An Analysis of Product Design Based on Traditional Chinese Culture

2013 ◽  
Vol 397-400 ◽  
pp. 878-881 ◽  
Author(s):  
Li Li Liu ◽  
Kai Chang

The article, started with the analysis of the development situation of product design based on traditional Chinese culture, has comprehensively described the connotation of culture and design, along with the relationship between culture and design, and has focused on the application of traditional culture in product design, including the relationship between Chinese element symbols and product form, as well as the link between traditional philosophy and product form. Finally, a conclusion is drawn from examples, which shows the inspiration point as well as the creative point in traditional cultural product design.

2014 ◽  
Vol 644-650 ◽  
pp. 5904-5907
Author(s):  
Ming Hui Li ◽  
Xu Liu

Industrial design has been developed in China for decades, it is with the constant collision of traditional Chinese culture and learned a variety of nutrients. Increasingly focused on product design aspects of traditional culture. Meanwhile, the product experience has become the core of the product design evaluation criteria. Many aspects of traditional culture will affect the user experience on the use of the product.


2021 ◽  
Vol 4 (4) ◽  
pp. 89-92
Author(s):  
Yufen Li

Chinese culture has been continuously developing for 5000 years of historical development. Its traditional culture has had an impact on social development, and this traditional culture is rooted in the development of the society. The traditional Chinese culture also has certain significance for the design of modern cultural and creative works, which does not only inject vitality for cultural and creative products, but it also enhances the artistry of cultural and creative products. Therefore, based on this, this paper expounds the concept of traditional Chinese culture with cultural and creative products, analyzes the value of traditional culture in cultural and creative products, and explores how to refine and draw lessons from traditional Chinese cultural elements in the process of cultural and creative product design.


2013 ◽  
Vol 368-370 ◽  
pp. 649-652
Author(s):  
Tao Li ◽  
Jing Zhou

With the increasingly development and practice of interior design in China, designers are facing an important problem which requires them to have a good consideration,that is the culture reflected in their design is borderless.The urgent problem which comes to us now is try to reflect the inheritance and innovation of native culture in the interior design in a right way. Designers need to think better of returning to traditional Chinese culture and have it carried forward.The traditional culture and the taste of traditional aesthetic concept are well worth learning by designers, which is the foundation of the design. We should think deeply of current design behavior and face the reasonable direction of the development squarely, so as to make Chinese interior design more competitive in the world market.


2021 ◽  
Vol 2 (1) ◽  
pp. 127-137
Author(s):  
Yi Sun ◽  
◽  
Guoqing Zhao ◽  
Xi Yang ◽  
◽  
...  

The Three Character Classic (《三字经》), also translated as San Zi Jing or The Triword Primer, is the traditional Chinese Primer with the most significant influence and the broadest appeal. In the 21st century Chinese traditional cultural revival, traditional texts such as the Three Character Classic are reused as child education primer. Is the Three Character Classic still suitable for contemporary children's literacy and enlightenment? From the perspective of cognitive psychology and child development psychology, this paper used a critical literature review method to investigate the relationship between the Three Character Classic and children's language development, attention, memory, cognition, and moral development. It found that the content, structure, teaching approach of it conform to children's physical and cognitive development during early childhood. The Three Character Classic is not only the primary text for children's Chinese learning but also a valuable tool to understand the spiritual core of traditional Chinese culture. It has a particular value for children's literacy and enlightenment and those who learn Chinese as a second language.


2021 ◽  
Vol 8 (10) ◽  
pp. 177-182
Author(s):  
Jingkang Yu ◽  

China’s excellent traditional culture has its own intrinsic value, in the process of Marxism in China, the Chinese communists will Marxist theory and this value combined, not only makes the value of China’s excellent traditional culture to the extreme, but also to their own development added new elements and vitality; Marxism was introduced into China and became Sinicized Marxism. From the perspective of culture, it mainly benefited from the cultural soil and cultural context provided by the excellent traditional Chinese culture, which enabled the Chinese people to understand and disseminate the content of Marxist theory through various forms and channels. The excellent Chinese traditional culture has made its own contribution to the development of Sinicization of Marxism, which also provides a good opportunity for inheriting and developing the excellent Chinese traditional culture.


