scholarly journals BENTUK PERLINDUNGAN HUKUM TERHADAP PEMEGANG HAK TERKAIT (NEIGHBOURING RIGHTS)

2019 ◽  
Vol 3 (1) ◽  
pp. 20-35
Author(s):  
Zulvia Makka

ABSTRAKHak terkait adalah hak yang berkaitan dengan hak cipta yang merupakan hak ekslusif bagi pelaku pertunjukan, producer fonogram, atau lembaga penyiaran. Berdasarkan pengertian hak terkait tersebut maka dapat dipahami bahwa yang merupakan pemilik hak terkait adalah pelaku pertunjukan, produser fonogram (lebih dikenal sebagai produser rekaman), dan lembaga penyiaran. Perlu adanya perlindungan untuk pelaku karena pelaku pertunjukan memiliki hak moral dan hak ekonomi yang terdapat pada pasal 23 UUHC. Yang memuat pada pelaku pertunjukan yang tidak dapat dihilang atau tidak dapat dihapus dengan alasan apapun. Namun pada prakteknya seringkali hak terkait ini dikesampingkan, karena lingkup perlindungan tidak hanya mencakup hak ekonomi dan hak moral. Permasalahan diatas menimbulkan isi hukum bentuk perlindungan terhadap hak terkait menurut undang-undang Hak Cipta dan perolehan Hak Terkait dalam Hak Cipta Isu hukum ini diteliti dengan menggunakan metode dengan tipe penelitian Normatif.Bentuk pelindungan Hukum terhadap Hak Terkait menurut Undang-Undang Hak Cipta terdiri dari 2 (dua) yaitu, perlindungn hukum preventif dan perlindungan hukum represif. Perolehan hak terkait dalam UUHC yaitu hak moral dan hak ekonomis. Hak moral pelaku pertunjukan merupakan hak yang melekat pada pelaku pertunjukan yang tidak dapat dihilangkan atau tidak dapat dihapus dengan alasan apapun walaupun hak terkait telah dialihkan. Hak Ekonomi Pelaku Pertunjukan adalah suatu hak yang diberikan oleh Undang-undang secara eksklusif kepada Pencipta untuk untuk memanfaatkan keuntungan suatu ciptaan yang biasanya berupa publikasi suatu salinan ciptaan atau fonogram supaya dapat tersedia untuk publik dalam jumlah tertentu. Kata Kunci : Perlindungan, Hak Terkait, Hak Moral, Hak Ekonomi  AbstractRelated rights are rights relating to copyright which are exclusive rights for performers, producer phonograms, or broadcasters. Based on the understanding of related rights, it can be understood that those who are related rights holders are performers, phonogram producers (better known as record producers), and broadcasting institutions. There needs to be protection for the perpetrators because the performers have the moral rights and economic rights contained in article 23 of UUHC. Which includes the performers who cannot be lost or cannot be removed for any reason. But in practice often these related rights are ruled out, because the scope of protection does not only cover economic rights and moral rights. The above issues give rise to the contents of the law in the form of protection of related rights according to the Copyright law and the acquisition of Related Rights in Copyright This legal issue is examined using methods with normative research types.The form of legal protection against Related Rights according to the Copyright Act consists of 2 (two), namely, preventive legal protection and repressive legal protection. The acquisition of related rights in the UUHC is moral rights and economic rights. The moral rights of performers are the rights inherent in the performers who cannot be removed or cannot be removed for any reason even though the related rights have been transferred. The Economic Rights of Performers is a right granted by the Law exclusively to the Creator to utilize the benefits of a work which is usually in the form of the publication of a copy of a work or phonogram so that it can be available to the public in a certain amount. Keywords: Protection, Related Rights, Moral Rights, Economic Rights

Author(s):  
Sabine Jacques

This chapter examines the relationship between parody and an author’s moral rights. It first traces the evolution of the concept of moral rights as a means of providing protection not only of the authors’ personal interests but also the public interest before discussing the reasons why moral rights might conflict with parodies. It considers two competing theories underlying the protection of authorial interests—the ‘monist’ theory and the ‘dualist’ theory—and their implications for the parody exception. It also explains how jurisdictions differ in the nature and scope of protection afforded to moral rights, noting that the parody exception in ‘copyright’ law does not extend to moral rights. The chapter goes on to explore the author’s paternity and integrity rights as well as their right against false attribution. It shows that, in the case of parodies, an overlap exists between the regimes applied to moral and economic rights.


