scholarly journals COMPREHENSIVE STUDY OF NABHI IN BRUHATRAYI AND ITS CORRELATION WITH MODERN SCIENCE

2021 ◽  
Vol p5 (03) ◽  
pp. 2837-2842
Author(s):  
Shipra Katiyar

Ayurveda is an intricate and detailed science, which provides great insight into the importance of every part of the body. One of the most important part is Nabhi. The Nabhi plays the most important role in development of body from the very beginning of life even at the embryonic stage. In ancient Indian tradition, the navel of the god Vishnu is consider as the center of the universe and the source of life. From his navel, a new world emerges. It not only has aesthetic importance but also tells the health status. It is a site of various treatments too which makes it worthy to consider its anatomical concepts and applied aspects. The literary review of Nabhi and modern studies suggest it as umbilicus. Keywords- Nabhi, Marma, Sira, umbilicus


2021 ◽  
Author(s):  
◽  
Paul Martin

<p>Te Whanganui a Tara Wellington City has a long history dating back to legendary individuals, including Maui and Kupe. The harbour is dotted with sites associated with a history that has accumulated over several centuries. Colonial settlement concealed many of these pre-European sites with what is now Wellington City. Today many of these buildings that constitute Te Whanganui a Tara Wellington are considered heritage fabric or relics of the past.  This thesis aims to examine and define such a context of a site’s past that is both concealed and concealing. The research breaks the past of the harbour down into two periods; Te Ao Tawhito (the old world) and Te Ao Hou (the new world), allowing for a segregated study of pre-European and post-European history. Many of these relics evoke, express or give insight into the past of Te Ao Hou. At times this history seems privileged due to the existence of relics. While methods such as preservation or restoration are valuable tools for a relic based design project, they do not address the matter of concealment. Two issues arise: Firstly, how could an intervention such as a mnemonic device express, evoke or give insight into the past that for numerous reasons are not presently interpretable at a site? Secondly, how could such an intervention interact with a relic that now remains on a site, as a valued vestige of the past?  Part one of the thesis consists of project one, which is a design for a Japanese bath-house on Seatoun Ridge in Motu-Kairangi Miramar. This design attempts to evoke, express and give insight into an era of the past from Te Ao Tawhito. This period is not presently apparent or evoked at the site although the era of concern is well known and important. The purpose of this project is to explore analogy as a design method, which through referencing the past, allows a new building to act as a mnemonic device expressing, evoking or giving insight into Te Ao Tawhito.  Part two follows with a second project consisting of three designs for an aquarium that explore how a mnemonic intervention could exist on a site that hosts a relic. Point Gordon on the northern tip of the peninsula was once a pa during Te Ao Tawhito and a military base during Te Ao Hou. This site is well suited for the second project because a relic of the latter period remains, subsequently concealing the ancient site of the former period. This project explores a metamorphic design method that allows a site to be developed while considering the following values of a relic: its original intent, its age value or its historic meaning. The metamorphic approach used in the second project juxtaposes, weaves or wraps a mnemonic intervention into the site, allowing the relic to be valued for either of the above qualities, which it may possess. The two projects have resulted in two design methods that could guide further design projects acknowledging a site’s layered histories whether interpretable or not.  The thesis discusses three issues that are important to this research. Firstly, the past is considered as an important aspect of a communities culture, identity and well-being. Secondly, relics and mnemonic interventions are discussed as having equal value and special attention should not lay with relics. Lastly, the research reflects on how questions can be more valuable than terminology.</p>



Author(s):  
Juan D. De Lara

Individual and collective stories provide insight into how people make sense of the world. Such narratives are laden with cultural meaning and can provide the seeds for opposition to dominant systems. In the case of logistics, personal narratives were critical to the construction of a warehouse-worker identity that challenged the dominant pro-growth discourse or the pro-logistics “regime of truth” by referencing devalued immigrant bodies as a foil against boosterish claims. The chapter uses warehouse workers’ stories as an epistemic bridge that connects Latinx Studies and the theoretical tools of the testimonio to Clyde Woods’s blues epistemology and Robin Kelley’s freedom dreams by turning the body as a site of deprivation into bodies as sites of counter-narratives and collective identities. These stories became the backbone of a campaign by the Change To Win labor federation to improve warehouse workers’ conditions in inland Southern California.



