scholarly journals Visual explicitation in intersemiotic translation

2021 ◽  
Vol 1 (1) ◽  
pp. 103-122
Author(s):  
Anne Ketola
Keyword(s):  
Empirical Data ◽  
Meaning Making ◽  
Translation Studies ◽  
Meaning Construction ◽  
Source Text ◽  
Visual Form ◽  
Verbal Language ◽  
Image Translation ◽  
Words And Images

In Translation Studies, explicitation generally refers to an interlingual process where something that is implicit in the source text is made explicit in the target text. This article analyses the concept in an intersemiotic context, focusing on word-to-image translation, with the aim of determining whether word-to-image translation includes meaning construction that could be described as explicitation. The empirical data of the article is a comic contract, a verbal-only document that has been intersemiotically translated into a visual form, i.e. a comic. The analysis concluded that while some of the characteristics described for interlingual explicitation operate with verbal language-specific concepts and cannot be applied to word-to-image translation, other characteristics of explicitation – such as the specification of meaning in translation – seem well-suited for this type of intersemiotic analysis. The analysis also emphasized that distinguishing types of explicitation in word-to-image translation is complicated by the inherent differences of words and images as meaning making resources.

Understanding translation universals

Babel ◽  
2016 ◽  
Vol 62 (1) ◽  
pp. 122-134 ◽  
Author(s):  
Serhii Zasiekin
Keyword(s):  
Experimental Data ◽  
Cognitive Style ◽  
Undergraduate Students ◽  
Empirical Data ◽  
Translation Studies ◽  
Literary Translation ◽  
Source Text ◽  
The Status ◽  
Series Of Experiments

Translation S- and T-universals have been widely discussed in Translation Studies and their psycholinguistic study has been among the priority topics today. The article is focused on the study of translation ‘S- universals’ (Chesterman 2004) and is based both on the psycholinguistic model of literary translation, which combines today’s neuroscience theories of cognitivism and connectionism, and on the experimental data that demonstrate its validity. The model is resulted in a series of experiments held with undergraduate students of translation department. The results of the study proved the idea of existing specific procedural and discursive S-universals in literary translation. As the empirical data showed, these universals maintain the status of common strategies depending on translator’s cognitive style (analytical or synthetic) and his dominant channel (visual, auditory, kinesthetic) of source text perception.

For a translational sociology: Illuminating translation in society, theory and research

2021 ◽  
pp. 136843102110021
Author(s):  
Esperança Bielsa
Keyword(s):  
Meaning Making ◽  
Social Process ◽  
Translation Studies ◽  
Point Of View ◽  
Sociological Perspective ◽  
Cultural Globalization ◽  
Methodological Nationalism ◽  
The World ◽  
Sociology Of Translation ◽  
Basic Social Process

This article argues for a non-reductive approach to translation as a basic social process that shapes both the world that sociologists study and the sociological endeavour itself. It starts by referring to accounts from the sociology of translation and translation studies, which have problematized simplistic views of processes of cultural globalization. From this point of view, translation can offer an approach to contemporary interconnectedness that escapes from both methodological nationalism and what can be designated as the monolingual vision, providing substantive perspectives on the proliferation of contact zones or borderlands in a diversity of domains. The article centrally argues for a sociological perspective that examines not just the circulation of meaning but translation as a process of linguistic transformation that is necessarily embodied in words. Only if this more material aspect of translation is attended to can the nature of translation as an ordinary social process be fully grasped and its intervention in meaning-making activities explored. This has far-ranging implications for any reflexive account of the production of sociological works and interpretations.

Conceptualizing Culture: Possibilities for Political Science

2002 ◽  
Vol 96 (4) ◽  
pp. 713-728 ◽  
Author(s):  
Lisa Wedeen
Keyword(s):  
Identity Formation ◽  
Political Science ◽  
Meaning Making ◽  
Meaning Construction ◽  
Ethnic Identity Formation ◽  
Work Habits ◽  
Political Effects ◽  
Theoretical Category ◽  
Causal Variable ◽  
Oriented Approach

This essay makes a case for an anthropological conceptualization of culture as “semiotic practices” and demonstrates how it adds value to political analyses. “Semiotic practices” refers to the processes of meaning-making in which agents' practices (e.g., their work habits, self-policing strategies, and leisure patterns) interact with their language and other symbolic systems. This version of culture can be employed on two levels. First, it refers to what symbols do—how symbols are inscribed in practices that operate to produce observable political effects. Second, “culture” is an abstract theoretical category, a lens that focuses on meaning, rather than on, say, prices or votes. By thinking of meaning construction in terms that emphasize intelligibility, as opposed to deep-seated psychological orientations, a practice-oriented approach avoids unacknowledged ambiguities that have bedeviled scholarly thinking and generated incommensurable understandings of what culture is. Through a brief exploration of two concerns central to political science—compliance and ethnic identity-formation—this paper ends by showing how culture as semiotic practices can be applied as a causal variable.

