scholarly journals Creation of a Virtual Museum for the Dissemination of 3D Models of Historical Clothing

2021 ◽  
Vol 13 (22) ◽  
pp. 12581
Author(s):  
Cecile Meier ◽  
Isabel Sanchez Berriel ◽  
Fernando Pérez Nava
Keyword(s):  
Cultural Heritage ◽  
3D Model ◽  
3D Models ◽  
Three Dimensions ◽  
16Th Century ◽  
Digital Content ◽  
Virtual Museum ◽  
Digital Format ◽  
Digital Tablet ◽  
The Web

Museums have been the main centers for the dissemination of cultural heritage throughout history. In recent years, they have been increasingly digitizing their content, so that it is now common for each museum to have free digital content available on the Web. This can be photographs of the works with detailed information or even objects created in three dimensions. It is also common to find virtual museums, which might be a representation of an existing museum that has been digitized or a museum created only in digital format. This paper describes the creation of a virtual museum of Spanish clothing from the 16th century, one that exists only in digital format, accessible from a computer or digital tablet. In order to create the museum, various documentation and drawings or pictures of the clothing of that time were studied. The costumes were then created in a specialized 3D costume-modeling program called Marvelous Designer. A 3D model of the exhibition hall was created in Blender, and finally, everything was assembled in the Unity videogame engine, where the interactive part was also added, allowing the virtual visitors to walk through the hall as if they were visiting a real museum.

scholarly journals FROM ARCHIVE DOCUMENTATION TO ONLINE 3D MODEL VISUALIZATION OF NO LONGER EXISTING STRUCTURES: THE TURIN 1911 PROJECT

2020 ◽  
Vol XLIII-B2-2020 ◽  
pp. 837-844
Author(s):  
D. Einaudi ◽  
A. Spreafico ◽  
F. Chiabrando ◽  
C. Della Coletta
Keyword(s):  
Cultural Heritage ◽  
3D Model ◽  
3D Models ◽  
World's Fair ◽  
Existing Structures ◽  
Present Generation ◽  
Technical Issues ◽  
Digital Documentation ◽  
3D Documentation ◽  
Model Visualization

Abstract. Rebuilding the past of cultural heritage through digitization, archiving and visualization by means of digital technology is becoming an emerging issue to ensure the transmission of physical and digital documentation to future generations as evidence of culture, but also to enable present generation to enlarge, facilitate and cross relate data and information in new ways. In this global effort, the digital 3D documentation of no longer existing cultural heritage can be essential for the understanding of past events and nowadays, various digital techniques and tools are developing for multiple purposes.In the present research the entire workflow, starting from archive documentation collection and digitization to the 3D models metrically controlled creation and online sharing, is considered. The technical issues to obtain a detail 3D model are examined stressing limits and potentiality of 3D reconstruction of disappeared heritage and its visualization exploiting three complexes belonging to 1911 Turin World’s Fair.

scholarly journals Digital Collections and Web 2.0: Investigating Adoption & Participation

2021 ◽  
Author(s):  
◽  
Parul Sharma
Keyword(s):  
Content Analysis ◽  
Cultural Heritage ◽  
Web 2.0 ◽  
North American ◽  
Qualitative Content Analysis ◽  
Digital Content ◽  
Quantitative Content Analysis ◽  
Digital Collections ◽  
Quantitative Content ◽  
The Web

<p>This study explores how cultural heritage institutions (CHIs) have adopted Web 2.0 principles and applications for their digital collections and how users are responding to the Web 2.0-enabled environment in digital collections. The research aims to contribute discussion on whether CHIs have adapted well to the “democratic” nature of Web 2.0. It also aims to contribute discussion on how CHIs can improve their digital collections to better engage with users online. The research used quantitative content analysis to compare the adoption of Web 2.0 applications and principles across archives, libraries and museums and between Australasian and North American CHIs. It also used quantitative content analysis to explore the types of participatory activities offered in Web 2.0-enabled digital collections and the extent to which users have taken advantage of these forms of participation. One particular form of participation, commenting, was investigated using qualitative content analysis, to gain an understanding of how users respond to digital content. The research suggests that libraries are currently leading the adoption of Web 2.0 principles and applications for digital collections. It also appears that Australasian CHIs have been more proactive, compared to their North American counterparts, in making available Web 2.0-enabled digital collections. The research found that CHIs supported a range of different activities in their digital collections but activities encouraging multivocality and user-driven ranking of content were the most popular among both digital collections and their users.</p>

scholarly journals Multiple Visualization Web Approach for Cultural Heritage Objects

2011 ◽  
Vol 6 ◽  
pp. 5-9 ◽  
Author(s):  
Dante Abate ◽  
Graziano Furini ◽  
Silvio Migliori ◽  
Samuele Pierattini
Keyword(s):  
Cultural Heritage ◽  
3D Models ◽  
High Definition ◽  
The World ◽  
Multiple Approach ◽  
Marble Statue ◽  
Cultural Heritage Objects ◽  
The City ◽  
The Web ◽  
Dimension Number