2020 ◽  
Vol 12 (1) ◽  
pp. 131-160
Author(s):  
Fanjia Meng ◽  
Ming Wang

Abstract Within China’s outstanding traditional culture lies a wealth of thought on social governance. In an effort to organize these ideas in systematic fashion, this text contains the dialogue that took place in the autumn of 2019 during a course for public administration graduate students entitled “Innovation in Social Governance.” The dialogue was between Professor Wang Ming of Tsinghua University and sinologist Meng Fanjia, who is a 74th-generation descendant of the great philosopher Mencius and an advocate of contemporary shi culture (a shi is one who aspires to become a person of noble character as defined by traditional Chinese culture). The dialogue, full of novel concepts, summarizes the definition of the word “traditional”. Their discussion was both broadly inclusive and profoundly insightful in the aspects of rite, being a man of noble character, virtue, being a scholar, goodness, filial piety, law, kinship, and morality.


2021 ◽  
Vol 1 ◽  
pp. 641-650
Author(s):  
Haebin Lee ◽  
Muhammad Tufail ◽  
KwanMyung Kim

AbstractThe sentence “form follows function” is the best expression of the relationship between form and function of a product in modern product design. This implies that the form is essential to implement the function while it should be optimized and minimized for the function. Unlike general products, transformable products are designed with the intention to change the function and form of the product according to the situation. This paper presents the types and characteristics of transformable products determined by Phase Model we introduced. We collected 147 transformable product cases and analyzed them according to the change of functions and forms in each product. As a result, we classified the transformable products into four types: partial transformable product, multi-form product, multi-function product and full transformable product. We found that each type has unique characteristics with potential to drive innovation in product design field.


2012 ◽  
Vol 174-177 ◽  
pp. 2714-2717
Author(s):  
Li Wenqin ◽  
Xiong Jianxin

In the adornment element of the diversification of the now, how to understand correctly the traditional Chinese culture, the inheritance and development of traditional Chinese culture, the traditional culture elements and looking for contemporary landscape design is very good with effective way, using modern techniques to carry out coordination, create with the national characteristics of landscape design.


2020 ◽  
Vol 16 (4) ◽  
pp. 535-550
Author(s):  
Zhong Chen ◽  
Tingting Yao

AbstractAt present, semiotic studies at home and abroad generally attach importance to the interpretation of symbols themselves, while the efforts in researching on the cognitive subject of symbols needs to be intensified and more attention should be paid to the process of symbolic activities. Cultural semiotics of jingshen attempts to construct a brand-new cognitive paradigm, not only to interpret the meaning of symbols, but also to develop the study of the relationship between the subject and the object in symbolic activities. In fact, the process of symbolic activities has been constantly emphasized in traditional Chinese culture. Although for an individual “the known” is infinite and “the knowable” is finite, the limitation of “the knowable” can be overcome through “self-cultivation.” The Chinese sages raised the concept of the “unity of three-tiered self-cultivation,” namely “unity of the mind and the body,” “unity of the mind and the objective world,” and “unity of apriorism and empiricism.” From the perspective of the cognitive paradigm, this concept gives due attention to the process of symbolic activities by emphasizing the effect of the cultivation of the cognitive subject on symbolic cognition and interpretation. The unity of the “three-tiered self-cultivation” of the cognitive subject can promote the development of a cultural semiotics of jingshen to construct an ideal cognitive paradigm in pursuing jingshen freedom and liberating symbolic meaning.


2020 ◽  
Vol 9 (6) ◽  
pp. 1
Author(s):  
Yixuan Jiang

English translation is not only a textual expression, but also an in-depth exchange of two cultures. To improve the level of English translation, a deeper comprehension of traditional Chinese culture must be understood. Therefore, there is a very active role in enhancing traditional Chinese culture for translation majors in college English education. This article has successively expounded the teaching status and significance of the translation major in promoting traditional culture, and analyzed the effective ways for it with aiming to provide relevant educators with some useful suggestions.


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