al-Attar, Suad (1942--)

Author(s):  
Tiffany Renee Floyd

Born in Baghdad, Iraq, Suad al-Attar moved to London in 1976. She holds a prominent position within the narrative of Iraqi modern and contemporary art as one of the nation’s leading female artists. In 1965, al-Attar became the first woman to hold a solo exhibition in Baghdad. This exhibition was the beginning of a prolific career that spans several decades and geographic regions. Al-Attar began her formal education at the Academy of Fine Arts in Baghdad and at California State University. She then pursued graduate training in London at the Wimbledon School of Art, where she studied printmaking, and the Central School of Art and Design. After the completion of her studies, al-Attar taught at the University of Baghdad before moving to London. Working within a graphic aesthetic, al-Attar’s work is flat, linear, and oftentimes monochromatic. Her canvases are filled with mythical creatures set in phantasmagoric spaces. The artist’s work is characterized as a manifestation of memory, at both a personal and collective level. Her characters emerge from Iraq’s literary past, but al-Attar also creates a personalized set of symbols based on memories of her homeland. Many of her works also offer introspective laments on the destruction of Baghdad during the turbulent years of the 1990s and 2000s.

2006 ◽  
Vol 9 (6) ◽  
pp. 963-964 ◽  
Author(s):  
Nancy L. Segal

AbstractVirtual twins (VTs; same-age unrelated siblings reared together from early infancy) have been studied at California State University (CSU), Fullerton since 1991. The current sample includes over 130 pairs. Past and current research have research have focused on siblings' similarities and differences in general intelligence and body size. Future research in these areas will continue as new pairs continue to be identified. These studies will be supplemented by analyses of personality, social relations and adjustment using monozygotic (MZ) twins, dizygotic (DZ) twins, full siblings and friends, as well as new VTs, who have participated in Twins, Adoptees, Peers and Siblings (TAPS), a collaborative project conducted between CSU Fullerton and the University of San Francisco, from 2002 to 2006.


2017 ◽  
Vol 21 (1-2) ◽  
pp. 11 ◽  
Author(s):  
John D'Amicantonio ◽  
Jordan M. Scepanski

The following paper, which was originally presented at the annual conference of the International Council on Education for Teaching in July 1994, focuses on the importance of the academic library in preparing future teachers. As noted in this article, librarians and libraries, although omitted from the original discussion in Nation at a Risk, received full attention in the publications that responded to this seminal work. Drawing on the many documents that followed publication of Nation at a Risk the authors highlight the value of strong library programs, specifically those that support Teacher Education Departments. In particular, the experience of future teachers attending California State University, Long Beach (CSULB) and the University Library at CSULB are presented here. 


Author(s):  
Kaveri Subrahmanyam ◽  
Adriana Manago

The Children’s Digital Media Center @ Los Angeles studies young people’s interactions with digital media – with a focus on the implications of these interactions for their offline lives and long-term development. Founded by Professor Patricia Greenfield, Distinguished Professor at the University of California, Los Angeles (UCLA), USA, the Center is a collaborative effort of researchers at the UCLA and the California State University, Los Angeles, USA. CDMC@LA researchers have been at the forefront of research on children’s and adolescents’ use of media ranging from early media forms such as television and video games to more recent ones including various applications on the Internet such as chat rooms, social networking sites, and YouTube. This entry presents an overview of the Center – its history, researchers and collaborators, research focus, and major contributions.


2009 ◽  
Vol 70 (8) ◽  
pp. 456-468
Author(s):  
Monica Fusich ◽  
Jane Magee ◽  
Elisabeth A. Thomas

The original Assignment Calculator from the University of Minnesota is a free open-source tool which helps students manage time and organize the steps of a research project.1 It provides a schedule and timeline for each step, and includes tips and outside links to more information. The head of instruction and outreach services in the Henry Madden Library recognized the value of this popular tool, but felt we could expand on its potential for students and faculty here at California State University-Fresno. We accomplished this by tailoring it to our own library and campus resources, staff and services, thus making it . . .