2021 ◽  
Author(s):  
◽  
Paul Martin

<p>Te Whanganui a Tara Wellington City has a long history dating back to legendary individuals, including Maui and Kupe. The harbour is dotted with sites associated with a history that has accumulated over several centuries. Colonial settlement concealed many of these pre-European sites with what is now Wellington City. Today many of these buildings that constitute Te Whanganui a Tara Wellington are considered heritage fabric or relics of the past.  This thesis aims to examine and define such a context of a site’s past that is both concealed and concealing. The research breaks the past of the harbour down into two periods; Te Ao Tawhito (the old world) and Te Ao Hou (the new world), allowing for a segregated study of pre-European and post-European history. Many of these relics evoke, express or give insight into the past of Te Ao Hou. At times this history seems privileged due to the existence of relics. While methods such as preservation or restoration are valuable tools for a relic based design project, they do not address the matter of concealment. Two issues arise: Firstly, how could an intervention such as a mnemonic device express, evoke or give insight into the past that for numerous reasons are not presently interpretable at a site? Secondly, how could such an intervention interact with a relic that now remains on a site, as a valued vestige of the past?  Part one of the thesis consists of project one, which is a design for a Japanese bath-house on Seatoun Ridge in Motu-Kairangi Miramar. This design attempts to evoke, express and give insight into an era of the past from Te Ao Tawhito. This period is not presently apparent or evoked at the site although the era of concern is well known and important. The purpose of this project is to explore analogy as a design method, which through referencing the past, allows a new building to act as a mnemonic device expressing, evoking or giving insight into Te Ao Tawhito.  Part two follows with a second project consisting of three designs for an aquarium that explore how a mnemonic intervention could exist on a site that hosts a relic. Point Gordon on the northern tip of the peninsula was once a pa during Te Ao Tawhito and a military base during Te Ao Hou. This site is well suited for the second project because a relic of the latter period remains, subsequently concealing the ancient site of the former period. This project explores a metamorphic design method that allows a site to be developed while considering the following values of a relic: its original intent, its age value or its historic meaning. The metamorphic approach used in the second project juxtaposes, weaves or wraps a mnemonic intervention into the site, allowing the relic to be valued for either of the above qualities, which it may possess. The two projects have resulted in two design methods that could guide further design projects acknowledging a site’s layered histories whether interpretable or not.  The thesis discusses three issues that are important to this research. Firstly, the past is considered as an important aspect of a communities culture, identity and well-being. Secondly, relics and mnemonic interventions are discussed as having equal value and special attention should not lay with relics. Lastly, the research reflects on how questions can be more valuable than terminology.</p>



Author(s):  
E. A. Mishina ◽  
I. . Kudryashov ◽  
O. V. Belometsnova

A comprehensive study of working conditions and health status of individuals running the crusher machines was done. Occupational risk assessment was conducted. The impact of the production process on the body systems functioning was estimated.



Author(s):  
Daniella Santoro

The performative traditions of New Orleans second line parades offer profound insight into localized expressions of health and disability. As public, festive, and symbolic spaces of music, dance and movement, second lines privilege the body as a site of knowledge production and individual improvisation within a collective tradition. This essay focuses on the relationship between dance and disability as observed during second line parades in New Orleans from 2010 to 2013. The narratives of those participants who are marked as disabled by age or circumstance reveal how the public space of dance and embodied movement at a second line parade enables a rewriting of ableist scripts about the body and its potential. This research focuses on the corporeal landscape and how musical traditions inscribe embodied knowledge, and embolden social commentary on the wider workings of race and disability in contemporary New Orleans.



