scholarly journals INDUSTRI CREATIVE FUTURES MALAYSIA: MENGADILUHUNG PELUANG MENJADI LABORITORIUM DUNIA

2013 ◽  
Vol 1 (1) ◽  
pp. 1-40
Author(s):  
ABU HASSAN HASBULLAH
Keyword(s):  
New Media ◽  
Communication Networks ◽  
21St Century ◽  
Creative Industries ◽  
The Internet ◽  
Creative Industry ◽  
Media Industry ◽  
Rapid Progress ◽  
Content Design ◽  
Important Structure

Penulisan ini mengupas secara kritis tentang perkembangan industri kreatif di abad ke 21 dan selepasnya. Ia turut mengenalpasti peluang-peluang yang wujud dalam usaha untuk menjadikan Malaysia sebagai laboritorium dunia dalam bidang industri kreatif ini. Kreativiti tidak wujud secara sampingan dalam industri seni atau media, tetapi sebagai sentral - dan mencetuskan kepentingan – ia adalah input buat semua sektor di mana bentuk rekacipta dan kandungan wujud dalam lingkaran ekonomikal global, khususnya dengan perkembangan participatory democracy.Perkembangan ini telah mencetuskan fenomena “creative futures” Kurun 21 apabila di waktu yang sama berlakunya kepesatan berganda kemajuan dalam bidang sains dan teknologi informasi dengan terciptanya pelbagai rangkaian komunikasi dan media baru dengan internet menjadi struktur sistem penghidupan terpenting.   This writing critically reviews the development of creative industries in the 21st century andbeyond to see the opportunities that exist in order to make Malaysia a laboritorium world in this creative industry. Creativity is not simply incidental in art or media industry, but as a central -and sparked an interest - as an input for all sectors in which form and content design in the global economical circles, especially with the development of participatory democracy. This development has given rise to the phenomenon of "creative futures" of 21st Century when at the same time rapid progress in science and technology is taking place with the invention of a variety of communication networks and new media with the internet becoming the most important structure of living systems.

scholarly journals FUTURE MODEL OF RESEARCH AND INNOVATION IN CREATIVE INDUSTRIES

2014 ◽  
Vol 2 (2) ◽  
Author(s):  
Ahmad Rasdan Ismail ◽  
Abu Hassan Hasbullah ◽  
Khairul Azhar Mat Daud ◽  
Nik Zulkarnaen Khidzir ◽  
Suriatini Ismail ◽  
...  
Keyword(s):  
New Media ◽  
Communication Networks ◽  
21St Century ◽  
Creative Industries ◽  
Living Systems ◽  
The Internet ◽  
Rapid Progression ◽  
Integration Model ◽  
Research And Innovation ◽  
Cultural Processes

AbstrakPerkembangan pesat industri kreatif pada abad ke-21 telah membuka pintu peluang terutamanya dalamsektor guna tenaga yang memberikan sumbangan penting kepada pertumbuhan ekonomi sesebuahnegara. Perkembangan ini telah menimbulkan fenomena “masa hadapan kreatif” bagi abad ke-21 dimana pada masa yang sama kemajuan mendadak dalam bidang sains dan teknologi berlaku denganciptaan pelbagai rangkaian komunikasi dan media baru di mana internet telah menjadi elemen palingpenting dalam sistem kehidupan. Secara umumnya, industri kreatif yang dikaitkan dengan hubunganmanusia antara penerbitan atau pengeluaran, pengedaran atau pengagihan, pertukaran atau pameran,penggunaan barangan dan menyediakan perundangan/perkhidmatan suapan kepada budaya, seni,estetik, intelek, dan emosi kepada pelanggan di pasaran. Di samping itu juga proses kebudayaan sepertireka bentuk bertujuan membawa keluar kesan yang kuat dalam semua aspek kehidupan yang bergabungsecara langsung dengan penggunaan komoditi. Kertas kerja ini bertujuan mengupas model integrasi barupenyelidikan dan inovasi yang dapat mengintegrasikan kepelbagaian disiplin pengetahuan dan sinergioutput penyelidikan dan inovasi melalui pengkomersialan. Abstract The rapid progression of creative industries in the 21st century has opened up doors of opportunitiesespecially in employments thus contributing significantly to the growth of a country’s economy. Thisdevelopment has given rise to the phenomenon of “creative futures” of the 21st Century in which at thesame time meteoric advancement in science and technology is taking place with the invention of a varietyof communication networks and new media where the internet has been, by far, the most important featureof living systems. Generally, creative industries are to be associated with human creation, publishingor production, circulation or distribution, exchange or exhibition, consumption of goods and to provideattorney/services in order to feed cultural, artistic, aesthetic, intellectual, and emotional to customers inthe market. Further in cultural processes such as design aims at bringing out a strong impression in allaspects of life directly affiliated with the consumption of commodities. This paper intentionally to addressthe new integration model of research and innovation that able to integrate the multiple discipline ofknowledge and synergy the output of research and innovation through commercializations.

