scholarly journals THE CONCEPT OF IMAGE IN CONTEMPORARY CINEMATOGRAPHY AND ITS CLASSIFICATION

2020 ◽  
pp. 275-289
Author(s):  
Sayram SOBIROVA
Keyword(s):  
General Category ◽  
Integral System ◽  
Its Analysis ◽  
Works Of Art ◽  
Dialectical Philosophy ◽  
Special Approach

It is well known that cinema has one of the important roles in shaping the worldview of a person and culture with certain features. For this reason, the development of the young generation's ability to perceive works of art and the formation of their aesthetic views, as well as timely and effective satisfaction of the emerging needs, is of particular importance. In this sense, it seems more relevant to show not only the graphic row but the full-fledged images in films. When analyzing and interpreting images based on the achievements of modern cinematography, recognizing each film as an integral system, as well as the role of the image in the system of the constituent components of the film should be established on the basis of dialectical philosophy and dialectical categories and laws of logic. Although the image is a general category for all types of art, its analysis and interpretation require a special approach based on the specifics of each type.

Russian Museum of Emperor Alexander III as a place of memory

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky
Keyword(s):  
Comparative Analysis ◽  
Historical Consciousness ◽  
Russian Society ◽  
Museum Collection ◽  
Works Of Art ◽  
History Of ◽  
The Creation ◽  
Historical Representations

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.

USING SOCIAL NETWORK PARADIGM FOR DEVELOPING A CONCEPTUAL FRAMEWORK IN CRM

2011 ◽  
Vol 01 (04) ◽  
pp. 63-71
Author(s):  
Mohammad Javad Mosadegh ◽  
Mehdi Behboudi
Keyword(s):  
Social Networks ◽  
Social Network ◽  
New Media ◽  
Conceptual Framework ◽  
Customer Relationship Management ◽  
Relationship Management ◽  
Customer Relationship ◽  
Its Analysis ◽  
Analysis Tools

This study develops a conceptual framework for applying social networks in usual CRM models. Recent changing in customer relationship theme and putting new media and network-based paradigm into practice makes it imperative to find how social networks affect CRMs. Accordingly, this study explains the role of social networks in customer relationship management by using its analysis, tools and aspects of this concepts based on CRM models. We have provided a SCRM framework that is based on usual CRM models and incorporates Social networks and its tools, methods and analysis. The framework is combination of Social networks concept and traditional CRM concepts.

scholarly journals The Concept of “New Life” as a Powerful Psycholinguistic Element in the Inaugural Addresses of the U.S. Presidents

2020 ◽  
Vol 9 (33) ◽  
pp. 8-16
Author(s):  
Maria Shutova ◽  
Svitlana Mudrynych
Keyword(s):  
Political Discourse ◽  
Political Language ◽  
Complex Needs ◽  
Inaugural Addresses ◽  
Word Combination ◽  
The Common ◽  
Special Approach ◽  
Ethnocultural Community ◽  
The U.S

The article deals with the concept of “new life” in the inaugural addresses of the U.S. presidents. A political language, as a reflection of people’s behavior in a certain ethnocultural community, is under the consideration. The investigation of political language caused the special approach to the analysis of lexical units that comprise the semantic group “novelty”. Based on this analysis a group of words that have the common sema “new” was singled out. The means of expressions and stylistic devices that presidents used to express the idea of “new life” were determined. The presidents make people believe in their ability to take new actions and change the situation, lead the nation to new, better life. Adjective “new” is often used by the presidents in context of the necessity to revitalize old values, to renew the nation spiritually. Analysis of inaugural address of American presidents showed that ideas of “new life” run through the entire speech of every president. In this article the role of the idea of “new life” in inaugural addresses of American presidents and means of its conveying has been studied. Model of a “new life” can be rather complex, needs more or less strong argumentation. The very word-combination the “better life” predetermines that this life should be different from the existing one, i.e. new. Thus concept of “new life” plays important role in political discourse. Consequently, our research may be understood not only as belonging to a narrow sphere of analysis of political discourse but to wider branch of science – linguistic political science.

scholarly journals Who’s Afraid of the Audience? Digital and Post-Digital Perspectives on Aesthetics

