THE PHENOMENON OF DUALITY (BINARITY) IN THE HISTORICAL AND LEGAL TOPOI OF ANTIENT RUSSIA

2020 ◽  
pp. 9-17
Author(s):  
Вадим Леонидович Афанасьевский
Keyword(s):  
Everyday Life ◽  
Western Europe ◽  
Legal Discourse ◽  
17Th Century ◽  
Legal Tradition ◽  
Russian Culture ◽  
Church Courts ◽  
The Subject ◽  
Theoretical Thinking ◽  
Russian Norms

Предметом анализа статьи является дуальность/бинарность русского правового дискурса в историко-культурном пространстве Руси. Автор исходит из того факта, что в отличие от королевств Западной Европы становление русской правовой традиции было обусловлено отсутствием у русских книжников интереса к абстрактному теоретическому мышлению, в связи с чем византийские юридические кодексы не могли быть освоены и воспринимались как «елинские борзости». По мнению автора, возникновение и становление русской правовой традиции необходимо рассматривать сквозь призму бинарности русской культуры. Это проявилось в диглоссии правового дискурса русичей. Памятники правовой мысли Руси можно четко разделить по сферам регламентации исходя из языка, на котором они были написаны. Собственно русское протоправо было записано на русском языке, в то время как византийские юридические кодексы переводились на церковнославянский язык. Византийское право использовалось в церковных судах для регламентирования отношений церковных людей и для регулирования области администрирования, традиционные же русские нормы (Русская Правда) задействовались в сфере повседневной жизни. Данная дуальность определяла облик русского правового дискурса вплоть до XVII в. The subject of the article's analysis is the duality/binary of the Russian legal discourse in the historical and cultural space of Russia. Russian legal tradition was formed in contrast to the kingdoms of Western Europe due to the lack of interest in abstract theoretical thinking among Russian scribes, which is why the Byzantine legal codes could not be mastered and were perceived as «ellin sophistications». Russian legal tradition should be viewed through the prism of the binary nature of Russian culture, according to the author. This was manifested in the diglossia of the legal discourse of the Rus. Monuments of legal thought of Russia can be clearly divided into areas of regulation based on the language in which they were written. Russian proto-law was written in Russian, while the Byzantine legal codes were translated into Church Slavonic. Byzantine law was used in Church courts to regulate the relations of Church people and to regulate the field of administration, while traditional Russian norms (Rиsskaya Pravda) were used in the sphere of everyday life. This duality defined the appearance of Russian legal discourse until the 17th century.

On queueing

2001 ◽  
Vol 42 (1) ◽  
pp. 177-185
Author(s):  
Zbigniew Czwartosz
Keyword(s):  
Social Psychology ◽  
Social Justice ◽  
Everyday Life ◽  
Personal Experience ◽  
Western Europe ◽  
Phenomenological Analysis ◽  
Community Life ◽  
The Subject ◽  
Scientific Terms ◽  
Held Back

A year ago Dr. Jacek Kurczewski asked me to take part in a symposium which he organized with the Polish Sociological Association, on the sociology of everyday life. The subject of my session was to be the sociology of the queue. As a psychologist I could, of course, interpret the phenomenon of the queue in terms of the interdependence of individual interests and social justice. Theses of social psychology, based on empirical grounds, provided some explanations of the mechanisms of behaviour in a queue. These explanations, however, led to trivial conclusions, though expressed in scientific terms. Therefore I decided to choose phenomenological analysis to deal with queue behaviour. This paper is a widened and more analytical version of my speech at the PSA seminar (I). I was inspired by three events from my personal experience:1. In Western Europe (especially in Belgium) I frequently encountered the following phenomenon. In a shop someone would come up to the counter and ask for some article, paying no attention to the fact that there were also others who were waiting to be served. To me that fact was an open violation of the rules of community life. My emotion urged me to intervene. I was held back however by the fact that the others in the shop seemed not to notice anything wrong. This would suggest that my notion of customers' rights and duties differed from that of Belgians or Dutchmen.