2019 ◽  
Vol 8 (2) ◽  
pp. 354
Author(s):  
Riska Andi Fitriono ◽  
Sarwono .

This article aimed to analyze legal protection of Lurik Art Conservation Through <br />Intellectual Property Rights in Klaten Regency. Klaten is the area that is most<br />concerned with the survival of lurik weaving. There is someone mentioned that the<br />Klaten Regency was the capital of lurik weaving. Because the weaving of Looms<br />are not machines or Alat Tenun Bukan Mesin (hereinafter abbreviated to ATBM) <br />is a mainstay of this city. There are countless villages that become centers of lurik <br />craftsmen. This research is empirical or non-doctrinal research, which is a study<br />that sees the law not only from the perspective of legislation, but also sees the law<br />in its implementation. The results of the study show that the first legal protection in<br />preserving the current lurik art in Klaten, namely the Klaten Regency Government,<br />then stipulates the Regent's Regulation Number 53 of 2010 Article 23 Paragraph (9)<br />on the Daily Batik and Traditional Weaving Lurik Service or ATBM Striated and<br />the Klaten Regent's Decree Number : 065/1014/06 December 30, 2010 on Wearing<br />Traditional Weaving, Motives, Colors and Free Models with Attributes. Furthermore,<br />based on the Decree of the Regent of Klaten Number 050/84 of 2016 on Klaten<br />Regency's Superior Products, batik striated is one of the superior products of Klaten<br />Regency. With the issuance of these rules as an effort to protect and preserve lurik<br />art in Klaten district and referring to Law Number 28 of 2014 on Copyright, it has<br />regulated the forms of protection of lurik art in Klaten through Article 40 paragraph<br />(1). The Second Protection of Intellectual Property Rights Against Lurik Art, namely<br />Protection of lurik artworks, besides being accommodated in Law Number 28 of 2014<br />on Copyright (Copyright Law) and Trademark Law and other intellectual property<br />right laws. Elucidation of Article 40 paragraph (1) letter j of the Copyright Law. The<br />work is protected because it has artistic value, both in relation to the picture, style,<br />and color composition. The Copyright Act also emphasizes that it is important to<br />protect Copyright because every creator, in this case, the creator of the lurik motif<br />has the right to moral rights and economic rights.


2020 ◽  
Vol 8 (8) ◽  
pp. 1129
Author(s):  
Nusan Indah Permata Sari ◽  
Anak Agung Gede Agung Dharma Kusuma

Tujuan penulisan jurnal ilmiah ini adalah untuk mengetahui pengaturan permainan video dalam Undang-Undang Hak Cipta dan mengetahui bagaimana perlindungan hukum hak cipta terhadap pelanggaran permainan video. Tulisan ini menggunakan metode penelitian hukum normatif dengan menggunakan pendekatan perundang-undangan. Hasil dari penelitian ini menunjukkan bahwa terdapat kekaburan norma pada Undang-Undang Hak Cipta yaitu pada ketentuan pasal 40 ayat (1) huruf r “permainan video”. Kekaburan norma ini terlihat jelas karena tidak adanya penjelasan lebih lanjut terkait dengan pengertian permainan video serta pengklasifikasiannya. Selain itu terlihat jelas pula bahwa terdapat kekosongan norma terkait dengan sanksi bagi pelanggar hak moral pencipta yang tidak dilakukan tidak untuk kegiatan komersiil. Selanjutnya kesimpulan kedua bahwa permainan video merupakan salah satu objek dari suatu ciptaan yang dilindungi oleh Undang-Undang Hak Cipta yang perlindungannya berlaku selama 50 tahun sejak permainan video tersebut dipublikasikan.  Berdasarkan ketentuan pasal 95 Undang-Undang Hak Cipta, pencipta atau pemegang hak cipta atau ahli waris dari pencipta permainan video dapat mengajukan tuntutan ganti rugi ke Pengadilan Niaga kepada pelaku pelanggaran hak ekonomi pencipta permainan video.   The purpose of this scientific journal is to know the rules of the video games in the Copyright law and to know how the copyright legal protection against video games violations. In this paper, the research method used is normative legal research which uses a statutory approach. The result of this journal are indicate there is a blurry norm in Article 40 paragraph letter r of Copyright law. The ambiguity of norm is cleary seen because there is no further explanation related to the understanding of video games and their classification and it is also cleary that there are void norm related to sanction for violators of the creator’s moral rights wich are not carried out not for commercial activities. Then, the second conclusions is that video games are one of the object of a creation that get protection from Copyright laws, the protection os valid for 50 years since the video games was published. Based on the Article 95 of Copyright law, the creator or copyright holder or the heirs of creator of video games can submit compensations claims to the Commersial Court to the perpretators of violations of the economic rights of the video games creator’s.


