scholarly journals Tuva and Mongolia: cooperation in the fine arts

2021 ◽  
pp. 116-125
Author(s):  
А.С. Хертек
Keyword(s):  
Fine Arts ◽  
Fine Art ◽  
100Th Anniversary ◽  
Diplomatic Relations ◽  
National Museum ◽  
Cultural Relations ◽  
History Of ◽  
The Republic ◽  
Wax Figures ◽  
Key Events

Статья посвящена культурным связям между Республикой Тыва и Монголией в связи со 100-летием российско-монгольских дипломатических отношений. Автор приводит обзор ряда фактов из истории тувинского и монгольского изобразительного искусства, совместных выставочных проектов. Так, ключевыми событиями, повлиявшими на творчество мастеров, стали первая крупная выставка тувинских художников и Нади Рушевой в Монгольской Народной Республике в 1984 году, другие выставки в Монголии, Москве и Туве, групповые обменные поездки монгольских и тувинских художников в XX–XXI веках. Важными для сотрудничества стали выставки 2017 года: рисунков Нади Рушевой в Улан-Баторе и восковых фигур «Хаан хаанов» из Музея Чингисхана (Улан-Батор) в Национальном музее имени Алдан-Маадыр Республики Тыва. The article is devoted to the issue of cultural ties between the Republic of Tyva (or Tuva) and Mongolia in view of the 100th anniversary of the Russian-Mongolian diplomatic relations. The author gives an overview of a number of facts from the history of Tuvan and Mongolian fine art, joint exhibition projects. Thus, the key events that influenced the work of the masters were the first large exhibition of Tuvan artists and Nadya Rusheva in the Mongolian People's Republic in 1984, other exhibitions in Mongolia, Moscow and Tuva, group exchange trips of Mongolian and Tuvan artists in the 20th and 21st centuries. Exhibitions of 2017 became important for the development of Tuvan-Mongolian cultural relations: drawings by Nadya Rusheva in Ulaanbaatar and wax figures “Khaan Khaans” from the Genghis Khan Museum (Ulaanbaatar) in the National Museum named after Aldan-Maadyr of the Republic of Tyva.

scholarly journals Moldova–Ukraine Cooperation: Matters of Regional Security

2019 ◽  
pp. 321-328
Author(s):  
Ruslan Bolbocean
Keyword(s):  
Economic Cooperation ◽  
Regional Security ◽  
Diplomatic Relations ◽  
Cultural Relations ◽  
Interstate Relations ◽  
Security Issues ◽  
High Profile ◽  
The Face ◽  
History Of ◽  
The Republic

The article succinctly delineates the origins and development of the history of diplomatic relations between Ukraine and Moldova throughout the centuries. The author stresses that the latter represent about 600 years of cultural, religious, and scientific links between Ukrainians and Moldovans. The first high-profile ties were established circa the 17th century and were related to Bohdan Khmelnytskyi and Vasile Lupu, Voivode of Moldavia. Subsequently, further relations of the Ukrainian and Moldovan nations are embodied in the relations between the Ukrainian People’s Republic and Moldavian Democratic Republic in 1917–18. After both states declared independence in 1991, the official interstate relations were established between modern Ukraine and Moldova. The author stresses that Orthodox Christianity as the prevailing religion of Moldovans and Ukrainians was a unifying factor for both nations. Petro Mohyla, Kyiv Metropolitan and brother of the Voivode of Moldavia, made a significant contribution to strengthening cultural relations between Moldova and Ukraine. Twenty five years of diplomatic relations between Moldova and Ukraine have been intensive and fruitful. The author underlines that the two neigbours are closely cooperation in their integration to the EU in the face of new challenges and threats to regional security. Diplomatic, political, social and economic cooperation between the two states is rapidly developing. It is underscored that the Republic of Moldova pays much attention to international cooperation on regional security issues. The author is glad that the position of his state is understood and supported by partners, namely by neighboring Ukraine. The author has no doubt that only by combining efforts can we effectively counter serious challenges and threats of modernity. Key words: Moldova, Ukraine, diplomatic relations between Moldova and Ukraine, interstate relations, social and economic cooperation.

