scholarly journals Tafsir Tari Zapin Arab dan Melayu dalam Masyarakat Melayu

2021 ◽  
Vol 4 (2) ◽  
pp. 1266-1273
Author(s):  
Robby Hidajat ◽  
Suyono Suyono ◽  
Joko Sayono ◽  
Muhammad 'Afaf Hasyimy ◽  
Desy Ratna Syahputri ◽  
...  

This article aims to describe and interpret the Zapin Arab and Zapin Malay dances. Zapin dance comes from Arabic and developed within the scope of the Malay community. At first the Zapin dance culture was brought by merchants from Gujarat to various regions in the archipelago in the XV century. Zapin dance has a heroic background, because the movement was originally a sense of uplifting the spirit of the companions of the prophet for war. The development of Zapin Arabic and Malay dances are both expressed in the form of performing arts. The problem in this research is focused on the structure of the Malay zapin dance. In order to approach this problem, the structuralism theory reference from Levi Strauss' model is used. Structural theory is applied to describe Malay society. The data were collected through statements and experiences of sources, observation, and document review, then analyzed descriptively qualitatively. Data analysis uses textual and contestual interpretations, namely interpreting denotative and connotative structures. This study concludes that, (1) the Arabic Zapin dance has Arabic cultural content, and (2) the Malay Zapin dance is an Islamic expression of Malay culture.

2020 ◽  
Vol 8 (5) ◽  
pp. 2410-2413

The objective of this research is to identify the relevancy of National Heritage Act 645 (Act 645) in the efforts of protecting the living person of heritage and disseminating the knowledge and skills of intangible cultural heritage in Malaysia. This recognized living persons also are listed under the NHA 2005, called Living Person Heritage Program (LPHP). The living persons or cultural practitioners who were once actively engaged in traditional performing arts were decreasing due to lack of successors or apprentice after they have passed away or unable to continue the performance. This situation is disturbing because it gives a great loss to the country because of the talent, skills, ability and knowledge possessed by this living person will disappear without having an opportunity to pass it down to younger people. This descriptive research applied a case study method which gives more in-depth information on the subject by an individual or small group of individuals. Expert Interviews and Document Review were the main tools applied in collecting data. The findings indicated that although NHA 2005 do provides a proper protection to these living persons. This is essential because the living persons or cultural practitioners will remain protected as a heritage and tourism product that indirectly will generate income for the country. This study can contribute to the formulation of national policies regarding safeguarding heritage.


Author(s):  
Nuriah Fadliah Husain ◽  
Muhammad Zuhri Dj. ◽  
Musfirah Musfirah

This research studied an EFL textbook entitled “Be smart in English for grade X of Senior High School Linguistics and Cultural Studies” to find out two things within it. Those are the types of culture and cultural meaning represented through its texts and images within the EFL textbook. To determine the types of culture, the researcher uses categorization proposed by Cortazzi and Jin while to reveal the cultural meaning, the researcher uses Pierce’s semiotic principal. The researcher conducts a descriptive qualitative research specifically library research because the researcher got the main data from the document review. In addition, semiotic analysis is used in this research to have a complexity analyzing of the cultural sign. The result of this study shows an imbalance portion of cultural content appearance. The percentage shows in four types of cultures that there are 25 of source culture  appearance (21%), 15 times of target culture appearance (13%), 10 times of International culture appearance (8%), and neutral culture appeared as much 69 times (58%). Then, cultural content that has been analyzed using semiotic analysis presented the cultural content appeared majority from image as much 73 times (61%) and texts as much 46 times (39%).


HUMANIS ◽  
2020 ◽  
Vol 24 (4) ◽  
pp. 409
Author(s):  
Ni Luh Dewi Nirmalasari ◽  
Luh Putu Puspawati ◽  
I Wayan Suteja

This study is entitled “Pupulan Puisi Sangsiah Kélangan Somah Karya I Gdé Nala Antara Analisis Struktur”. Pupulan Puisi Sangsiah Kélangan Somah consists of four poems, namely poem Sangsiah Kélangan Somah, Tresna Uluh Kalarau, Pasah, and Semara Tan Patepi. Pupulan Puisi Sangsiah Kélangan Somah is analyzed by structural theory from Herman J. Waluyo. This study aims to describe the forming structures contained in the Pupulan Puisi Sangsiah Kélangan Somah in the form of physical structures and mental structures. Methods and techniques for providing research data using library and interview methods are supported by document, recording and note taking techniques. The methods and techniques of analyzing research data use descriptive analytic methods, and the hermeneutic method is assisted with translation and note taking techniques. The methods and techniques of presenting data analysis use formal and informal methods and are supported by deductive and inductive techniques. The structures that make up the Pupulan Puisi Sangsiah Kélangan Somah are divided into two, namely the physical structure (diction, imagination, concrete words, figurative speech or language, versification, and typography) and the mental structure (theme, taste, tone, and mandate).


