scholarly journals How to Read Carnatic Music on Violin

2021 ◽  
Vol 6 (2) ◽  
pp. 70-75
Author(s):  
Sujatha Niranjan
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Present Form ◽  
16Th Century ◽  
Musical Performances ◽  
Carnatic Music ◽  
South Indian ◽  
Stringed Instrument ◽  
Indian Music ◽  
Main Instrument

The violin is a major stringed instrument in South Indian music. It is played as the main instrument in Carnatic music and as an accompaniment to musical performances such as vocals. This is not the heritage instrument of India. Today there is no concert without Carnatic music. Thus it plays an important role in Carnatic music.The present form of this violin was composed in 16th century Italy. The violin, a folk instrument, was first used in South Indian music in the 18th century. It is also more important than any other instrument. It also plays an important role in major concerts. There are many reasons why it is played as the main instrument in Carnatic music more than any other instrument. It has developed to the point where it can be read more than any other instrument in the 20th century for various performances such as vocals, other instrumental events, orchestras, and dance performances. It is also found that Carnatic musicians (male/female) can adjust their pitch to suit their convenience. Since its introduction to Carnatic music, many great scholars have read and succeeded in Carnatic music. In addition, it plays a very important role in Palliya music and has a wide place in Carnatic music.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

scholarly journals PERANG BUBAT, REPRESENTASI SEJARAH ABAD 14 DAN RESEPSI SASTRANYA

2018 ◽  
Vol 10 (1) ◽  
pp. 51
Author(s):  
Yeni Mulyani Supriatin
Keyword(s):  
Data Collection ◽  
20Th Century ◽  
18Th Century ◽  
The Other ◽  
16Th Century ◽  
Historical Aspect ◽  
14Th Century ◽  
Literary Structure ◽  
The Will ◽  
The Difference

Penelitian ini bertujuan mengungkap peristiwa Perang Bubat yang terjadi pada abad ke-14 atau tahun 1357 M dan resepsi sastranya. Masalah yang dibahas adalah bagaimana latar belakang terjadinya Perang Bubat, reaksi, dan tanggapannya. Teori yang digunakan adalah resepsi sastra. Metode untuk pengumpulan data adalah kualitatif dengan menerapkan prinsip resepsi sastra. Hasil penelitian menggambarkan bahwa terjadinya Perang Bubat adalah Raja Sunda tidak tunduk pada kehendak Gajah Mada dan Gajah Mada ingin menyatukan Nusantara. Resepsi sastra terhadap Perang Bubat dapat dikelompokkan menjadi 3, yaitu resepsi dari aspek kesejarahannya, resepsi pengaruhnya terhadap penciptaan karya baru, dan resepsi terhadap struktur sastra.  Simpulan penelitian ini adalah peristiwa Bubat diresepsi setelah dua abad berlalu, yaitu pada abad ke-16  dan peristiwa tersebut diresepsi ulang pada abad ke-20-an. Hasil resepsi sastra  dari abad ke-18 sampai dengan abad ke-20 cukup beragam. Keberagaman resepsi itu menunjukkan bahwa terdapat perbedaan horizon harapan pembaca.  This study aims to reveal the events of the Bubat War that occurred in the 14th century or the year 1357 AD and literary receptions that emerged after the incident occurred. The issue discussed is how the background of the Bubat War and the reactions and responses to the event through literary receptions. The theory used in analyzing data is literary receptions. The method used for data collection is qualitative by applying the principle of literary receptions. The results of this study illustrate that the background of the Bubat War have two versions and both controversial, the first version because the King of Sunda entourage do not obey to the will of Gajah Mada, on the other hand, the second version is that Gajah Mada tactics in unifying the archipelago while the Kingdom of Sunda is a state that has not been submitted. Literary receptions to the War of Bubat can be grouped into three, they are the reception of its historical aspect, the reception of its influence on the creation of new works, and the reception of the literary structure. The conclusion of this research is  Bubat event was perceived after two centuries passed, in the 16th century and the event was redrawn in the 20th century. Results of literary receptions in the 18th century until the 20th century quite diverse. The diversity of the receptions shows the difference in the horizon of readers' expectations.    

