Contemporary Approaches in Urbanism and Heritage Studies

2021 ◽  
Author(s):  
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Urban Studies ◽  
Architectural History ◽  
Free Standing ◽  
Urban Identity ◽  
Heritage Studies ◽  
And Gender ◽  
Academic Resource ◽  
Cross Reference

The idea of this book originated in the 4th International Conference of Contemporary Affairs in Architecture and Urbanism ICCAUA2021, held online in Alanya Hamdullah Emin Pasa University in May 2021. It was conceived as an intellectual discourse and a concise compendium of recent research in two parts, first part comprises Architecture and Urban studies with fourteen chapters and the second part contains Heritage and Habitat studies with ten chapters. This provocative collection of essays and contributors is concerned with underlying issues such as ecosystem, architectural history, open and public space, aesthetics of urban planning, livability, urban equity, sustainable development, construction and risk management, urban identity, conservation and regeneration, ethnicity, engagement and gender studies, some with case studies. Each chapter is a free-standing text, but the twenty-four contributions have been grouped to enable cross-reference and comparison. This book is a useful collection of academic resource and discusses some unsolved issues that cities has to face. Dr. Rokhsaneh Rahbarianyazd Alanya HEP University Alanya, Turkey

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

scholarly journals Casa de la Asegurada: A Collective Housing Facility for Women Development in Mexico

Buildings ◽  
2021 ◽  
Vol 11 (6) ◽  
pp. 236
Author(s):  
Lucía Martín López ◽  
Rodrigo Durán López
Keyword(s):  
Social Security ◽  
Public Space ◽  
Women's Movements ◽  
Mexican Families ◽  
History Of ◽  
New Ideas ◽  
And Gender ◽  
Collective Housing ◽  
Mexican Architecture ◽  
The Impact

While several women’s movements that aimed to modify their relationship with public space were taking place across the world, in 1956, the Mexican Social Security Institute founded the program Casa de la Asegurada, the subject of this study, as a tool for improving the social security of Mexican families through the input of cultural, social, artistic, and hygienic knowledge for women. The program’s facilities, Casas de la Asegurada, are located in the large Mexican housing complexes, articulating themselves to the existing city. Despite the impact on the lives of Mexican families, these have been ignored throughout the history of Mexican architecture. The main objective of this paper is to show the state of the art of Casa de la Asegurada and its facilities located in Mexico City. To achieve this, the greatest number available of primary sources on the topic was compiled through archive and document research. Sources were classified identifying information gaps to explain, in three different scales (program, facilities, and a case study), how they work through their objectives, performed activities, and evolved through time, so that the gathered information is analyzed with an urbanistic, architectural, and gender approach to contribute new ideas in the building of facilities that allow women empowerment.

scholarly journals Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 71
Author(s):  
Marianna Charitonidou
Keyword(s):  
National Identity ◽  
Urban Studies ◽  
Italian Cinema ◽  
Main Argument ◽  
Narrative Strategies ◽  
National Narratives ◽  
The Status ◽  
And Gender ◽  
Post War ◽  
The Relationship

The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level. The main argument of the article is that the way gender and migrant roles were conceived in the Italian Neorealist and New Migrant Cinema was based on the intention to challenge certain stereotypes characterizing the understanding of national identity and ‘otherness’. The article presents how the roles of borgatari and women function as devices of reconceptualization of Italy’s identity, providing a fertile terrain for problematizing the relationship between migration studies, urban studies and gender studies. Special attention is paid to how migrants are related to the reconceptualization of Italy’s national narrations. The Neorealist model is understood here as a precursor of the narrative strategies that one encounters in numerous films belonging to the New Migrant cinema in Italy. The article also explores how certain aspects of more contemporary studies of migrant cinema in Italy could illuminate our understanding of Neorealist cinema and its relation to national narratives. To connect gender representation and migrant roles in Italian cinema, the article focuses on the analysis of the status of certain roles of women, paying particular attention to Anna Magnagi’s roles.

«Get in Your Theatres; the Street is Not Yours»: The Struggle for the Character of Public Space in Tunisia

2017 ◽  
Vol 8 (2) ◽  
pp. 54-69
Author(s):  
Heather Harrington
Keyword(s):  
Public Space ◽  
Hip Hop ◽  
Freedom Of Expression ◽  
Social Scientist ◽  
Phenomenological Approach ◽  
Public Spaces ◽  
Structured Interviews ◽  
Site Specific ◽  
Political Issues ◽  
And Gender

Abstract How people move and appear in public spaces is a reflection of the cultural, religious and socio-political forces in a society. This article, built on an earlier work titled ’Site-Specific Dance: Women in the Middle East’ (2016), addresses the ways in which dance in a public space can support the principles of freedom of expression and gender equality in Tunisia. I explore the character of public space before, during, and after the Arab Spring uprisings. Adopting an ethnographic and phenomenological approach, I focus on the efforts of two Tunisian dancers – Bahri Ben Yahmed (a dancer, choreographer and filmmaker based in Tunis, who has trained in ballet, modern dance and hip hop) and Ahmed Guerfel (a dancer based in Gabès, who has trained in hip hop) – to examine movement in a public space to address political issues facing the society. An analysis of data obtained from Yahmed and Guerfel, including structured interviews, videos, photos, articles and e-mail correspondence, supports the argument that dance performed in public spaces is more effective in shaping the politics of the society than dance performed on the proscenium stage. Definitions and properties of everyday choreography, site and the proscenium stage are analysed, along with examples of site-specific political protest choreography in Egypt, Turkey and Tunisia. I engage with the theories of social scientist Erving Goffman, which propose that a public space can serve as a stage, where people both embody politics and can embody a protest against those politics.