2014 ◽  
Vol 3 (1) ◽  
pp. 120-130 ◽  
Author(s):  
Lotte Philipsen
Keyword(s):  
Immanuel Kant ◽  
Digital Technology ◽  
Aesthetic Experience ◽  
The Other ◽  
Artistic Practice ◽  
Works Of Art ◽  
Practical Analysis ◽  
The Way

This article analyses how works of art that make use of or refer to digital technology can be approached, analysed, and understood aesthetically from two different perspectives. One perspective, which I shall term a ‘digital’ perspective, mainly focuses on poetics (or production) and technology when approach- ing the works, whereas the other, which I shall term a ‘post-digital’ perspective, focuses on aesthetic experience (or reception) when approaching the works. What I tentatively and for the purpose of practical analysis term the ‘digital’ and the ‘post-digital’ perspectives do not designate two different sets of concrete works of art or artistic practice and neither do they describe different periods.[1] Instead, the two perspectives co-exit as different discursive positions that are concretely ex- pressed in the way we talk about aesthetics in relation to art that makes use of and/or refers to digital technology. In short: When I choose here to talk about a digital and a post-digital perspective, I talk about two fundamentally different ways of ascribing aes- thetic meaning to (the same) concrete works of art. By drawing on the ideas of especially Immanuel Kant and Dominic McIver Lopes, it is the overall purposes of this article to ana- lyse and compare how the two perspectives understand the concept of aesthetics and to discuss some of the implications following from these understandings. As it turns out, one of the most significant implications is the role of the audience. 

scholarly journals Vladimir Favorsky. Epic style. Kirghiz series of drawings

2016 ◽  
Author(s):  
Елена Владимировна Грибоносова-Гребнева
Keyword(s):  
White Paper ◽  
White Space ◽  
Deep Insight ◽  
Graphic Arts ◽  
Theoretical Approaches ◽  
Works Of Art ◽  
Insight Into

В статье представлена работа В.А. Фаворского над киргизским героическим эпосом Манас. В серии созданных художником рисунков нашли проявление его художественные и теоретические подходы к искусству графики и иллюстрирования книг. Для более глубокого проникновения в суть эпического произведения художник отправляется в Киргизию. Созданные им рисунки имеют не только эстетическую и этнографическую ценности. В них проявилась его теория графики, когда белый фон бумаги воспринимается в качестве белого пространства, а карандаш художника становится сродни резцу скульптора. Пространство белого повисает на штрихах рисунка. Эпический характер повествования привел к монументальности образов и композиций иллюстраций. В статье приводятся теоретические мысли художника о соединении разновременных состояний в произведении искусства, роли контура и пятна. The work of V.A. Favorsky on the Kirghiz heroic epos is presented in this article. There is a demonstration of his artistic and theoretical approaches to the graphic arts and books illustration in the series of these drawings. The artist goes to Kyrgyzstan for the deep insight into the essence of the epic work. His drawings have not only aesthetic and ethnographic value. His theory of graphic appeared there, when a white field of paper is taken as a white space, and the artists pencil became similar to a cutter of a sculpture. The space of the white paper hangs on the drawings strokes. The epic nature of the narrative led to the monumentality of the images and compositions of the illustrations. There are artists theoretical thoughts about the connection of the multitemporal conditions in the works of art, the role of contour and spot.

scholarly journals INDONESIA AND SOUTH KOREA DEFENSE DIPLOMACY: CASE STUDY OF PROCUREMENT OF CHANG BOGO CLASS VESSELS IN 2010-2018

2020 ◽  
Vol 6 (2) ◽  
pp. 162
Author(s):  
Cheryl Manafe ◽  
Yoedhi Swastanto ◽  
Rodon Pedrason
Keyword(s):  
South Korea ◽  
Qualitative Methodology ◽  
Economic Condition ◽  
Defense Industry ◽  
Analysis Techniques ◽  
Procurement Policy ◽  
Its Analysis ◽  
Cooperation Partner