scholarly journals Michel de Montaigne and the Power of Language

Verbum ◽  
2015 ◽  
Vol 5 ◽  
pp. 156-165
Author(s):  
Svetozar Poštić
Keyword(s):  
20Th Century ◽  
16Th Century ◽  
The Novel ◽  
Michel De Montaigne ◽  
Russian Philosopher ◽  
Power Of Language ◽  
Christian Thought ◽  
Main Instrument ◽  
Style Of Writing

This essay argues that the main instrument Montaigne, 16th-century French thinker and writer, used for creating a “new ontology,” as Nicola Panichi calls it (2004, 278), was language and a special style of writing. He, first of all, created – or revived from the Antiquity – a new genre most suitable for a new discourse, and christened it essai. Then he applied a method known in humanist schools of the Renaissance as ultraquem partem to relativise all previous thought. Finally, he employed a thorough, frank examination of his own behaviour, habits and preferences, adorned with Latin sentences, to promote self-analysis as a path to personal contentment. This article applies the theory of Bakhtin, a 20th-century Russian philosopher and sociolinguist, especially his essay “Discourse in the Novel” (“Слово в романе”), in the analysis of the peculiarity of Montaigne’s composition and its purposefulness in expressing at that time dangerous, but already prevalent worldview. Since battling medieval Christian thought was the paramount assignment of his endeavour, the quotes are mostly taken from Montaigne’s only essay – and by far the longest in the three-volume collection – entirely dedicated to religion, “Apologie de Raimond Sebond.”

The Ottoman Maghrib, 1505–1830

2020 ◽  
Author(s):  
Stephen Cory
Keyword(s):  
Ottoman Empire ◽  
20Th Century ◽  
18Th Century ◽  
Local Population ◽  
16Th Century ◽  
Military Officers ◽  
Southern Coast ◽  
Local Identities ◽  
Nation States ◽  
The 19Th Century

Between 1505 and 1830, the foundations were laid for the modern nation-states of Algeria, Tunisia, and Libya. Of these three countries, only Tunisia had established a clear independent identity prior to the 16th century. Early in that century, all three regions came under the control of the Ottoman Empire, mostly in response to attempts by European powers to create strongholds along the southern coast of the Mediterranean Sea. By the end of the 16th century, the Ottomans had implanted their traditional provincial governments in the regions of Algiers, Tunis, and Tripoli, complete with governors (pashas), who ruled with the assistance of administrative officials known as beys, and a cohort of Janissary troops. Thus, governance was carried out by a foreign military caste with limited connections to the local population. These governments derived much of their income from corsair enterprises launched against European ships under the leadership of captains known as raises, many of whom were European converts to Islam. During these three centuries, Tunis and Tripoli would develop nominally independent hereditary dynasties that were initially founded by Ottoman officials who ruled in cooperation with local religious, political, and tribal elites. In Algiers, power remained in the hands of military officers known as deys. This situation became increasingly unstable throughout the 18th century, eventually resulting in the French conquest of Algeria in 1830. Over the course of the 19th century, rising European influence would enable the French to take power in Tunisia in 1881 and the Italians to occupy Libya in 1911. Thus Ottoman rule ended in the Maghrib, but the local identities developed in these states under Ottoman sovereignty eventually led to the rise of nationalist movements in all three countries and the achievement of independence by the mid-20th century.

Seismic Vulnerability of the Dey’s Palace (Algiers, Algeria)

2010 ◽  
Vol 133-134 ◽  
pp. 789-794
Author(s):  
Amina Abdessemed-Foufa ◽  
Hayet Bendjedia
Keyword(s):  
20Th Century ◽  
Seismic Vulnerability ◽  
18Th Century ◽  
16Th Century ◽  
The Third ◽  
Defensive Structure ◽  
Visual Screening ◽  
The City