scholarly journals Juozas Zikaras: remarks

Menotyra ◽  
2019 ◽  
Vol 26 (1) ◽  
Author(s):  
Skirmantė Smilingytė-Žeimienė
Keyword(s):  
Soviet Union ◽  
100Th Anniversary ◽  
Past Century ◽  
Cultural Relations ◽  
The Soviet Union ◽  
Scientific Dialogue ◽  
Depth Study ◽  
Long Time ◽  
History Of ◽  
The Republic

After celebration of the 100th anniversary of the Republic of Lithuania and turning back to the field of reflection of Lithuanian art, one can enjoy mature publications by art historians and the exposure of various stages and aspects of art life. However, one gap is noticeable: the creative heritage of individual artists is too little publicised and investigated. The article aims to activate the scientific dialogue on the prospects of research into activities of sculptor Juozas Zikaras (1881–1944), the Lithuanian art “signatory” and the main creator of visual-artistic signs of the young Lithuanian State. This is why the fragments of his biography so far unknown are raised. For example, in the summer of 1912, J. Zikaras created decorations for the performance “Duke of Pilėnai”; in 1923, he was ill for a long time and visited Italy; and in 1940, when he was nearly sixty, he entered the Riflemen’s Union witnessing the impending threat of the Soviet Union to his country. Most importantly, remarks are presented about the most notable catalogue about artist Juozas Zikaras up to the present time (prepared in 2009 by the National M. K. Čiurlionis Museum as the main custodian of his creations, authors Miglė Banytė and Vaiva Laukaitienė). The list of sculptural works is completed, and the attributes, dates and history of some works are updated. An attempt is made to identify prominent individuals of the pre-war era in the sculptural portraits created by J. Zikaras: undoubtedly – Colonel Stepas Rusteika, supposedly – Jonas Bielinis, Jonas Yčas, Povilas Žadeikis or Petras Klimas. After all, an extensive gallery of sculptural images is not just a series of realised artistic orders but also an ideological expression of the sculptor’s position – the society should know and recognise its characters. The newly attributed works and the revised dates established in the historiography allow us to say: we need a closer look at the artistic inheritance of the sculptor and to check the facts that became axioms. A more in-depth study of J. Zikaras’ creation and the spreading of art image and cultural relations during the past century in general would benefit from the summary of data about the circulation of author’s works, replicas and the change of owners of his works. On the other hand, in order to open the artistic creation as a whole, it is necessary to supplement the catalogue of his works with the surviving ones (there are sculptures in Lithuania that are not included in the catalogue, and the situation with works that are taken abroad is not known at all) as well as works considered lost.

scholarly journals 100 years of the Mari fine arts: ethnographic realism (1920–1930)

2021 ◽  
Vol 13 (3) ◽  
pp. 293-307
Author(s):  
Elvira M. Kolcheva
Keyword(s):  
Fine Arts ◽  
100Th Anniversary ◽  
Local History ◽  
Regional Society ◽  
Archetypal Analysis ◽  
Initial Stage ◽  
History Analysis ◽  
The Republic ◽  
The Town ◽  
Main Material

Introduction. The article is the first in a series of publications dedicated to the 100th anniversary of the Mari autonomy and the fact of the emergence of professional visual arts among the Mari people. The author regards it as a systemic element of national-ethnic culture, which performed the function of ethno-cultural reflection by artistic means throughout the entire century, in which four major stages and corresponding stylistic forms can be traced. The article describes the initial stage of the Mari fine arts of the 1920s – 1930s. Materials and Methods. The main material was the collection of art and ethnographic works of the 1920s–1930 found in the funds of the National Museum of the Republic of Mari El. The author used various methods: historical research, art history analysis of works of art, as well as the author’s own method of structural and archetypal analysis. Results and Discussion. The first art institutions appeared in the mountainous Mari region at the turn of the 1910–1920 thanks to the artist A.V. Grigoriev, who together with his associates later founded the Association of Artists of Revolutionary Russia in Moscow. The systematic institutionalization of the Mari fine arts began in the second half of the 1920, which was facilitated by the activities of the Mari Regional Society of Local History and the Central Mari Museum in the town of Krasnokokshaisk. The founders of the Mari fine arts were the invited artists from Kazan, namely P. A. Radimov, G. A. Medvedev, V. K. Timofeev, M. M. Vasilyeva, the first Mari artists K. F. Egorov and E. D. Atlashkina, and P. G. Gorbuntsov. With the beginning of the “Great Terror” period, the first stage of the Mari art was interrupted, and socialist realism replaced ethnographic realism. Conclusion. The development of the fine art of the Mari at the initial stage was stimulated by the Mari Regional Society of Local History and the Central Mari Museum represented by V. A. Mukhin (Savi), V. M. Vasiliev, T. E. Evseev. Their educational interests, combined with the documentary-oriented program of the Association of Artists of Revolutionary Russia, contributed to the formation of such a stylistic form as ethnographic realism, which became the first artistic form of ethnocultural reflection by the means of fine arts.

