaire, a text that offers a complicated poetic response to a moment of crisis in Marx’s own historical method. The third appears in the early writings of Friedrich Nietzsche, where, against the onset of the nineteenth-century science of history, the demand to see history become poetry is made explicit. Focusing on these three moments, the Introduction establishes the intellectual-historical coordinates of the poetico-historical problem that T. S. Eliot and Walter Benjamin inherit.

The Future of the Human Sciences

2018 ◽  
Vol 36 (3) ◽  
pp. 109-117
Author(s):  
Ivan Jablonka
Keyword(s):  
Nineteenth Century ◽  
Graphic Novels ◽  
Cognitive Tools ◽  
Human Sciences ◽  
Time And Space ◽  
Current Crisis ◽  
The Public ◽  
History And Literature ◽  
The Future

Amid the current crisis in the humanities and the human sciences, researchers should take up the challenge of writing more effectively. Rather than clinging to forms inherited from the nineteenth century, they should invent new ways to captivate readers, while also providing better demonstrations of their research. Defining problems, drawing on a multitude of sources, carrying out investigations, taking journeys in time and space: these methods of inquiry are as much literary opportunities as cognitive tools. They invite experimentation in writing across disciplines, trying out different lines of reasoning, shuttling back and forth between past and present, describing the process of discovery, and using the narrative “I.” We can address the public creatively, decompartmentalize disciplines, and encourage encounters between history and literature, sociology and cinema, anthropology and graphic novels—all without compromising intellectual rigor. Now more than ever, the human sciences need to assert their place in the polis.

Companionate Marriage across the Century’s Turn

2018 ◽  
pp. 175-198
Author(s):  
Melanie V. Dawson
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
Cultural History ◽  
Literary Works ◽  
The Past ◽  
Attitudes Toward Marriage ◽  
Anglo American ◽  
Companionate Marriage ◽  
Cautionary Tales ◽  
Changing Attitudes

The struggle to realize companionate marriage appears as a central conflict in literary works by Anglo-American, African American, and ethnic American writers, who grapple with the issues raised by new ideologies and cultures of marriage. Drawing from cultural history that includes Lindsey and Evans’s volume, The Companionate Marriage (1927), and responses to it as well as a range of literary marriages that demonstrate the power of the companionate ideal, this piece charts the interaction between changing attitudes toward marriage in life and literature. As the range and complexity of opinions circulating around this issue demonstrate, the ostensibly “modern” question of equality in marriage had been debated as far back as the mid-nineteenth century. By contrast, later, more modern narratives increasingly turn to depictions of non-companionate, patriarchal arrangements, which offer both cautionary tales about the past and counter a trenchant idealism about the companionate model.

The Blue Flower and the Account Book

2016 ◽  
Vol 85 (1) ◽  
pp. 1-22
Author(s):  
Anne F. Hyde
Keyword(s):  
Nineteenth Century ◽  
North American ◽  
American West ◽  
Fur Trade ◽  
Blue Flower ◽  
Racial Category ◽  
North American West ◽  
Mixed Blood ◽  
Anglo American

This essay, a revised version of the August 2015 talk, examines the story of two mixed-blood women, indigenous and Anglo American, who lived in the fur trade North American West. The essay examines a racial category, mixed blood or “half-breed” and considers the challenges for people who lived in and used that category in the nineteenth century. The essay illuminates the challenges of using different kinds of personal records to understand how these nineteenth-century women might have thought about identity, a word they never would have used.

Fin-de-Siècle Salonica

2018 ◽  
Author(s):  
M. Şükrü Hanioğlu
Keyword(s):  
Nineteenth Century ◽  
Elementary School ◽  
Primary Education ◽  
Lower Class ◽  
Fin De Siecle ◽  
Turkish Republic ◽  
The Future ◽  
Fin De Siècle ◽  
Circle Of Friends ◽  
New Institutions

This chapter discusses Mustafa Kemal Atatürk's childhood in the ancient Macedonian capital of Salonica. The future founder of the Turkish Republic was born one winter, either in 1880 or in 1881. His upbringing was more liberal than that of most lower-class Muslims. No one in his family's circle of friends and relatives, for instance, practiced polygamy. Likewise, his father reportedly drank alcohol, which was abhorred by conservatives. The confusing dualism produced in Ottoman society by the reforms of the nineteenth century had its first imprint on Mustafa when his parents entered into a heated argument about his education. There is little doubt that Mustafa Kemal's deep-seated predilection for new institutions and practices owed much to his years as one of a handful of students in the empire who had their primary education at a private elementary school devoid of a strong religious focus.

Acta Fluens – Generatives Handeln und Improvisation im Jazz

2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti
Keyword(s):  
Walter Benjamin ◽  
History Of Philosophy ◽  
Human Existence ◽  
The Unconscious ◽  
The Past ◽  
The Future ◽  
History Of

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.

Meïr Goldschmidt and the main currents in 19th-century Judaism

2001 ◽  
Vol 22 (1) ◽  
pp. 7-45 ◽  
Author(s):  
Kenneth Ober
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Public Image ◽  
Complete Understanding ◽  
Literary Works ◽  
European Languages ◽  
Jewish Heritage ◽  
The Arts ◽  
Phenomenal Knowledge

Although the noted nineteenth-century Danish-Jewish writer Meïr Goldschmidt (1819–1887) made his entry into literature with a novel on Jewish themes, his later novels treated non-Jewish subjects, and his Jewish heritage appeared progressively to recede into the background of his public image. Literary historians have paid little attention to his complex perception of his own Jewishness and have made no effort to discover the immense significance he himself felt that Judaism had for his life and for his literary works. Moreover, no previous study has comprehensively treated Goldschmidt’s far-reaching network of interrelationships with an astonishing number of other major Jewish cultural figures of nineteenth-century Europe. During his restless travels crisscrossing Europe, which were facilitated by his phenomenal knowledge of the major European languages, he habitually sought out and associated with the leading Jewish figures in literature, the arts, journalism, and religion, but this fact and the resulting mutually influential connections he formed have been overlooked and ignored. This is the first focused and documented study of the Jewish aspect of Goldschmidt’s life, so vitally important to Goldschmidt himself and so indispensable to a complete understanding of his place in Danish and in world literatures.

Prologue

2018 ◽  
Author(s):  
Jason Phillips
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Antebellum America ◽  
Women Slaves ◽  
Military Planning ◽  
The Future ◽  
Future War

This introduction explains that looming, a nineteenth-century term for a superior mirage, shows us how visions of the future war affected antebellum America. First, some spark, an event or object, captured people’s attention. Second, a unique atmosphere elevated and enlarged that spark, making it loom greater than reality. Before the Civil War was fought or remembered, it was imagined by thousands of Americans who peered at the horizon through an apocalyptic atmosphere. Third, observers focused on it and reported what appeared to be beyond the horizon. Popular forecasts rose from leaders but also women, slaves, immigrants, and common soldiers. These imaginings shaped politics, military planning, and the economy. The prologue identifies the two prevailing temporalities of antebellum America, anticipations and expectations, and calls for more historical attention to the diverse temporalities of past people.

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