scholarly journals Geisha Fever: Changes in the Traditional Entertainment Districts in Kyoto in Response to Excessive Attention from Western Tourists

2020 ◽  
Vol 3 (2(6)) ◽  
pp. 125-137
Author(s):  
Magdalena Grela-Chen
Keyword(s):  
New Media ◽  
21St Century ◽  
Japanese Society ◽  
Traditional Culture ◽  
The Internet ◽  
Daily Routine ◽  
Tourist Industry ◽  
Popular Discourse ◽  
Living Form ◽  
The Way

In the popular discourse, geiko districts are described as places where traditional culture is preserved in a living form. Although this statement may be considered as true, the geiko community is a part of Japanese society as a whole and does not exist in complete isolation. Being able to survive as guardians of the Japanese tradition, in the 21st century geiko are discovering new opportunities, such as using new media to promote themselves in order to protect their lifestyle. However, outside world has forced them to change the way they manage their business in the districts. By using their own Internet sites, Facebook, Twitter and Instagram accounts to reach new customers, they display their daily routine, one in which traditional culture meets modern ideas. This paper shows the reception of usage of the Internet in traditional entertainment districts of Kyoto and the response of Western tourists to the geisha phenomenon. It appears that overwhelming attention on the part of tourist industry, as well as commercialisation, are becoming a threat to the values which have cemented relationships between customers, geiko and teahouses owners. For instance, while during the so-called “geisha hunting”, tourists often try to take photographs of them at all costs. Considering the aspects of geiko life and processes mentioned above it is worth analysing how the image of the geiko is perceived by Westerners.

scholarly journals Research on the Development Path of Zigong Salt Culture and Creative Industry in the Era of Digital New Media

2020 ◽  
Vol 3 (4) ◽  
Author(s):  
Bingjie Zhang
Keyword(s):  
New Media ◽  
Digital Media ◽  
Rapid Development ◽  
Traditional Culture ◽  
Creative Industries ◽  
Creative Industry ◽  
Media Technology ◽  
Virtual Technology ◽  
Development Path ◽  
Cultural And Creative Industries

Salt culture is the main component of traditional culture in Zigong, Sichuan.With centuries of history, it has accumulated rich cultural connotations. At present, Zigong salt culture, as a precious traditional cultural wealth, has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology, giving full play to the resource advantages of its traditional culture. This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era. Combining digital new media technology with cultural and creative industries, Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries, promote the cultivation of cultural and creative brands based on digital new media technology. This article aims to give relevant strategies with reference value, so as to make corresponding contributions to the development path of Zigong salt culture in the future.

Creative Industries and the Urban Hierarchy

2008 ◽  
pp. 42-57 ◽  
Author(s):  
Scott Baum ◽  
Tan Yigitcanlar ◽  
Kevin O’Connor
Keyword(s):  
Regional Development ◽  
21St Century ◽  
Creative Industries ◽  
Creative Industry ◽  
Urban Hierarchy ◽  
Starting Point ◽  
The Many ◽  
Different Levels ◽  
Policy Discussion

As the 21st century progresses, the most successful economies and societies will be creative ones. Worldwide, governments are producing strategies to encourage the development of creative industries and to strengthen the role of knowledge cities nationally and internationally. There is significant policy discussion regarding the role of creative clusters in strengthening local economies and significant energy has been expended discussing the many positive outcomes of such developments. This chapter takes these issues as a starting point and considers the role of creative industries within broader concerns regarding regional development. Referring to data and analysis on the urban and regional geographies of creative industries the chapter considers the extent to which places at different levels of the settlement hierarchy can successfully develop creative industry nodes.