scholarly journals Information and communication technologies and gender in climate change and green economy: Situating women’s opportunities and challenges in Zambian policies and strategies

2016 ◽  
Vol 8 (3) ◽  
Author(s):  
Justina Namukombo
Keyword(s):  
Sustainable Development ◽  
Information And Communication Technologies ◽  
National Policy ◽  
Communication Technologies ◽  
Quantitative Information ◽  
Green Economy ◽  
Qualitative And Quantitative ◽  
Participation Of Women ◽  
Information And Communication ◽  
And Gender

Zambia’s 2012 report on the United Nations Conference on Sustainable Development (RIO +20) identifies existing opportunities on the country’s transitioning to green economy. The RIO +20 conference of 2012 has resulted in new momentum in addressing problems of sustainable development. However, this article argues that there are practical challenges that require paying attention to, especially those involving women. The article addressed one key question: To what extent can women participate in the transitioning process to green economy in Zambia and what opportunities and challenges exists? The study used document analysis to answer the above question. National policy documents were reviewed to understand interventions on environmental management. Whilst going through the documents, the study used gender analysis frameworks (education, skills, roles in family and society, access to infrastructure) to bring out qualitative and quantitative information on women. Using suggested green economy interventions in the literature as benchmark, qualitative analysis was used to project possible participation of women in green economy activities and possible challenges to be faced. The study found that participation of women will be limited despite existing opportunities because of challenges of access to information and communication technology infrastructures, low educational levels and skills and financial constraints. As Zambia undergoes a transitioning process, these limitations should be addressed in planned green economy policies and interventions to maximise benefits.Keywords: Green economy; Gender; Policies; Strategies; ICT; Zambia

Black Queer Freedom

2020 ◽  
Author(s):  
GerShun Avilez
Keyword(s):  
Public Space ◽  
Gender Nonconformity ◽  
Black Diaspora ◽  
Potential Threat ◽  
Contested Space ◽  
Artistic Production ◽  
The Social ◽  
Sexual Meaning ◽  
And Gender ◽  
Black Queer

In this book, GerShun Avilez argues that queerness, here meaning same-sex desire and gender nonconformity, introduces the threat of injury and that artists throughout the Black diaspora use queer desire to negotiate spaces of injury. The space of injury does not necessarily pertain to a particular architecture or location; it concerns the perception and engagement of a body. Black queer bodies are perceived as social threats, and this perception results in threats (physical, psychological, socioeconomic) against these bodies. The space of injury describes the potential threat to queer bodies that lingers throughout the social world. Attending to such threats and challenging them constitute defining elements in Black queer artists’ work. In each of the two parts to the book, the author examines how perceptions of the Black queer body in different environments create uncertainty for that body and make it a contested space because of racial and sexual meaning. Part 1 focuses on movement through public space (through streets and across borders) and on how state-backed interruptions seek to inhibit queer bodies. Part 2 explores movement through institutional spaces (prisons and hospitals), which seek to expose the queer body to make it vulnerable to control. Ultimately, the book insists that desire and artistic production function as means to queer freedom when actual policies and legislation fail to ensure civic rights and social mobility.

GENDER AND SUSTAINABILITY: EVOLUTION OF DISCOURSE AND FEMINIST CRITIQUE OF SUSTAINABLE DEVELOPMENT

2020 ◽  
Vol 2 (4) ◽  
pp. 32-42
Author(s):  
YURI KOVALEV ◽  
Keyword(s):  
Sustainable Development ◽  
Global Climate ◽  
Decisive Role ◽  
Legal Aspects ◽  
Agenda 21 ◽  
Goals 2000 ◽  
Feminist Organizations ◽  
The Future ◽  
And Gender ◽  
Social Environmental

The purpose of this article is to analyze the stages of evolution of the UN social, environmental and gender policies and the peculiarities of their convergence into an integral concept of sustainable development, to assess the influence of feminist organizations on the direction and content of the concept of sustainable development, as well as criticism of «sustainability» and alternative development models proposed by feminist organizations and social movements, including the «Fridays for the Future» movement. The UN is the main international structure for shaping global social, environmental and gender policy. Over 75 years of the organization's activity, hundreds of documents have been adopted, dozens of conferences have been held in the field of eliminating social, gender and environmental inequalities. In 1992, the UN member states approved the «Agenda for the 21st century», in which social, gender and environmental aspects of development were combined into a holistic concept of sustainable development. Since that time, these political fields are considered in integrity and interconnection. International women's organizations have played a decisive role in integrating gender issues into the concept of sustainable development. Thanks to their activities, the legal aspects of enhancing gender equality are enshrined in the key UN documents on sustainable development - «Agenda 21» (1992), «Millennium Goals» (2000), «Implementation Plan» (2002), «The future we are want «(2012),» Sustainable Development Goals 2030 «(2015). At the same time, there are processes of the formation of an alternative gender discourse and feminist criticism of the official concept of sustainable development. International feminist movements and organizations have played a huge role in this. Currently, there are several feminist approaches to the study of the relationship between women and the environment: ecological-feminist, economic-ecological and post-structuralist. The most important area of activity for feminist organizations is the fight against global climate change. With the onset of the fourth wave of feminism in environmental protection, new trends and vivid leadership figures have emerged, and there has been a direct increase in women's presence in global climate policy. The most striking example of this trend is the climate movement «Fridays for the Future» (PRB), created by eco-activist G. Thunberg.

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