The Palace of the Dey at Algiers is located inside the Citadel of Algiers which was built in the 16th century (1516) by ‘Arrudj (Barbarous). The citadel is located at the higher part of the city and was the first military building at that time. The citadel was the janissary barracks and initially contained a powder keg, a walk, Janissaries residence places and their mosque. Starting from the 18th century appear new constructive strata. In 1716 some part of this military edifice was destroyed by an earthquake. In 1783 the Spanish bombarded Algiers and a bomb fell into the first storey of the palace. The architectural transformations took place in 1817 when the Dey ‘Ali Khūdja lived at the janissary’s barracks. Thereafter and during 12 years several buildings were added to this whole defensive structure as the second and the third floors of the palace, the Dey’s mosque, the bath, the Bey’s palace and the winter garden. During the French colonization, the palace undergoes other transformations as the destruction of most of the rampart of the city contiguous to the palace which caused its instability and which until today accentuates its vulnerability. The lack of maintains, the abandonment and the bad restoration which took place during the 20th century increased this vulnerability. This work based on a visual screening will present the various aspects of vulnerability due to static weaknesses of the angles and absence of wind-bracing of this palace.

scholarly journals Zachowane regesty z ksiąg metrykalnych parafii narolskiej z XVII-XVIII wieku

2021 ◽  
Vol 8 ◽  
pp. 163-209
Author(s):  
Henryk Gmiterek
Keyword(s):  
Eastern Europe ◽  
20Th Century ◽  
19Th Century ◽  
New Records ◽  
18Th Century ◽  
16Th Century ◽  
Early 20Th Century ◽  
The Town ◽  
The Church ◽  
Made In

Rozwój badań nad zachowanymi księgami metrykalnymi (urodzeń, zawieranych małżeństw i zgonów) ma pierwszorzędne znaczenie nie tylko dla uszczegółowienia ustaleń genealogicznych poszczególnych rodów czy rodzin, ale przede wszystkim dla pogłębienia wiedzy o lokalnych społecznościach i zachodzących w ich obrębie procesów społecznych. Uprzystępnienie w różnych formach badaczom tej kategorii masowych źródeł historycznych może się w dłuższej perspektywie przyczynić do wyraźnego poszerzenia naszej wiedzy o różnorodnych zjawiskach demograficznych i stosunkach społecznych w obrębie żyjących przed wiekami pokoleń. Słowa kluczowe: Narol, parafia Narol, szlachta województwa bełskiego, genealogia The Extant Entries from the Narol Parish Records of the 17th – 18th Century The parish in Narol was established by Florian Łaszcz Nieledewski in 1595, in a village existing from the mid-16th century, near which he founded the town of Florianów (now Narol) in 1592. Visitations by bishops of Chełm, in whose dioceses Narol was located, confirm that the parish records (births, marriages) were kept from the very beginnings of the parish but in the autumn of 1648 they were destroyed during the Cossack-Tatar invasion (most probably burnt). The new records were kept from 1650. In the early 20th century they were seen in the Narol church by Karol Notz, famous in Galicia (Eastern Europe) for making inventories of historic relics. In 1914, the parish books were burnt during the fire of the town and the church. Their only known traces, discussed in the present publication, are excerpts/copies made in the mid-19th century by Ludwik Zieliński, which mostly refer to the noble families connected with Narol. The overwhelming majority of the 546 extracts are birth entries, only 29 being records of marriages.

scholarly journals Por descontado. Creación de un marcador de evidencia

2019 ◽  
Author(s):  
Francisco Javier Herrero Ruiz de Loizaga
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Prepositional Phrase ◽  
16Th Century ◽  
Dominant Form ◽  
The 19Th Century

This paper studies the development of por descontado and the previous construction por de contado, which is attested from the 18th century. It comes from the prepositional phrase de contado, which originally had the meaning ‘in cash’, but in the 16th century acquires also the value ‘on the spot’. This slip is possible because what is paid in cash is paid on the spot. A subsequent slip leads to the value ‘of course’. Since the end of the 19th century, there are constructions of the type dar o tener por descontado, with the meaning ‘take for granted’, in which por descontado is a predicative complement of a noun clause. Given the similarity in meaning between these constructions and por de contado, there was a formal interference that led to the appearance of por descontado as a formal variant of the marker por de contado. This variant is attested from the beginning of the 20th century, and from the second half it becomes the dominant form.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

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