The Seine’s Exceptional Bodies

2020 ◽  
pp. 163-212
Author(s):  
Lia Brozgal
Keyword(s):  
Visual Art ◽  
State Violence ◽  
Burial Site ◽  
Seine River ◽  
Archival Material ◽  
Cultural Productions ◽  
Killing Fields ◽  
History Of ◽  
October 17 ◽  
A Site

Chapter 4 analyzes the anarchive’s representations of the Seine River. The notion of the iconic Parisian river as a mass burial site remains one of the most gruesome aspects of the massacre. While not all of the dead on October 17 fell victim to the river, it is nonetheless true that the Seine has come to occupy significant symbolic territory in the realm of representation, to a degree that perhaps surpasses the representation of analogous “killing fields” or “technologies” of destruction in other episodes of state violence. The anarchive is replete with images of the Seine and of the experience of what Sidi Mohammed Barakat calls “exceptional bodies,” all of which participate in an implicit project of re-signifying the river. In exploring representations of the Seine in novels, documentary and fiction film, and visual art, this chapter makes visible a poetic and political discourse about the nature of the violence on October 17. It also explores how culture has dealt with the weighty implications of a state hiding evidence of its crimes in a site so geographically, affectively, and symbolically central. Alongside cultural productions, this chapter engages archival material from the files of the Parisian police and the history of the Seine.

Historian of the Russian State Library. In Memory of L.M. Koval (1933—2020)

2020 ◽  
Vol 69 (2) ◽  
pp. 167-172
Author(s):  
Margarita Y. Dvorkina
Keyword(s):  
20Th Century ◽  
Foreign Languages ◽  
Library History ◽  
Russian State ◽  
Great Patriotic War ◽  
History Of ◽  
Publishing Houses ◽  
October 17 ◽  
State Library ◽  
The 19Th Century

The article is devoted to the memory of Lyudmila Mikhailovna Koval (October 17, 1933 – February 15, 2020), historian, Head of the History sector of the Russian State Library (RSL) and the Museum of Library history. The author presents brief biographical information about L.M. Koval, the author of more than 350 scientific and popular scientific works in Russian and in 9 foreign languages. She published 29 books in Publishing houses “Nauka”, “Kniga”, “Letniy Sad”, ”Pashkov Dom”, most of the works are dedicated to the Library. Special place in the work of L.M. Koval is given to the Great Patriotic War theme. The article considers the works devoted to the activities of Library staff during the War period. L.M. Koval paid much attention to the study of activities of the Library’s Directors. She prepared books and articles about the Directors of the Moscow Public and Rumyantsev Museums and Library from the end of the 19th century and almost to the end of the 20th century: N.V. Isakov, D.S. Levshin, V.A. Dashkov, M.A. Venevitinov, I.V. Tsvetaev, V.D. Golitsyn, A.K. Vinogradov, V.I. Nevsky, N.M. Sikorsky. The author notes contribution of L.M. Koval to the study of the Library’s history. Specialists in the history of librarianship widely use bibliography of L.M. Koval in their research. The list of sources contains the main works of L.M. Koval, and the Appendix includes reviews of publications by L.M. Koval and the works about her.

The Antonov rebel detachments in the territory of the Balashov uyezd of the Saratov gubernia (1920–1921)

2020 ◽  
pp. 45-51
Author(s):  
Sergei V. Lyovin
Keyword(s):  
Civil War ◽  
Local Population ◽  
Local History ◽  
Local Authorities ◽  
Archival Material ◽  
History Of ◽  
The Way

The Civil War is one of the largest tragedies in the history of our country. One of its dramatic episodes is the rebel movement led by A.S. Antonov which took place in the Tambov gubenia in 1920–1921 and was brutally suppressed by the Bolsheviks. Its scope is evidenced by the fact that it went beyond the borders of the Tambov gubernia. Separate detachments of Antonovites from the autumn of 1920 to the summer of 1921 raided the territory of the Balashov uyezd of the neighboring Saratov gubernia. The paper attempts to consider the way the uyezd authorities fought the rebels and the way civilians treated them. On the basis of an analysis of the local archival material most of which has not yet been put into scientific circulation, periodicals and the local history literature the author comes to the following conclusion: every time the invasions of Antonov’s detachments into the territory of the Balashov uyezd were so rapid that the local authorities did not manage to organize a proper rebuff, and the peasants, for the most part, supported the rebels since they saw spokesmen and defenders of their interests in them. Only frequent requisitions of peasants’ property by Antonovites as well as the replacement of the surplus appropriation system (Prodrazvyorstka) by the tax in kind (Prodnalog) led to the fact that since the spring of 1921 the support of the rebels by the local population ceased.