Trust: A National Project

2015 ◽  
pp. 138-146
Author(s):  
N. Rozinskaya ◽  
I. Rozinskiy
Keyword(s):  
Social Capital ◽  
Civil Society ◽  
Everyday Life ◽  
Western Europe ◽  
External Pressure ◽  
National Project ◽  
Low Level ◽  
General Trust

This article deals with the genesis of general trust and social capital in contemporary Russia, which faces the external pressure. The low level of general trust is noted, its economic, social and everyday life implications are considered, an explanation of Russia’s lower than in western Europe level of trust is provided. Considering society’s level of trust and social capital as externalia, the authors conclude that there is a necessity to "produce" trust intentionally. Promotion of collective charity is proposed as a mechanism of such "production". It is stressed that in order to activate the potential of trust in a society, there is a need for ideological and symbolic basis linked to its history. Russian People’s Unity Day, understood as the birthday of Russian civil society, is proposed to be used in this respect.

ON THE PROGRESS OF THE STUDY RFBR № 18-012-00579 “RUSSIAN DIALECT GOOD-WISHING: SEMANTICS, STRUCTURE, FUNCTIONING”

2020 ◽  
Vol 4 (97) ◽  
pp. 111-118
Author(s):  
LIUDMILA I. ZORINA
Keyword(s):  
Russian Culture ◽  
Vologda Region ◽  
The Subject ◽  
Russian Dialect ◽  
Project Lead

Communicative aspects of Russian dialects functioning are insufficiently investigated. The project is aimed at studying a special phenomenon of Russian culture - village speech etiquette. The task, the project is aimed to solve, is to describe the features of communication in the Russian province, the mass of the inhabitants of which still speaks a dialect. The subject of the research is the semantics, structure and functioning of etiquette units in folk speech. In 2019 the project lead published 5 scientific articles and also participated in 6 scientific conferences. During the summer expedition there have been collected and analyzed numerous materials on the dialects of the Vologda region.

Anne O. Krueger, Constantine Michalopoulos and Vernon W. Ruttan. Aid and Development. Baltimore: The Johns Hopkins University Press. 1989. xiv + 386 pp.Price: U.S. $ 52.00

1991 ◽  
Vol 30 (2) ◽  
pp. 213-217
Author(s):  
Mir Annice Mahmood
Keyword(s):  
United States ◽  
Economic Development ◽  
International Development ◽  
Western Europe ◽  
Development Assistance ◽  
The United States ◽  
Social Infrastructure ◽  
Low Literacy ◽  
The Subject ◽  
The Impact

Foreign aid has been the subject of much examination and research ever since it entered the economic armamentarium approximately 45 years ago. This was the time when the Second World War had successfully ended for the Allies in the defeat of Germany and Japan. However, a new enemy, the Soviet Union, had materialized at the end of the conflict. To counter the threat from the East, the United States undertook the implementation of the Marshal Plan, which was extremely successful in rebuilding and revitalizing a shattered Western Europe. Aid had made its impact. The book under review is by three well-known economists and is the outcome of a study sponsored by the Department of State and the United States Agency for International Development. The major objective of this study was to evaluate the impact of assistance, i.e., aid, on economic development. This evaluation however, was to be based on the existing literature on the subject. The book has five major parts: Part One deals with development thought and development assistance; Part Two looks at the relationship between donors and recipients; Part Three evaluates the use of aid by sector; Part Four presents country case-studies; and Part Five synthesizes the lessons from development assistance. Part One of the book is very informative in that it summarises very concisely the theoretical underpinnings of the aid process. In the beginning, aid was thought to be the answer to underdevelopment which could be achieved by a transfer of capital from the rich to the poor. This approach, however, did not succeed as it was simplistic. Capital transfers were not sufficient in themselves to bring about development, as research in this area came to reveal. The development process is a complicated one, with inputs from all sectors of the economy. Thus, it came to be recognized that factors such as low literacy rates, poor health facilities, and lack of social infrastructure are also responsible for economic backwardness. Part One of the book, therefore, sums up appropriately the various trends in development thought. This is important because the book deals primarily with the issue of the effectiveness of aid as a catalyst to further economic development.

