scholarly journals The Subject of Holodomor in the Ukrainian Artistic Space

2021 ◽  
Vol 57 (2) ◽  
pp. 105-126
Author(s):  
Olha Vasylenko ◽  
Lilіia Mudretska ◽  
Irene Okner

The Great Famine (Holodomor) is man-made famine that convulsed the Soviet republic of Ukraine in the 1930s. Since 2006, the Holodomor has been recognized as a genocide of the Ukrainian people carried out by the Soviet government. The article aims to highlight specific historical, cultural and social conditions that contributed to the dynamics of the Holodomor theme in music. It focuses especially on the musical compositions of this historical tragedy performed at the Kyiv Music Fest Competition. We can observe the linguistic and musical semantics of the opus of tragic imagery, along with the ethnic motifs of the Ukrainian cultural space, including musical rhetorical figures of the Baroque period, Christian symbolism of suffering and salvation, infernal stylistics.

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.


1970 ◽  
Vol 13 (3) ◽  
pp. 419-450 ◽  
Author(s):  
E. D. Steele

The first part of this study of Mill sought to show how much less radical he was on the subject of Irish land reform than is often supposed. In the earlier editions of the Principles of Political Economy from 1848 to 1857 there were passages which constituted a terrible indictment of landlordism, and insisted on the need for legislation to convert the tenant farmers into joint owners of their holdings: but in another passage this harsh criticism was substantially withdrawn, and the demand for fixity of tenure effectively retracted. Although they continued to reproduce the criticism and the call for a drastic measure, the editions of 1862 and 1865 were more moderate still in their conclusions on Irish land. With the progress of the changes in the economy and society set in motion by the Great Famine, Mill became more strongly convinced that the country should be left to evolve slowly under the existing law of tenure, only slightly amended. One cannot imagine Mill saying, ‘tenant-right…is equivalent to landlords' wrong’: but he and Palmerston were none the less in nearly complete agreement by 1865 on the degree of laissez-faire that was desirable in Ireland. For all his strictures upon aristocratic misgovernment and middle-class prejudice, Mill was too warm an admirer of British institutions to want to undermine their social basis over a wide area of the United Kingdom. The second part of this study deals with his action and his motives, in briefly advocating, without any reservations this time, the revolutionary land legislation from which he had always previously shrunk, despite his brave words written for the earlier editions of the Principles.


2021 ◽  
Vol 5 (S2) ◽  
pp. 708-721
Author(s):  
Oksana A. Telep ◽  
Inna V. Balashenko ◽  
Pavlo P. Fedaka ◽  
Liudmyla I. Ukhach ◽  
Yelizaveta M. Sivak

The relevance of the subject matter derives from the fact that communication is one of the oldest institutions of humanity and plays a crucial role in modern society. The authors used general scientific methods such as generalisation, analysis and integration of elements of the concept of conventional communication as well. The purpose of the study is to define the essence of the models of socio-cultural transformation, as well as the characteristics and features of the development of socio-cultural activities. The study analyses how socio-cultural content functions in social communication; the key theoretical thesis of the functionality message is identified. The study discusses the models that influence socio-cultural transformation on the global level and make changes both in the global cultural space and in the cultural space of countries, communities, and people in particular. The study proposes means to strengthen the innovative potential of Ukrainian culture. The authors emphasise that the phenomenon of communication culture requires in-depth theoretical and methodological studies of the problems of its design and support. 


2018 ◽  
pp. 130-138
Author(s):  
Volodymyr Chornyi

The article analyses one of the most grievous chapters in the history of Ukrainian nation – the Great Famine (Holodomor) of 1932–1933. It is referred to the massive famine that was deliberately organized by the Soviet authorities, which led to many millions hu-man losses in the rural area in the territory of the Ukrainian SSR and Kuban. Planned confiscation of grain crops and other food products from villagers by the representatives of the Soviet authorities led to a multimillion hunger massacre of people in rural area. At the same time, the Soviet government had significant reserves of grain in warehouses and exported it abroad, since without collectivization and Ukrainian bread it was impossible to launch the industrialization that demanded Ukrainian grain to be contributed to foreigners in return for their assistance. Ukrainian grain turned into currency. The authorities of that time refused to accept foreign assistance for starving people and simultaneously banned and blocked their leaving outside the Ukrainian SSR. The so-called “barrier troops” were organized in order to prevent hungry people from flee to the freedom and not let anyone enter the starving area. The situation is characterized by the fact that the idea and practice of barrier troops tested on Ukrainians were lately used on the battlefields of the World War II. Among three Holodomors, the government did not conceal only the first one (1921–1922), as it could be blamed on the tsarist regime that brought the villagers to the poverty, and post-war devastation. The famine of 1946–1947 was silenced, but the population generally perceived it as a clear consequence of two horrendous misfortunes – the World War II and dreadful drought. Especially rigid was position of the government regarding the very fact of genocide in 1933–1933 not only its scale. The author emphasizes that the Great Famine is refused to be admitted not because it was unreal but to avoid the assessment of its special direction against Ukraine and Ukrainian nation, saying instead that it affected the fate of all nations. The article describes the renovation of internal passports system and the obligatory registration at a certain address that took place in the USSR in 1932. Decree of the Council of People’s Commissars of the USSR stipulated the fact that people living in rural areas should not obtain passports. Therefore, collective farmers of the Ukrainian SSR actually did not obtain passports. The villagers were forbidden to leave collective farms without signed agreement with the employer, that deprived them of the right to free movement. Even after the introduction of labour books the collective farmers did not obtain them either. The author describes the destruction of the collective farms system that his parents dedicated their entire labour life to. Instead of preserving productive forces, material and technical base and introducing new forms of agrarian sector management and the whole society to the development path, this system has been thoughtlessly destroying and plundering. Keywords: Holodomor, Ukrainian villagers, collectivization, genocide, confiscation, barrier troops.