The Reformation of Prophecy

2018 ◽  
Author(s):  
G. Sujin Pak
Keyword(s):  
Old Testament ◽  
Word Of God ◽  
Priesthood Of All Believers ◽  
Beliefs And Practices ◽  
The People ◽  
The Reformation ◽  
History Of ◽  
A Site ◽  
Developmental Analysis ◽  
Sacred History

The Reformation of Prophecy presents and supports the case for viewing the prophet and biblical prophecy as a powerful lens by which to illuminate many aspects of the reforming work of the Protestant reformers in the sixteenth and seventeenth centuries. It provides a chronological and developmental analysis of the significance of the prophet and biblical prophecy across leading Protestant reformers in articulating a theology of the priesthood of all believers, a biblical model of the pastoral office, a biblical vision of the reform of worship, and biblical processes for discerning right interpretation of Scripture. Through the tool of the prophet and biblical prophecy, the reformers framed their work under, within, and in support of the authority of Scripture—for the true prophet speaks the Word of God alone and calls the people, their worship and their beliefs and practices, back to the Word of God. The book also demonstrates how interpretations and understandings of the prophet and biblical prophecy contributed to the formation and consolidation of distinctive confessional identities, especially around differences in their visions of sacred history, Christological exegesis of Old Testament prophecy, and interpretation of Old Testament metaphors. This book illuminates the significant shifts in the history of Protestant reformers’ engagement with the prophet and biblical prophecy—shifts from these serving as a tool to advance the priesthood of all believers to a tool to clarify and buttress clerical identity and authority to a site of polemical-confessional exchange concerning right interpretations of Scripture.

Conditions of Visibility

2019 ◽  
Keyword(s):  
Art History ◽  
Visual Art ◽  
Fundamental Question ◽  
Ancient World ◽  
Work Of Art ◽  
History Of Art ◽  
Shared Objects ◽  
History Of ◽  
Modern Prejudice ◽  
Historical Past

We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.

Reception History and the Interpretation of Revelation

2020 ◽  
pp. 375-393
Author(s):  
Ian Boxall
Keyword(s):  
Visual Art ◽  
Textual Criticism ◽  
Reception History ◽  
Biblical Text ◽  
Music Drama ◽  
History Of Interpretation ◽  
History Of ◽  
Biblical Texts

The chapter describes the discipline of reception history as the study of the ongoing use, interpretation, and impact of a biblical text. If the history of interpretation has often focused on the ways biblical texts are understood in commentaries and theological writings, reception history also considers how a book was received in spirituality and worship, in music, drama, literature, visual art, and textual criticism. Criteria for selecting and organizing materials useful for reception history are discussed, and there is a review of recent attempts to provide broad overviews of Revelation’s reception history, along with specific examples of the value of the discipline for interpreting Revelation.

“The Road into the Open”: From Narrative Closure to the Endless Performance of Subjectivity in Mahler and Freud at the Turn of the Century

2011 ◽  
pp. 79-116
Author(s):  
John E. Toews
Keyword(s):  
Sigmund Freud ◽  
Turn Of The Century ◽  
Gustav Mahler ◽  
Human Subjectivity ◽  
The Road ◽  
Cultural Productions ◽  
Construction Of Identity ◽  
Reflective Activity ◽  
History Of ◽  
History Of Subjectivity

This article studies selected works of Gustav Mahler and Sigmund Freud as enacting the history of subjectivity as a problematic narrative of the deconstruction and construction of identity. It views Mahler and Freud's cultural productions as historically parallel examples of a certain way of imagining human subjectivity as a reflective activity. It studies their ideas on identity as a form of assimilation, and looks at how their “works” took a turn towards subjectivity. The article shows that Freud, Mahler, and their modernist contemporaries did not opt to live in their songs and selves, but instead found a new way to imagine the relations among individuals.

scholarly journals Just Mothering: Amy Coney Barrett and the Racial Politics of American Motherhood

