scholarly journals Análisis de una red colaborativa basado en el uso de un sistema informático que permite compartir auto en un ámbito universitario

Author(s):  
Marco Antonio Hernández-Pérez ◽  
Marco Antonio González-Silva ◽  
Rogelio Basurto-Flores ◽  
Yair Félix Olvera-Mejía

A technological model that has had great growth is the linking of people through virtual groups created in digital media, also called social networks. This article presents an analysis of a collaborative social network whose design is based on the organizational structure of a university. By means of implementing a computer system that promotes a service of car sharing, and thus improve the transport conditions of its community, it is possible to find symmetrical and asymmetric relationships that they come of common user association rules in the university. Based on this study, the behavior of the network can be predicted thanks to the observed behavior patterns of users. These predictions are of great help in the planning of future activities where the network is expected to have certain collaborative behavior among its individuals when it comes to performing actions with a common benefit and achieve goals planned in the future.

2014 ◽  
Vol 6 (1) ◽  
pp. 98-118
Author(s):  
Coral Houtman ◽  
Maureen Thomas ◽  
Jennifer Barrett

Purpose – The purpose of this paper is to address the advantages of education and training in creating the “Audiovisual/Digital Media Essay” (AV/DME), starting from visual and cinematic thinking as a way of setting up, developing and concluding an argument. Design/methodology/approach – Recognising the advantages to education and training of the “AV/DME” this paper explores ways of enabling visually disciplined students to work on film theory within their chosen medium, and to develop arguments incorporating audiovisual sources, using appropriate academic skills. It describes a hands-on BA/MA workshop held at Newport Film School (May 2011) and subsequent initial implementation of an examinable DME. The paper contextualises the issue in the light of practice-led and practice-based research and of parity with written dissertations. Drawing on analysis of in-depth interviews with students and tutors, it makes practical recommendations for how to resource, staff and support the implementation and continuation of the AV/DME and/or dissertation. Findings – The paper feeds back from both students and staff on the running of an initial AV/DME workshop and finds that the Film School Newport is suited to running the AV/DME and suggests a framework for its support. Research limitations/implications – The study needs to be followed up when the students complete their full dissertations. Practical implications – The AV/DME needs sufficient technical and human resources to support student learning. Originality/value – The paper provides a clear and original framework for teaching, supporting and assessing the AV/DME. This framework can be disseminated beyond the University of Wales Newport, and can be used to teach the AV/DME in further contexts and to wider groups of students.


2019 ◽  
Author(s):  
Fadilla Saputri

Culture is closely related to how people's behavior patterns are reflected in daily life. One of the cultural targets discussed in this scientific work is related to the influence of culture on student behavior patterns. Differences in patterns of student behavior will look different according to the culture of their respective regions. Not only limited to the local culture but also the culture that indirectly they always apply in the area or their own home village. Other cultural aspects are also seen in terms of the approach to residence of students in overseas areas around the university. Some of the approaches taken are related to cultural influences on student behavior related to factors of origin, birth innate factors, as well as residential or boarding factors.


2012 ◽  
Vol 28 (5) ◽  
Author(s):  
Josh McCarthy

<span>This study explores the efficacy of the online social networking site </span><em>Facebook</em><span>, for linking international digital media student cohorts through an e-mentoring scheme. It reports on the 2011 collaboration between the University of Adelaide in Australia, and Penn State University in the United States. Over one semester, twelve postgraduate students in Australia and ten undergraduate students in the United States took part in an online mentor scheme hosted by </span><em>Facebook</em><span>. Students were required to submit work-in-progress imagery each week to a series of galleries within the forum. Postgraduate students from Adelaide mentored the undergraduate students at Penn State, and in turn, staff and associated industry professionals mentored the Adelaide students. Interaction between the two student cohorts was consistently strong throughout the semester, and all parties benefitted from the collaboration. Students from Penn State University were able to receive guidance and critiques from more experienced peers, and responded positively to the continual feedback over the semester. Students from the University of Adelaide received support from three different groups: Penn State staff and associated professionals; local industry professionals and recent graduates; and peers from Penn State. The 2011 scheme highlighted the efficacy of </span><em>Facebook</em><span> as a host site for e-mentoring and strengthened the bond between the two collaborating institutions.</span>


Author(s):  
Kaveri Subrahmanyam ◽  
Adriana Manago

The Children’s Digital Media Center @ Los Angeles studies young people’s interactions with digital media – with a focus on the implications of these interactions for their offline lives and long-term development. Founded by Professor Patricia Greenfield, Distinguished Professor at the University of California, Los Angeles (UCLA), USA, the Center is a collaborative effort of researchers at the UCLA and the California State University, Los Angeles, USA. CDMC@LA researchers have been at the forefront of research on children’s and adolescents’ use of media ranging from early media forms such as television and video games to more recent ones including various applications on the Internet such as chat rooms, social networking sites, and YouTube. This entry presents an overview of the Center – its history, researchers and collaborators, research focus, and major contributions.


Author(s):  
Ángel M. Delgado-Vázquez

The objective of the Research Support Services of the Universidad Pablo de Olavide Learning and Research Resource Center is to contribute to the improvement of the research processes as well as to maximize the results obtained and their evaluation. To this end, it offers bibliographic information and reference services, advice on the processes of publication, and evaluation, both individual and collective; standardization and digital academic identity; and, of course, training in all these areas within the context of the intensive use of digital media. For some years now, the LRRC's training of researchers has focused on the use of digital media as a part of the research process and has also integrated into the research staff training plan of the university that manages the corresponding service with which the LRRC collaborates very actively.