The Changing Perception of the Five Senses

2020 ◽  
pp. 103-122
Author(s):  
Sara Benninga
Keyword(s):  
Material Culture ◽  
Lived Experience ◽  
17Th Century ◽  
Scientific Instruments ◽  
Peter Paul Rubens ◽  
Courtly Culture ◽  
Southern Netherlands ◽  
The Subject ◽  
Five Senses ◽  
The Senses

This article examines the changing approach towards the representation of the senses in 17th-century Flemish painting. These changes are related to the cultural politics and courtly culture of the Spanish sovereigns of the Southern Netherlands, the Archdukes Albert and Isabella. The 1617–18 painting-series of the Five Senses by Jan Brueghel the Elder and Peter Paul Rubens as well as the pendant paintings on the subject are analyzed in relation to the iconography of the five senses, and in regard to Flemish genre themes. In this context, the excess of objects, paintings, scientific instruments, animals, and plants in the Five Senses are read as an expansion of the iconography of the senses as well as a reference to the courtly material culture of the Archdukes. Framing the senses as part of a cultural web of artifacts, Brueghel and Rubens refer both to elite lived experience and traditional iconography. The article examines the continuity between the iconography of the senses from 1600 onwards, as developed by Georg Pencz, Frans Floris, and Maerten de Vos, and the representation of the senses in the series. In addition, the article shows how certain elements in the paintings are influenced by genre paintings of the courtly company and collector’s cabinet, by Frans Francken, Lucas van Valckenborch and Louis de Caullery. Through the synthesis of these two traditions the subject of the five senses is reinvented in a courtly context

Introduction

2017 ◽  
Author(s):  
Andrew Hadfield
Keyword(s):  
Popular Culture ◽  
Early Modern ◽  
Travel Writing ◽  
Legal Discourse ◽  
Early Modern Europe ◽  
Short Term ◽  
Empirical Observation ◽  
The Subject ◽  
Modern Europe

There were few subjects that animated people in early modern Europe more than lying. The subject is endlessly represented and discussed in literature; treatises on rhetoric and courtiership; theology, philosophy, and jurisprudence; travel writing; pamphlets and news books; science and empirical observation; popular culture, especially books about strange, unexplained phenomena; and, of course, legal discourse. For many, lying could be controlled and limited even if not eradicated; for others, lying was a necessary element of a casuistical tradition, liars balancing complicated issues and short-term pragmatic considerations in the expectation of solving more problems than they caused through their deceit....

Nog een suggestie voor het onderwerp van Rembrandts historiestuk te Leiden: De grootmoedigheid van Alexander

1987 ◽  
Vol 101 (2) ◽  
pp. 89-94
Author(s):  
J. Bruyn
Keyword(s):  
17Th Century ◽  
General Nature ◽  
History Painting ◽  
Emotional Words ◽  
Left Hand ◽  
Right Hand ◽  
Political Allegory ◽  
The Subject ◽  
Background Wave ◽  
The Right

AbstractOf the nine interpretations proposed for Rembraradt's history Painting of 1626 now at Leiden, none is really convincing. Il seems attractive to think of palamedes Condemned by Agamemncm as the subject because of its political significance in the year after the publication of Voredel's tragecty Palamedcs or Innocence Murdered, which denounced the execution of the Remonstrant leader Johan van Oldenbarnevelt in 1619. γet the scene depicted does not fit any episode frorn the Palamedes story. It appears rather to represent three young men appearing before a crowned figure who makes a pronouncement, probably one of magnanimity or clemency. It is conceivable that the subject was taken from Q. Curtius Rufus's Historiae Alexandri Magni Macedonis, ofwhich several editions, including translations into the vernacular, were published in Holland in the first decades of the 17th century. The episode in question was known to the young Rubens, but does not seem to have been illustrated by any other artist. At the beginning of the seventh book it is described how Alexander summoned before. him in the presence of the army two oj three brothers, who had been close friends of Philotas, a former, friend of his who had been executed for plotting against his life. The youngest brother, Poleinon, had panicked and fled but was caught and brought back at the very moment when Alexander had accused the brothers and the eldest, Amyntas, after having been released from his bonds and given a spear which he held in his left hand, had embarked on his szzccess ful defence. The appearance of Polemon infuriated the soldiers, but when he took the blame on himself and prrifessed his brothers' innocence, they were moved to tears. So too was Alexander who, prompted by their cries, absolved the brothers. This anecdote does at least explain some of the features of Rembrandt's scene. The young man standing on the right with his right hand raised as if swearing an oath would be the eloquent Amyntas with a spear in his left hand. Hidden behind him kneels the second brother, Simias, while Polemon, 'a young man just come to maturity and in the first bloom of his youth', has fallen on one knee in the foreground, underlining his emotional words with his right hand bressed to his heart. Alexander raises his sceptre in token of his absolution and some men in the background wave and shout from a socle they have climbed. Interpreted in this way, the scene coralains not a topical political allegory but, as would seem usual with history paintings, a message of a more general nature: the magnanimity of Alexander as an 'exemblum virtutis'.