Laws ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 36
Author(s):  
H. Howell Williams
Keyword(s):  
Middle Class ◽  
Political Development ◽  
American Political Development ◽  
White Family ◽  
Public And Private ◽  
Close Analysis ◽  
History Of ◽  
Republican Motherhood ◽  
A Site ◽  
Confirmation Hearings

Justice Amy Coney Barrett’s nomination and confirmation featured frequent references to her role as a mother. This article situates these references within the trajectory of American political development to demonstrate how motherhood operates as a mechanism for enforcing a white-centered racial order. Through a close analysis of both the history of politicized motherhood as well as Barrett’s nomination and confirmation hearings, I make a series of claims about motherhood and contemporary conservatism. First, conservatives stress the virtuousness of motherhood through a division between public and private spheres that valorizes the middle-class white mother. Second, conservatives emphasize certain mothering practices associated with the middle-class white family. Third, conservatives leverage an epistemological claim about the universality of mothering experiences to universalize white motherhood. Finally, this universalism obscures how motherhood operates as a site in which power distinguishes between good and bad mothers and allocates resources accordingly. By attending to what I call the “republican motherhood script” operating in contemporary conservatism, I argue that motherhood is an ideological apparatus for enforcing a racial order premised on white protectionism.

scholarly journals ‘Policing Is a Profession of the Heart’: Evangelicalism and Modern American Policing

Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 194
Author(s):  
Aaron Griffith
Keyword(s):  
Law Enforcement ◽  
Police Officers ◽  
American Politics ◽  
Short History ◽  
Carceral State ◽  
American Life ◽  
Politics And Culture ◽  
American Law ◽  
History Of ◽  
A Site

Though several powerful explorations of modern evangelical influence in American politics and culture have appeared in recent years (many of which illumine the seeming complications of evangelical influence in the Trump era), there is more work that needs to be done on the matter of evangelical understandings of and influence in American law enforcement. This article explores evangelical interest and influence in modern American policing. Drawing upon complementary interpretations of the “antistatist statist” nature of modern evangelicalism and the carceral state, this article offers a short history of modern evangelical understandings of law enforcement and an exploration of contemporary evangelical ministry to police officers. It argues that, in their entries into debates about law enforcement’s purpose in American life, evangelicals frame policing as both a divinely sanctioned activity and a site of sentimental engagement. Both frames expand the power and reach of policing, limiting evangelicals’ abilities to see and correct problems within the profession.

scholarly journals The Dispositif of Holography

Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 28 ◽  
Author(s):  
Jacques Desbiens
Keyword(s):  
Visual Art ◽  
Spatial Representation ◽  
Computer Generated Holography ◽  
French Word ◽  
History Of ◽  
Artistic Research

The French word dispositif, applied to visual art, encompasses several components of an artwork, such as the apparatus itself as well as its display conditions and the viewers themselves. In this article, I examine the concept of dispositif in the context of holography and, in particular, synthetic holography (computer-generated holography). This analysis concentrates on the holographic space and its effects on time and colors. A few comparisons with the history of spatial representation allow us to state that the holographic dispositif breaks with the perspective tradition and opens a new field of artistic research and experimentation.

scholarly journals Remix in the age of ubiquitous remix

2021 ◽  
pp. 135485652199445
Author(s):  
Abby S. Waysdorf
Keyword(s):  
Point Of View ◽  
Archival Material ◽  
History Of ◽  
Accepted Part ◽  
The Media ◽  
Contemporary Media ◽  
The Aesthetic ◽  
The Way

What is remix today? No longer a controversy, no longer a buzzword, remix is both everywhere and nowhere in contemporary media. This article examines this situation, looking at what remix now means when it is, for the most part, just an accepted part of the media landscape. I argue that remix should be looked at from an ethnographic point of view, focused on how and why remixes are used. To that end, this article identifies three ways of conceptualizing remix, based on intention rather than content: the aesthetic, communicative, and conceptual forms. It explores the history of (talking about) remix, looking at the tension between seeing remix as a form of art and remix as a mode of ‘talking back’ to the media, and how those tensions can be resolved in looking at the different ways remix originated. Finally, it addresses what ubiquitous remix might mean for the way we think about archival material, and the challenges this brings for archives themselves. In this way, this article updates the study of remix for a time when remix is everywhere.

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