scholarly journals Práticas corporais, comunidades quilombolas e identidade: uma revisão narrativa (Body practices, quilombola communities and identity: narrative review)

Retos ◽  
2021 ◽  
Vol 42 ◽  
pp. 406-417
Author(s):  
Milainy Ludmila Santos Goulart ◽  
Otávio Guimarães Tavares
Keyword(s):  
Popular Culture ◽  
Cultural Heritage ◽  
Literature Survey ◽  
Narrative Review ◽  
Theoretical Research ◽  
Exclusion Criteria ◽  
Production Of Knowledge ◽  
Cultura Popular ◽  
Body Techniques ◽  
Body Practices

O objetivo do estudo foi investigar a constituição da identidade de comunidades quilombolas no Brasil por meio de suas práticas corporais, identificando na produção do conhecimento temas específicos, abordagens de pesquisa, teorias e conceitos que têm sido mobilizados. Tratou-se de uma pesquisa teórica de tipo bibliográfica, caracterizada como uma revisão narrativa. O levantamento de literatura foi realizado em bases de dados por meio de unitermos que nos levaram a 77 artigos indexados. Após a operação dos critérios de inclusão e exclusão foram analisados 11 artigos. Os autores se ampararam em discussões teóricas que envolvem conceitos ou categorias sobre memória, hibridismo, etnogênese, técnicas corporais, etnia, cultura popular, identidade e patrimônio cultural. Quanto as práticas corporais investigadas observamos 10 manifestações diferentes que se caracterizam como práticas coletivas comunitárias e regionais. Assim, a identidade quilombola se apresenta sob aspectos plurais, por meio da inexistência de uma identidade quilombola e da prevalência de identidades quilombolas no plural.  Abstract. This study aims at investigating the constitution of the identity of quilombola communities in Brazil through their body practices by identifying in the production of knowledge specific themes, research approaches, theories and concepts that have been mobilized. It was about a theoretical research of bibliographic type, characterized as a narrative review. The literature survey was carried out based on databases by means of keywords that led us to 77 indexed articles. After the operation of the inclusion and exclusion criteria, 11 articles were analyzed. The authors supported themselves in theoretical discussions, which involve concepts or categories about memory, hybridity, ethnogenesis, body techniques, ethnicity, popular culture, identity and cultural heritage. As a result, through the investigated body practices we were able to observe 10 different manifestations that are characterized as collective community and regional practices. Thus, the quilombola identity introduces itself in plural aspects, through the inexistence of a quilombola identity and the prevalence of quilombola identities in the plural. 

scholarly journals Afetos e memórias: a trajetória de Maria Clara Tomaz Machado em perspectiva

2019 ◽  
Vol 32 (1) ◽  
pp. 474-485
Author(s):  
Artur Nogueira Santos e Costa
Keyword(s):  
Academic Achievement ◽  
Popular Culture ◽  
Cultural Heritage ◽  
Cultura Popular ◽  
Intellectual Production

Este texto foi escrito para ser apresentado no Seminário “Clareando caminhos: cultura popular, memórias e identidades no fazer acadêmico”, realizado na Universidade Federal de Uberlândia, em novembro de 2018, em homenagem à professora Maria Clara Tomaz Machado em razão de sua aposentadoria. Discuto elementos da trajetória de Maria Clara a partir da leitura de sua produção intelectual, com foco na questão do ofício do historiador, do patrimônio cultural e da cultura popular. Palavras-Chave: Trajetória profissional. Memórias. Ofício do historiador.   ABSTRACT: This text was written to be presented at the Seminar "Clearing ways: Popular Culture, Memories and Identities in Academic Achievement", held at the Federal University of Uberlândia, in November 2018, in honor of the teacher Maria Clara Tomaz Machado due to her retirement. I discuss elements of Maria Clara's trajectory from the reading of her intellectual production, focusing on the question of the office of historian, cultural heritage and popular culture. Keywords: Professional trajectory. Memoirs. Office of the historian.