Author(s):  
Charles G. Nauert

Heinrich Cornelius Agrippa von Nettesheim (b. 14 September 1486 in Cologne—d. 1535 in Grenoble) was famous (or infamous) as the author of works on magic and the occult sciences not only in his own time but also centuries later. He was known for his declamation De incertitudine (see Individual Works) that denounced all human learning (including his own), probably the most frequently reprinted and translated of his publications, and also for a short treatise De nobilitate (see Collected Works) on the superiority of women, which succeeding generations discounted as a witty paradox but which modern feminist scholarship has taken very seriously. The major intellectual problem that his work has posed for modern intellectual historians is the apparent contradiction between his work on occult philosophy and his book denying the value of all fields of learning, including his own treatise on magic. Educated first at the University of Cologne (licentiate in arts, 1502), he traveled widely in France, Spain, England, and especially Italy, where he probably received degrees in both law and medicine (two professions that he practiced in later years), although no record of an Italian doctorate has been discovered. His work is especially important because of his lifelong study of ancient Platonic, modern Neoplatonic, Cabalistic, and Hermetic writings, an interest that began in his early years, matured during his years in Italy, and remained active throughout his life. Helpful modern scholarship on Agrippa is available in a variety of Western languages. In one form or another, the great majority of Agrippa’s numerous works are available in most academic research libraries. Some are available in English translation. Translations of De incertitudine were printed in several vernaculars (English in 1569, London: Henry Wykes and a modern reprint in 1974, Northridge: California State University). Less widely circulated was De occulta philosophia (see Individual Works) (first English edition in 1651, London: R.W. for Gregory Moule). Despite the existence of a few modern translations and more numerous older translations of questionable reliability, no reader should be deceived; serious study of Agrippa requires a reading knowledge of Latin, the language in which he wrote all of his works.


Tempo ◽  
2017 ◽  
Vol 71 (282) ◽  
pp. 6-17 ◽  
Author(s):  
Anna Höstman

AbstractChristopher Butterfield is a composer and composition teacher. His music has been performed across Canada and in Europe, with recordings on the CBC, Artifact, and Collection QB labels. He is currently the Director of the School of Music in the Faculty of Fine Arts at the University of Victoria. Christopher was born in 1952 in Vancouver, BC. He studied composition at the University of Victoria with Rudolf Komorous and at the State University of New York at Stony Brook with Bülent Arel. He was a performance artist, rock guitar player and composer while living in Toronto between 1977 and 1992, after which he returned to the University of Victoria as Assistant Professor of Composition.I studied composition with Christopher between 2000 and 2005. Earlier this year, I had the opportunity to sit down with him in Victoria. During our interview, I asked him about his life and work, and for his thoughts on how Czech-Canadian composer Rudolf Komorous has influenced composition in Canada over the last few decades.


Author(s):  
Brian Curtin

Silpakorn University was officially inaugurated in Thailand in 1943 as a raising of the status of the School of Fine Arts, which had been founded in 1933. The first director of the university was the Italian sculptor Corrado Feroci (Silpa Bhirasri, 1892–1962), who led the institution until his death. He had been employed in 1924 as official sculptor to the government of Thailand under the reign of King Vajiravudh (1880–1925), or Rama VI, who had initiated a number of programs to preserve Siamese craftsmanship and respond to modern foreign influence, of which Silpakorn University was an outgrowth. Feroci remains a revered figure among Thai artists, and his portrait can be regularly seen in local artists’ studios. He had led the creation of the Democracy Monument on Bangkok’s Ratchadamnoen Road – to commemorate the 1932 coup d’état which established a constitutional democracy – and this convinced the Department of Fine Arts that an art university could be used to produce major national works. Feroci created three strands for Silpakorn University’s education: styles specific to the nation, the fashions of contemporary art, and the influence of international modern art. Training in painting and sculpture was initially provided, and then training in architecture, archeology and decorative arts was added. The principal objective of the university was to reconcile Thai traditions and Western Modernism.


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