2005 ◽  
Vol 30 (2) ◽  
pp. 161-174 ◽  
Author(s):  
AYESHA RAMACHANDRAN

This essay examines the theoretical and practical implications of performance as a utopian gesture, particularly with regard to postcolonial drama. Analyzing Manjula Padmanabhan's futuristic play, Harvest, as a case study, I argue that ‘utopia’ is a crucial critical concept for postcolonial dramatic practice because it stands for the collision and convergence of aesthetic and political interests, using the body itself as a site for representation and resistance. The play explores the extreme outcome of the international trade in human organs as a metaphor for neocolonialism and the constraints of postcolonial societies rent apart by economic inequalities. In this, it presents a moment of personal moral reckoning as a paradigmatic marker for an entire culture's confrontation with its utopian desires and their consequences. Harvest reflects the utopian impulse of modern drama masked by dystopic expression: it demands a differently imagined and shaped future, even as it chronicles the collapse of utopian visions in absolutist excess.



2021 ◽  
Vol 9 (10) ◽  
pp. 2500-2505
Author(s):  
Abhijeet Sawant ◽  
Ajay Kumar ◽  
Santosh Kumar Vishwakarma

Agni is one of the important aspects of Ayurveda, which affects the health status of human being up to great extent. As per modern science, Agni can be correlated with digestive fire mainly performs functioning of digestion & metabolism. In Ayurveda Jatharagni, Dhatwagni and Bhutagni are three types of Agni among which Jatharagni is most important, which generates metabolic transformations (Ahara paka), and this metabolic transformation of ingested foods provides nutrition to the body. If the formation of Ahara paka does not take place properly due to any causative factors then production of Aam/Aamvisha occur and abnormal physiological functioning may be ob- served which leads to disease like Ajirna, Amlapitta etc. Acharya Kashyap is the first person who mentioned Amlapitta as a separate disease. He has not given an only vivid description of Amlapitta, but also its treatment too mentioned in Kashyap Samhita. Considering this aspect present article summarized some clinical manifestations of Aam/Aamvish janya Amlapitt and its management by Ayurveda. Keywords: Agnidusti, Aam, Aamvisha, Amlapitta.



2004 ◽  
pp. 36-49 ◽  
Author(s):  
A. Buzgalin ◽  
A. Kolganov

The "marketocentric" economic theory is now dominating in modern science (similar to Ptolemeus geocentric model of the Universe in the Middle Ages). But market economy is only one of different types of economic systems which became the main mode of resources allocation and motivation only in the end of the 19th century. Authors point to the necessity of the analysis of both pre-market and post-market relations. Transition towards the post-industrial neoeconomy requires "Copernical revolution" in economic theory, rejection of marketocentric orientation, which has become now not only less fruitful, but also dogmatically dangerous, leading to the conservation and reproduction of "market fundamentalism".



Somatechnics ◽  
2011 ◽  
Vol 1 (1) ◽  
pp. 87-123 ◽  
Author(s):  
Sherene H. Razack

Paul Alphonse, a 67 year-old Aboriginal died in hospital while in police custody. A significant contributing factor to his death was that he was stomped on so hard that there was a boot print on his chest and several ribs were broken. His family alleged police brutality. The inquest into the death of Paul Alphonse offers an opportunity to explore the contemporary relationship between Aboriginal people and Canadian society and, significantly, how law operates as a site for managing that relationship. I suggest that we consider the boot print on Alphonse's chest and its significance at the inquest in these two different ways. First, although it cannot be traced to the boot of the arresting officer, we can examine the boot print as an event around which swirls Aboriginal/police relations in Williams Lake, both the specific relation between the arresting officer and Alphonse, and the wider relations between the Aboriginal community and the police. Second, the response to the boot print at the inquest sheds light on how law is a site for obscuring the violence in Aboriginal people's lives. A boot print on the chest of an Aboriginal man, a clear sign of violence, comes to mean little because Aboriginal bodies are considered violable – both prone to violence, and bodies that can be violated with impunity. Law, in this instance in the form of an inquest, stages Aboriginal abjection, installing Aboriginal bodies as too damaged to be helped and, simultaneously to harm. In this sense, the Aboriginal body is homo sacer, the body that maybe killed but not murdered. I propose that the construction of the Aboriginal body as inherently violable is required in order for settlers to become owners of the land.



2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.



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