scholarly journals O GROTESCO NO CINEMA – POR UM VISIONAMENTO BAKHTINIANO GROTESQUE IN CINEMA – FOR A BAKHTINIAN APPROACH

2018 ◽  
Vol 23 (1) ◽  
Author(s):  
Alexandre Silva GUERREIRO
Keyword(s):  
Popular Culture ◽  
Panoramic View ◽  
Cultura Popular

RESUMO. O conceito de grotesco apresenta um longo desenvolvimento, desde o Romantismo do século XIX, até os escritos de Bakhtin que atrelam sua essência à cultura popular. A existência de vertentes diversas, como o grotesco realista e o grotesco romântico, nos convida a pensar de que maneira esse conceito vem se transformando para, em seguida, abordar a sétima arte através de uma visão panorâmica que nos permita afirmar a presença de um cinema do grotesco, bem como diferenciar qual tipo de grotesco está presente em cada filme, abrindo novas possibilidades de leitura da arte cinematográfica.PALAVRAS-CHAVE: Bakhtin; Cinema; Grotesco Realista; Grotesco Romântico.ABSTRACT. The concept of grotesque presents a long development, from Romanticism of century XIX, to the writings of Bakhtin that link its essence to the popular culture. The existence of different slopes, such as the realistic grotesque and the romantic grotesque, invite us to think in what way this concept has been transformed and how we can approach the seventh art with a panoramic view that allows us to affirm the presence of a grotesque cinema, as well as differentiate what kind of grotesque is present in each film, opening new possibilities for reading the cinematographic art.KEYWORDS: Bakhtin; Cinema; Realism Grotesque; Romantic Grotesque.

scholarly journals Representações sociais e educação ambiental: surdos no filme A gangueSocial representations and environmental education: deaf on the film The tribe

2018 ◽  
Vol 35 (1) ◽  
pp. 76-91
Author(s):  
Saionara Figueiredo Santos ◽  
Fabiana Paula Bubniak ◽  
Bruno Panerai Velloso
Keyword(s):  
Popular Culture ◽  
Environmental Education ◽  
Social Representations ◽  
Linguistic Minority ◽  
Deaf Students ◽  
Santa Catarina ◽  
Theoretical Approaches ◽  
Federal Institute ◽  
The Social ◽  
Cultura Popular

Este artigo é reflexo do aprofundamento do estudo apresentado no VII Encontro e Diálogos com a Educação Ambiental. Neste pretendemos destrinchar as representações sociais de sujeitos surdos, presentes no filme A Gangue (2014).. A partir do projeto de extensão intitulado “Cineclube Surdo”, executado junto aos servidores e alunos do Instituto Federal de Santa Catarina, campus Palhoça Bilíngue (o qual atende surdos em sua prioridade), tínhamos como objetivo principal apresentar à comunidade produções cinematográficas realizadas por sujeitos surdos ou que representem a cultura dessa minoria linguística. No caso do filme A Gangue, este estava entre estas produções o filme escolhido para ser objeto de análise deste estudo. Assistiram este filme alunos surdos e ouvintes e servidores do campus, além de membros das associações de surdos catarinense. Após assistirem o filme, foi realizado um debate orientado por questões acerca da representação dada ao surdo, a estética dada a esta temática e a linguagem utilizada. A discussão foi estimulada, focada na representação surdo como criador no campo da arte e da importância do ensino de técnicas audiovisuais que podem dar voz a esse público na cultura popular. Neste estudo, buscamos articular as falas coletadas destas discussões com as abordagens teóricas da Educação Ambiental, evidenciando novas perspectivas de articulação e o seu caráter transcendental. This article reflects the deepening of the study presented at the VII Meeting and Dialogues with Environmental Education. In this we intend to unravel the social representations of deaf subjects, present in the film The gang. From the extension project "Cineclube Surdo", executed with the servers and students of the Federal Institute of Santa Catarina, campus Palhoça Bilingual (which attends deaf in its priority), we had as main objective to present to the community cinematographic productions made by subjects deaf or representing the culture of this linguistic minority. In the case of the film The gang, this was between these productions the film chosen to be object of analysis of this study. This film was watched by deaf students and listeners and servers of the campus, as well as members of associations of the deaf from Santa Catarina. After watching the film, a debate was conducted, guided by questions about the representation given to the deaf, the aesthetics given to this theme and the language used. The discussion was stimulated, focused on deaf representation as a creator in the field of art and the importance of teaching audiovisual techniques that can give voice to this public in popular culture. In this study, we sought to articulate the statements collected from these discussions with the theoretical approaches of Environmental Education, evidencing new perspectives of articulation and its transcendental character.

