RABAT'S GARDENS AS AN EXAMPLE OF THE INTENSIVE INFLUENCE OF EUROPE ON THE CULTURAL LANDSCAPES OF NORTH AFRICA

2020 ◽  
pp. 56-73
Author(s):  
A.V. Kotova ◽  
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
North Africa ◽  
Cultural Landscapes ◽  
Art Nouveau ◽  
Architectural Style ◽  
Planning And Design ◽  
French Protectorate ◽  
Architectural Organization ◽  
The City

The article examines the formation of a neo-Mauritanian landscape and architectural style of Morocco, new for North Africa, during the reign of the French protectorate in the first half of the 20th century. A historical retrospective of the works of French architects, descriptions of the gardens and parks of the city of Rabat, built and reconstructed during the rule of the French protectorate, are given. Brief information is given about the redevelopment of the city, according to the ideas of the modern structure of colonial cities that existed at that time, described in the works of French architects. The process of landscape-architectural organization of the garden space is analyzed. The main planning and design features of the Moroccan gardens of the first half of the twentieth century, as well as the significance of the main elements that embody symbolic, religious and practical ideas, are revealed. It has been established that when designing the gardens, French architects tried to combine several styles, including landscape and architectural techniques traditional for Islamic gardens, inscribing them into the classical French regular layout characteristic of the European Art Nouveau period.

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

scholarly journals Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city

ZARCH ◽  
2017 ◽  
pp. 90
Author(s):  
José Durán Fernández
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Urban Planning ◽  
20Th Century ◽  
Urban Space ◽  
York City ◽  
Planning System ◽  
Siglo Xx ◽  
The City

La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos fines: resolver los problemas de congestión humana en un espacio reducido, la ciudad del presente, y proponer una visión del espacio urbano en las décadas venideras, la ciudad del futuro.El artículo es un compendio de diez textos cortos y un epílogo, que junto a sus respectivos diez documentos gráficos, construyen el corpus de la investigación. El lector pues se enfrenta a un ensayo gráfico formado por pequeños capítulos que le sumergirán en los orígenes de la primera ciudad vertical de la historia.PALABRAS CLAVE: Nueva York; Planeamiento; Visión urbana.The city of New York was a pioneer in the implementation of an urban control planning system that set in order a city that exceeds five million people in the early twentieth century. Such complex urban organism – invaluable until that moment – was the target for the most ambitious urban planning on a built city.This paper focuses on the study of this initial urban planning from 1916, which would set the basis, certainly some visionary yet others excessive, for the building of New York City throughout the 20th century. The Building Zone Resolution was created with two purposes: to solve the issues related to the human bundle in a limited space, the city of the present, and to aim a vision of the urban space in the forthcoming decades, the city of the future.The article is a compendium of ten short texts and one epilogue, which in combination with ten graphic documents, frame the corpus of this investigation. Thus, the reader will face a graphic essay composed by a series of brief chapters that highlight the beginning of the first vertical city in history.KEYWORDS: New York; Planning; Urban vision.

scholarly journals El discurso del civismo en Pereira o la "sacralidad" de lo público durante el siglo XX

2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Public Spaces ◽  
Moral Values ◽  
Local History ◽  
Civic Discourse ◽  
History Of ◽  
Rotary Club ◽  
Siglo Xx ◽  
The City

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.

scholarly journals Art nouveau in Zagreb: The new movement's significance to the profession of architecture

Spatium ◽  
2020 ◽  
pp. 37-44
Author(s):  
Melita Cavlovic ◽  
Mojca Smode-Cvitanovic ◽  
Andrej Uchytil
Keyword(s):  
20Th Century ◽  
Important Determinant ◽  
Residential Buildings ◽  
Art Nouveau ◽  
Urban Fabric ◽  
City Block ◽  
Modern Times ◽  
Block System ◽  
The City ◽  
Working Processes

This paper traces the implications of Semper's Bekleidung theory on working processes in the field of architecture in Zagreb. The idiosyncrasies of the work of freshly graduated architects in a peripheral Austro-Hungarian city are analysed, both in the context of developing and spreading the city block system and the appearance of the new Art Nouveau style. Buildings in this new modern style, which appeared in 1897, were built sporadically throughout the city's urban fabric, which generally consisted of historicist residential buildings at the time. Parallel to historicism, the demand for Art Nouveau from clients grew, especially around the turn of the 20th century. At the time, typical migration processes resulted in the arrival of a well-educated populace that would commission Art Nouveau buildings in the coming years. The unique characteristics of Art Nouveau style, especially its ability to directly engage citizens and transmit messages of modern times, proved to be an important determinant in its increasing popularity in the city. Many professions and products were advertised on the fa?ades and ornamentation of buildings, the main bearers of Art Nouveau style.

