KILIM WEAVING SAMPLES REGISTERED TO THE NIGDE MUSEUM

2021 ◽  
Vol 6 (15) ◽  
pp. 113-135
Author(s):  
Semra KILIÇ KARATAY

Weaving is an example of art produced at the end of human need. The samples produced because they were needed first turned into art. It is not known exactly whether the art of weaving started as a carpet or as examples of plain weaving, rug weaving. Throughout history, carpet and rug weaving has developed in connection with each other. Rug weaving samples, which have an important place in Turkish culture, are accepted as source information about the period they were woven and the geography they were woven. Looking at kilim weaving examples, patterns are given with threads of different colors and different weaving techniques are used. Unlike carpet weaving, there is no pile height in weaving. The motifs used in the patterns are generally traditional motifs. Geometric motifs are used more frequently. In rug weaving, unlike carpet weaving, the threads are mostly twisted. Rug weaving samples found in the inventory records in the Niğde museum show that the rug weaving tradition is as old as carpet weaving in Niğde and its surroundings. The aim of this study is to share the information obtained as a written source on the general condition, pattern and color composition properties of the weaving samples in the exhibition hall and warehouse in the museum.


2021 ◽  
Vol 13 (2) ◽  
pp. 241-254
Author(s):  
Ahmet AYTAÇ ◽  
Özlem KAYA

During the Ottoman Empire, which was established in Anatolia after the Seljuks, many developments were made in the name of art for 600 years. Especially thanks to the Ottoman Empire's value to the artist and art, very good works have been produced in many fields. In addition to branches such as calligraphy, illumination, miniature and marbling, fabrics, carpets and rugs, which attract the attention of the whole world in the field of textile, were also woven. The art of weaving experienced its brightest period in terms of weaving technique, color and pattern in the Ottoman Empire. It is understood that weaving, which continued to be produced traditionally in Ottoman cities, continued its existence as an important cultural element and sector. The clothes of the Ottoman sultans kept after their death and the qualities of the fabrics used in the palace convey very important information at the point of understanding the importance of weaving. The diversity and richness of the weavings and textiles produced in many documents belonging to the period can be clearly seen. In this context, this rich weaving and textile diversity has taken an important place in Turkish culture. Especially this rich variety of weaving and textiles has been painted by many painters in almost every period and has gained an important place in terms of conveying information about their periods. In this study, some of Halil Pasha's paintings in which he displayed an objective and objective approach with a realistic style, some of which are in an orientalist style, are discussed as subject. In the study, will focus on Halil Pasha's life, his understanding of art and the textiles and clothing he depicted in some of his paintings. The textiles and clothes in the paintings were discussed in terms of characteristics such as color, pattern, and texture. Key Words: Textile, weaving arts, clothing, painting, carpet.



2020 ◽  
Vol 4 (2) ◽  
pp. 33-46
Author(s):  
Nursel Bolat

While visual emerges as a concept based on seeing in a narrow sense, it defines everything that can be seen with a broader meaning. The idea of seeing is not limited to taking images only by the eye, but also includes the interpretation of images by the brain. Mansions that are used in a television series shot in Turkey are presented to the viewer as a visual narrative text. In this context, these mansions are intended to be read semiotically. In the study, the placement of the mansion building style, which has an important place in Turkish culture, as a visual space and the meanings attributed to it are examined. Based on Panofsy's method of semiotic iconographic analysis, the use of these mansions is discussed in the context of the semiotic narrative. The narratives that exist through the meaning and visual narrative in which Turkish society has positioned the traditional living environments, as well as the narratives that it tries to place in the audience, are tried to be evaluated.



2019 ◽  
Vol 32 (3) ◽  
pp. 184-194
Author(s):  
S.O. Bilіaieva ◽  
L.V. Kulakovska ◽  
O.Ye. Fialko

The formation of the scientific cooperation of Ukraine and Turkey began from the beginning of independence state, after crushing of Soviet ideological system. From 1989. the archaeological investigations of historical center of Ochakiv (Mikolayiv region) begin by expedition of the Institute of archaeology of NAN of Ukraine. The study of new collection, which include numerous artefacts of Turkish culture needed with consultations with Turkish archaeologists. Due to help of the Ambassador of Turkey in Ukraine Acar Germen, the first international contacts were established and in 1997—1998. first project in Ochakiv provided under the chief of prof. B. Ersoy from Turkish side. In 1999 began joint the excavation in Akkerman, which continue till 2006. The results of expedition published in numerous books and articles. The next direction of cooperation were exhibitions, which take place in Kiev and Izmir. In 2005. the historical and cultural association Ukraine-Turkey created, member of which represented various fields of study: archaeology, history, literature and language. A very important place take archaeological investigation of the Ottoman monuments on the territory of Ukraine, which allow to discover new view on the history both of countries, reconstruction of integrations in the system of material culture.