Charakterystyka stosunków dyplomatycznych Czarnogóry i Republiki Albanii

2020 ◽  
Vol 14 ◽  
pp. 235-247
Author(s):  
Filip Bojović
Keyword(s):  
Subsequent Development ◽  
Diplomatic Relations ◽  
National Minorities ◽  
History Of ◽  
The Common ◽  
The Republic

Characteristics of diplomatic relations between Montenegro and the Republic of Albania In this article, the author describes modern diplomatic relations between Montenegro and Albania. In order to present the close ties between the two countries, will be shown the common history of both nations, which influenced the subsequent development of diplomatic relations. Attention will be focused primarily on the main branches of cooperation and on joint initiatives in the field of protection of national minorities.

The Role of Chinese Art in Influencing Thai Traditional Cupboard Furniture Designs

2014 ◽  
Vol 556-562 ◽  
pp. 6631-6637
Author(s):  
Somchai Seviset
Keyword(s):  
Ming Dynasty ◽  
Chinese Art ◽  
Diplomatic Relations ◽  
National Museum ◽  
The Past ◽  
History Of

China has had her relations with Thailand for many centuries since the Sukhothai Period (A.D. 1250-1438) including trade contact, diplomatic relations set forth as per an abundance of documentary evidences, architectural works, and artistic object with significant artistic evidences of a long history of Thai-China relations. In Ayutthaya Period (A.D.1350-1767) which was corresponding to China’s Ming Dynasty (A.D. 1368-1644) there were Xi Yuan’s supporting written literature (A.D. 1565-1628). He was a Chinese historian who noted that China sent a large junk ship for trade to Ayutthaya fetching goods of silk, and chinaware from China for sale to Siam Court. Thai Traditional Cupboard Furniture in the past also had an interesting mix of Chinese art. Chinese artwork which appeared in the Thai Traditional Cupboard Furniture made from hardwood with surrounding decoration around it were created during the period of A.D. 18-19. From a number of Thai ancient cupboard furniture exhibited in the Phra Nakhon National Museum (the Largest National Museum in Bangkok Metropolis). This case study will explain the inspiration of Chinese art which the Thai craftsmen applied on the design to decorate the cupboard.

scholarly journals The Places of Memory of Ukrainian Diplomacy project as an encyclopedic work

2021 ◽  
Vol 13 ◽  
pp. 9-20
Author(s):  
Iryna Matiash
Keyword(s):  
100Th Anniversary ◽  
Team Work ◽  
Diplomatic Relations ◽  
Foreign Countries ◽  
Places Of Memory ◽  
Science And Culture ◽  
History Of ◽  
Encyclopedic Dictionary ◽  
Increasing Knowledge

The article is dedicated to the 100th anniversary of the establishment of diplomatic relations between Ukraine and foreign countries. On this occasion, cultural and scientific events took place during 2017-2021. Contacts between figures of science and culture of Ukraine and others were promoted with these events. And another profit from them is the study of various issues increasing knowledge about the history of Ukrainian diplomacy. One of the elements of this process was the symbolic marking with memorial plaques in other countries, which make Ukraine’s historical diplomatic ties with them. Team work aimed to study the symbolic marks of Ukrainian diplomacy has contributed to the accumulation of a lot of important information. That’s why the idea appeared to build the encyclopedic work – Places of Memory of Ukrainian Diplomacy (currently being compiled). This article describes the significance of this encyclopedic dictionary in the context of covering the history of Ukrainian diplomacy, in particular showing the formation of close diplomatic relations with other states, which took place during the turbulent period of 1917-1921.

scholarly journals From the Epistolary Heritage of the Poet Ivan A. Kostin: Correspondence with V. I. Malyshev and I. N. Zavoloko