scholarly journals Female mascarons in the architecture of the Lviv secession

2021 ◽  
Vol 5 (S4) ◽  
Author(s):  
Lidiya Kukil
Keyword(s):  
Twentieth Century ◽  
Art Nouveau ◽  
Architectural Style ◽  
Important Place ◽  
Early Twentieth Century ◽  
Artistic Images ◽  
Main Components ◽  
Definition Of ◽  
Artistic Image

An important role in the formation of the architectural style of Lviv was played by the beginning of the twentieth century. As the capital of Galicia, which at that time belonged politically to the Austrian Empire, Lviv was strongly influenced by the Austrian Secession and the head of the Vienna School of Architecture O. Wagner. Nevertheless, the Lviv architecture, to a certain extent, has preserved its originality and uniqueness. Secession is a phenomenon of the Lviv architecture of the early twentieth century. It determines the definition of sculptural decor as one of the main components of the “newest” artistic image of a building. Among the various types of plastic decoration, an important place is occupied by relief masks – mascarons, which are the most mysterious, attractive and bizarre elements of the architecture of the Lviv Secession. The article notes the influence of various factors on the formation of new typological groups of mascarons not found in the architecture of previous eras. The artistic images of secession arise at the intersection of two key symbols and constant themes of art nouveau – eternal femininity and fabulous nature.

Colonial Zaytuna: The Making of a Minaret in French-Occupied Tunisia

2021 ◽  
Vol 38 (1) ◽  
pp. 185-221
Author(s):  
Sihem Lamine
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
North Africa ◽  
Large Scale ◽  
Late Nineteenth Century ◽  
Colonial Rule ◽  
Architectural Style ◽  
Late Nineteenth ◽  
French Protectorate

Abstract In March 1892, eleven years after the establishment of the French protectorate in Tunisia, a congregation of ulemas, religious scholars, and students, as well as representatives of the waqf administration (Jamʿiyyat al-Awqāf) gathered in the ṣaḥn of the Zaytuna Mosque to lay the cornerstone of a new minaret. The pre-exiting tower, whose latest major renovations dated from the seventeenth-century Ottoman Muradid times, was deemed hazardous; it was therefore entirely demolished and replaced by a large-scale replica of the nearby Hafsid Kasbah Mosque of Tunis. The new minaret of the Zaytuna Mosque rose in tandem with the Saint Vincent de Paul Cathedral of Tunis, and simultaneously with the nascent French neighborhoods of Tunis outside and along the medina walls. This article explores the intricate and fascinating context of the construction of a monumental minaret in a city that was gradually severing ties with its Ottoman past and surrendering to a newly established colonial rule. It questions the role and aspirations of the French administration in the minaret project, the reasons that led to the revival of the Almohad architectural style in the late nineteenth-century Maghrib, and the legacy left by the re-appropriation of this style in North Africa.

VENETIANS REVIVALS AT THE BEGINNING OF THE TWENTIETH CENTURY: EXAMPLES OF NEO-MEDIEVALIST ARCHITECTURE IN THE RIO DEL GAFFARO AREA

2018 ◽  
Vol 12 (2) ◽  
pp. 223
Author(s):  
Silvia Mazzetto
Keyword(s):  
Twentieth Century ◽  
Urban Development ◽  
20Th Century ◽  
Early 20Th Century ◽  
Urban Fabric ◽  
Thin Line ◽  
The City ◽  
The Way

This paper presents some examples of architectural revivals created by a promising Venetian architect at the beginning of the twentieth century, in a marginal area of the city of Venice known as Rio del Gaffaro that was subjected to an intense phenomenon of redevelopment and urban development, following the construction of new road and rail links to the mainland. The original hypotheses for the evolution of the lagunar city, proposed by their author, use an innovative compositional syntax that becomes the thin line of division between traditionally antagonistic references such as classicism and modernism, or orientalism and localism, in some of the best examples of neo-medievalist revival in early 20th century Venice. In particular, the use of historical reference in the composition of the new architectural forms establishes an intense, but quiet and pacific dialogue between the ancient and the modern. In this comparison, all interruptions between past and present are removed, not only in the composition of the residential architectural cell but also in the formation of the new urban fabric into which it is inserted. This way of reinventing history was to open the way for many subsequent readings and interpretations by other Venetian architects. 

