scholarly journals Museus, hibridação cultural e novas territorialidades

2014 ◽  
Author(s):  
Judite Primo
Keyword(s):  
Key Words ◽  
Public Space ◽  
French Revolution ◽  
Cultural Policy ◽  
Cultural Context ◽  
Role Play ◽  
The Political ◽  
Cultural Hybridization ◽  
Western Countries ◽  
Complex Relationships

The text seeks to present the complex relationships between the different notions of state, along the modern and postmodern period and the place and the role played by museums. Emphasize the importance of the political, social, educational and cultural context was the construction of the museum as a public space in Europe and consequently in most western countries since the French Revolution to the present day. In contemporary notions of heritage and its processes, identity, socialization, role play, communication and education are part of the museum universe whether traditional museums whether socially committed museums. Given the processes of globalization and cultural hybridization, the museums are scenes for discussions on the issues of territoriality, new categories of assets as well as new understandings of users / beneficiaries of the museum institution. Key words: Heritage; Memory, cultural hybridization; Sociomuseology; cultural policy

scholarly journals De campesinos y caciques: relaciones de poder y comportamientos políticos en la España de la Restauración (1874-1923)

STUDIUM ◽  
2020 ◽  
pp. 101-128
Author(s):  
Oscar López Acón
Keyword(s):  
Power System ◽  
Key Words ◽  
Power Relations ◽  
Political Attitude ◽  
The Political ◽  
Universal Suffrage ◽  
Palabras Clave ◽  
The Social ◽  
Complex Relationships ◽  
Political Election

En aras de restituir la experiencia histórica de un sujeto histórico anónimo por antonomasia, como es el sujeto campesino, emerge la necesidad de aproximarnos a sus comportamientos políticos; en suma, a sus respuestas individuales y colectivas ante la articulación de un sistema de poder que adquiere la forma de liberalismo oligárquico hasta la instauración del sufragio universal masculino, en 1890. Así pues, el análisis de los marcos político-electorales, en tanto que continuum de la realidad social, se presenta como eje fundamental para aprehender las complejas relaciones entre campo y ciudad, al tiempo que permite proyectar una mirada «desde abajo», hacia las clases campesinas, como «desde arriba», hacia la génesis histórica de las élites. Palabras clave: campesinado, caciquismo, relaciones de poder, sufragio, Restauración (1874-1923). Abstract For the sake of reinstating the historic experience of a historic anonymous subject par excellence, as is the peasant subject, as is the peasant subject, the need to approach his political attitude emerges; in short, his response, both individually and collectively to the articulation of a power system which comes in the shape of oligarchic liberalism until the establishment of male universal suffrage, in 1890. So, the analysis of the political-election frames, as continuum of the social reality, shows up as the fundamental axis in order to seize the complex relationships between the countryside and the cities, at the same time enabling us to take a look, both ‘from below’, at the peasant status, and ‘from the top’ to the historical genesis of the elites. Key words: peasantry, caciquism, power relations, suffrage, Restauración (1874-1923).

scholarly journals THE PRELIMINARY DISCOURSE OF THE FRENCH CIVIL CODE OF 1804: THE CONSTITUTION OF A RELIGIO CIVILIS

2019 ◽  
Vol 1 (2) ◽  
Author(s):  
Miguel Ángel Asensio Sánchez
Keyword(s):  
Key Words ◽  
French Revolution ◽  
Civil Law ◽  
Civil Code ◽  
The Political ◽  
New Order ◽  
Moral Law ◽  
One Dimensional ◽  
Right Reason ◽  
The French Revolution

