scholarly journals Orange Houses and Tape Babies: Temporary and Nebulous Art in Urban Spaces

2010 ◽  
Vol 2 (5) ◽  
pp. 847-865 ◽  
Author(s):  
Carmen L. McClish

This essay argues that the disruption of the routine ways we engage with our cities is necessary for democratic activity and public participation. Building on research that examines the relationship between public spaces and democratic action, I explore temporary forms of creative street installation as interrupting the marketing pleas that have become the only authorized forms of visual art in our cities. I argue that tactics in urban spaces that are temporary and provide nebulous meanings are necessary to grab our attention and make us linger. I propose that these forms of engagement act in the same way as people performing or playing in public spaces. I specifically employ Yi-Fu Tuan’s theoretical notions of space and movement and Margaret Kohn’s discussion of the significance of presence in public spaces to examine the creative ways we engage with and experience our cities. I examine two activist/artist projects: Mark Jenkins’ tape installations and Detroit Demolition. My analysis of these two sites demonstrates the importance of citizens engaging in their urban spaces. By creating temporary artwork that is nebulous in meaning, activists/artists are interrupting the routine ways we experience our cities.

Author(s):  
Nadja Monnet ◽  
Mouloud Boukala ◽  
Aaron Marchand

Research Framework:Many authors prefer to focus on the acrimonious relationship that exists between children and the city. This narrative is given as a story of eviction, particularly in the latter half of the 20th century, and the ubiquitous arrival of motorized traffic ; a phenomenon that has only accelerated over time. It is a radical separation between a before, which represents a golden age for children where the city revolved around them, and an after were children are represented as being shut in at home, forbidden from playing in the street and connected to the world via their smartphones and tablets. Despite this alarmist discourse, it is important to remember that children and teenagers continue to explore and socialize within their cities regardless of whether they are not (or are no longer) in the majority.Objectives : This introductory article to “Exploring the City : Children and Teenagers’ Relationship with Public Spaces” is designed to present the state of research as well as paths of reflection and innovative actions on how children and teenagers experience the city, the way they act and how they are influenced by contemporary spaces.Methodology :The introductory article is based on a review of work done in the fields of anthropology, history, geography, architecture and urban studies, all of which discuss the relationship between urban spaces and children and teenagers. This analysis is juxtaposed by ongoing projects that ask the opinions of youths to establish a consensus-building approach to urbanism and urban redevelopment in cities, metropolises and megacities.Results :By including all age groups (children and teenagers) as well as the types of spaces that are generally kept separate, the articles presented herein ask us to consider several important aspects including : the presence of youths in urban spaces, the standardization, regulation and gamification of certain public spaces ; the appeal of closed spaces (interiors, shopping centres) and their appropriation ; the practise of physical activities ; autonomous mobility ; the interest in digital media and familial injunctions to assess the influence of parents and siblings on the relationships that young people have with the city.Conclusions :This article focuses on the necessity of taking an intersectional approach that considers a broad range of variables including gender, age and socio-geographical origin, race in particular, to analyze the relationships between children and teenagers and public spaces. Here we reveal the importance of the passage between interior spaces (homes, schools, youth homes, recreational centres, etc.) and exterior spaces, whether the exploration of streets, parks, gardens and shopping malls remains possible as well studying the relations and tension that exist between families and children, between youths and the managers of these spaces, between youths with and without adult supervision and between youths and adult users of public spaces as both actors and witnesses.Contribution:This article takes a look at the societal and anthropological issues that affect the relationship between public spaces and children and teens in over a dozen cities located in Europe, North America, Northern Africa and the Middle East. It identifies paths of exploration and paths of implementation on this topic.


2016 ◽  
Vol 18 (2) ◽  
pp. 291 ◽  
Author(s):  
Sergio Luis Abrahão

There are many, diverse issues that determine the relationship between citizens and their public urban spaces and, consequently, the significance that these spaces acquire for society as a whole. In totalitarian regimes however, the use of streets and parks as places of protest and resistance against sequestered freedom is not permitted. However, in democratic regimes, the reflections and discourse of architects, urbanists, researchers and policy makers regarding the manner in which public urban space is (or should be) appropriated by the population, has revealed a systematic reinterpretation of these spaces. Indeed, ever since the last decades of the past century, it has become recurrent to associate these physical spaces with the space of political realization. The intention of the present article is to bring the meaning of this association into debate, above all due to the insurgencies from certain segments of our population, which have taken place over recent years, manifestly in the streets, parks and avenues of our cities.


Author(s):  
Lital Levy

A Palestinian-Israeli poet declares a new state whose language, “Homelandic,” is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a “language plague” that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. This book brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, the book presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, the book traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, the book finds writers who have boldly crossed over this divide to create literature in the language of their “other,” as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, the book introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, the book will change the way we understand literature and culture in the shadow of the Israeli–Palestinian conflict.