THE SINGULARITY OF THE DOME’S FORMS OF SAMARA’S ART NOUVEAU ARCHITECTURE AND ECLECTICISM OF THE EARLY 20TH CENTURY

2018 ◽  
Vol 8 (2) ◽  
pp. 122-129
Author(s):  
Irina A. KOTENKO
Keyword(s):  
20Th Century ◽  
Modern Architecture ◽  
Town Planning ◽  
Art Nouveau ◽  
Surrounding Area ◽  
Provincial City ◽  
Peculiar Form ◽  
Planning Development ◽  
The City ◽  
The Town

The paper examines one of the characteristic fi nishing elements of the roofs of buildings - the dome. The originality of forms and varieties of their application is noted, fi rst of all in the Аrt Nouveau architecture, as well as in neoclassicism and various stylizations in the provincial city of Samara of the beginning of the 20th century. The author emphasizes the special signifi cance of the peculiar form in the composition of the building and the town-planning application. The widespread varieties of domes in the considered period of town-planning development are investigated and classifi ed. Due to its infl uence on the surrounding area, panoramas and silhouett es of the city, the domes retain their special town-planning signifi - cance. In the modern architecture of Samara, there has been an interest in this composite element, which is a kind of code of a historical city. The article considers modern examples of dome completions in Samara buildings.

scholarly journals Modernità MinoicaL'Arte Egea e l'Art Nouveau: il Caso di Mariano Fortuny y Madrazo

2012 ◽  
Author(s):  
Ilaria Caloi
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
European Society ◽  
Modern Art ◽  
Art Nouveau ◽  
Academic World ◽  
The Past ◽  
Early Twentieth Century ◽  
Decorative Motifs

The sensational discovery in the early twentieth century of the prehistoric civilisation of Crete, named Minoan after the mythical king Minos, and the contemporary birth of Modern Art in Europe has led many scholars to discern analogies between Minoan art and Art Nouveau. This work analyses the entity and significance of Minoan art in the textile productions that made the name of the artist Mariano Fortuny y Madrazo. The famous "Knossos shawls", created by Fortuny from 1906 on in his Venetian studio in Palazzo Pesaro Orfei, which has now become the Fortuny museum, feature decorative motifs taken from the decorations visible on vases and frescoes in the famous Minoan centres of Crete, such as Knossòs and Festòs, dating to the second millennium BC. Understanding his way of representing the past and the exotic – in particular the Minoan civilisation of Crete – and bringing it back to life, allows us to penetrate the expectations and the demands of European society between the 19th and the 20th centuries. The reference to a culture such as the Minoan, which precisely at the beginning of the 20th century was dubbed by the academic world as a "modern" civilisation and defined as quintessentially the first "European" civilisation, contributed to render the Knossos shawls inspired by it the very height of fashion.

scholarly journals Primera memoria escrita y primeros lectores en Pereira (Risaralda, Colombia) a comienzos del siglo XX: el ingreso a la vida moderna

2014 ◽  
Vol 6 (12) ◽  
pp. 203-236
Author(s):  
Rigoberto Gil Montoya
Keyword(s):  
Twentieth Century ◽  
Present Article ◽  
20Th Century ◽  
Social Dynamics ◽  
Printing Press ◽  
Local Administration ◽  
The Press ◽  
Siglo Xx ◽  
The City

El presente artículo indaga por la producción, contenido y circulación de algunos de los primeros periódicos publicados en Pereira (Risaralda, Colombia) en las dos primeras décadas del siglo XX, con el fin de rastrear en ellos las imágenes iniciales de ciudad y la forma como opera el discurso de la prensa en la composición de unos roles sociales. Así, se destaca el papel del periodista frente a la administración local y la sutil emergencia de unos actores modernos: el suscriptor, como receptor comprometido con la circulación de unos impresos, y el lector, como el usuario que empieza a hacer uso de las primeras bibliotecas locales. Aquí se pregunta por la primera memoria escrita que se teje en la ciudad y por sus implicaciones en la construcción de una dinámica social, donde el registro periodístico contempla un proceso histórico, convirtiéndose en documento esencial para comprender una noción de vida en comunidad, a propósito de los procesos de modernización que tempranamente asumió Pereira en el siglo XX, en una época en que, en términos administrativos, estaba adscrita al llamado Gran Caldas.First Readers Written and First Memory Pereira (Risaralda, Colombia) in the Early Twentieth Century: Entry into Modern LifeAbstractThe present article enquires into the production, content, and circulation of some of the first journals published in Pereira (Risaralda, Colombia) in the first two decades of the 20th Century, with the aim of tracking in them the initial images of the city, and the way the press discourse operates in the composition of some social roles. Thus, we highlight the role of the journalist in front of the local administration, and the subtle emergence of some modern actors: the subscriber, as a receptor committed with the circulation of printed material, and the reader, as the user who begins to make use of the first local libraries. Two questions emerge concerning the first written memories interwoven in the city, and the implications in the construction of a social dynamics, where the journalistic register implies a historic process which then turns into a document of primary importance for the understanding of a notion of life in community, with regard to the processes of modernization early assumed by Pereira in the 2oth century, in a period in which, in administrative terms, the city was ascribed to the Great Caldas. Keywords: local press, subscriber, printing press, reader, journalism, Pereira

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