2022 ◽  
Vol 16 (1) ◽  
pp. 130
Author(s):  
Hardi Alunaza ◽  
Mentari Mentari

<p>This research is going to explain the characteristics of spiritual and social values in saman dance culture in gayo community in Aceh. Saman Gayo dance is not only unique but also has original Indonesian cultural values which is one of the media for delivering da'wah messages which contains religious values, manners, togetherness, and educational values. This research on the characteristics of spiritual and social values in the Saman Dance culture in the Gayo community is a descriptive study with a qualitative approach. The data analysis technique in this paper refers to the data analysis technique of Miles and Huberman with three stages, namely data collection, data processing, and drawing conclusions. The data collection technique in this paper is to use data collection methods that are literature study to more accurately research from a scientific perspective. The results of this paper shown that the Gayo Saman Dance has various philosophies such as singing, movement, types of Saman Dance, to its function which of course must be maintained and preserved. In the other hand, Saman Dance is used to strengthen Local Identity, good values ranging from values in the field of education, unity and integrity, friendship.</p>


HUMANIS ◽  
2018 ◽  
pp. 228
Author(s):  
Made Dwi Andini ◽  
I Gde Nala Antara ◽  
I Wayan Suardiana

The title of this paper is “Mythical of Dewi Hariti in Candi Dasa Temple, Bugbug Village, Karangasem; Analyzeof Structure, Function and Meaning”. This paper is using structural theory, function theory and semiotics theory. The aims of this paper is to destribe narrative structure in Dewi Hariti’s mythical in Candi Dasa Temple and analysis the function and the meaning tht contained in Dewi Hariti’s mythical in Candi Dasa Temple. The step of provision the data are using method of interview and method of observation assisted with recording technique and take a note, is making a note for the important things that got from the observation. And then, we analyze the data by quali tative technique. In this stage, is supported by analytis dessritive method at the presentation stage of the data analysis the method is used informal method. Data source is using primary data and secondary data. The narrative structure in Dewi Hariti’s mythical in Candi Dasa Temple, Bugbug Village, Karangasem. There are 7 structure, synopsis, incident, plot, figures, theme, mandate and background. The function contained in Dewi Hariti’s mythical in Candi Dasa Temple are religious meaning and culture meaning.


2021 ◽  
Vol 1 (2) ◽  
pp. 69-80
Author(s):  
Syam Aditya Herlangga ◽  
Bayu Arsiadhi Putra ◽  
Aris Setyoko

Abstract: Turonggo Karyo Budoyo is one of the Jaranan arts groups in the city of Samarinda. This group managed to maintain its existence amidst the reduced public interest in the performing arts of jaranan, especially the youth who should be the successors in preserving local arts. It is done through the creativity offered by the Jaranan Turonggo Karyo Budoyo Art Group, which combines pop songs with jaranan gending in their performances. This study aims to analyze the processes that occur in creativity and describe how the audience's acceptance of creativity. This study uses a qualitative research methodology and a participant approach using 3 (three) stages in the study, namely determining the research location, data collection techniques, and data analysis techniques. Determination of the location aims to focus on the object of research. Data collection techniques include literature study, observation, interviews, and documentation. As for the data analysis technique using data triangulation between researcher observations, interview data, and analyzed documentation. The results of this study can answer the formulation of the problem and research objectives that have been determined. The creative process is carried out through regular practice by paying attention to the budget, duration, and song selection. The process also involves four dimensions of creativity that influence each other: person, process, press, and product. The creativity offered is well received by the public or audience. The community considers combining pop songs with gending to be one way to introduce Javanese art to the broader community, especially young people, to be preserved.   Abstrak: Turonggo Karyo Budoyo merupakan salah satu grup kesenian jaranan yang ada di kota Samarinda. Grup ini berhasil mempertahankan eksistensinya ditengah berkurangnya minat masyarakat terhadap seni pertunjukan jaranan terutama para pemuda yang seharusnya menjadi penerus dalam melestarikan kesenian daerah. Hal ini dilakukan melalui kreativitas yang ditawarkan oleh Grup Kesenian Jaranan Turonggo Karyo Budoyo, yaitu menggabungkan lagu pop dengan gending jaranan dalam pertunjukannya. Tujuan penelitian ini adalah menganalisa proses yang terjadi di dalam kreativitas serta menjabarkan bagaimana penerimaan penonton terhadap kreativitas tersebut. Penelitian ini menggunakan metodologi penelitian kualitatif dan pendekatan partisipan dengan menggunakan 3 (tiga) tahapan dalam penelitian, yaitu menentukan lokasi penelitian, menentukan teknik pengumpulan data serta menentukan teknik analisa data. Penentuan lokasi bertujuan untuk memfokuskan objek penelitian. Teknik pengumpulan data meliputi studi kepustakaan, observasi, wawancara, dan dokumentasi. Adapun untuk teknik analisa data menggunakan tringulasi data antara observasi peneliti, data wawancara, dan dokumentasi yang dianalisis. Hasil penelitian ini mampu menjawab rumusan masalah dan tujuan penelitian yang telah ditentukan. Proses kreativitas dilakukan melalui latihan rutin dengan memperhatikan budget, durasi serta pemilihan lagu. Dalam prosesnya juga melibatkan empat dimensi kreativitas yang saling mempengaruhi, yaitu person (orang), process (proses), press (tekanan), serta product (produk). Kreativitas yang ditawarkan diterima baik oleh masyarakat (penonton). Penggabungan lagu pop dengan gending dinilai masyarakat menjadi salah satu cara memperkenalkan kesenian jawa kepada masyarakat luas terutama para pemuda agar dapat dilestarikan.


