scholarly journals Canards, canard cascades and black swans

2015 ◽  
Vol Volume 20 - 2015 - Special... ◽  
Author(s):  
Vladimir Sobolev ◽  
Elena Shchepakina

International audience The paper is devoted to the investigation of the slow integral manifolds of variable stability. The existence of non periodic canards, canard cascades and black swans is stated. The theoretical developments are illustrated by several examples. L'article est consacré à l'étude de variétés lentes intégrales de stabilité variable. L'existence de canards non périodiques, de cascades de canard et des cygnes noirs est établie. Les développements théoriques sont illustrés par plusieurs exemples.

2001 ◽  
Vol 44 (7) ◽  
pp. 897-908 ◽  
Author(s):  
E. Shchepakina ◽  
V. Sobolev

2021 ◽  
Vol 22 (1) ◽  
pp. i-ii
Author(s):  
M. Bernardes ◽  
Carla T. L. S. Ghidini ◽  
C. Hoppen ◽  
A. R. L. Oliveira ◽  
P. M. Rodriguez

Trends in Computational and Applied Mathematics is a new journal published by the Brazilian Society for Computational and Applied Mathematics (SBMAC). SBMAC was established in 1978 as a scientific organization aimed at developing and promoting Computational and Applied Mathematics in Brazil. It is a leading environment for researchers, professionals and students working in Applied Mathematics and related fields. Currently, SBMAC has over 300 members and it organizes the largest scientific event in t his field in Latin America, the National Congress of Computational and Applied Mathematics (CNMAC), an annual congress that attracts around 700 attendees. Furthermore, SBMAC organizes regional events and co sponsors many other events in Brazil. In 1999, SBMAC created the journal Tendências em Matemática Aplicada e Computacional (TEMA), which was originally devoted to papers presented at CNMAC and to the dissemination of Applied Mathematics in Portuguese. With the publication of 21 volumes, the jornal has grown and has become a leading Brazilian journal in the field. In the past few years, the great increase in the number of submissions in English, by Brazilian and foreigner researchers alike, shows that TEMA has attracted an international audience and is recognized as an important publication in Computational and Applied Mathematics. The new journal, Trends in Computational and Applied Mathematics, marks the rebirth of TEMA as a truly international journal, yet one that preserves its history and the high profile that it has achieved. Our goals are to publish original research, theoretical developments and case studies on promising themes; to offer an interdisciplinary and reliable international forum; to provide an efficient peer review system, leading to a fast response time to the first decision. For forthcoming issues of TCAM, we invite researchers in Applied Mathematics and related fields to submit papers with innovative and/or relevant contributions to Computational and Applied Mathematics. We hope you enjoy reading the first issue of the new TCAM. We are looking forward to receiving your future contributions, as well as any comments and suggestions you may have. We will try our best to adjust to the expectations of our readership.


Author(s):  
C. Claire Thomson

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.


Author(s):  
Alistair Fox

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


1997 ◽  
Vol 36 (4II) ◽  
pp. 855-862
Author(s):  
Tayyeb Shabir

Well-functioning financial markets can have a positive effect on economic growth by facilitating savings and more efficient allocation of capital. This paper characterises some of the recent theoretical developments that analyse the relationship between financial intermediation and economic growth and presents empirical estimates based on a model of the linkage between financially intermediated investment and growth for two separate groups of countries, developing and advanced. Empirical estimates for both groups suggest that financial intermediation through the efficiency of investment leads to a higher rate of growth per capita. The relevant coefficient estimates show a higher level of significance for the developing countries. This financial liberalisation in the form of deregulation and establishment and development of stock markets can be expected to lead to enhanced economic growth.


Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 327-327
Author(s):  
Albrecht Classen

The papers combined in this volume were originally presented at a conference at the Royal Swedish Academy of Letters, History and Antiquities in Stockholm, June 11–12, 2015. The explicit purpose of this event and the subsequent volume was to expose the work of Swedish and other scholars on the genre of biographies to an international audience, reflecting on life-writing or ego-documents, emphasizing spiritual autobiographies. According to the brief bios at the end of the book, Robert Swanson, for instance, is Emeritus Professor at Binghamton University; Jean-Mark Ticchi teaches at the Centre d’Etudes en Sciences Sociales du Religieux in Paris; and Enock Bongani Zulu was lecturer at the Lutheran Theological Institute in Pietermaritzburg, South Africa. The book cover is decorated with an image showing a page in Margery Kempe’s Book from ca. 1440, indicating that the focus might rest on the Middle Ages. This is only very partially the case.


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