Abstract: The preface to the French Civil Code of 1804 announced a New Order based on Right Reason and the political-legal values of the French Revolution, in an attempt to replace the role which churches had traditionally played in the morality of society. Moreover, the new civil law was presented as a substitute for moral law and religion with the aim of taking their place in that burgeoning society. One-dimensional law came into being in order to regulate all aspects of life and was ultimately to do away with the sin/crime dichotomy..Key words: Law, religión, sin, crime

scholarly journals THE PRELIMINARY DISCOURSE OF THE FRENCH CIVIL CODE OF 1804: THE CONSTITUTION OF A RELIGIO CIVILIS

2019 ◽  
Vol 1 (2) ◽  
Author(s):  
Miguel Ángel Asensio Sánchez
Keyword(s):  
Key Words ◽  
French Revolution ◽  
Civil Law ◽  
Civil Code ◽  
The Political ◽  
New Order ◽  
Moral Law ◽  
One Dimensional ◽  
Right Reason ◽  
The French Revolution

Abstract: The preface to the French Civil Code of 1804 announced a New Order based on Right Reason and the political-legal values of the French Revolution, in an attempt to replace the role which churches had traditionally played in the morality of society. Moreover, the new civil law was presented as a substitute for moral law and religion with the aim of taking their place in that burgeoning society. One-dimensional law came into being in order to regulate all aspects of life and was ultimately to do away with the sin/crime dichotomy..Key words: Law, religión, sin, crime

scholarly journals Hannah Arendt’s doxa glorifying judgment and exemplarity – a potentially public space

2005 ◽  
Vol 50 (1) ◽  
Author(s):  
Bethânia Assy
Keyword(s):  
Key Words ◽  
Public Space ◽  
Political Action ◽  
The Political ◽  
The Public ◽  
Positive Account ◽  
Inner Self ◽  
The World ◽  
Interpersonal Dimension

Através da leitura que Heidegger faz de Aletheia, Arendt vincula a noção de verdade à de aparência ao custo de desmantelar a conhecida dicotomia entre o ser verdadeiro e a mera aparência, deslocando a verdade do domínio dos noumena ao dos phenomena enquanto reino da visibilidade, o domínio doxástico da ação política. Doxa como desvelamento não mais nos conduz à adequação cognitiva do self interno, mas antes à dimensão arendtiana cognitiva interpessoal de seres humanos no mundo: quem nós somos no espaço público. Será mostrado que não há nenhuma contradição entre dialética e persuasão, na medida em que Arendt desloca o registro positivo da doxa em direção a suas considerações sobre a faculdade de julgar, reforçando a primazia da comunicabilidade, pluralidade e diversidade de pontos de vista na construção da doxa quando alguém constitui sua visão particular e única no mundo. Finalmente, mostrar-se-á que a amizade deve ser tomada como o tipo de insight político por excelência, enquanto praxis de ver o mundo a partir da perspectiva do outro. PALAVRAS-CHAVE – Amizade espaço público. Comunicabilidade. Doxa, praxis. ABSTRACT Through Heidegger’s reading of Aletheia, Arendt links the notion of truth to appearance at the expense of dismantling the well-known dichotomy between true being and mere appearance, displacing truth from the domain of noumena to the realm of phenomena which is the realm of visibility, the doxastic domain of political action. Doxa as uncovering no longer leads to the cognitive adequation of the inner self, but rather to Arendt’s main interpersonal dimension of men into the appearing world: who we are in the public space. Thus, it will be asserted that there is by no means sheer contradiction between the dialectics and persuasion. It will also be claimed that Arendt displaces the positive account of doxa toward her considerations on the faculty of judging, reinforcing the primacy of communicability, plurality and diversity of viewpoints in building up someone’s doxa, in how one constitutes ones particular view and uniqueness, into the world. Finally, friendship is claimed to hold the political kind of insight par excellence, as the praxis of seeing the world from the other’s viewpoint. KEY WORDS – Communicability. Doxa. Friendship. Praxis. Public space.

scholarly journals El català en la premsa local del primer terç del segle XX. El cas d’Algemesí

2015 ◽  
Vol 6 (6) ◽  
pp. 136
Author(s):  
Lluís Escartí Carrasco
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
Cultural Context ◽  
The Political ◽  
The Press ◽  
Weekly Newspapers ◽  
In The Beginning ◽  
Language Issues