2020 ◽  
Vol 3 (2) ◽  
pp. 181-200
Author(s):  
I Komang Sudirga

Purpose: This article examines some works of musical composition which are dissected by the aesthetic approach of postmodernism. Research methods: The method used is a qualitative method by collecting data through observation, literature review, and document review (discography). Data analysis uses tri angulation of data from raw data collection (scripts), selection, processing, to drawing conclusions. Results and discussion: The idioms along with the aesthetic characteristics of postmodernism are applied to uncover the phenomenon of postmodernity in musical compositions with diverse ideas and perspectives. Even now, there have been a variety of new terms such as new music for new gamelan which are conceptually not familiar to the public and need to be discussed further.Implication: Various musical phenomena as well as aesthetic concepts have moved towards musical progression which not only breaks down shapes and structures but also musical understanding that has undergone a paradigm referring to the 'deconstruction' concepts of the search for identity in the era of local-global aesthetic struggles.


2021 ◽  
Vol 11 (4) ◽  
pp. 385-390
Author(s):  
Fery Setyaningrum ◽  
◽  
Heni Siswantari ◽  

His study aims to describe the implementation of the decorative reliefs of the Borobudur temple flora on the batik motifs of PGSD FKIP UAD students. The research method that will be used is qualitative with a case study approach. Data collection techniques were carried out by interview, observation, and document review. Data analysis techniques that will be used in the form of data reduction, data presentation and drawing conclusions. The results of the study were the implementation of various relief batik motifs through the reliefs of the flora of the Borobudur temple on the work of PGSD UAD students. The motifs that appear in the decorative motifs made by students are geometric and non-gemetric batik motifs combined with flora reliefs in the form of frangipani trees, lotus trees, banana trees and lotus trees. Student works are in the form of 2-dimensional works with the identification of elements of straight, curved, zigzag and irregular lines, geometric expressions, organic expressions, multi-angled faces, and irregular shapes. and tertiary, playing dark and light, applying the principles of composition work. Keywords: Decorative Variety, Batik Motif, Relief


2021 ◽  
Vol 58 (1) ◽  
pp. 5241-5252
Author(s):  
Ni Made Ruastiti, I Komang Sudirga, I Gede Yudarta

The paper aims to analyze the appreciation of Innovative Wayang Wong performing arts. It is interesting to know because the Innovative Wayang Wong performing arts through digital media is appreciated by Bali's millennial generation. The primary data obtained through observation and interviews with representatives of the Wayang Wong and Wayang Wong ‘Cupu Manik Astagina’ audience in Denpasar. The data analysis was carried out in qualitative manner. The results show that: (1) The innovative Wayang Wong performance art through digital media is staged by presenting a new Wayang Wong model equipped with advanced technology for the preservation of Balinese culture, the promotion of entertaining and educational culture; (2). The innovative Wayang Wong performance through digital media received a positive response especially Balinese teenagers from the millennial generation. Although audience cannot enjoy Wayang Wong performances directly, they can enjoy them through digital channels.


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