scholarly journals The Role of Financial Technology in The Creative Industries in Indonesia

2020 ◽  
Vol 1 (2) ◽  
pp. 23-26
Author(s):  
Nono Heryana ◽  
Rini Mayasari ◽  
Rudi Aprianto
Keyword(s):  
Financial Services ◽  
Rapid Development ◽  
Modern Technology ◽  
Creative Industries ◽  
The Internet ◽  
Creative Industry ◽  
Use Of Technology ◽  
Modern Era ◽  
Financial Technology

In the modern era, the use of technology is growing rapidly to obtain information and various other electronic services, many people who already use technology, especially the internet to facilitate their work. Seeing the rapid development of the internet has given rise to various innovations, especially financial technology to meet the various needs of the community including access to financial services and transaction processing. Fintech (Financial Technology) is an innovation in the financial sector that refers to modern technology used to transact, check deposit rates, transfer funds, and perform various other financial services. The creative industries are an industry that utilizes the creativity and skills of individuals use as goods of value. The purpose of this study is to determine the role of financial technology and its constraints in the creative industry in Indonesia. The existence of innovation and creativity that arises in the community, making the creative industry is an essential role in the development of a regional economy. The research method used in writing this article is descriptive qualitative. Thus, qualitative research only describes responses to situations or events so that it does not explain causality or do hypothesis testing.

The Creative Industry of Singapore: Cultural Policy in the Age of Globalisation

2008 ◽  
Vol 128 (1) ◽  
pp. 31-45
Author(s):  
Peichi Chung
Keyword(s):  
New Media ◽  
Cultural Policy ◽  
Cultural Practice ◽  
Creative Industry ◽  
Media Industry ◽  
Media Technology ◽  
Local Society ◽  
Public Response ◽  
New Media Art ◽  
A Site

This article examines the development of the creative industry in Singapore in the context of globalisation. In studying the application of a government-based development model that prioritises economic goals in fostering a culture-based creative industry, the article explores the effects on the complex social network when the state is involved in introducing Western globalisation into the local society of Singapore. It discusses the major government initiatives to develop the creative industry and the views of local new media artists towards this policy. The article concludes with the resilience of local culture, arguing that the public response and the ‘bottom-up’ artist movement are beginning to embrace new media art forms as part of the national culture in Singapore. New media technology has been a site of cultural practice that allows media artists to participate in the state's development of a homegrown new media industry.

scholarly journals Mediamorphosis of Regional Newspapers: Utilization of the Internet’s Potential by Kannada Media

2020 ◽  
Vol 30 (1) ◽  
pp. 59-76
Author(s):  
Deepak B.J. ◽  
Usha M. Rodrigues ◽  
Padma Rani
Keyword(s):  
New Media ◽  
News Media ◽  
The Internet ◽  
Media Industry ◽  
Online Journalism ◽  
Organizational Policies ◽  
Media Technologies ◽  
Regional Language ◽  
Regional Newspapers ◽  
User Friendly

The advent of the internet has posed threats as well as offered new opportunities for the traditional news media industry. The innumerable potentials of the internet include instant delivery of news, multimedia content and other user-friendly features to media consumers. Since digital news consumption is proliferating in India, it is important to study how Indian regional newspapers have adapted to new media technological advancements. Using Zamith’s (2008. 9th International Symposium on Online Journalism, 1–8) methodological framework, we identify various potentials of the internet that can be utilized by the traditional media offering news online. The study examines the extent to which Indian regional news sites have incorporated these potentials—interactivity, hypertextuality, multimediality, immediacy, memory, personalization, ubiquity, creativity and other latest new media technologies. Roger Fidler’s ‘mediamorphosis theory’ is employed as a theoretical approach to examine how regional language newspapers are responding to technological advancements. The study looks at three news sites of the most circulated Kannada language (a regional language of Karnataka state) newspapers. Our study finds that Indian regional news sites only partially use the internet’s potentials and are unable to explore some of the internet’s features due to their rigid organizational policies and a lack of multiskilled workforce.

scholarly journals On the Transmutation of Media Management Concept under the Trend of Media Fusion

2020 ◽  
Vol 4 (2) ◽  
pp. 156
Author(s):  
Duan Shaoqing
Keyword(s):  
New Media ◽  
Science And Technology ◽  
Media Industry ◽  
Rapid Progress ◽  
Media Management ◽  
Management Concept ◽  
The Media ◽  
Media Integration