Resum: El present treball és un estudi sobre quatre setmanaris bilingües d’Algemesí (València) del primer terç del segle XX: Pim, Pam, Pum (1911), La Canariera (1913), La Ribera (1917) i Llevant (1931); tot parant una atenció especial als aspectes lingüístics, sociolingüístics i literaris.En una primera part hi ha una contextualització de la premsa valenciana de principis de segle, en la qual s’estudien les publicacions locals, la premsa en català, la premsa satírica i la d’ideologia valencianista, així com les seues característiques i publicacions més destacades.En la segona part del treball s’analitza les quatre publicacions objecte d’estudi: la seua ideologia, els temes i continguts tractats, els gèneres, així com els aspectes lingüístics més destacats pel que fa a l’ús del català. Així mateix, es posen en relació amb el tipus de premsa del moment i amb el context polític, social i cultural. Paraules clau: premsa local, premsa en català, publicacions periòdiques, premsa valenciana, publicacions Algemesí Abstract: The present paper analyzes four bilingual weekly newspapers published in the first third of the twentieth century in Algemesí (Valencia, Spain): Pim, Pam, Pum (1911), La Canariera (1913), La Ribera (1917) i Llevant (1931); specially focusing on linguistic, socio-linguistic and literary aspects.In the first part there is a contextualization of Valencian press in the beginning of the twentieth century containing a study of local publications, Catalan press, satiric press and political Valencianism press, where characteristics and main titles are reported. The second part analyzes the four publications mentioned: ideology, themes, contents, genres… as well as most important language issues regarding the use of Catalan. They are also related to the press of that time and to the political, social and cultural context. Key words: local press, Catalan press, periodicals, Valencian press, publications in Algemesí

scholarly journals THE PRELIMINARY DISCOURSE OF THE FRENCH CIVIL CODE OF 1804: THE CONSTITUTION OF A RELIGIO CIVILIS

2019 ◽  
Vol 1 (2) ◽  
Author(s):  
Miguel Angel Asensio Sánchez
Keyword(s):  
Key Words ◽  
French Revolution ◽  
Civil Law ◽  
Civil Code ◽  
The Political ◽  
New Order ◽  
Moral Law ◽  
One Dimensional ◽  
Right Reason ◽  
The French Revolution

Abstract: The preface to the French Civil Code of 1804 announced a New Order based on Right Reason and the political-legal values of the French Revolution, in an attempt to replace the role which churches had traditionally played in the morality of society. Moreover, the new civil law was presented as a substitute for moral law and religion with the aim of taking their place in that burgeoning society. One-dimensional law came into being in order to regulate all aspects of life and was ultimately to do away with the sin/crime dichotomy..Key words: Law, religión, sin, crime

scholarly journals La delegación carlista de Matías Barrio y Mier (1899-1909). Continuismo tradicionalista

STUDIUM ◽  
2018 ◽  
pp. 161-193
Author(s):  
Agustín Fernández Escudero
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
Public Space ◽  
The Other ◽  
The Political ◽  
Political Situation ◽  
Palabras Clave ◽  
History Of ◽  
Don Carlos ◽  
Siglo Xx

Resumen El carlismo de los primeros años del siglo xx estaba dirigido por Matías Barrio y Mier, un tradicionalista, abogado y catedrático, al que don Carlos —Carlos VII para los carlistas—, nombró su delegado en diciembre de 1899, tras la dimisión del marqués de Cerralbo. Este profesor continuó ejerciendo la representación carlista hasta su muerte en junio de 1909, dejando un partido que había superado la crisis de 1900 y que buscaba su propio espacio público. Por otro lado, se ha visto que a don Carlos en aquellos años le preocupaba, más que la situación política o económica de España, constatar que no estaba dispuesto a abdicar en su hijo don Jaime y que, en la última sublevación carlista de 1900, él no había tenido participación. Por tanto, se ha considerado necesario mostrar la defensa que hacía el pretendiente de sus derechos dinásticos, contextualizándola con los cruciales momentos de la Historia de España en los años de la delegación de Barrio y Mier. Palabras clave: carlismo, don Carlos, Barrio y Mier, don Jaime, Feliú, marqués de Cerralbo   Abstract The carlism of early twentieth century. Carlism directed by Matías Barrio y Mier, a traditionalist, a lawyer and professor, which don Carlos, Charles VII to the Carlists, named his deputy in December 1899, following the demission of the Marquis of Cerralbo. This teacher continued to exercise the Carlist representation until his death in June 1909, leaving a party that had overcome the crisis of 1900 and sought their own public space. On the other hand, it has been seen that don Carlos in those years was concerned, rather than the political situation or economic of Spain, finding that it was not willing to abdicate in his son don Jaime and the last Carlist uprising in 1900, he had not been involved. Therefore, it was considered necessary to show the defense that made the suitor of his dynastic rights, contextualizing the crucial moments in the history of Spain in the years of the delegation of Barrio y Mier. Key words: carlism, don Carlos, Barrio y Mier, don Jaime, Feliú, Marquis of Cerralbo