Author(s):  
Kim Treiger-Bar-Am

Copyright gives an author control over the presentation of her work. Economic rights afford control over copies, and the noneconomic rights known as moral rights afford control over changes. An author’s moral rights remain with her even after she sells her economic rights in copyright. The excessive control that copyright offers to copyright owners may be limited by cementing these authorial rights, for all authors. Some elements of copyright law allow the meaning of a work as perceived by its audience to develop and evolve. The strengthening of that support by extending rights to the public will further restrict copyright’s excesses.


Jurnal Akta ◽  
2018 ◽  
Vol 5 (1) ◽  
pp. 141
Author(s):  
Dimas Hamdanniam ◽  
Akhmad Khisni

ABSTRAKPenelitian ini bertujuan mengkaji dan menganalisa: (1) penggunaan audio populer dalam pembuatan video menggunakan aplikasi dubsmash melanggar hak cipta ditinjau dari UUHC. (2) peran dari Notaris dalam perlindungan hukum terhadap pencipta dalam hal adany penggunaan audio populer yang membuat video menggunakan aplikasi dubsmash tanpa izin (3) kendala dan solusi dalam perlindungan hukum terhadap pencipta.Hasil penelitian ini adalah: (1) Pelanggaran atas penggunaan audio populer dalam pembuatan video menggunakan aplikasi dubsmash ditinjau dari UUHC dapat dikategorikan sebagai perbuatan yang termasuk pelanggaran hak ekonomi dimana Pencipta atau pemegang hak ekonominya terenggut. (2) Peran dari Notaris dalam perlindungan hukum terhadap pencipta dalam hal adanya penggunaan audio populer yang pembuatan video menggunakan aplikasi Dubsmash tanpa izin ditinjau dari UUHC adalah sebagai konsultan yang terdaftar pada Direktorat Jendral. Perlindungan hukum hak cipta terhadap pencipta lagu yang diunduh melalui internet dapat dilakukan dengan cara yaitu secara hukum administrasi negara, hukum pidana dan hukum perdata. (3) Kendalanya adalah terikatannya pencipta aplikasi Dubsmash ketika mengupload dengan ketentuan dari Mobile Motion dan dalam hal penyidikan dilakukan oleh PPNS berdasarkan surat perintah penyidikan yang dikeluarkan oleh pejabat yang memiliki kompetensi terhadap hak cipta. Solusinya adalah dengan upaya preventif dan represif. Upaya preventif dilakukan dengan melakukan pencatatan hak cipta pencipta aplikasi Dubsmash atas karya ciptanya dan peran pihak pemerintah melalui Kementerian Informasi dan Teknologi untuk berperan lebih aktif dan upaya represif dilakukan dengan cara penegakan hukum berdasarkan Pasal 113 Ayat (3) UUHC.Saran dari penelitian ini adalah bagi para editor aplikasi dubsmash hendaknya harus lebih memperhatikan ketentuan hukum dalam bidang Hak Cipta di indonesia sebagaimana diatur dalam UUHC, bagi para masyarakat hendaknya mengindahkan UUHC sehingga hak pencipta dapat dilindungi.Kata kunci : Hak Cipta, Audio Populer, Dubsmash ABSTRACTThe purpose of this study is to examine and analyze: (1) the use of popular audio in video creation using copyright infringing dubsmash apps reviewed from UUHC. (2) the role of a Notary in the legal protection of the creator in terms of the use of popular audio which makes the video use unauthorized dubsmash applications (3) constraints and solutions in the legal protection of the creator.The results of this study are: (1) Violation of the use of popular audio in the making of video using dubsmash application viewed from UUHC can be categorized as an act which includes violation of economic rights where the Creator or his economic rights holder is taken away. (2) The role of the Notary in the legal protection of the creator in the case of the use of the popular audio-making video using the unlicensed Dubsmash app reviewed from UUHC is as a consultant registered with the Directorate General. Such provisions have privileges, as they comply with the principles of the establishment of good legislation. The protection of copyright law against songwriters downloaded through the internet may be done in a manner that is legally state administration, criminal law and civil law. (3) Constraints and solutions in the legal protection of the creator in the form of weakness of the application of compensation sanction to the offender in accordance with the value of the loss of exclusive rights in the form of moral rights and economic rights of the creator and the copyright holder. And the solution is through copyright registration through Notary to obtain legal certainty over the copyrights.Suggestion from this research is for editor of dubsmash application should have to pay more attention to legal provisions in the field of Copyright in Indonesia as regulated in UUHC, for the society should heed UUHC so that the rights of creator can be protected for the sake of nation development.Keywords: Copyright, Popular Audio, Dubsmash