Author(s):  
Zarina Mukhriddinovna Denisova

The subject of this research is the works of the prominent national composer Alfred Schnittke. The analysis of musical compositions demonstrated that one of the dominant technique of their thematic development consists in the intonation and genre montage, and dramaturgy is structured as a peculiar intertwinement of imagery-thematic lines, each of which is formed as an assemblage of themes referred to the same genre. The main principle for this research served the principle of historicism as one of the fundamental within national musicology, which views an artistic phenomenon in unity of transformation of traditions and modern trends. The scientific novelty consists in determination of the leading principle of musical compositions of A. Schnittke – the principle of “generalization through the genre”, presented as an intonation and genre montage. In conclusions formulated in the article, the author summarizes and systematizes the results of study: combining different genres in a single sound space, the composer interprets them as so-called intonation-semantic signs formed in the process of prolonged historical-cultural development, generating valid content, and at the same time, in its intertwinement, creating an individual artistic view of the world.


2016 ◽  
Vol 6 ◽  
pp. 33-62
Author(s):  
Wiktoria Kudela-Świątek

The article discusses a wide range of aspects concerning the Holomodor – the Great Famine in the Soviet Union in the years 1932–1933. The author focuses on examining the processes of creating a collective image of the Great Famine and the role of individual memory of its survivors in building this image. Analyzing the memories of the survivors the author deals with distortions and myths which has grown up around the Holomodor. The significance of this disaster for the Ukrainian identity is also the subject of the analysis.


Author(s):  
Jack Fennell

This book looks at Irish Gothic and horror texts, in both English and Irish, from the beginning of the nineteenth century to the end of the twentieth, examining how this kind of fiction represented the cultural and political concerns of the day through the deployment of monsters, both as characters and as representative figures. Monsters disrupt both our definition of ‘history’ (as a record of past events arranged into a narrative structure) and our scientific, political, or ‘common sense’ understanding of what is possible or impossible; the monster exists outside any notion of a universal morality (or even moral relativism), and with its strange biology it complicates ideologies of gender and race. To be confronted by a monster is to witness the breakdown accepted models of reality, and plunges the subject into a nihilistic world where human action is meaningless. Since Irish history is often conceived of as a sequence of ‘ruptures’ (e.g. the Plantations, the 1641 Rebellion, the Great Famine, the Anglo-Irish War and the Troubles), monstrosity is an apt lens through which to scrutinise Irish culture. Each chapter of this book looks at a different category of monster in turn, and looks at the distinctive ways in which they rupture human history.


2021 ◽  
Vol 50 (1) ◽  
pp. 141-180
Author(s):  
Henry Kerger

Abstract The subject of this article points beyond a purely literary or literary-historical approach. The question is, whether and how a human being is able to change the (social) conditions of their life by changing himself through transition into another form of existence. In order to overcome established (social) conditions and one’s self, it is necessary to begin with a vision, a utopian dream. Those who pursue the utopian dream of overcoming their current (social) conditions must acknowledge their own good and evil, that is, their position vis-à-vis equality and justice, law and morality. The person itself, and its personality, is revealed in the relation between the utopia of changing its current way of life and its social reality. The ultimate question is: what is the essence of humanity, the ecce homo? Both the transition into a new form of being and the utopian dream differ decisively in Don Quixote and Zarathustra. It is not my concern to compare them as literary figures.


1905 ◽  
Vol 39 (4) ◽  
pp. 337-369
Author(s):  
S. J. H. W. Allin

The subject of Widows' and Orphans' Pension Funds occupies but a very small space in the pages of the Journal of our Institute. Indeed, until Mr. Manly's classic paper was written in 1903 (J.I.A., xxxviii, pp. 101 et seq.) there had appeared no paper from which the student could glean any information on this branch of our work.


2019 ◽  
Vol 48 (3) ◽  
pp. 444-459 ◽  
Author(s):  
Paolo Fonzi

AbstractThe present contribution analyzes systematically diplomatic reports written by German, Italian, British, and Polish representatives in the Soviet Union at the time of the Great Famine. Based on both published documents and unpublished archival sources, the article examines comparatively the perception of the Great Famine in these four countries. After providing a short overview of the diplomatic relations between the Soviet Union and the four countries at the time of the famine, this article examines how German, Italian, British, and Polish diplomats explained three key issues for understanding the Great Famine: (1) the role of the conflicts between state and peasantry in unleashing the famine; (2) the issue of whether the Soviet government intentionally caused the famine; and (3) the role of intentions in the development of the famine and the relationship between the nationalities policy of the Soviet government and the famine.


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