Culture

2018 ◽  
Author(s):  
Anthony O’Hear
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Cultural Relativism ◽  
World City ◽  
Human Culture ◽  
The World ◽  
Low Culture ◽  
Secular Religion ◽  
Explanatory Concept ◽  
Universal Scale

Culture comprises those aspects of human activity which are socially rather than genetically transmitted. Each social group is characterized by its own culture, which informs the thought and activity of its members in myriad ways, perceptible and imperceptible. The notion of culture, as an explanatory concept, gained prominence at the end of the eighteenth century, as a reaction against the Enlightenment’s belief in the unity of mankind and universal progress. According to J.G. Herder, each culture is different and has its own systems of meaning and value, and cannot be ranked on any universal scale. Followers of Herder, such as Nietzsche and Spengler, stressed the organic nature of culture and praised cultural particularity against what Spengler called civilization, the world city in which cultural distinctions are eroded. It is difficult, however, to see how Herder and his followers avoid an ultimately self-defeating cultural relativism; the task of those who understand the significance of human culture is to make sense of it without sealing cultures off from one another and making interplay between them impossible. Over and above the anthropological sense of culture, there is also the sense of culture as that through which a people’s highest spiritual and artistic aspirations are articulated. Culture in this sense has been seen by Matthew Arnold and others as a substitute for religion, or as a kind of secular religion. While culture in this sense can certainly inveigh against materialism, it is less clear that it can do this effectively without a basis in religion. Nor is it clear that a rigid distinction between high and low culture is desirable. It is, in fact, only the artistic modernists of the twentieth century who have articulated such a distinction in their work, to the detriment of the high and the low culture of our time.

Sovereignty in a Minor Key

2021 ◽  
Vol 33 (1) ◽  
pp. 41-61
Author(s):  
Thomas Blom Hansen
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Indian Ocean ◽  
Western Europe ◽  
Nation State ◽  
The World ◽  
The Indian Ocean ◽  
Theories Of Sovereignty ◽  
A Minor ◽  
State Form

Abstract Theories of sovereignty in the twentieth century are generally based on a teleological “out-of-Europe” narrative where the modern, centralized nation-state form gradually spread across the world to be the foundation of the international order. In this article, the author reflects on how the conceptualization of sovereignty may change if one begins a global account of modern sovereignty not from the heart of Western Europe but from the complex arrangements of “distributed sovereignty” that emerged in the Indian Ocean and other colonized territories from the eighteenth century onward. These arrangements were organized as multiple layers of dependency and provisional domination, captured well by Eric Beverley's term minor sovereignty. Thinking through sovereignty in a minor key allows us to see sovereignty less as a foundation of states and societies and more as a performative category, emerging in a dialectic between promises of order, prosperity, and law, and the realities of violent domination and occupation.

Buy national campaigns: Patriotic shopping and the capitalist nation state

2020 ◽  
Vol 18 (1) ◽  
pp. 79-95
Author(s):  
Oliver Kühschelm
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Interest Groups ◽  
Physical Violence ◽  
Business Groups ◽  
Nation State ◽  
Short Term ◽  
The World ◽  
Promotional Campaign ◽  
National Campaigns

Since the eighteenth century, but with increased dynamism in the twentieth century, calls on consumers to buy national products have proliferated all around the world. This article discusses which historical constellations have given rise to the demand for patriotic shopping. Each case raises the question whether the demand was voiced within the framework of a broad national movement with political, cultural, and economic goals or was rather a case of business interest groups attempting to increase sales. These are not mutually exclusive alternatives: calls to buy national have often entailed an element of both. However, some have more the character of a movement beyond the immediate control of business groups, while others are just a promotional campaign. All in all, the demand for nationally minded consumption has mostly sought to establish business as deserving the solidarity of citizens. It has also displayed a patriarchal and authoritarian bent. But have such exhortations produced the desired effect? It is doubtful that any buy national campaign or movement has fundamentally changed the shopping patterns of consumers, at least if we discount physical violence and short-term success. Yet the call for patriotic consumption has often prepared the discursive ground for protectionist measures. As an effort to promote consent, they have tied into the hegemonic project of the capitalist nation state.

