scholarly journals Establishing Lineage Legitimacy and Building Labrang Monastery as “the Source of Dharma”: Jikmed Wangpo (1728–1791) Taking the Helm

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 491
Author(s):  
Rinchen Dorje

The eighteenth century witnessed the continuity of Geluk growth in Amdo from the preceding century. Geluk inspiration and legacy from Central Tibet and the accompanying political patronage emanating from the Manchus, Mongols, and local Tibetans figured prominently as the engine behind the Geluk influence that swept Amdo. The Geluk rise in the region resulted from contributions made by native Geluk Buddhists. Amdo native monks are, however, rarely treated with as much attention as they deserve for cultivating extensive networks of intellectual transmission, reorienting and shaping the school’s future. I therefore propose that we approach Geluk hegemony and their broad initiatives in the region with respect to the school’s intellectual and cultural order and native Amdo Buddhist monks’ role in shaping Geluk history in Amdo and beyond in Tibet. Such a focus highlights their impact in shaping the trajectory of Geluk history in Tibet and Amdo in particular. The historical and biographical literature dealing with the life of Jikmed Wangpo affords us a rare window into the pivotal time when every effort was made to cultivate a vast network of institutions and masters across Tibet. This further spurred an institutional growth of Buddhist transmission, constructing authenticity and authority thereof, as they were closely tied to reincarnation lineage, intellectual traditions, and monastic institutions. In doing so, we also have a good grasp of the creation processes of Geluk luminaries such as Jikmed Wangpo, an exemplar scholar and visionary who faced great opposition from issues with his lineage legitimation at Labrang and among the larger Geluk community.

Author(s):  
Lucia Dacome

Chapter 7 furthers the analysis of the role of anatomical models as cultural currencies capable of transferring value. It does so by expanding the investigation of the early stages of anatomical modelling to include a new setting. In particular, it follows the journey of the Palermitan anatomist and modeller Giuseppe Salerno and his anatomical ‘skeleton’—a specimen that represented the body’s complex web of blood vessels and was presented as the result of anatomical injections. Although Salerno was headed towards Bologna, a major centre of anatomical modelling, he ended his journey in Naples after the nobleman Raimondo di Sangro purchased the skeleton for his own cabinet of curiosities. This chapter considers the creation and viewing of an anatomical display in di Sangro’s Neapolitan Palace from a comparative perspective that highlights how geography and locality played an important part in shaping the culture of mid-eighteenth-century anatomical modelling.


2012 ◽  
pp. 41-63
Author(s):  
Lorenzo Cuccoli

The article focuses on the evolution of the military technical corps in France between the mid-Eighteenth century and the Restoration, and proposes for them the notion of "State corporation". This phase - an intermediate one between the corps de métier and the corps d'État - was attained first by the engineers and the artillery. These corps selected their officers by competitive examination, which functioned both as an intellectual filter and a social one. The distinction generated by this filter - nurtured by an elitist approach based on meritocracy was not overridden by the Revolution. On the contrary, it was further consecrated by the creation of the École polytechnique, which soon became controlled by the military technical corps. The "State corporation" model was then extended through the École polytechnique to the geographical engineers and the civil public services. The institutional conflicts among the technical corps during the National Constituent Assembly and those between them and the École polytechnique (1794-1799) are analyzed along these interpretative lines. While the former show their corporative resistance of geographical engineers in the name of equality, the latter bring out their corporative resistance to external education of candidates.


2020 ◽  
Vol 64 (1) ◽  
pp. 3-23
Author(s):  
Adam Pisarek

This article concerns “living zones of the imagination”—areas of social life in which intensive “interpretive labor” is underway. Thanks to these zones, it is possible to engage in universally accepted exercises that enable a person to “see the world through the eyes of another person” and that yet do not disturb the current socio-cultural order. They provide an important basis for understanding among people, for harmonizing meanings in the sphere of social realities, and for integration that goes beyond certain permanent boundaries and hierarchies. The basic aim of the article is to prove that hospitality, understood as a value in Polish culture, could contribute to a considerable degree to the creation of such zones. The author analyzes the zones’ character, function, and meaning, paying attention to how they resist the expansion of bureaucratic ways of organizing social life. He also draws attention to the influence that an axio-normative pattern could havewithin specific models of behavior and cultural practices.


2013 ◽  
Vol 43 (4) ◽  
pp. 571-598 ◽  
Author(s):  
Seven Ağir

Ottoman reformers' re-organization of the grain trade during the second half of the eighteenth century had two components—the creation of a centralized institution to supervise transactions and the replacement of the fixed price system with a more flexible one. These changes were not only a response to strains on the old system of provisioning, driven by new geopolitical conditions, but also a consequence of an increased willingness among the Ottoman elite to emulate the economic policies of successful rival states. Thus, the centralized bureaucracy and political economy of the Ottoman Empire at the time had remarkable parallels with those in such European states as France and Spain.


