scholarly journals Arte, storia e prestigio. Per un’introduzione alla ‘ritrattistica genealogica’: la serie Guadagni di Firenze

2020 ◽  
pp. 31-58
Author(s):  
Tommaso Prizzon

The paper describes the interesting and widespread phenomenon of genealogic portraiture in Florence by analyzing the case of the Guadagni family and its series of portraits. The series was commissioned during the mid-Seventeenth century by senator Tommaso di Francesco and it was intended to decorate the family House behind the Nunziata thanks to the contributions of many artists. Both in terms of quantity and artistic quality, the Guadagni portrait series represents a precious testimony of this specific portraiture genre, which started during the middle of the sixteenth century and reached its climax during the following century. This genre saw its decline in the 1700s, when the aristocratic ancient families lost their importance, and their illustrious ancestors’ portraits became simple relics of a remote past.

1957 ◽  
Vol 3 ◽  
pp. 129-140

Gerald Ponsonby Lenox-Conyngham was born on 21 August 1866 at Springhill, Moneymore in County Londonderry, Ireland. He was the seventh of the ten children of Sir William Fitzwilliam Lenox-Conyngham, K.C.B., D.L., J.P. His father’s family, the Conyngham’s, had come to Ireland, probably from Ayrshire, early in the seventeenth century. His great- great-grandmother inherited the family house and married Clotworthy Lenox who added his wife’s family name to his own. His mother, Laura Calvert Arbuthnot, was the daughter of George Arbuthnot of Ockley in Surrey who spent many years in India and founded the once flourishing firm of Arbuthnot & Co. of Madras. An account of this family has been given by Mrs P. S.-M. Arbuthnot in a book entitled Memoirs of the Arbuthnots of Kincardinshire and Aberdeenshire . When the children reached school age the family moved to Edinburgh in order that the boys might attend the excellent schools available there. Lenox-Conyngham was educated at the Edinburgh Academy from the age of nine till he was sixteen. While there he decided to try to join the Royal Engineers and, after a year of private coaching, took the Woolwich entrance examination soon after his seventeenth birthday. He passed first and in later life ascribed this success to the care with which his aunt, Miss Eleanor Arbuthnot had selected his teachers.


The Perraults ◽  
2018 ◽  
pp. 37-51
Author(s):  
Oded Rabinovitch

The second chapter analyzes the Perrault family strategy up to about 1660. Initially, the Perraults had no connections to literary life, and they were involved in legal professions. However, the status of lawyers was declining in the last years of the sixteenth century and early years of the seventeenth century, and the careers of the couple’s sons represented attempts to diversify the family’s educational and professional investments. Most significantly, Pierre II developed a career in the monarchy’s financial administration, built on the venality of office. Responding to the monarchy’s thirst for cash, financiers like Pierre played a high-stake game: while they could go bankrupt, they also stood to make immense profits from loans to the monarchy and from tax collecting. Thus this chapter demonstrates the importance of “court capitalism” and office-holding to the first literary endeavors of the family.


2019 ◽  
Vol 49 (1) ◽  
pp. 5-27
Author(s):  
Benedetta Borello

How important was it for merchants, artisans, inn-keepers and painters to have brothers and to work with them? By cross-referencing different sources (states of souls, testaments, inventories, court papers, compilations of legal and notary deeds), this article seeks to answer the question by taking some crucial aspects into consideration: daily life in the family home and other forms of cohabitation, the transmission of work tools and of vocations, the training of new generations and the support provided to family members in trouble. Seventeenth-century Rome is an interesting vantage point from which to investigate the importance of brothers' companies. The presence of the Papal Roman court extended employment opportunities, not only for courtiers, artists and servants who moved from one embassy to another and from one cardinal's court to another, but also for all those men (more men than women) on the margins who were able to earn some money from the conspicuous consumption of the upper classes. The flexibility of the labour market and the widespread phenomenon of male cohabitation could undermine the strength of family companies.