Accentuating Your Masculine Side

2013 ◽  
Vol 44 (2) ◽  
pp. 103-108 ◽  
Author(s):  
Chongzeng Bi ◽  
Oscar Ybarra ◽  
Yufang Zhao
Keyword(s):  
Social Norms ◽  
Gender Role ◽  
Cultural Context ◽  
Self Esteem ◽  
Western Countries ◽  
Self Evaluation ◽  
Two Samples ◽  
Agency And Communion

Recent research investigating self-judgment has shown that people are more likely to base their evaluations of self on agency-related traits than communion-related traits. In the present research, we tested the hypothesis that agency-related traits dominate self-evaluation by expanding the purview of the fundamental dimensions to consider characteristics typically studied in the gender-role literature, but that nevertheless should be related to agency and communion. Further, we carried out these tests on two samples from China, a cultural context that, relative to many Western countries, emphasizes the interpersonal or communion dimension. Despite the differences in traits used and cultural samples studied, the findings generally supported the agency dominates self-esteem perspective, albeit with some additional findings in Study 2. The findings are discussed with regard to the influence of social norms and the types of inferences people are able to draw about themselves given such norms.

Arte ConTexto

2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock
Keyword(s):  
Public Space ◽  
Political Violence ◽  
Pictorial Representation ◽  
The Political ◽  
Left Wing ◽  
Political Dimension ◽  
Political Views ◽  
Socialist Government ◽  
The 1960S ◽  
The Military

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.

“What Freedom?”

2019 ◽  
Vol 74 (3) ◽  
pp. 305-331
Author(s):  
John Owen Havard
Keyword(s):  
South America ◽  
French Revolution ◽  
The Political ◽  
The Novel ◽  
Free Condition ◽  
Narrative Design ◽  
Economic Liberalism ◽  
History Of ◽  
Ways Of Thinking ◽  
John Owen

John Owen Havard, “‘What Freedom?’: Frankenstein, Anti-Occidentalism, and English Liberty” (pp. 305–331) “If he were vanquished,” Victor Frankenstein states of his monstrous creation in Mary Shelley’s Frankenstein (1818), “I should be a free man.” But he goes on: “Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free.” Victor’s circumstances approximate the deracinated subject of an emergent economic liberalism, while looking to other destitute and shipwrecked heroes. Yet the ironic “freedom” described here carries an added charge, which Victor underscores when he concludes this account of his ravaged condition: “Such would be my liberty.” This essay revisits the geographic plotting of Frankenstein: the digression to the East in the nested “harem” episode, the voyage to England, the neglected episode of Victor’s imprisonment in Ireland, and the creature’s desire to live in South America. Locating Victor’s concluding appeal to his “free” condition within the novel’s expansive geography amplifies the political stakes of his downfall, calling attention to not only his own suffering but the wider trail of destruction left in his wake. Where existing critical accounts have emphasized the French Revolution and its violent aftermath, this obscures the novel’s pointed critique of a deep and tangled history of English liberty and its destructive legacies. Reexamining the novel’s geography in tandem with its use of form similarly allows us to rethink the overarching narrative design of Frankenstein, in ways that disrupt, if not more radically dislocate, existing rigid ways of thinking about the novel.

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