scholarly journals How Children Decode Visual Narrative in Gaiman’s and McKean’s The Wolves in the Walls

2013 ◽  
Vol 14 (1) ◽  
Author(s):  
Chrysogonus Siddha Malilang
Keyword(s):  
Qualitative Research ◽  
Meaning Making ◽  
Visual Narrative ◽  
Unique Combination ◽  
Hermeneutic Circle ◽  
Complicated Process ◽  
Words And Images

ABSTRAK Bagaimana Anak Mengkode-ulang Narasi Visual dalam The Wolves in the Walls karya Gaiman dan McKean. Buku cerita bergambar sebagai teks untuk anak-anak merupakan kombinasi unik dari kata-kata dan gambar. Dua elemen yang saling terkait sama lain menciptakan inter-animasi bersama dalam membangun makna. Para ahli telah lama mempercayai bahwa proses membaca buku cerita bergambar melibatkan proses yang rumit dalam lingkaran hermeneutik. Namun, karena buku cerita bergambar terutama ditujukan untuk anak-anak, maka proses tersebut terjadi dalam pikiran sadar mereka. Oleh karena itu, penelitian ini bertujuan untuk mengungkapkan proses pembuatan makna anak dalam narasi visual buku cerita bergambar yang mana dalam penelitian ini menggunakan karya Gaiman, The Wolves in the Walls. Setelah melalui serangkaian penelitian kualitatif dengan lima anak di Inggris, aspek yang diteliti dalam penelitian ini adalah gaya bercerita, penggambaran pengalaman, dan tempat. Hasil penelitian ini menunjukkan bahwa anak-anak membaca buku cerita bergambar dengan cara yang berbeda dari orang dewasa, terutama dalam strategi yang digunakan untuk membaca teks yang panjang dan rumit. Kata kunci: cerita bergambar, gaya bercerita, penggambaran pengalaman, tempat, lingkaran hermeneutik  ABSTRACT Picturebook as a text for children is a unique combination of words and images. Those two elements are interrelated into one another, creating a mutual interanimation in constructing the meaning. Experts have long believed that the process of reading picturebook involves a complicated process of hermeneutic circle. However, since picturebook is mainly aimed for children, the process happens subconsciously within their mind. Therefore, this research aims to reveal children’s meaning making process in visual narrative of picturebook, in this research is Gaiman’s The Wolves in the Walls. After a series of qualitative research with fi ve children in UK, the aspects to research are style, projection of experience, and setting. The result shows that children read the picturebook in a different way than adult, alongside their strategy to cope with long and complicated text. Keywords: picturebook, style, projection of experience, setting, hermeneutic circle

scholarly journals Slovak thinking on audiovisual translation and the issue of the second-hand translation of Russian documentary films

2019 ◽  
Keyword(s):  
English Language ◽  
Translation Studies ◽  
Russian Language ◽  
Documentary Films ◽  
Source Text ◽  
Historical Explanation ◽  
Cultural Space ◽  
Audiovisual Translation ◽  
The Russian Language ◽  
Limited Diffusion

The paper, in its first part, outlines the Slovak research into audiovisual translation (AVT) from the 1950s up to the present, paying attention to the most important scholars as well as publications that helped to shape and establish the discipline within Slovak translation studies. It is based on the ongoing bibliographical research and the historical explanation mapping the development of AVT research in Slovakia by I. Tyšš – e.g. his publication Myslenie o audiovizuálnom preklade na Slovensku: 1952 – 2017 (Thinking on Audiovisual Translation in Slovakia: 1952 – 2017, 2018) – as well as on own findings covering the last two years. In more detail, the first part of the paper highlights that it was primarily thanks to a younger generation of translation studies scholars – especially E. Perez (née Janecová), L. Paulínyová (née Kozáková) and J. Želonka – that in 2012 the Slovak research into AVT finally became systematic. The second part of the paper is devoted to the phenomenon of the so-called second-hand translation of originally Russian audiovisual works that may be observed in Slovakia in recent years. The questionable nature of this phenomenon is stressed since the Russian language is not a language of limited diffusion and definitely not remote in relation to the Slovak cultural space. On the example of two documentary films – Под властью мусора (Held Captive by Rubbish, 2013) and Дух в движении (Spirit in Motion, 2015), the author discusses and analyses the problems that occur when translating originally Russian AV works into Slovak through the English language, i.e. the negative shifts resulting from mis-/overinterpretation of the source text, translation by omission, wrong order of dialogues, cultural specifics and incorrect transcription.

scholarly journals Possible Worlds in Translation: Coleman Barks’s Rendition of a Story from Rumi’s Masnavi

