Automatic Segmentation Technology of Space Architecture Image Based on Space Adaptive Clustering Algorithm

2014 ◽  
Vol 608-609 ◽  
pp. 251-255
Author(s):  
Jia Wei Wu ◽  
Hai Bo Li

Interior furnishing design actually is the construction interior space design, an organic part of the whole building, a continuation of the architectural design, a manifestation of deepening the concept of architectural space.This article elaborates on the close relationship between furnishing design and interior design, contents and the important role of furnishing design classification.

2020 ◽  
Vol 165 ◽  
pp. 04011
Author(s):  
Junyan Dong ◽  
Bomin Zheng ◽  
Yupi Fu ◽  
Kechao Li

With the construction of a large number of affordable housing and the development of green buildings, the design of green affordable housing has become a new concern and research topic in China’s residential architectural design, and the interior design of affordable housing has become a top priority. This article takes Changchun city as an example, through the research of affordable housing in Changchun, visit, found the main problems existing in the status quo, in view of the problems put forward housing interior space design optimization principle, and according to the design principles of indoor space scale, provides a good green indoor living environment for green residential tenants in cold areas.


2021 ◽  
Author(s):  
◽  
Deborah Stace

<p>The discipline of interior architecture suffers from a lack of discipline specific theory, a definitive title and definition, and an understanding by the general public of the role and scope of this area of design. Many definitions view interior architecture (otherwise known as interior design or simply interiors) as existing only within the context of architecture. However a recent growth in interest and discussion around interiors has highlighted the fact that those within the discipline no longer view a fixed physical enclosure or architectural envelope as defining conditions of interior space. Architecture as a prerequisite to interiors has come into question, which also questions our understanding of the conditions that define interiority.  The concepts of shelter, place and atmosphere have been identified as contributing to an understanding of interior space. This research uses these three concepts as ‘lenses’ which contribute to an understanding of alternative ways of experiencing and designing interior space. The program of a bus shelter has been selected in order to test how these concepts can create an experience of interiority in a form that is not conventionally understood as interior space.</p>


2021 ◽  
Author(s):  
◽  
Deborah Stace

<p>The discipline of interior architecture suffers from a lack of discipline specific theory, a definitive title and definition, and an understanding by the general public of the role and scope of this area of design. Many definitions view interior architecture (otherwise known as interior design or simply interiors) as existing only within the context of architecture. However a recent growth in interest and discussion around interiors has highlighted the fact that those within the discipline no longer view a fixed physical enclosure or architectural envelope as defining conditions of interior space. Architecture as a prerequisite to interiors has come into question, which also questions our understanding of the conditions that define interiority.  The concepts of shelter, place and atmosphere have been identified as contributing to an understanding of interior space. This research uses these three concepts as ‘lenses’ which contribute to an understanding of alternative ways of experiencing and designing interior space. The program of a bus shelter has been selected in order to test how these concepts can create an experience of interiority in a form that is not conventionally understood as interior space.</p>


Author(s):  
Olha Tomina ◽  
Leonid Gook

The relevance of the study is due to new experience in architectural design, new technologies and types of materials and the need to generalize and systematize them to expand the formative possibilities of textiles in the design of residential interiors. Research in the field of interior textile design was carried out by: T.I. Isayeva, Khabibullina, E.V. Zmanovska and others. The purpose of the study is to identify areas, functions and compositional techniques of textiles in residential interiors. The historical reference of development of textile production is resulted. The structural analysis of textiles in the interior by types of textile materials, production technology, types of weave, types of ornaments; identified qualities of textile materials, which determine their widespread use and the main areas of application of textiles in modern residential interiors. According to the results of the research, the main functions of textiles in the interior are revealed: creation of a comfortable microclimate in the room; psychological comfort; space adjustment; visual isolation; protection of surfaces from damage and pollution; hygiene products; decorative; compositional component of interior space design. The description of types of textile wall-paper, curtains is resulted. The compositional function of textiles in the interior is revealed: accent, dominant, background, rhythm. The conclusion is made that at a choice of textiles and reception of placement it is necessary to consider regional natural and climatic conditions; the style decision of an interior is accepted; function, size, orientation on the sides of the horizon of the room; combination of textiles with finishing of surfaces of enclosing designs and subject filling of the room; combination of fabrics in texture, color and pattern; price segment.