Environmental aesthetics

2018 ◽  
Author(s):  
Allen Carlson
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Aesthetic Experience ◽  
Aesthetic Appreciation ◽  
Environmental Aesthetics ◽  
Large Measure ◽  
The Public ◽  
The Core ◽  
The World ◽  
The Aesthetic

Environmental aesthetics is one of the major new areas of aesthetics to have emerged in the last part of the twentieth century. It focuses on philosophical issues concerning appreciation of the world at large as it is constituted not simply by particular objects but also by environments themselves. In this way environmental aesthetics goes beyond the appreciation of art to the aesthetic appreciation of both natural and human environments. Its development has been influenced by eighteenth-century landscape aesthetics as well as by two recent factors: the exclusive focus of twentieth-century philosophical aesthetics on art, and the public concern for the aesthetic condition of environments that developed in the second half of that century. Both factors broadened the scope of environmental aesthetics beyond that of traditional aesthetics, and both helped to set the central philosophical issue of the field, which is due in large measure to the differences between the nature of the object of appreciation of environmental aesthetics, the world at large and the nature of art. These differences are so marked that environmental aesthetics must begin with basic questions, such as ‘what’ and ‘how’ to appreciate. These questions have generated a number of different philosophical positions, two of which are the engagement and the cognitive approaches. The first holds that appreciators must transcend traditional dichotomies, such as subject/object, and diminish the distance between themselves and objects of appreciation, aiming at multi-sensory immersion of the former within the latter. By contrast, the second contends that appreciation must be guided by the nature of objects of appreciation and that knowledge about their origins, types and properties is necessary for serious, appropriate aesthetic appreciation. Each approach has certain strengths and weaknesses. However, although different in emphasis, they are not in direct conflict. When conjoined, they advocate bringing together feeling and knowing, which is the core of serious aesthetic experience and which, when achieved in aesthetic appreciation of different environments of the world at large, shows just how rewarding such appreciation can be.

Manilamen and seafaring: engaging the maritime world beyond the Spanish realm

2012 ◽  
Vol 7 (3) ◽  
pp. 364-388 ◽  
Author(s):  
Filomeno V. Aguilar
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
The Philippines ◽  
Late Eighteenth Century ◽  
Early Twentieth Century ◽  
The World ◽  
Late Eighteenth ◽  
English Speaking ◽  
English Speaking World

AbstractAlthough the Philippines is hardly known for sending out migrants prior to the twentieth century, and even among seafarers only the galleon age is remembered, this article provides evidence of transcontinental maritime movements from the late eighteenth century until the early twentieth century. These migrants were known in the English-speaking world as Manilamen. Most were seafarers, but some became involved in pearl-shell fishing, while others engaged in mercenary activities. They settled in key ports around the world, their numbers in any one location fluctuating in response to changing circumstances. Despite relocation to distant places, the difficulties of communication, and the impetus toward naturalization, Manilamen seem to have retained some form of identification with the Philippines as homeland, no matter how inchoately imagined.

Environmental aesthetics

2018 ◽  
Author(s):  
Allen Carlson
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Aesthetic Experience ◽  
Aesthetic Appreciation ◽  
Environmental Aesthetics ◽  
Large Measure ◽  
The Public ◽  
The Core ◽  
The World ◽  
The Aesthetic

Environmental aesthetics is one of the major new areas of aesthetics to have emerged in the last part of the twentieth century. It focuses on philosophical issues concerning appreciation of the world at large as it is constituted not simply by particular objects but also by environments themselves. In this way environmental aesthetics goes beyond the appreciation of art to the aesthetic appreciation of both natural and human environments. The development of environmental aesthetics has been influenced by eighteenth-century landscape aesthetics as well as by two recent factors: the exclusive focus of twentieth-century philosophical aesthetics on art and the public concern for the aesthetic condition of environments that developed in the second half of that century. Both factors have broadened the scope of environmental aesthetics beyond that of traditional aesthetics, and both have helped to set the central philosophical issues of the field, which are due in large measure to the differences between the nature of the object of appreciation of environmental aesthetics, the world at large, and the nature of art. These differences are so marked that environmental aesthetics must begin with most basic questions, such as ‘what’ and ‘how’ to appreciate. These questions have generated a number of different philosophical positions, which are typically classified as either noncognitive or cognitive approaches. Positions of the first type stress various kinds of emotional and feeling-related states and responses, which are taken to be the more noncognitive dimensions of aesthetic experience. By contrast, positions of the second type contend that appreciation must be guided by the nature of objects of appreciation and thus that knowledge about their origins, types and properties is necessary for serious, appropriate aesthetic appreciation. Each of these two kinds of approach has certain strengths and weaknesses. However, recent work in environmental aesthetics, especially in the aesthetics of human environments and everyday life, demonstrates that although different in emphasis, they are not in direct conflict. When conjoined, they advocate bringing together feeling and knowing, which is the core of serious aesthetic experience and which, when achieved in aesthetic appreciation of different environments of the world at large, demonstrates just how rewarding such appreciation can be.

scholarly journals William Shakespeare and Slovene dramatists (I): A. T. Linhart's Miss Jenny Love

