scholarly journals Bhagavatamela during the Maratha Period of Tanjore

2021 ◽  
Vol 3 (3) ◽  
pp. 60-67
Author(s):  
Jesintha S ◽  
Chitra A
Keyword(s):  
Systematic Approach ◽  
Research Work ◽  
Political Factors ◽  
Art Form ◽  
Art Forms ◽  
Art And Culture ◽  
Complete Study ◽  
History Of ◽  
Performing Artist ◽  
Rich History

Our Tamil land has a rich history of art and culture. The popularly known ‘Muthamizh’ namely ‘Iyal’ – text or poetry, ‘Isai’ – music and ‘Nadagam’ – theatre has undergone various changes over a period of time due to various social and political factors in the society. Nevertheless, there are few art forms which follow the tradition with its original flavour. One such is the ‘Bhagavata Mela Nadakam’ which is an art form systemized during the Marata’s empire. This research work talks about it in detail. Marata’s period (17th to 19th century AD) is believed to be the glorious period for many art forms. During this period Bhagavata Mela gained its popularity with the patronage of the kings. With the support of literary evidences this research work aims at a detailed study of the patronage extended by the kings and about the growth of Bhagavata Mela and how it was systemized. Marata period plays a very important role for the growth of ‘Bhagavata Mela’. This work gives a detailed study on the systematic approach followed in Bhagavata Mela. An authority supervised the performing artist. There were certain rules to be strictly followed by the artist. They were honored with various titles and gifts, even with pieces of land sometimes. The Bhagavata Mela artists were also appointed as poets in King’s court during the Marata period. There are more such interesting facts. This research deals with the complete study of the evolution and growth of the Bhavata Mela during the Marata period including such interesting information.

scholarly journals The importance of Vasanthan Kooththu (Art Form) songs in revealing the existence of human social and professional life

2021 ◽  
Vol 3 (2) ◽  
pp. 56-64
Author(s):  
Thushyanthi Sathiyajith
Keyword(s):  
Folk Music ◽  
Music Performance ◽  
Professional Life ◽  
Sri Lankan ◽  
Social Character ◽  
Agricultural Industry ◽  
Art Form ◽  
The Social ◽  
Art Forms ◽  
Art And Culture

The culture of a community plays a major role in narrating the history and life of that particular community. This culture includes various aspects such as religion, ritual, faith, food, customs or practices as well as art and culture. Among these aspects, art is not only for entertainment; but it is also for exposing the social character and tradition of that particular community. The undeniable thing here is the factor that art forms in every country, and in every region are not only to create entertainment but also to preserve the antiquity of their existence up to now. In that respect, Vasanthan Kooththu, one of the Sri Lankan Tamil art forms, is a notable art form in that category. Even though this art form is found in Batticaloa and Jaffna areas, they have differences between each other. This study focuses on the songs of Vasanthan Kooththu performed in the Katuthavalai area of ​​Batticaloa. This type of Kooththu is an art form of tapping and dancing with two sticks in the hands; however, these sticks are also used to express the function of the meaning of the song with dance. Even though this type of Kooththu is a dance form, the greatness of the songs used in this Kooththu is significant. There are 62 types of Vasanthan poems have been in use in the Art Form performances. These have been compiled around the year 1940. These 62 genres of songs are divided into six genres and compiled, namely 'Kattiyam', 'Thoththiram', 'Sariththiram', 'Tholil', 'Vedikkai', 'Vilaiyaattu' and are still in the practice during Kooththu performance. As mentioned earlier, these Kooththu song systems emphasize the art expression of the culture of a community. The songs related to the professions or job involved in these Kooththu songs express the whole series of activities of the agricultural industry. The reason that these Kooththu songs to aim to explore only a specific industry is to be explored. It is vital to discover this factor; and this article explores about how these Kooththu songs are still in operation today as a popular form of folk music performance to describe a particular social professional life, beyond globalization trends, imposition and blends of colonization thinking. This article also explores the significance of these Kooththu songs hold, the importance they have gained in the life of people as well as the value that these Kooththu songs have even today.

scholarly journals “Museum Construction Should Be Science-Based”: On the History of the Conceptual Model of the Museum in the Early Soviet Period

2020 ◽  
pp. 133-137
Author(s):  
Vitaly G. Ananiev ◽  
Keyword(s):  
Conceptual Model ◽  
Research Work ◽  
Academic Community ◽  
Soviet Period ◽  
Community Research ◽  
Art And Culture ◽  
Source Studies ◽  
History Of ◽  
Research And Education ◽  
Academy Of Sciences