Usually the diffusion and sharing of cultural heritage documented 3D models on the web are not first of concern for scholars due to the fear of losing the intellectual property related to them. Sometimes the interaction and navigation of virtual objects via the World Wide Web is also problematic due to their dimension (number of triangles), when high-definition has to be preserved. In this paper we propose a mash up methodology, for a multiple approach to visualize 3D models over the internet. After the digitization of a marble statue placed in the Medieval Museum of the city of Bologna, according to the well known 3D pipeline (from the laser scan survey to the texturing process), we assembled together different solutions for sharing the model on the web.

scholarly journals UNCERTAINTY VISUALIZATION APPROACHES FOR 3D MODELS OF CASTLES RESTITUTED FROM ARCHEOLOGICAL KNOWLEDGE

2019 ◽  
Vol XLII-2/W9 ◽  
pp. 409-416 ◽  
Author(s):  
T. Landes ◽  
M. Heissler ◽  
M. Koehl ◽  
T. Benazzi ◽  
T. Nivola
Keyword(s):  
Cultural Heritage ◽  
3D Model ◽  
3D Models ◽  
Point Of View ◽  
Historical Documents ◽  
Crucial Importance ◽  
Uncertainty Visualization ◽  
Statistical Measures ◽  
Geometric Point ◽  
The City

<p><strong>Abstract.</strong> In the cultural heritage field, several specialists like archaeologists, architects, geomaticians, historians, etc. are used to work together. With the upcoming technologies allowing to capture efficiently data in the field, to digitize historical documents, to collect worldwide information related to the monuments under study, the wish to summarize all the sources of data (including the knowledge of the specialists) into one 3D model is a big challenge. In order to guarantee the reliability of the proposed reconstructed 3D model, it is of crucial importance to integrate the level of uncertainty assigned to it. From a geometric point of view, uncertainty is often defined, quantified and expressed with the help of statistical measures. However, for objects reconstructed based on archaeological assumptions, statistical measures are not appropriate. This paper focuses on the decomposition of 3D models into levels of uncertainties (LoUs) and on the best way to visualize them through two case studies: the castle of Kagenfels and the Horbourg-Wihr Castellum, both located in Alsace, France. The first one is well documented through still ongoing excavations around its remains, whereas the second one disappeared under the urbanization of the city. An approach enabling, on the 3D models, not only to quantify but also to visualize uncertainties coming from archaeological assumptions is addressed. Finally, the efficiency of the approach for qualifying the proposed 3D model of the reconstructed castle regarding its reliability is demonstrated.</p>

scholarly journals 3D SURVEY AND AUGMENTED REALITY FOR CULTURAL HERITAGE. THE CASE STUDY OF AURELIAN WALL AT CASTRA PRAETORIA IN ROME

2016 ◽  
Vol XLI-B5 ◽  
pp. 931-937 ◽  
Author(s):  
M. Canciani ◽  
E. Conigliaro ◽  
M. Del Grasso ◽  
P. Papalini ◽  
M. Saccone
Keyword(s):  
Augmented Reality ◽  
Cultural Heritage ◽  
Coming Out ◽  
3D Model ◽  
Low Cost ◽  
Conservation Status ◽  
3D Models ◽  
Curtain Wall ◽  
Virtual Reconstruction

The development of close-range photogrammetry has produced a lot of new possibility to study cultural heritage. 3D data acquired with conventional and low cost cameras can be used to document, investigate the full appearance, materials and conservation status, to help the restoration process and identify intervention priorities. At the same time, with 3D survey a lot of three-dimensional data are collected and analyzed by researchers, but there are a very few possibility of 3D output. The augmented reality is one of this possible output with a very low cost technology but a very interesting result. Using simple mobile technology (for iPad and Android Tablets) and shareware software (in the case presented “Augment”) it is possible to share and visualize a large number of 3D models with your own device. The case study presented is a part of an architecture graduate thesis, made in Rome at Department of Architecture of Roma Tre University. We have developed a photogrammetric survey to study the Aurelian Wall at Castra Praetoria in Rome. The surveys of 8000 square meters of surface have allowed to identify stratigraphy and construction phases of a complex portion of Aurelian Wall, specially about the Northern door of Castra. During this study, the data coming out of 3D survey (photogrammetric and topographic), are stored and used to create a reverse 3D model, or virtual reconstruction, of the Northern door of Castra. This virtual reconstruction shows the door in the Tiberian period, nowadays it's totally hidden by a curtain wall but, little and significative architectural details allow to know its original feature. The 3D model of the ancient walls has been mapped with the exact type of bricks and mortar, oriented and scaled according to the existing one to use augmented reality. Finally, two kind of application have been developed, one on site, were you can see superimposed the virtual reconstruction on the existing walls using the image recognition. On the other hand, to show the results also during the graduation day, the same application has been created in off-site condition using a poster.