Author(s):  
Kevin Brazil

Art, History, and Postwar Fiction explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War up to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this book argues that in the postwar period, novelists turned to the visual arts to develop new ways of conceptualizing the relationship between literature and history. The sense that the novel was becalmed in the end of history was pervasive in the postwar decades. In seeming to bring modernism to a climax whilst repeating its foundational gestures, visual art also raised questions about the relationship between continuity and change in the development of art. In chapters on Samuel Beckett, William Gaddis, John Berger, and W. G. Sebald, and shorter discussions of writers like Doris Lessing, Kathy Acker, and Teju Cole, this book shows that writing about art was often a means of commenting on historical developments of the period: the Cold War, the New Left, the legacy of the Holocaust. Furthermore, it argues that forms of postwar visual art, from abstraction to the readymade, offered novelists ways of thinking about the relationship between form and history that went beyond models of reflection or determination. By doing so, this book also argues that attention to interactions between literature and art can provide critics with new ways to think about the relationship between literature and history beyond reductive oppositions between formalism and historicism, autonomy and context.


2021 ◽  
Vol 13 (6) ◽  
pp. 3584
Author(s):  
Shiwang Yu ◽  
Jianxia Bao ◽  
Wen Ding ◽  
Xue Chen ◽  
Xiaonan Tang ◽  
...  

During China’s rapid economic development and urbanization, numerous cases of urban malodorous black river (MBR) have occurred. MBR refers to a polluted urban river that smells bad, is almost black in color, has no aquatic plants or animals, and that consequently causes many social and environmental problems. The Chinese government has sought public participation during the whole process of MBR treatment as part of a comprehensive action plan to improve residents’ satisfaction with their environment. To investigate the influencing factors of public participation and satisfaction, a questionnaire survey was conducted among residential communities close to an MBR. SPSS 22.0 was employed to conduct an analysis of the collected data, using factor analysis, correlation analysis, and linear regression analysis. The results indicate that there is a direct relationship between public satisfaction and the factors of government treatment, public perception and public participation behaviors, such as engagement behavior, supervision behavior, health influence, and compensation measures.


2020 ◽  
Vol 52 (3) ◽  
pp. 42-57
Author(s):  
Siobhan Murphy

The article examines the hybrid genre of screendance portraiture through the example of 52 Portraits by Jonathan Burrows and collaborators (2016). It unpacks three concepts that are foundational to visual art portraiture and suggests how each might apply to screendance portraits: the truth seeking impulse of portraiture; the portrait transaction, and the relationship between likeness, type and seriality. The article shows how 52 Portraits both relies on and departs from the productive counterpoints found within the portraiture tradition. In so doing, the article builds toward an emergent framework for understanding how screendance portraits function.


Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.


Author(s):  
Qiliang He ◽  
Jie Tan

Abstract Moving away from the text-centered paradigm in film studies, the present research explores the relationship between the growing popularity of the film in Shanghai during the first two decades of the twentieth century and city governance in the International Settlement. It argues that the rise of movie halls contributed to creating a new kind of crowd that blended Chinese moviegoers with non-Chinese viewers. The emergence of the cinema as a space where people of different racial and ethnic origins encountered impelled the Shanghai Municipal Council – the governing body of the International Settlement in Shanghai – to respond by implementing new measures of public safety and altering its decades-long unspoken rules of segregation in the realm of everyday life. For Chinese enlightenment intellectuals and government officials, meanwhile, anxiety over their fellow Chinese's lack of basic decorum in public spaces arose with the intense intermingling of Chinese and non-Chinese filmgoers under the same roof. Thus, the cinema became a “contact zone” – a space of asymmetrical relations resulting not necessarily from colonists' exercise of colonial power but from the Chinese elite's wrapping of the discussion of movie theater etiquette reform within a political and ideological framework of modernization, patriotism, and anti-imperialism.


2021 ◽  
Vol 47 (1) ◽  
pp. 96-118
Author(s):  
Tali Hatuka ◽  
Miryam Wijler

This paper focuses on a particular form of protest that emerges in what this paper calls an 'agonistic environment'. It defines the latter as a form of contentious politics within deliberative democracies in which concurrence rather than estrangement is more likely to define the relationship between citizens and the state. It then asks what is the nature of conflict in such environments, and will activism in the settings be more or less likely to generate change. Finally, it considers whether protest in agonistic environments produces a form of shared knowledge among parties to the conflict, particularly with respect to the possibility of change and how best to achieve it? In exploring these questions, the paper focuses on the political dynamics in Israel associated with the wave of African asylum seekers who arrived from 2010 to 2012, most of whom originated from Eritrea and Sudan. Using a quantitative approach, the paper analyses this agonistic environment focusing on two dimensions: (a) protest events; and (b) state policy and juridical decisions as well as legal initiatives aimed at challenging state policy and relevant court decisions. By highlighting the scalar mismatch between protests focused on delimited urban spaces and responses of authorities at the scale of the nation – in this case, legal rulings – the paper further advances our understanding of agonistic conflict and how it produces change.


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