2021 ◽  
Vol 03 (04) ◽  
pp. 371-381
Author(s):  
Wisam Hassan HASHIM

The current research highlights an important aspect of the great and rapid development in the field of science and technology, and modern manufacturing methods as a result of the scientific revolution resulting from the accelerated cognitive development, Which prompted designers in general and interior design, the subject of research in particular, to exploit and invest in digital technology, And the development of digital control in the industrial product design process for the purpose of creativity and innovation through these digital programs, Digital models fulfill the requirements and desires of the interior designer according to the creative skill by using modern software with high efficiency and accuracy in line with the requirements of the user, the interior designer and the beneficiary companies ,Therefore, the research problem can be determined by the following question:What is the nature of the variables in modeling patterns in the stages of contemporary interior space design through the use of virtual reality techniques? While the aim of this study was: to reveal the importance of digital models in the real interior space through a virtual reality, the current research included three sections: The first topic: the variables and their relationships in the design of the interior space, and the second topic: modeling in interior design between reality and simulation, and the third topic: Digital models in interior design, and the research reached a set of conclusions, the most important of which are: 1.Digital models allow the designer, custodians, and people to be able to explore the interior space before designing it. 2.Designers use Digital Prototyping to design, improve, validate and digitally visualize their spaces throughout the design stages. 3. Innovative digital models can be created through creative designs, achieving multiple design goals (best performance, high efficiency, space efficiency, appropriate design cost).


2019 ◽  
Vol 64 ◽  
pp. 02010
Author(s):  
Gillian Treacy

A new challenge is emerging. Contemporary built environment pedagogy demands engagement with both analogue and digital tools for simulation and verification of lit architectural environments. The use of analogue tools within architectural design education grasps onto the historically valued craftsmanship of drawing and physical models to measure, represent and understand our lit environment ambiance. Digital tools can provide efficient, simultaneous and precise verification of lit architectural interior space through 3D computer modelling and calculation software. However, the understanding and representation of daylit scenarios is becoming more numerically complex as lighting metrics and software gain in accuracy and dynamic range. With the majority of easily accessible software tools focussing on numerical verification, the ephemeral ambience that daylight in particular creates in interior architectural spaces is becoming ever more difficult to grasp for the architectural design student and practitioner. This paper seeks to challenge the exclusive use of digital tools for the understanding and representation of lit interiors by proposing that this methodology cultivates design epistemologies that are out of “touch”. Questionnaire findings and workshop studies are presented as pedagogical constructs are proposed inviting physical, experiential learning of lighting principles in collaboration with numerical and digital modes of learning to provide connections and translations to develop through ‘touch’ing light.


2017 ◽  
Vol 2 (2) ◽  
pp. 13
Author(s):  
Maryam Banaei ◽  
Abbas Yazdanfar ◽  
Javad Hatami ◽  
Ali Ahmadi

Focusing on inhabitant’s climate comfort causes the neglect of personal and aesthetic factors that have effects on emotions and psychological comfort. Blindly adhering to sustainable design principles regardless of the basic architectural design parameters cause similar interior spaces in today’s housing of Iran. Interior space form is one the main design factors that has some effects on inhabitant’s emotions. It is a correlation research to study inhabitant’s emotions towards sustainable interior space by focusing on interior form. It illustrates that form can consider as an influential factor in creating and improving sustainable conditions according to inhabitant’s emotions. Keywords: sustainable interior design; emotion; shape; PAD 2514-7528 © 2017 The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK.. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.


2020 ◽  
Vol 18 (2) ◽  
pp. 195-201
Author(s):  
Vladana Petrovic ◽  
Branislava Stoiljkovic ◽  
Milica Zivkovic ◽  
Natasa Petkovic-Grozdanovic ◽  
Milena Medenica

The application of coloured and optical glass in architecture is of great importance in terms of creating spatial dynamics and uniqueness of space. Dichroic glass is a type of glass coated with a thin layer of metal, which causes the glass surface to change in colour depending on the viewing angle. The colour of the glass depends on the incidence of different wavelengths of light passing through or bouncing off the glass surface, thus creating different effects of colour refraction. Created effects provide different possibilities in the design of buildings and improvements in the aesthetic quality of the interior space. This paper deals with the analysis and application of coloured dichroic glass in architecture and interior design.


2014 ◽  
Vol 522-524 ◽  
pp. 1731-1733
Author(s):  
Ming Zhou

Interior space is the main target of Art and Design is to provide virtual body can enjoy the sway of various design elements environment indoors. This space is "virtual and real," "yes or no", the core issue is the interior design of the study.


2016 ◽  
Vol 1 (1) ◽  
pp. 291
Author(s):  
Maryam Banaei ◽  
Abbas Yazdanfar ◽  
Javad Hatami ◽  
Ali Ahmadi

Focusing on inhabitant’s climate comfort causes the neglect of personal and aesthetic factors that have effects on emotions and psychological comfort. Blindly adhering to sustainable design principles regardless of the basic architectural design parameters cause similar interior spaces in today’s housing of Iran. Interior space form is one the main design factors that has some effects on inhabitant’s emotions. It is a correlation research to study inhabitant’s emotions towards sustainable interior space by focusing on interior form. It illustrates that form can consider as an influential factor in creating and improving sustainable conditions according to inhabitant’s emotions.© 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies, Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.Keywords: Sustainable interior design; emotion; shape; PAD


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