Leonardo ◽  
2011 ◽  
Vol 44 (2) ◽  
pp. 168-169
Author(s):  
Ross Rudesch Harley

Most universities offer centralized web resources that are designed to help staff and students manage their learning experience. The author suggests that these closed systems, variously called Virtual Learning Environments (VLE) or Learning Management Systems (LMS), are not the best solution for digital-media arts education. Instead, external user-centric web services should be allowed to flow into the university web systems. In this way students and teachers increase their participation in the broader production (and critique) of knowledge in the media arts and other disciplines.


PMLA ◽  
2018 ◽  
Vol 133 (3) ◽  
pp. 678-685
Author(s):  
John Marx ◽  
Mark Garrett Cooper

Cathy N. davidson'S the new education: how to revolutionize the university to prepare students for a world in flux challenges us to address nonacademics, and to update our teaching, by focusing on the big picture. She calls on us to rise above departmental politics and the tribalism of disciplinary debates. Instead of engaging in those familiar struggles, we should be talking with our neighbors and our elected representatives about the advantages of eliminating letter grades; the virtues of pedagogies that are learner-centered, collaborative, and project-based; the perils of specialization; the damage that departments do by stifling change; the promise of educational technology if divorced from the profit motive; the myth that STEM degrees lead directly to career success; and, of course, the need for public reinvestment in higher education. Each of these talking points draws energy from Davidson's contention that digital media have rendered industrial models of education obsolete.


2016 ◽  
Vol 9 (2) ◽  
pp. 66-88 ◽  
Author(s):  
Michael A. Peters

This special issue focused on ‘Digital Media and Contested Visions of Education’ provides an opportunity to examine the tendency to hypothesise a rupture in the history of the university. It does so by contrasting the traditional Humboldtian ideals of the university with a neoliberal marketised version and in order to ask questions concerning evaluations of the quality of higher education within a knowledge economy. Theorising the rupture has led to a variety of different accounts most of which start from an approach in political economy and differ according to how theorists picture this change in capitalism. Roughly speaking the question of whether to see the political economy of using social media in higher education from a state perspective or a network perspective is a critical issue. A state-centric approach is predisposed towards a reading that is based on a critical realist approach of Marxist political economy (Jessop 1993). By contrast an approach that decentres the state and focuses on global networked finance capitalism ironically grows out of a military-university research network created by the U.S. government. Arguably, networks, not states, now constitute the organising global structure (Castells 2009) and while state-centric theory with hierarchical structures are still significant, relational, selforganising and flexible market networks have become the new unit of analysis for understanding the circuits of global capital (Peters 2014; Peters 2009). However, states still have a role to play in norming the networks or providing the governing framework in international law.


2020 ◽  
Vol 12 (3) ◽  
pp. 351-364 ◽  
Author(s):  
Gbolahan Olasina

Digital media have developed to facilitate new forms of engagement with heritage and allow traditional life to showcase its past history, thus potentially broadening interest to a broader landscape of audience. The research responds to calls for a better understanding of cultural expression using digital media by exploring the affordances and utilization of digital forms on users. Also, it is essential to examine the magnitude of the associations. Accordingly, the research analyses the interaction between cultural expressions and digital media use. The aims of the investigation are informed by behavioural theories to add depth and texture. The methodological framework is framed by a survey questionnaire method. The sample size is drawn from undergraduate students at the University of Ilorin, Nigeria, using the simple random scheme. The study informs practice, enhances our understanding of digital media while improving user experiences and sheds new insights on self-preservation, values and co-producing heritage assets.


2014 ◽  
Vol 32 (2) ◽  
pp. 206-218 ◽  
Author(s):  
Issam Bendib ◽  
Mohamed Ridda Laouar ◽  
Richard Hacken ◽  
Mathew Miles

Purpose – The overwhelming speed and scale of digital media production greatly outpace conventional indexing methods by humans. The management of Big Data for e-library speech resources requires an automated metadata solution. The paper aims to discuss these issues. Design/methodology/approach – A conceptual model called semantic ontologies for multimedia indexing (SOMI) allows for assembly of the speech objects, encapsulation of semantic associations between phonic units and the definition of indexing techniques designed to invoke and maximize the semantic ontologies for indexing. A literature review and architectural overview are followed by evaluation techniques and a conclusion. Findings – This approach is only possible because of recent innovations in automated speech recognition. The introduction of semantic keyword spotting allows for indexing models that disambiguate and prioritize meaning using probability algorithms within a word confusion network. By the use of AI error-training procedures, optimization is sought for each index item. Research limitations/implications – Validation and implementation of this approach within the field of digital libraries still remain under development, but rapid developments in technology and research show rich conceptual promise for automated speech indexing. Practical implications – The SOMI process has been preliminarily tested, showing that hybrid semantic-ontological approaches produce better accuracy than semantic automation alone. Social implications – Even as testing proceeds on recorded conference talks at the University of Tebessa (Algeria), other digital archives can look toward similar indexing. This will mean greater access to sound file metadata. Originality/value – Huge masses of spoken data, unmanageable for a human indexer, can prospectively find semantically sorted and prioritized indexing – not transcription, but generated metadata – automatically, quickly and accurately.


Sign in / Sign up

Export Citation Format

Share Document