2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Bias Lintang Dialog

The cases of Copyright infringement in the form of plagiarism is done on the internet at the current often take place between them on social media, blogs and websites done by academics and non-academics by internet users. Copyright infringement is very harmful form of plagiarism is certainly given to copyright are moral rights and economic rights that need to be protected, and should receive protection. This study was conducted to examine and analyze the legal protection of the papers on the internet media if the legal consequences of copyright infringement against papers on the internet media and remedies that can be done if the creators of written works was plagiated by others . In order to achieve the objectives and obtain the data, this research using normative juridical approach qualitatively using secondary data in the form of legislation , legal documents and other legal materials. The results of this study stated that the papers found on the internet is protected by Article 12 of the Law of Copyright and reinforced by Article 25 of the Law on Information and Electronic Transactions . If plagiarism is used by a person or a group of academics then used Minister of Education Regulation  No. 40 of 2010 regarding the prevention of plagiarism . Due to the law of copyright infringement can be a claim for damages , fines and or imprisonment in accordance with the rules of the Copyright Act and, where academics will be subject to administrative sanctions and when done in social media it will be socially sanctioned . Legal remedies that can be done by the creators of the paper when his rights are violated can be through settlement through litigation and non-litigation in accordance with the rules of the Copyright Act . Keywords : Protection Law , Papers , Media Internet


2021 ◽  
Vol 2 (1) ◽  
pp. 89-94
Author(s):  
Ni Made Harini ◽  
I Nyoman Putu Budiartha ◽  
Desak Gde Dwi Arini

Copyright gives an exclusive title to the work of the author which is granted by law as an award. The copyright function protects creators from copyright infringement. This study aims to explain the form of legal protection for music and song copyright owners in royalty payments by the Indonesian copyright works foundation and to describe what factors influence royalty payments and dispute resolution efforts faced by music and song copyright holders in royalty payments by the Karya Foundation. Indonesian copyright. This type of research is an empirical legal research with a conceptual approach to legal issues of fact and sociology. The data sources used were primary and secondary legal materials. The results of the study indicated that copyright is regulated in Law Number 28 of 2014 concerning Copyright. The form of copyright law protection, namely legal protection of moral rights and legal protection of economic rights. Creators and the KCI Foundation have rights and obligations, in the process of paying royalties experiencing several obstacles and supporters experienced by the KCI Foundation creators and copyright users. Dispute settlement efforts through alternative arbitration and court dispute resolution.


2020 ◽  
Vol 53 (4) ◽  
pp. 535-574
Author(s):  
Boas Kümper

The report surveys in two parts the development of the law on project-related planning and thus relates in particular to the planning and approval of space-consuming infrastructure projects such as traffic routes and power lines. For this purpose, German administrative law has long provided for the specific instrument of plan approval (Planfeststellung). In this context, the Federal Administrative Court has extensive first-instance jurisdiction and uses this to shape large parts of German approval law, including beyond the actual area of plan approval law, be it in terms of legal protection and procedure, be it with regard to the requirements of substantive environmental law. On the other hand, the revision of the law on environmental protection induced by the decisions of the Aarhus Compliance Committee and the European Court of Justice has been used by the German legislator to extend procedural specifics of the plan approval to other approval decisions of environmental relevance. This firstly indicates the contours of a general law on project approval and, secondly, the nature of the plan approval as an instrument for the implementation of projects in the public interest is more strongly emphasized.