scholarly journals An Architecture for Mobile Outdoors Augmented Reality for Cultural Heritage

2018 ◽  
Vol 7 (12) ◽  
pp. 463 ◽  
Author(s):  
Chris Panou ◽  
Lemonia Ragia ◽  
Despoina Dimelli ◽  
Katerina Mania
Keyword(s):  
Augmented Reality ◽  
Cultural Heritage ◽  
Real World ◽  
3D Model ◽  
3D Models ◽  
Interest Points ◽  
Historical Information ◽  
The Real ◽  
Heritage Sites ◽  
Past State

In this paper, we present the software architecture of a complete mobile tourist guide for cultural heritage sites located in the old town of Chania, Crete, Greece. This includes gamified components that motivate the user to traverse the suggested interest points, as well as technically challenging outdoors augmented reality (AR) visualization features. The main focus of the AR feature is to superimpose 3D models of historical buildings in their past state onto the real world, while users walk around the Venetian part of Chania’s city, exploring historical information in the form of text and images. We examined and tested registration and tracking mechanisms based on commercial AR frameworks in the challenging outdoor, sunny environment of a Mediterranean town, addressing relevant technical challenges. Upon visiting one of three significant monuments, a 3D model displaying the monument in its past state is visualized onto the mobile phone’s screen at the exact location of the real-world monument, while the user is exploring the area. A location-based experience was designed and integrated into the application, enveloping the 3D model with real-world information at the same time. The users are urged to explore interest areas and unlock historical information, while earning points following a gamified experience. By combining AR technologies with location-aware and gamified elements, we aim to promote the technologically enhanced public appreciation of cultural heritage sites and showcase the cultural depth of the city of Chania.

scholarly journals LE APPLICAZIONI DELLE NUOVE MODALITÀ OPERATIVE MISTE AL RILIEVO DELLA GUGLIA MAGGIORE DEL DUOMO DI MILANO

2014 ◽  
Author(s):  
Carlo Monti
Keyword(s):  
Information System ◽  
Cultural Heritage ◽  
3D Model ◽  
3D Models ◽  
Interesting Case ◽  
The World ◽  
Complex Architectures ◽  
Common Problems

The main purpose of the paper is to discuss how to use 3D models in the world of Cultural Heritage (CH) by focusing on complex architectures. The experience of survey and modelling of the main spire of the Milan’s Cathedral is described. It is as an example, how a detailed real based 3D model is created and used as base for an information system (BIM) that is now at disposal for the maintenance works of the cathedral. The interesting case of study is the chance to present common problems, adoptable solutions and to discuss about the use and implementation of this kind of system for CH.

scholarly journals Blickar och betydelser

2019 ◽  
Vol 16 ◽  
Author(s):  
Johan Eriksson ◽  
Steven Bachelder ◽  
Masaki Hayashi ◽  
Per Widén
Keyword(s):  
3D Model ◽  
3D Models ◽  
Virtual Museum ◽  
Research Project ◽  
Royal Palace ◽  
Art Collection ◽  
The Cross ◽  
Museum Display

During the years 1795–1866 the Swedish national art collection, today’s Nationalmuseum, was on display at the Royal Palace in Stockholm at what was known as Kongl. Museum. This museum consisted of two sculpture galleries adjacent to the palace garden Logården and a paintings gallery and a few more rooms on the second floor. While the sculpture galleries are well known as well as reconstructed in situ, there has been much less research on the display of paintings at the museum. In the cross disciplinary research project »Virtual Museum at the Royal Palace» we are using a digital 3D model to reconstruct the display of paintings in the so-called smaller gallery of the palace, as it was displayed during the period. The reconstruction deals with two different hangings of the gallery, in 1795 and c. 1843, made by the curators Carl Fredric Fredenheim and Lars Jacob von Röök respectively. Our preliminary findings show that, contrary to earlier claims, the two hangings are rather different and constructed on quite different ideologies of museum display, something that is possible to see thanks to the method of using digital 3D-models as a basis for analysis.

scholarly journals SHARING HIGH-RESOLUTION MODELS AND INFORMATION ON WEB: THE WEB MODULE OF BIM3DSG SYSTEM

2016 ◽  
Vol XLI-B5 ◽  
pp. 703-710 ◽  
Author(s):  
F. Rechichi ◽  
A. Mandelli ◽  
C. Achille ◽  
F. Fassi
Keyword(s):  
High Resolution ◽  
Cultural Heritage ◽  
Efficient Solution ◽  
Ad Hoc ◽  
3D Models ◽  
High Resolution Models ◽  
The Web

BIM3DSG system is described here. It is an ad hoc designed BIM system created for Cultural Heritage applications. It proposes some solutions to solve some issues related to the use of BIM in this field. First, it tries to resolve the problem of managing huge, complex, high resolution and heterogeneous 3D models, and then it offers a practical, easy and efficient solution for a wide sharing of data and information.

Sign in / Sign up

Export Citation Format

Share Document