2021 ◽  
Vol 44 (3) ◽  
Author(s):  
Vahid Medhat ◽  
Hossein Pirnajmuddin ◽  
Pyeaam Abbasi
Keyword(s):  
Internal Structure ◽  
English Translation ◽  
Possible Worlds ◽  
Translation Studies ◽  
Original Text ◽  
Main Character ◽  
Source Text ◽  
Narrative Worlds ◽  
The Way

This article applies the theory of possible worlds to the field of translation studies by examining the narrative worlds of original and translated texts. Specifically, Marie-Laure Ryan’s characterization of possible worlds provides an account of the internal structure of the textual universe and the progression of the plot. Based on this account, one of the stories from Rumi’s Masnavi is compared to Coleman Barks’s English translation. The possible worlds of the characters and the unfolding of the plots in both texts are examined to assess the degree of compatibility between the textual universes of the original and the translated texts and how significant this might be. It also examines how readers reconstruct the narrative worlds projected by the two texts. The analysis reveals some inconsistencies in the way the textual universes of the original and translated texts are furnished and in the way readers reconstruct the narrative worlds of the two texts. The inability of translation to fully render the main character results in some loss in terms of the pungency and pithiness of the original text. It is also shown that the source text presents a richer domain of the virtual in comparison, suggesting a higher degree of tellability in the textual universe of the Masnavi’s narrative.

scholarly journals Termini in der technischen Übersetzung: Rettungsanker, Tyrannen – oder auch nur Wörter?

2021 ◽  
Vol 3 ◽  
Author(s):  
Ulrike Oster
Keyword(s):  
Translation Studies ◽  
Source Text ◽  
Specific Study ◽  
Domain Specific ◽  
Cultural Specificity ◽  
Technical Translation ◽  
Language Pair

The understanding of ‘term’ in traditional terminology theory reduces the lexical problems of technical translation to a mere substitution of the source-text term by a target-text term. In translation studies however , a number of issues have been highlighted which are not covered by traditional terminology theory, e.g. cultural specificity or the importance of textual and pragmatic considerations. This paper first analyses how the new communication and cognition-oriented approaches to terminology account for these aspects of technical translation. Then it briefly presents results of a language-pair and domain-specific study which allows us to exemplify some of the issues that have been discussed and to reach some specific conclusions for the translator of this linguistic combination.

scholarly journals Visual elements in children’s concrete poems: A multimodal analysis of Rain and Ice Cubes

2021 ◽  
Vol 31 (1) ◽  
pp. 64-85
Author(s):  
Thusha Devi Rajendra ◽  
Surinderpal Kaur
Keyword(s):  
Meaning Making ◽  
Analytical Tool ◽  
Multimodal Analysis ◽  
Visual Elements ◽  
Dominant Theme ◽  
Words And Images

This study is based on the multimodal analysis of two children’s concrete poems from the poetry book, Splish Splash (1994) by Joan Bransfield Graham. It employs Kress and van Leeuwen’s (2006) Visual Grammar as the analytical tool to analyse the visuals in terms of compositional meaning. It investigates how visual elements (words and images) are represented in the poems. In addition, it focuses on the features of the images and how they cohere on a page. The findings suggest that the representations of images in the poems reproduce the dominant theme of water and its forms. Furthermore, the interrelated-systems of salience and framing are used extensively and they contribute to meaning-making. Words and images support each other and coexist to provide meanings in the poems. Therefore, the combination of words and images creates a meaningful whole and offers readers greater opportunities to create meanings.

Taming iconicity in the Spanish and Italian translations of Shakespeare’s Sonnets

2018 ◽  
Vol 11 (1) ◽  
pp. 105-140 ◽  
Author(s):  
Francisco Gonzálvez-García
Keyword(s):  
Sensory Perception ◽  
Translation Studies ◽  
Construction Grammar ◽  
Literary Translation ◽  
Source Text ◽  
Selected Lines ◽  
Causative Constructions ◽  
Linguistic Approach ◽  
Secondary Predication

Abstract Building on Tabakowska’s (1993, 2003, 2005, 2009, 2013) full-blown defense of a cognitive linguistic approach to literary translation as well as on previous research dealing with the implementations of Construction Grammar(s) for translation studies (Szymańska 2011a, 2011b; Serbina 2015), this paper critically examines the role of iconicity in selected lines from Shakespeare’s Sonnets capitalizing on the passage of Time-Death and their corresponding translations in present-day Spanish and Italian. Specifically, drawing on Cognitive Construction Grammar (Goldberg 2006) and Contrastive Construction Grammar (Boas 2010a; Boas & Gonzálvez-García 2014), I focus on instances of secondary predication with verbs of sensory perception, causative constructions and aspectual constructions iconically connected with the above-mentioned motif and demonstrate that iconicity emerges as a very useful communicative ‘filter’ that can help to minimize any undesirable arbitrariness which may obscure the semantico-pragmatic interpretation of the source text and/or its rendering into the target text.

Sign in / Sign up

Export Citation Format

Share Document