scholarly journals Can the Subaltern Speak in Criminology? Analysing the Production of Knowledge on Crimes of the Powerful in the 21st Century through Latin American Postcolonial Lenses

2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Amalia Valdés-Riesco
Keyword(s):  
Latin American ◽  
21St Century ◽  
Search Strategy ◽  
Latin American Studies ◽  
Exclusion Criteria ◽  
Production Of Knowledge ◽  
Global North ◽  
The Caribbean ◽  
High Level ◽  
Latin American Countries

Through postcolonial criminological lens, this article attempts to evidence the domination of knowledge in criminology of Crimes of the powerful in the Global North and Anglo-language countries, and whether this domination translates into an influence of knowledge in Latin America and the Caribbean in the 21st century. To address this, a scoping review search was developed to find research articles focused on Crimes of the powerful both globally and in Latin American countries, and a citation analysis performed on specific studies. Inclusion and exclusion criteria were applied as a search strategy. The results demonstrate that a high level of concentration exists in the production of knowledge of Crimes of the powerful studies in the Global North and Anglo-language countries compared to the Global South and non-Anglo-language countries, and also evidence the high level of influence of knowledge that Global North countries have on Latin American studies.

Entre a cultura popular e a resistência: a trajetória de Lina Bo Bardi e Hélio Oiticica | Between popular culture and resistance: the trajectory of Lina Bo Bardi and Hélio Oiticica

2021 ◽  
Vol 18 ◽  
pp. 1
Author(s):  
Paulo Arthur Silva Aleixo ◽  
Eline Maria Mora Pereira Caixeta
Keyword(s):  
Popular Culture ◽  
Rio De Janeiro ◽  
Sao Paulo ◽  
Status Quo ◽  
São Paulo ◽  
Cultura Popular

Durante os primeiros anos da década de 1960, no período que permeia o golpe militar no Brasil, houve um momento singular em que os profissionais das artes e da arquitetura estiveram interessados em sair de suas estritas esferas, posicionando-se politicamente ao repensar a produção cultural e visando estreitar a relação com as camadas populares e mudar a situação estabelecida. Nesse contexto, dentre diversos agentes, pode-se recortar os nomes da arquiteta ítalo-brasileira Lina Bo Bardi (Roma, 1914 – São Paulo, 1992) e do artista carioca Hélio Oiticica (Rio de Janeiro, 1937 – Rio de Janeiro, 1980) como protagonistas na construção de um pensamento que buscou, sobretudo, caminhos para questionar o status quo. Atuando em lugares distintos e pertencentes a diferentes gerações e campos de atuação, suas trajetórias em nenhuma ocasião se cruzaram, apesar de apresentarem uma forte afinidade de convicções. Sendo assim, este trabalho busca mobilizar uma reflexão acerca das interlocuções entre as produções de Bo Bardi e de Oiticica com a cultura popular, reconhecendo essa aproximação como uma forma de resistência à difícil realidade do Brasil durante a ditadura militar. Para tanto, determinadas atividades desenvolvidas são colocadas em uma mesma perspectiva e analisadas,objetivando contribuir para a imagem de um potente fenômeno cultural que lutou por um maiorengajamento social e político.