1969 ◽  
Vol 10 (1) ◽  
pp. 35-64
Author(s):  
Edward Walsh ◽  
Ann Forster

This is not a family history of the Brandlings of Northumberland from their first appearance in history in the sixteenth century, for they were not a staunch Catholic family with a record of determined recusancy. The Brandlings had Catholic leanings in the mid-sixteenth century, and two of the family were recusants. By the early seventeenth century, however, the family appears to have conformed entirely. And then in the second half of the century the main branch and their cousins of Hoppen and Alnwick Whitehouse appear as Catholics, most probably as the result of Catholic marriages in the previous generation. A century later, and the main branch had conformed, and the junior branches had died out. The Brandlings were therefore a “fringe” recusant family, but even so they had a certain impact on the Catholic life of the North, and their history is not without interest for students of recusancy.


Author(s):  
Michaël Green

While the word 'privacy' itself only started to appear in the Dutch language in the newspapers of the nineteenth-century, Michaël Green  argues that the idea underlying it was already developing in the early seventeenth century in Dutch contexts. In his article, Green examines, first, transformations that occurred in the seventeenth century in architectural idealizations of the family house, where plans for corridors started to appear alongside locks and separate rooms. Then, based on several examples of egodocuments - among them the diaries of the schoolmaster David Beck and an autobiographical piece by Maria de Neufville - he focuses on how members of the middling and elite classes wrote about their own practical experiences of spatial and emotional privacy.  


1999 ◽  
Vol 12 ◽  
pp. 407-419
Author(s):  
Christine M. Newman

The Bowes of Streatlam, in the bishopric of Durham, were notable on two counts in the later part of the sixteenth century. On the one hand, they were highly regarded for their uncompromising loyalty to the Crown, an attachment which was to bring them disastrously close to the brink of financial ruin under the parsimonious Elizabeth, who repeatedly failed to reimburse and compensate them for activities undertaken in her name. On the other hand, the family was particularly noted in the religiously conservative north for its staunch adherence to the Protestant faith. The seeds of this Protestantism were in evidence from the earliest years of the Reformation, but it was given greater definition and inspiration by the example of Elizabeth Bowes, the ardent adherent and later mother-in-law of the Scottish reformer John Knox. Yet, if Elizabeth was the first, she was certainly not the only uncompromisingly Protestant matron in the Bowes family during this period. Towards the end of the sixteenth and beginning of the seventeenth century the second wife of her grandson Sir William Bowes was to assume Elizabeth’s spiritual mantle, thereby reinforcing still further the family’s attachment to the Reformed faith.


1998 ◽  
Vol 2 (2) ◽  
pp. 158-179 ◽  
Author(s):  
John W Cairns

This article, in earlier versions presented as a paper to the Edinburgh Roman Law Group on 10 December 1993 and to the joint meeting of the London Roman Law Group and London Legal History Seminar on 7 February 1997, addresses the puzzle of the end of law teaching in the Scottish universities at the start of the seventeenth century at the very time when there was strong pressure for the advocates of the Scots bar to have an academic education in Civil Law. It demonstrates that the answer is to be found in the life of William Welwood, the last Professor of Law in St Andrews, while making some general points about bloodfeud in Scotland, the legal culture of the sixteenth century, and the implications of this for Scottish legal history. It is in two parts, the second of which will appear in the next issue of the Edinburgh Law Review.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Bridget Heal

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.


Author(s):  
Nicola Clark

Throughout the sixteenth century and beyond, the Howards are usually described as religiously ‘conservative’, resisting the reformist impulse of the Reformation while conforming to the royal supremacy over the Church. The women of the family have played little part in this characterization, yet they too lived through the earliest stages of the Reformation. This chapter shows that what we see is not a family following the lead of its patriarch in religious matters at this early stage of the Reformation, but that this did not stop them maintaining strong kinship relations across the shifting religious spectrum.


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