2009 ◽  
Vol 42 (1-2) ◽  
pp. 3-34
Author(s):  
Mirko Jurak
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
William Shakespeare ◽  
Final Part ◽  
Passion Play ◽  
The World ◽  
Theatrical Performances ◽  
Essay On Man ◽  
The Impact

One of the signs of the universality of William Shakespeare's plays is undoubtedly their influence on plays written by other playwrights throughout the world. This is also true of Slovene playwrights who have been attracted by Shakespeare's plays right from the beginning of their creativity in the second half of the eighteenth century, when Anton Tomaž Linhart (1756-1795) wrote his tragedy Miss Jenny Love.-However,-Slovene knowledge about-Shakespeare and his plays reaches back-into the seventeenth century, to the year 1698, when a group of Jesuit students in Ljubljana performed a version of the story of ''King Lear in Slovene. The Jesuits used Slovene in theatrical performances, which were intended for.the broadest circles of the population. The first complete religious play, written in Slovene, is Škofjeloški pasjon (The Passion Play from Škofja Loka), which was prepared by the Cistercian monk Father Romuald. Since 1721 this play was regularly performed at Škofja Loka for several decades, and at the end of the twentieth century its productions were revived again.In December 2009 two hundred and twenty years will have passed since the first production of Anton Tomaž Linhart's comedy Županova Micka (Molly, the Mayor's Daughter). It was first performed in Ljubljana by the Association of Friends of the Theatre on 28 December 1789, and it was printed in 1790 together with Linhart's second comedy, Ta veseli dan ali Matiček se ženi (This Happy Day, or Matiček Gets Married; which was also published in 1790, but not performed until 1848). These comedies represent the climax of Linhart's dramatic endeavours. Linhart's first published play was Miss Jenny Love (1780), which he wrote in German. In the first chapter of my study 1shall discuss the adaptation of Shakespeare's texts for the theatre, which was not practiced only in Austria and Germany, but since the 1660s also in England. Further on I discuss also Linhart's use of language as the "means of communication". In a brief presentation of Linhart's life and his literary creativity I shall suggest some reasons for his views on life, religion and philosophy. They can be seen in his translation of Alexander Pope's "Essay on Man" as well as his appreciation of Scottish poetry. The influence of German playwrights belonging to the Sturm and Drang movement (e.g. G. T. Lessing, J. F. Schiller, F. M. Klinger) has been frequently discussed by Slovene literary historians, and therefore it is mentioned here only in passing. Slovene critics have often ascribed a very important influence of English playwright George Lillo on Linhart' s tragedy Miss Jenny Love, but its echoes are much less visible than the impact of Shakespeare's great tragedies, particularly in the structure, character presentations and the figurative use of language in Linhart's tragedy. 1shall try to prove this influence in the final part of my study.Because my study is oriented towards British and Slovene readers, 1had to include some facts which may be well-known to one group or to another group of readers. Nevertheless I hope that they will all find in it enough evidence to agree with me that Shakespeare's influence on Linhart's play Miss Jenny Love was rather important.

scholarly journals The Philosophy of Davos

Philosophy ◽  
2002 ◽  
Vol 77 (3) ◽  
pp. 307-308
Keyword(s):  
Eighteenth Century ◽  
Western Europe ◽  
World Order ◽  
Cultural Relativism ◽  
Global Integration ◽  
Clash Of Civilizations ◽  
Far Right ◽  
The West ◽  
The World ◽  
Western Imperialism

Though written several years earlier, Samuel P. Huntington's The Clash of Civilizations and the Remaking of World Order has had quite a vogue since September 11th. Philosophers of history, however, will recognize its themes as a re-hash, albeit a timely re-hash, of the eighteenth century dispute between the universalism and optimism of the enlightenment and the cultural relativism and pessimism of Herder.Instead of Voltaire and Diderot in the eighteenth century, in 2002 we have what Huntington calls Davos people, after the annual World Economic Forum meeting in that place. Those who go to Davos include many of the top businessmen, bankers, government officials and opinion formers in the world. They and their kind control most international institutions, most of the world's finances and many governments. They believe in individualism, market economies and political democracy.There is nothing wrong with these beliefs or with holding them. Problems arise when, in enlightenment fashion, Davos people think of these beliefs not just as universal in content but as universally believed in. For though Davos people control much of the world and form political elites in many countries inside and outside the West, outside the West they and their ideas find favour with probably less than one per cent of the world's population. As Huntington puts it this provokes a typically Herderian reaction: ‘The non-Wests see as Western what the West sees as universal. What Westerners herald as benign global integration, such as the proliferation of worldwide media, non-Westerners denounce as nefarious Western imperialism. To the extent that non-Westerners see the world as one, they see it as a threat.’And not only non-Westerners. Much of the success of so-called far right and nationalist movements in Western Europe is undoubtedly due to a Herderian reaction within the West to globalization and federalism, and much of the anger implicit in that reaction is stoked by the complacency of the Davos people.There is indeed nothing wrong with Davos beliefs in themselves, at least nothing that would convict those who hold them of any nefarious or sinister motives. Nor is there anything wrong with the more general enlightenment belief in a universal human nature and a universal standard of morality. The difficulty is to hold this and cognate beliefs, while recognizing that they may not be universally shared, and understanding and even respecting the sensibilities of those who might not share them. In the minds of those who disagree, failure on this point will transform what is supposed to be a liberating faith in universal human rights into an instrument of oppression. But how can one respect what one believes is wrong and even harmful, while not acceding to the very relativism one's commitment to universal truth would strenuously contest—and for the best of philosophical reasons?We are no nearer to solving this problem on a philosophical level than were our predecessors two hundred years ago. But if Huntington and other observers of the world scene are right, its solution is more urgent now than it has ever been.