CLASSIFICATION OF RUSSIAN CULTURE-BOUND TERMS AND THEIR EQUIVALENTS BASED ON THE TRANSLATION OF “QUIET FLOWS THE DON” BY M. A. SHOLOKHOV

2020 ◽  
Vol 76 (4) ◽  
pp. 149-155
Author(s):  
SVETLANA S. UZHAKINA ◽  
Keyword(s):  
English Language ◽  
Great Influence ◽  
Political Life ◽  
Daily Routine ◽  
The Novel ◽  
Russian Culture ◽  
The Subject ◽  
Cultural Component ◽  
Historical Epoch

The classification of Russian culture-bound terms used in the novel “Quiet Flows the Don” by M. A. Sholokhov and in its translation into the English language. The novel “Quiet Flows the Don” by M.A. Sholokhov and its translation into English done by Robert Daglish have served as the source for the research of culture-bound terms. These terms have been classified on the basis of the subject division offered by S. Vlakhov and S. Florin. It is proved that the interest to the study of culture-bound terms is still important. The relevance of the research is determined by the fact that despite numerous research papers in this field the origin, classification and translation of these terms still need some investigation. The aim of the present study is to classify the culture-bound terms taken from the novel “Quiet Flows the Don” by M.A. Sholokhon and its translation into the English language. As a result, there have bben taken 407 samples of the lexical units with a cultural component which were classified according to the subject principal offered by S. Vlakhon and S. Florin. The culture-bound terms have a great influence on a foreign reader as they are cultural units that transmit the information of the daily routine and the historical epoch described in the novel. The culture-bound terms taken from the novel “Quiet Flows the Don” by M.A. Sholokhov and its translation are analyzed and classified. The division of the culture-bound terms according to the subject principal allowed to reveal that most terms refer to the daily routine, social and political life and military terms.

Parnicki a Rosja. Rekonesans

2021 ◽  
Vol 12 (2) ◽  
pp. 325-338
Author(s):  
Piotr Gorliński-Kucik
Keyword(s):  
Literary Criticism ◽  
Interwar Period ◽  
Cultural Policy ◽  
Historical Novels ◽  
Russian Culture ◽  
Current State ◽  
The Subject ◽  
State Of Research ◽  
Critical Project

The article considers issue of the connections between Teodor Parnicki, the Polish author of historical novels, and Russia. His attitude has its origins in biographical experiences. Knowledge of Russian culture is evident especially in the early work of Parnicki, and above all – in literary criticism of the interwar period. Careful reading shows that the sketches and reviews are a conservative critical project, the subject of which is Soviet social and cultural policy and communism in general. This article also complements the current state of research (who did not address this issue), while being a contribution to further research.

Féminisation linguistique et écriture inclusive: de quelques nouvelles formes langagières du français

2021 ◽  
Vol 9788879169776 ◽  
pp. 71-88
Author(s):  
Françoise Sullet-Nylander
Keyword(s):  
17Th Century ◽  
French Language ◽  
Inclusive Language ◽  
The Subject ◽  
The One

From the 17th century to the present day, the French language has often been the subject of controversies relating to the development of its grammar or its lexicon. The one we are interested in in this article is relatively recent – at least it has expanded in recent years, in the wake of the MeToo movement, in 2017. In France, recent studies on the subject testify to the interest shown in the question, but also to the profound differences regarding the functions of these “new” language forms. The evolution of society is expressed in language, and conversely the language register the transformations of society. Drawing on the reflections of Alpheratz (2018), Cerquiglini (2018) and Viennot (2018), we will first present the different stages of these transformations of the French language, the moments of “tension” around the issue of gender in language, as well as the “principles” of inclusive language. Then, from a corpus of around 200 university emails, we will analyze some of these new language forms in use in this textual genre.

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