2012 ◽  
Vol 2 (2) ◽  
pp. 31 ◽  
Author(s):  
Miss Nevin Mert

What is fear? Is it something innate or learned or ever something very complex to understand? Fear takes an important place in human lives, and it also has different definitions. Even though we experience and use the concept such as fear, we do not exactly know what fear ever means. However, why do we experience fear? So, this research is done in order to understand the concept of fear in more detailed. The purpose of the study is to see what kind of fear types do we have, and where fear ever comes from. In the research we explain fear in terms of developmental, humanistic, behaviourist, social aspects and also in terms of public relations. Since this study is done in Turkey, the issues are taken according to Turkish culture as well. However, the aim of the study is to make observation on the issue whether Turkey experiences fear or not. On the other words, whether Turkey is a “fear culture” in its own. In order to observe it (whether Turkey is a fear culture or not), we used the cultural aspects of the particular regions such as the observations of West and East parts of the country. The findings showed that even though the fear does exist, the types and reasons of fear show huge differences. Keywords: Fear; Fear Types; Turkey as a Fear Culture



Author(s):  
Evgeny G. Vinokurov ◽  
Lev N. Margolin ◽  
Vladimir V. Farafonov

Galvanic coatings have been attracting attention for many years as an object of research from both theoretical and practical points of view. A relatively new direction in electroplating is the production of composite coatings, which are based on metal matrices and dispersed phases of different nature. Introduction to the electrolyte for joint electrochemical deposition of micro -, nanoparticles of oxides, carbides, nitrides, polymers, etc. allows you to adjust the structure, composition, properties of coatings, providing them with new characteristics. As shown by the analysis of publications on this topic in the VINITI RAS Database, systematic research in this area has been carried out for about twenty years and interest in them has not decreased. The system of queries from the array of published documents selected and summarized all currently known combinations of metal matrix/dispersed phase and information about their properties (corrosion behavior, wear resistance, microhardness, resistance to high-temperature oxidation, heat resistance, structural and adhesive characteristics). The results are presented in the form of tables and are provided with links to the original works. The analysis of the obtained problem-oriented database showed that for the period 2000-2019, no more than 15-20% of possible combinations were described, and an even smaller number of composite coatings were studied in depth and brought to practical use. The presented material makes it possible to analyze promising areas of research in a clear and easy to find source information form. The review is based on more than 400 references to journal articles. The original database on composite electroplating contains 1650 sources (patents, reports, brief reports, deposited manuscripts, etc.) that may be of interest as an extensive reference material.



2003 ◽  
Vol 29 (2-3) ◽  
pp. 269-299
Author(s):  
Janna C. Merrick

Main Street in Sarasota, Florida. A high-tech medical arts building rises from the east end, the county's historic three-story courthouse is two blocks to the west and sandwiched in between is the First Church of Christ, Scientist. A verse inscribed on the wall behind the pulpit of the church reads: “Divine Love Always Has Met and Always Will Meet Every Human Need.” This is the church where William and Christine Hermanson worshipped. It is just a few steps away from the courthouse where they were convicted of child abuse and third-degree murder for failing to provide conventional medical care for their seven-year-old daughter.This Article is about the intersection of “divine love” and “the best interests of the child.” It is about a pluralistic society where the dominant culture reveres medical science, but where a religious minority shuns and perhaps fears that same medical science. It is also about the struggle among different religious interests to define the legal rights of the citizenry.





Methodology ◽  
2005 ◽  
Vol 1 (1) ◽  
pp. 2-17 ◽  
Author(s):  
Thorsten Meiser

Abstract. Several models have been proposed for the measurement of cognitive processes in source monitoring. They are specified within the statistical framework of multinomial processing tree models and differ in their assumptions on the storage and retrieval of multidimensional source information. In the present article, a hierarchical relationship is demonstrated between multinomial models for crossed source information ( Meiser & Bröder, 2002 ), for partial source memory ( Dodson, Holland, & Shimamura, 1998 ) and for several sources ( Batchelder, Hu, & Riefer, 1994 ). The hierarchical relationship allows model comparisons and facilitates the specification of identifiability conditions. Conditions for global identifiability are discussed, and model comparisons are illustrated by reanalyses and by a new experiment on the storage and retrieval of multidimensional source information.



2009 ◽  
Author(s):  
Elizabeth A. Kensinger
Keyword(s):  


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