2020 ◽  
Vol 2 (1) ◽  
pp. 95-114
Author(s):  
Mahadiena Fatmashara ◽  
Muhamad Amirulloh ◽  
Laina Rafianti

ABSTRAKSalah satu instansi pemerintah di Jawa Barat, menggunakan logo yang diciptakan oleh pegawai dari instansi tersebut. Pembuatan logo tidak diperjanjikan khusus, sehingga pencipta tidak mendapatkan royalti (materiil dan ekonomi). Hal tersebut menarik untuk dikaji mengenai Implementasi Prinsip Alter ego yang berkaitan pada hak cipta seseorang yang mengakui pencipta sebagai pemilik hak tertinggi. Pencipta memiliki hak alamiah untuk memanfaatkan ciptaannya dan mempertahankan ciptaannya terhadap gangguan apapun dari pihak lain. Metode penelitian yang digunakan dalam penulisan ini bersifat deskriptif analitis guna memperoleh gambaran peraturan perundang-undangan yang berlaku dikaitkan dengan teori-teori hukum dan praktek pelaksanaan hukum positif. Pendekatan yang digunakan dalam penelitian ini adalah yuridis normatif, dengan cara meneliti bahan pustaka yang disebut data sekunder yang terdiri dari bahan hukum primer, literatur-literatur, artikel-artikel, pendapat dan ajaran para ahli serta implementasinya dalam praktek. Apabila dilihat pada Pasal 35 ayat (1) dan (2) Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta tidak terpenuhi. Meskipun instansi pemerintah tidak bertujuan untuk kegiatan komersial. Namun hak moral dan hak ekonomi hakikatnya wajib dilaksanakan sesuai dengan prinsip perlindungan Hak Kekayaan Intelektual. Perlindungan Hukum terhadap pencipta atas logo tetap harus diakui. Kata kunci: alter ego; hak cipta; hak moral; logo; instansi pemerintah. ABSTRACTOne of the government agencies in West Java, using a logo created by employees of the agency. Logo creation is not specifically promised, so creators do not get royalties (material and economic). It is interesting to review the Implementation of Alter ego Principles relating to the copyright of a person who recognizes the creator as the owner of the highest right. The Creator has the natural right to utilize his creation and defend his creation against any interference from the other party.The research methods used in this writing are analytically descriptive to obtain an overview of the prevailing laws and regulations associated with legal theories and the practice of implementing positive laws. The approach used in this study is normative juridical, by examining library materials called secondary data consisting of primary legal materials, literature, articles, opinions, and teachings of experts and their implementation in practice.If viewed in Article 35 paragraph (1) and (2) of Law No. 28 of 2014 on Copyright is not fulfilled. Although government agencies do not aim for commercial activities. But moral rights and economic rights must essentially be implemented in accordance with the principles of intellectual property protection. Legal protection of creators over logos must still be recognized.Keywords: alter ego; copyright; government agencies; logo; moral rights.


Jurnal Akta ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 481
Author(s):  
Arif Budi Pamungkas ◽  
Djauhari Djauhari

An auction is an activity of selling of goods in public by means of a verbal-bid to get the higher price or to get lower prices and the price quote can be done in a closed and written. This is done by the way of collecting the prospective buyers of the auction led by officials of the auction. In this case, the intended auction was the sale of goods that are held publicly. The auction, according to the regulations of security right, is when the debtor made a breach, the holder of the security rights have the right to sell the security rights’ objects over its own power through a public auction as well as taking payment of account receivable from the sale proceeds. An auction is an alternative to the sale of an undertaken asset by way of inviting prospective buyers at a particular time and place in which the last highest bidder in writing or orally is determined as the winner. The author used socio-legal research as his research method. To meet the forth standards set by the law, the auction should be widely announced to the public, either through printed file, electronic or visual. A legal certainty as a basis which concerned with propriety and justice is very closely related to the principle of auction sales in another. As the formulation of the problem of the form of identification of the problem, namely how the legal protection of the auction buyers encountered the obstacles as well as the solution.Keywords: Auction; Legal Protection; Mortgage Right


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