The Potential for ICT Tools to Promote Public Participation in Fighting Corruption

2014 ◽  
pp. 175-191 ◽  
Author(s):  
Arjun Neupane ◽  
Jeffrey Soar ◽  
Kishor Vaidya ◽  
Sunil Aryal
Keyword(s):  
Public Participation ◽  
Information And Communication Technologies ◽  
Communication Technologies ◽  
Literature Survey ◽  
Theoretical Research ◽  
Research Model ◽  
Policy Makers ◽  
Management Processes ◽  
Information And Communication ◽  
Ict Tools

Information and Communication Technologies (ICTs) have been seen as pioneering tools for the promotion of the better delivery of government programmes and services, enabling the empowerment of citizens through greater access to information, delivery of more efficient government management processes, better transparency and accountability, and the mitigation of corruption risks. Based on a literature survey of previous research conducted on ICT systems implemented in various countries, this chapter discusses the potential of different ICT tools that have the capacity to help to promote public participation for the purpose of reducing corruption. The chapter specifically reviews the different ICT tools and platforms and their roles as potential weapons in fighting corruption. This chapter also evaluates different ICT tools, including e-government and public e-procurement. Finally, the authors develop a theoretical research model that depicts the anti-corruption capabilities of ICT tools, which in turn, has implications for academics, policy makers, and politicians.

Nostalgia and the Remains of Everyday Life

2020 ◽  
pp. 78-111
Author(s):  
Maya Nadkarni
Keyword(s):  
Popular Culture ◽  
Cultural Heritage ◽  
Everyday Life ◽  
Political System ◽  
Historical Narratives ◽  
The Political ◽  
The Past ◽  
International Discourse ◽  
State Socialist

This chapter argues that the various attempts to distance the past became the condition of Hungary for its return in the form of nostalgia for socialist mass and popular culture. It discusses the remains of socialism from anachronistic monuments and devalued historical narratives to the detritus of an everyday life now on the brink of vanishing, such as candy bars and soda pop. Despite appearances, this nostalgia did not represent a wistful desire to return to the previous era nor simply to the gleeful impulse to laugh at state socialist kitsch found years earlier. The chapter explains the detachment of fond communal memories of certain objects from the political system that produced them. It points out the ironic invocation of the international discourse of cultural heritage that legitimate the trash of the previous era and enabled Hungarians to redefine themselves as both savvy capitalist consumers and cultured democratic citizens.

scholarly journals Lessons learned and new directions regarding Discharge Direct from Adult Intensive Care Units Sent Home (DISH): A narrative review

2018 ◽  
Vol 20 (2) ◽  
pp. 165-170 ◽  
Author(s):  
John Basmaji ◽  
Vincent Lau ◽  
Joyce Lam ◽  
Fran Priestap ◽  
Ian M Ball
Keyword(s):  
Intensive Care ◽  
Clinical Outcomes ◽  
Review Process ◽  
Patient Characteristics ◽  
Lessons Learned ◽  
Narrative Review ◽  
Review Of The Literature ◽  
Exclusion Criteria ◽  
Shared Data ◽  
New Directions

Purpose To perform a narrative review of the literature regarding the discharge of patients directly to home (DDH) from the intensive care unit, and to identify patient characteristics and clinical outcomes associated with this practice. Methods We searched MEDLINE and EMBASE from 1946 to present. We also manually searched the references of relevant articles. A two-step review process with three independent reviewers was used to identify relevant articles based on predetermined inclusion/exclusion criteria. Results Four studies were included in the final review. Two studies were retrospective and two studies were prospective that shared data from the same patient cohort. All were single center studies. Two of the four studies outlined clinical outcomes associated with DDH. Conclusions This study highlights the relative dearth in the literature regarding the increasingly common practice of DDH, underscores the importance of further studies in this area, and identifies future important foci of research.

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