The 1917 Revolution had a significant impact on all aspects of life in Russia. The museum field also experienced its influence. The new conceptual framework of culture determined the soon formation of a new conceptual model of the museum. Its final codification occurred after the First All-Russian Museum Congress in 1930. However, in order to better understand the specific features of this model, it is necessary to consider its prehistory. Such an understanding is the aim of this article. The author analyzes materials from the St. Petersburg Branch of the Archive of the Russian Academy of Sciences, which has not previously attracted researchers’ attention. He uses classical methods of source studies (textology and historical source criticism) and close reading as the main epistemological tool for research. These are materials from the commission established in August 1920 to prepare for the unification of the Hermitage and the Russian Museum into a single Museum of World Art and Culture. The new authorities made this decision on August 2, 1920. The commission included representatives of the academic world and representatives of the new government. The meeting was headed by S.A. Zhebelev, a prominent professor of ancient history. Very soon, the commission turned to the consideration of general issues of the museum. At several of its meetings, it discussed the question of the relationship between basic museological functions: research and education. This issue was not considered in the abstract dimension, but through the specifics of museum work, in particular, of exhibition activities. All the participants recognized the importance of the educational activities of the museum, but at the same time recognized these activities as subordinate to research work. Representatives of the new power almost did not participate in this discussion, although they actively expressed themselves and debated on other issues, for example, on the question of the direct merging and redistribution of museum collections. Another issue that arose in connection with the discussion of museum functions was the issue of training museum professionals. In general, the nature of the discussed issues and the very content of the discussion demonstrate that Russian museology passed through an empirically-descriptive stage in its development during this period. Representatives of the new government did not yet actively intervene in the development of the model of an ideal museum. For representatives of the academic community, research was more important than education as a basic museum function.

scholarly journals Beyond Sound in Sound Art: Society and Politics in the Art of Yasunao Tone and Akio Suzuki

2020 ◽  
pp. 19-26
Author(s):  
Joseph Tham Chin Pang
Keyword(s):  
Sound Art ◽  
The Other ◽  
Late 20Th Century ◽  
Early 21St Century ◽  
Art Form ◽  
The Social ◽  
Art Forms ◽  
History Of ◽  
Political Conditions ◽  
The Times

The history of sound art has been a case of displacement and misplacement. It has been displaced due to the nature of the medium – sound, a phenomenon that is heard and felt but not seen. In a visually dominated world like ours, this spells the relegation of the importance of sound and audio sensitivity in a human’s perception, cognition and consciousness. It is misplaced as it is more often categorically subsumed under the other art form, music. Sound art is in fact one of the most ancient of art forms when the name of Greek god of wind, Aeolus, was used to name the Aeolian harp. Sound art has often been defined, in the late 20th century and early 21st century and by academics and critics, as a novel form of art. Once again it is another case of displacement and misplacement. The two case studies which will be discussed in this paper will foreground the social and political contexts of the artists as well as their responses to these socio-­political conditions to demonstrate that sound art, just like any other art forms like paintings, music and theatre, is reflexive of the times of the creators, and more.

The Social Origins and Provenance of the English Bishops during the Reign of Edward II

1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards
Keyword(s):  
Middle Ages ◽  
Social Background ◽  
Early Career ◽  
The Political ◽  
Social Origins ◽  
Political Activities ◽  
Edward Ii ◽  
The Social ◽  
Complete Study ◽  
History Of

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.

FORMATION AND DEVELOPMENT OF RURAL ARCHITECTURE IN THE FORMER KETSKAYA VOLOST

2020 ◽  
Vol 22 (2) ◽  
pp. 9-28 ◽  
Author(s):  
E. V. Sitnikova
Keyword(s):  
Cultural Heritage ◽  
18Th Century ◽  
Scientific Methods ◽  
Architectural Analysis ◽  
Tomsk Region ◽  
History Of ◽  
The Rich ◽  
Rural Architecture ◽  
The Village ◽  
Rich History

The article considers the historical and cultural heritage of villages of the former Ketskaya volost, which is currently a part of the Tomsk region. The formation of Ketsky prison and the architecture of large settlements of the former Ketskaya volost are studied. Little is known about the historical and cultural heritage of villages of the Tomsk region and the problems of preserving historical settlements of the country.The aim of this work is to study the formation and development of the village architecture of the former Ketskaya volost, currently included in the Tomsk region.The following scientific methods are used: a critical analysis of the literature, comparative architectural analysis and systems analysis of information, creative synthesis of the findings. The obtained results can be used in preparation of lectures, reports and communication on the history of the Siberian architecture.The scientific novelty is a study of the historical and cultural heritage of large settlements of the former Ketskaya volost, which has not been studied and published before. The methodological and theoretical basis of the study is theoretical works of historians and architects regarding the issue under study as well as the previous  author’s work in the field.It is found that the historical and cultural heritage of the villages of the former Ketskaya volost has a rich history. Old historical buildings, including religious ones are preserved in villages of Togur and Novoilinka. The urban planning of the villages reflects the design and construction principles of the 18th century. The rich natural environment gives this area a special touch. 