<p>Indonesia has chosen South Korea as a cooperation partner because South Korea is agreed to Indonesia's procurement policy. The research objective was to analyze the stages of procurement of Chang Bogo class submarines and the role of defense diplomacy during the process. This study uses qualitative methodology with its analysis techniques. The study concluded that the procurement of submarines succeeded in terms of the number of submarines, but the percentage of transfer technology provided had not yet reached the minimum percentage of Indonesia’s need and Indonesia must build adequate infrastructure to achieve the independence goals of the defense industry but Indonesia was still experiencing fluctuate economic condition. Therefore, the procurement of defense and security equipment tools <em>(alpalhankam)</em> must adjust to that condition.</p>

The Gastronomy of the Eye

2020 ◽  
pp. 175-198
Author(s):  
Vrushali Dhage
Keyword(s):  
Essential Role ◽  
Historical Perspective ◽  
Smart Cities ◽  
Methodological Approach ◽  
Economic Liberalization ◽  
The Other ◽  
Works Of Art

Works of art can be read at various levels: from being objects of simple retinal pleasure to the other extreme of being significant critical statements of their time. This chapter aims to strike a cerebral dialogue through the works of art. The current study shall consider the latter function of art and analyze the methods in which contemporary Indian artists have made attempts to provide a critique of the early initiatives towards developing Delhi and Mumbai as ‘smart cities'. The review of works from India concludes the essential role of infrastructural projects and envisioned spaces built in the era of economic liberalization. The study aims at drawing a methodological approach, with an art historical perspective, with the artists analysing and translating the urban experiential phenomenon, into artworks.

Defending Discontinuity

2020 ◽  
pp. 102-133
Author(s):  
Jonathan Gilmore
Keyword(s):  
Experimental Study ◽  
Real World ◽  
Moral Character ◽  
Framing Effects ◽  
Prima Facie ◽  
The Real ◽  
Works Of Art ◽  
Continuity And Discontinuity

This chapter introduces and diagnoses the inadequacy of two prima facie plausible, but ultimately inadequate, arguments for the discontinuity thesis based on framing effects. The chapter then develops and defends a more powerful argument in discontinuity’s favor based on the functions of fictions. The chapter also looks at what turns on the debate between continuity and discontinuity, i.e., what consequences its resolution on the side of discontinuity has for the experimental study of the emotions; the role of responses to works of art as evidence of moral character; and the putatively edifying value of engaging with fictions in educating and refining attitudes about the real world.

Overcoming Anthropocentrism: Heidegger on the Heroic Role of the Works of Art

Ratio ◽  
1997 ◽  
Vol 10 (2) ◽  
pp. 157-168 ◽  
Author(s):  
Abraham Mansbach
Keyword(s):  
Works Of Art

scholarly journals On the semantics of place/transition Petri nets

1997 ◽  
Vol 7 (4) ◽  
pp. 359-397 ◽  
Author(s):  
JOSÉ MESEGUER ◽  
UGO MONTANARI ◽  
VLADIMIRO SASSONE
Keyword(s):  
Petri Nets ◽  
The Other ◽  
General Category ◽  
Monoidal Categories ◽  
Other Hand ◽  
Models Of Concurrency ◽  
A Chain ◽  
The One ◽  
Algebraic Domains

Place/transition (PT) Petri nets are one of the most widely used models of concurrency. However, they still lack, in our view, a satisfactory semantics: on the one hand the ‘token game’ is too intensional, even in its more abstract interpretations in terms of nonsequential processes and monoidal categories; on the other hand, Winskel's basic unfolding construction, which provides a coreflection between nets and finitary prime algebraic domains, works only for safe nets. In this paper we extend Winskel's result to PT nets. We start with a rather general category PTNets of PT nets, we introduce a category DecOcc of decorated (nondeterministic) occurrence nets and we define adjunctions between PTNets and DecOcc and between DecOcc and Occ, the category of occurrence nets. The role of DecOcc is to provide natural unfoldings for PT nets, i.e., acyclic safe nets where a notion of family is used to relate multiple instances of the same place. The unfolding functor from PTNets to Occ reduces to Winskel's when restricted to safe nets. Moreover, the standard coreflection between Occ and Dom, the category of finitary prime algebraic domains, when composed with the unfolding functor above, determines a chain of adjunctions between PTNets and Dom.

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