2021 ◽  
Vol 3 ◽  
pp. 132-168
Author(s):  
Alexander V. Pigin ◽  
Keyword(s):  
Russian Literature ◽  
National Archive ◽  
National Museum ◽  
Old Believers ◽  
Valuable Addition ◽  
Greeting Cards ◽  
History Of ◽  
Ancient Manuscripts ◽  
The Republic ◽  
Academy Of Sciences

The article presents a study and publication of the correspondence of the poet Ivan Alekseevich Kostin (1931–2015) from Petrozavodsk with the archaeographer Vladimir Ivanovich Malyshev (1910–1976), who held a Doctor of Sciences degree in Philology, and the Old Believer writer and educator Ivan Nikiforovich Zavoloko (1897–1984). The correspondence includes letters and greeting cards (30 in total) from the 1970s to the early 1980s. They are currently stored in the Manuscript Division of the Institute of Russian Literature (Pushkinskij Dom) of the Russian Academy of Sciences in St. Petersburg, the Archive of the Grebenshchikov Old Believer Congregation in Riga, the National Museum of the Republic of Karelia in Petrozavodsk, and the National Archive of the Republic of Karelia, also in Petrozavodsk. Kostin’s letters to Malyshev reveal how the Petrozavodsk poet aided Malyshev in collecting manuscripts for the Ancient Manuscripts Repository (Drevlekhranilishe) in the Institute of Russian Literature (Pushkinskij Dom). The correspondence between Kostin and Zavoloko concerns the history and culture of the Old Believers, the Vygoleksinsky monastery, and the Zaonezhye, and issues pertaining to literary activity and academic studies. The letters make a valuable addition to Kostin’s memoirs about Malyshev and Zavoloko. The article also covers the history of Kostin’s poem dedicated to Archpriest Avvakum. The letters, published in the appendix to the article, are accompanied by comments.

scholarly journals The image of the god of wealth Namsarai in the Buryat Buddhist painting of the XVIII – early XX century

2019 ◽  
Author(s):  
Арюна Жамсуевна Бальжурова
Keyword(s):  
National Museum ◽  
Distinctive Features ◽  
History Of ◽  
Buddhist Painting ◽  
The Republic ◽  
Local Traditions

В статье рассмотрена коллекция тхангка с образом Вайшраваны (санскр.), или Намсарая (бур.), хранящаяся в фондах Национального музея Республики Бурятия и датируемая XVIII началом ХХ века. Намсарай бог богатства, бодхисаттва и дхармапала, относится к одному из наиболее почитаемых божеств в бурятском буддизме, и его иконография представляет собой сложный собирательный буддийский образ. Анализ данных тхангка позволяет выделить локальные традиции бурятской тхангкописи, отметить отличительные особенности и влияние иноэтнических традиций в разные периоды истории буддийской живописи Бурятии. The focus of the article is a collection of Thangka with the image of Vaishravana (in Sanskrit), or Namsarai (in Buryat), stored in the funds of the National Museum of the Republic of Buryatia and dating from the 18th early 20th centuries. Namsaray is a god of wealth, a Bodhisattva and Dharmapala, one of the most revered deities in Buryat Buddhism, and his iconography is a complex collective Buddhist image. An analysis of these Thangkas allows us to highlight the local traditions of Buryat Buddhist icon painting, to note the distinctive features and influence of foreign ethnic traditions in different periods of the history of Buddhist painting in Buryatia.

scholarly journals Anniversary Dates in the History of Relations between Russian Federation and Republic of Korea

2020 ◽  
Vol 34 ◽  
pp. 75-82
Author(s):  
S. O. Kurbanov ◽  
◽  
Keyword(s):  
South Korea ◽  
Russian Federation ◽  
Republic Of Korea ◽  
Diplomatic Relations ◽  
Historical Significance ◽  
History Of ◽  
The Russian Federation ◽  
The Republic

The article deals with the question what date is historically correct to trace the history of the beginning of diplomatic relations between the Russian Federation and the Republic of Korea to. The author questioned validity of fixing 1990 as the date when the diplomatic relations between Russia and South Korea started taking into account peculiarities and historical significance of the Russian-Korean treaties of 1992 and 1884.

Sign in / Sign up

Export Citation Format

Share Document