Under the background of rapid progress of science and technology, the trend of media integration is constantly strengthened, which urges the original media management concept to be constantly changed and to form a new media management concept. In order to apply to the development needs under the trend of media integration. This paper summarizes the media integration, analyzes the influence of the media integration trend on the media management concept, explores the direction of the evolution of the media management concept under the media integration trend, and aims to provide a reference for the development of the media industry.

scholarly journals ART AND CRAFT IN THE ERA OF CREATIVE INDUSTRY IN MALAYSIA

2018 ◽  
Vol 21 (2) ◽  
pp. 157-168
Author(s):  
Mumtaz Mokhtar
Keyword(s):  
New Media ◽  
Private Sector ◽  
Creative Industries ◽  
High Potential ◽  
Creative Industry ◽  
The Government ◽  
Dynamic Collaboration ◽  
Definition Of ◽  
Very High

Malaysia is targeted to become a developed county in the year 2020.  This paper aims to establish an ideology that craft is a high art creation that deals with intellectual, careful and meaningful output. In order to develop an inclusive framework about art and craft, this paper reviews the development of craft and art in Malaysia.  The epistemological discussion on the definition of art and craft will offer a fresh spectacle on art and craft as elements that can ensure the success of the creative industry. The combination of art, craft and Malay aesthetics provides more clues on how the creative industry can go about. In addition, several initiatives from Malaysia are presented due to illustrate how Malaysia engineered the country towards 2050.  Creative industries in Malaysia have a very high potential to be developed and should supported by the government as well as the private sector.  This researcher believes that active and dynamic collaboration, new media exploration, cross discipline and innovation will be the crucial issues to be considered in the development of art and craft in the era of creative industry.

scholarly journals Gatekeeping Changes in the New Media Age: The Internet, Values and Practices of Journalism

2018 ◽  
Vol 14 (2) ◽  
pp. 486-505 ◽  
Author(s):  
Gil Baptista Ferreira
Keyword(s):  
New Media ◽  
21St Century ◽  
Point Of View ◽  
The Internet ◽  
The Public ◽  
Digital Journalism ◽  
New Directions

This article re-evaluates the relevance of the concept of gatekeeping in the 21st century. Sustained in the literature on this subject, it argues that, in an age marked by new media and digital journalism, a classical understanding of the concept of gatekeeper will narrow the scope of the study of journalism and its relationship with the public.  Taking into account the predominant trends and lines of research, and analyzing practices and events that, from a political point of view, marked the most recent years, this article seeks to reflect upon new directions with civic value for the practice of journalism and on a reconfigured concept of the gatekeeper in the western word. It concludes by showing the normalization of the new media devices and their appropriateness to conventional values and practices of journalism.Este artigo reavalia a relevância do conceito de gatekeeping no século XXI. Sustentado na literatura sobre esta matéria, argumenta que, numa era marcada pelos novos media e pelo jornalismo digital, um entendimento clássico do conceito de gatekeeper cerceará o âmbito do estudo do jornalismo e da sua relação com os públicos. Deste modo, tomando em consideração as tendências e as linhas de investigação predominantes, e analisando práticas e acontecimentos que, de um ponto de vista político, marcaram os anos mais recentes, o artigo procura equacionar novos sentidos, com valor cívico, para a ação do jornalismo e para uma noção reconfigurada do gatekeeper no mundo ocidental. Conclui mostrando a normalização e a adequação dos novos dipositivos mediáticos a valores e práticas convencionais do jornalismo.Este artículo re-evalúa la relevancia del concepto de "gatekeeping" en el siglo XXI. Sostenido en la literatura sobre este tema, argumenta que, en una época marcada por los nuevos medios y el periodismo digital, una comprensión clásica del concepto de gatekeeper reducirá el alcance del estudio del periodismo y su relación con el público. Teniendo en cuenta las tendencias y líneas de investigación predominantes, y el análisis de las prácticas y eventos que, desde un punto de vista político, marcaron los últimos años, este artículo busca reflexionar sobre nuevas direcciones con valor cívico para la práctica del periodismo y sobre un concepto reconfigurado del gatekeeper en el mundo occidental. Concluye mostrando la normalización de los nuevos dispositivos y su adecuación a los valores y prácticas convencionales del periodismo.

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