‘The Celtic Century’ and the Genesis of Scottish Gothic

2017 ◽  
pp. 14-27 ◽  
Author(s):  
Nick Groom
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Nation State ◽  
International Capital ◽  
Early Twentieth Century ◽  
The World ◽  
Late Nineteenth

The Celtic, insofar as it is applied to Scottish, Irish, Welsh and Cornish identity and culture, is, like traditional Scottish tartans, an invention. Barry Cunliffe describes the word in its current Anglophone usage as an ‘ethnonym’, and dates it to the eighteenth century (2003: 5). Seamus Deane (1997: 77) likewise places ‘Celt’ within scare quotes and suggests it is a late nineteenth- or early twentieth-century term carrying an antimodernist agenda ‘transposed from its nationalist, antiquarian origins of the eighteenth century into a pan-European combinatoire of evolutionary destiny, the preservation of difference, even of anachronism, as a refusal of those adaptations needed to survive into the world of international capital and the nation-state.’ (Deane 1997: 88)

Islamic Studies of Korea in Medieval Scripts: Medieval Muslims’ perception of Korea “as a Muslims’ Paradise” and the Influence of Ancient Civilizations’ Golden Island in the Sea East of the Eastern End of the World

2021 ◽  
pp. 323-333
Author(s):  
Jin Han Jeong
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
East Asia ◽  
Short Note ◽  
Ninth Century ◽  
Japanese History ◽  
Islamic Studies ◽  
The World ◽  
Ancient Civilizations ◽  
Definition Of

Silla was one of two places in East Asia frequently described by medieval Muslim writers from the mid ninth-century onwards. The earliest study of Silla in antique documents can be traced back to eighteenth-century Arabists who attached a short note to the word “Sīlā” when editing or translating manuscripts.1 From the nineteenth century, not only in quantitative terms but also qualitatively, Muslim authors’ eagerness to catalogue their knowledge about Silla caught the attention of contemporary scholars in both the East and West. In addition to Europeans, Japanese academics attempted to study the definition of Silla at this time, and owing to the colonization of Korea, Silla came to be considered not only as part of Korean, but also Japanese “history.” From the early twentieth century, pioneering Korean scholars were also challenged by the task of deciphering medieval Muslim knowledge of Silla, often in conjunction with Arabic researchers.

Eighteenth Century Travelogues as Models for ‘Rethinking Europe’

2007 ◽  
Vol 15 (1) ◽  
pp. 115-124
Author(s):  
FRITS ANDERSEN
Keyword(s):  
Eighteenth Century ◽  
Literary History ◽  
Cultural Relativism ◽  
Modern World ◽  
Relevant Model ◽  
James Cook ◽  
Dead End ◽  
Rhetorical Practice ◽  
The World ◽  
Cultural Processes

Travelogues on expeditions in the 1760s to Tahiti and Yemen among other places are part of the early reshaping of Europe. They display the features of a historical threshold or ‘Sattelzeit’ between the classical and the modern world. But these travelogues also demonstrate another paradigmatic shift with important impact on the conditions for thinking of Europe in present day literary history. Some travelogues inaugurate in their rhetorical practice and anthropological content a problematic cultural relativism and aestheticism in relation to the world outside Europe. Other texts express doubts and contradictions, hesitating without being relativistic, focusing on cultural processes and concrete specifics rather than on essences, and adopting a pluridimensional perspective on the customs the traveller is confronted with. While the former track leads to the dead-end of reductive schematism of 19th century Orientalism, the latter may serve as a relevant model for rethinking Europe as part of a globalised world today. In what follows, the travel writing on Tahiti by James Cook, Bougainville and Diderot, Carsten Niebuhr's travelogue from his expedition to Yemen, Flaubert's Voyage en É:gypte, and Gauguin's NoaNoa, are analysed.

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