Wegvoeringen en weggevoerden tijdens de meidagen van 1940

2014 ◽  
Vol 73 (3) ◽  
pp. 250-259
Author(s):  
Etienne Verhoeyen
Keyword(s):  
Decision Making ◽  
Large Majority ◽  
The Political ◽  
Extreme Right ◽  
Political Decision ◽  
Belgian Society ◽  
Complete Study ◽  
History Of ◽  
Risky Business ◽  
Political Decision Making

Met dit boek levert Frank Seberechts een nagenoeg volledige studie af van een van de minder fraai kanten van de Belgische samenleving in 1940: de administratieve arrestatie en de wegvoering naar Frankrijk van enkele duizenden personen (de ‘verdachten’), Belgen of in België verblijvende vreemdelingen. De extreem-rechtse en pro-Duitse arrestanten hebben na hun vrijlating dit feit politiek in hun voordeel uitgebaat, waardoor volledig in de schaduw kwam te staan dat de overgrote meerderheid van de weggevoerden joodse mensen waren die in de jaren voor de oorlog naar België waren gevlucht. Dat het beeld van de wegvoeringen niet volledig is, is grotendeels te wijten aan het feit dat de meeste archieven die hierop betrekking hebben tijdens de meidagen van 1940 vernietigd werden. Met name de politieke besluitvorming over de wegvoeringen vertoont nog steeds schemerzones, zodat het vastleggen van verantwoordelijkheden ook vandaag nog een gewaagde onderneming is.________Deportations and the deported during the Maydays in 1940 By means of this book Frank Seberechts provides an almost complete study of one of the less admirable sides of Belgian society in 1940: the administrative arrest and the deportation to France of some thousands of people (‘the suspects’), Belgians or foreigners residing in Belgium. The extreme-right and pro-German detainees politically exploited this fact after they had been freed, but this completely overshadowed the point that the large majority of the deported people were Jews who had fled to Belgium during the years preceding the war. This incomplete portrayal of the deportations is mainly due to the fact that most of the archives relating to the events had been destroyed during the Maydays of 1940. The history of the political decision-making about the deportations in particular still shows many grey areas and it is therefore still a risky business even today to determine which people should be held accountable.

scholarly journals The Return of National Self-Sufficiency? Excavating Autarkic Thought in a De-Globalizing Era

2021 ◽  
Author(s):  
Eric Helleiner
Keyword(s):  
Intellectual History ◽  
International Political Economy ◽  
Economic Thought ◽  
John Maynard Keynes ◽  
New Politics ◽  
Self Sufficiency ◽  
National Economic ◽  
History Of ◽  
High Degree ◽  
Rich History

Abstract As the global crisis triggered by the COVID-19 virus unfolded, The Economist magazine published a cover in May 2020 titled “Goodbye globalization: the dangerous lure of self-sufficiency.” The title summed up well the new political interest in the ideology of national economic self-sufficiency in the pandemic context. Unfortunately, contemporary textbooks in the field of international political economy (IPE) say little about this kind of “autarkic” thought. No survey of the history of autarkic thought exists even within specialist IPE literature or in the fields of intellectual history and the history of economic thought. Filling this gap in existing scholarship, this article highlights a rich history of autarkic thought that includes the ideas of famous thinkers such as Jean-Jacques Rousseau, Johann Fichte, Mohandas Gandhi, and John Maynard Keynes. Three core rationales for a high degree of national self-sufficiency have been advanced in the past: (1) insulation from foreign economic influence, (2) insulation from foreign political and/or cultural influence, and (3) the promotion of international peace. At the same time, considerable disagreements have existed among autarkists about some of these rationales and their relative importance, as well as about the precise meaning of national self-sufficiency. These disagreements stemmed not just from differences in their specific goals but also from the different conditions across time and space in which autarkic thought was developed. In addition to improving understanding of the autarkic ideological tradition, this article contributes to emerging scholarship attempting to overcome Western-centrism in IPE scholarship as well as literature exploring the new politics of de-globalization in the current era.

Global Pests, National Pride, Local Problems, and the Crisis of Hungarian Wine, 1867–1914

2021 ◽  
pp. 1-16
Author(s):  
Robert Nemes
Keyword(s):  
World War I ◽  
World War ◽  
Folk Culture ◽  
Wine Production ◽  
National Imagination ◽  
Local Problems ◽  
History Of ◽  
Trade And Exchange ◽  
Rich History

Abstract Hungary has a long, rich history of wine production. Historians have emphasized wine's importance to the development of both the Hungarian economy and Hungarian nationalism. This article ties together these historiographical threads through a case study of a small village in one of Hungary's most famous wine regions. Tracing the village's history from the 1860s to World War I, the article makes three main claims. First, it demonstrates that from the start, this remote village belonged to wider networks of trade and exchange that stretched across the surrounding region, state, and continent. Second, it shows that even as Magyar elites celebrated the folk culture and peasant smallholders of this region, they also cheered the introduction of what they saw as scientific, rational agriculture. This leads to the last argument: wine achieved its place in the pantheon of Hungarian culture at a moment when the local communities that had grown up around its production and stirred the national imagination were undergoing dramatic and irreversible change.

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