2021 ◽  
Vol 6 (3) ◽  
pp. 343-368
Author(s):  
Johan Heinsen

Abstract In Scandinavia, a penal institution known as “slavery” existed from the sixteenth to the nineteenth centuries. Penal slaves laboured in the creation and maintenance of military infrastructure. They were chained and often stigmatized, sometimes by branding. Their punishment was likened and, on a few occasions, linked to Atlantic slavery. Still, in reality, it was a wholly distinct form of enslavement that produced different experiences of coercion than those of the Atlantic. Such forms of penal slavery sit uneasily in historiographies of punishment but also offers a challenge for the dominant models of global labour history and its attempts to create comparative frameworks for coerced labour. This article argues for the need for contextual approaches to what such coercion meant to both coercers and coerced. Therefore, it offers an analysis of the meaning of early modern penal slavery based on an exceptional set of sources from 1723. In these sources, the status of the punished was negotiated and practiced by guards and slaves themselves. Court appearances by slaves were usually brief—typically revolving around escapes as authorities attempted to identify security breaches. The documents explored in this article are different: They present multiple voices speaking at length, negotiating their very status as voices. From that negotiation and its failures emerge a set of practiced meanings of penal “slavery” in eighteenth-century Copenhagen tied to competing yet intertwined notions of dishonour.


Author(s):  
Laura Engel

This essay explores images of actresses, queens and princesses in late-century periodicals. Comparing portraits of Sarah Siddons, Mary Robinson, and Elizabeth Inchbald to images of Queen Charlotte and Princess Charlotte Augusta, Laura Engel argues that periodical portraits function as celebrity pin-ups (versions of the same image) as well as markers of individual character (celebrating specificity and originality), thus participating in the creation of ideas about women’s claim to fame, legitimacy, and visibility. Readers could ‘own’ an image of their favourite player by purchasing a periodical, and could also feel connected to royal women, who resembled their most cherished theatrical stars. At the same time, the legitimacy bestowed on queens and princesses transferred visually to famous actresses who appeared in very similar costumes and poses. Looking closely at the ways in which artists employed similar iconography in these portraits, suggests ways of seeing that, Engel contends, connect to contemporary modes of visual display, particularly to the repetition and serial nature of pictures on Facebook, which promote a sense of intimacy and familiarity with the portrait’s subject that is ultimately a construction. Periodical portraits thus foreground the inherent tension between formality and intimacy highlighted in images of celebrated women.


2016 ◽  
pp. 134-158
Author(s):  
Ashli Que Sinberry Stokes ◽  
Wendy Atkins-Sayre

Chapter five turns to the side dishes on the Southern food table, exploring the connection between the food and the region. Cornbread, grits, and greens are Southern food staples. Whether Southerners eat these foods out of economic constraints or preference, the seasonal and region-bound foods send a message. Their selection is a rhetorical deference to Southern roots based in humble, fresh, seasonal ingredients. The creation of these dishes is an important tie to family roots, with families or even entire communities claiming to have the most authentic take on the food. The chapter delves into the authenticity thread that is apparent in discussions of Southern food and explains the symbolism bound up in food through this concept. Authenticity is one way that we strive to maintain cultural order and show our allegiances to that order. Based on this desire for order and authenticity, this rhetorical work helps define the region.


2021 ◽  
pp. 97-116
Author(s):  
Avriel Bar-Levav

This chapter talks about Jewish rituals that are considered highly dynamic as they constantly evolve, change, and erode once they emerge. It examines the emergence and spread of Jewish rituals between the mid-seventeenth and the beginning of the twentieth centuries, detecting numerous changes that have undergone over time. It also cites newly emergent sensibilities, communication technologies, towering personalities, influential books and other printed materials, and the spread of new ideologies as combined factors that modify or alter the course of Jewish ritual practices. The chapter presents an unknown broadsheet that illustrates Jewish domestic table rituals as they developed in eastern Europe during the eighteenth century. This broadsheet comprises of various texts that are studied and performed at mealtimes and is considered an example of the creation of personalized rituals.


Author(s):  
Alex Eric Hernandez

This chapter explores many of the domestic elements that were central to the creation of bourgeois tragedy in Georgian Britain, focusing especially on George Lillo’s Fatal Curiosity (1736) and his posthumous adaptation of Arden of Faversham (1759; with John Hoadly). The chapter begins by broadening the archive of the genre’s source material, situating its eighteenth-century repertoire alongside the true crime narratives it in many cases adapted, as well as early Stuart predecessors, Shakespeare’s Othello (1603), and Restoration she-tragedy. It thereby claims that the genre represents important advances in realism as it was practiced onstage that worked to exploit the intimacy of the home and stage during the period. This chapter also examines a major theme in contemporaneous theorizations of the genre by considering what it means for a play to “strike close to home,” linking that trope to changes in affect, aesthetics, and performance during the period.


2019 ◽  
pp. 134-170
Author(s):  
Igor Fedyukin

This chapter explores the establishment of the Noble Land Cadet Corps in St. Petersburg (1731), the most important educational institution for the nobility in Russia in the eighteenth century, in the context of court politics of the era. The creation of a military school and its design might be expected to naturally follow from the needs of the army. Instead, the chapter demonstrates that the Corps served as instrument for the self-promotion efforts of its ambitious founder, Field Marshal von Münnich, and that it is due to his unique standing at the court that the school enjoyed imperial patronage and received funding on a scale unimaginable under Peter I. Once established, the Corps became a platform for the enterprising efforts of its faculty and staff and, insofar as these were recruited largely through the Pietists networks, also for their pedagogical experiments that defined the educational profile of this elite school.


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