Creative Industries and the Urban Hierarchy

Author(s):  
Scott Baum ◽  
Tan Yigitcanlar ◽  
Kevin O’Connor

As the 21st century progresses, the most successful economies and societies will be creative ones. Worldwide, governments are producing strategies to encourage the development of creative industries and to strengthen the role of knowledge cities nationally and internationally. There is significant policy discussion regarding the role of creative clusters in strengthening local economies and significant energy has been expended discussing the many positive outcomes of such developments. This chapter takes these issues as a starting point and considers the role of creative industries within broader concerns regarding regional development. Referring to data and analysis on the urban and regional geographies of creative industries the chapter considers the extent to which places at different levels of the settlement hierarchy can successfully develop creative industry nodes.

Author(s):  
Nurgun Vyacheslavovich Afanasev ◽  
Ul'yana Valer'evna Titova

The object of this research is the role of the comedy “Tieteybit” by N. D. Neustroev in cultural life of the Sakha Republic (Yakutia). The subject is the impact of modern creative industries upon cultural life of the region. On the example of Nikolay Denisovich Neustroev's comedy play “Tieteybit”, the authors examine the use of creative approaches towards preservation and popularization of cultural heritage of the Sakha people. It is noted that over the recent years, a major event in the development of spiritual culture and cultural life of the region overall has become the innovations introduced by the contemporaries in staging the Yakut comedies. Motifs of the comedy “Tieteybit” served as the prototype for staging the the first Yakut musical comedy, and even a film. A survey was conducted touching upon the following questions: are the innovations introduced in culture in form of a screen version of classical literature with the elements of innovation encourage the young generation to studying the Yakut cultural heritage?; what is the relevance of the work by N. D. Neustroev “Tieteybit”? The conclusions is made that in the XXI century, N. D. Neustroev's comedy “Tieteybit” has become one of the basics for the development of creative industry of the region. As an instrument for the development of regional culture, creative industry may play the strongest and highly effective role in the development of social life of the region.


2009 ◽  
Vol 34 (4) ◽  
pp. 24-28
Author(s):  
Martien Versteeg

In 1987 Chris Smeenk wrote in this journal about the libraries of the Dutch art historical institutes. In the 22 years that have since passed many changes have occurred, perhaps most notably the merging of the many autonomous institute libraries into larger ones. Has this led to a more professional approach or was it caused by a search for more efficiency? Does this really matter? The fact is that Smeenk, or any other library user familiar with Dutch art history libraries, would hardly recognise the situation at the end of the first decade of the 21st century. Maybe he would complain about the disappearance of the traditional academic institute librarian, but on the other hand he might be cheered by many other developments, such as the more central role of services for the public. Let’s take a look....


2017 ◽  
Vol 7 (3) ◽  
Author(s):  
Ming-Huei Chen ◽  
Yu-Yu Chang ◽  
Hong-Yan Wang ◽  
Ming-Han Chen

AbstractAlthough the contribution of creative industries to world economy has been widely acknowledged in the last few decades, their failure rate is still high and frustrates creative entrepreneurs. However, few empirical studies have been done to explore what causes creative entrepreneurs’ intention to quit. This paper, therefore, aims to draw upon the theories of motivation and entrepreneurship to offer a better understanding of entrepreneurs’ withdrawal intention. We incorporate the theory of motivation, creativity, and opportunity to realize their inter-play roles in reducing entrepreneurs’ intention to quit in creative industry sector. A sample of 272 creative entrepreneurs in Taiwan’s creative industries is used to test the framework we propose. Results show that entrepreneurial creativity and opportunity recognition enhance entrepreneurs’ motivation by satisfying the need for basic finance, need for work–life equilibrium, need for social reputation, and need for career achievement. Moreover, we found that entrepreneurs’ motivation in need for work–life equilibrium and need for career achievement reduces their intention to quit.


2021 ◽  
Vol 1 (1) ◽  
pp. 03-22
Author(s):  
Greg Richards

This paper examines the position of crafts within the creative industries and considers how this has been affected by the growing links between the creative industries and tourism. A review of the creative industries concept indicates that crafts occupy an ambiguous position between art and tradition, which problematises their relationship with the creative industries. This is gradually changing at the creative and tourism sectors become more closely linked, and craft has become an important element of the development of creative tourism experiences. We review the role of craft in creative tourism, including case studies from Brazil, Finland, and Thailand, to examine how tourism can support the creative development of crafts. This analysis indicates that craft can be an important aspect of creative tourism development in different contexts and can provide a strong basis for placemaking initiatives.


Ecocycles ◽  
2021 ◽  
Vol 7 (1) ◽  
pp. 14-18
Author(s):  
Zoltán Bujdosó ◽  
Béla Benkő ◽  
Csaba Patkós

The current study's topic is the summary of the roles of art colonies in the local example. The theoretical basis of the study was given by the international scientific literature of art colonies and the role of culture in the life of settlements. The matter of research is relevant as an investigation based on a case study has not been made yet on this topic; moreover, it consists of important results for the professionals. On this basis, it can be determined that which factors affect positively the human and natural environment through an art colony. A further advantage of the study can conclude to the possible development ways of culture in the life of villages. The current research, regarding the future, is an ideal starting point to know the role of art in local (and regional) development. The main results of the case study are the tangible effects of the colony on the (natural and human) environment.


Author(s):  
Daniela Peixoto Olo ◽  
Leonida Correia ◽  
Maria da Conceição Rego

Interest in higher education institutions (HEIs) as instruments for development has increased in recent years. The main objective of this chapter is to address the main challenges HEIs face in the 21st century as key actors for regional development, emphasising their entrepreneurial dimension. The pressures exerted on HEIs to become more effective, efficient, and autonomous require a reflection regarding the present and future of higher education. Through a detailed analysis and discussion of the relevant literature, this chapter contributes to a better understanding of the role of HEIs, especially given its relationship with society and the need for a more effective contribution to socioeconomic development.


2021 ◽  
Author(s):  
Ilona Kunda ◽  
◽  
Baiba Tjarve ◽  
Zanete Eglite ◽  
◽  
...  

The paper addresses the gap in analysing the complex role of creative industry businesses in small towns with regard to sustainable development. It takes a scholarly literature review approach and in the final section proposes a typology of sustainability-oriented actions, which creative industry businesses may or may not take in practice. As a typology of positive contributions, it lays groundwork for an empirical study, which is envisaged as the next step. The paper reinforces the idea of the complexity of the dimensions of sustainability as context-dependent, negotiated and situated, and the ambivalent role of creative industry businesses, stemming from the material realities of creating, distributing and consuming cultural and digital products.


Author(s):  
Nono Heryana ◽  
Rini Mayasari ◽  
Rudi Aprianto

In the modern era, the use of technology is growing rapidly to obtain information and various other electronic services, many people who already use technology, especially the internet to facilitate their work. Seeing the rapid development of the internet has given rise to various innovations, especially financial technology to meet the various needs of the community including access to financial services and transaction processing. Fintech (Financial Technology) is an innovation in the financial sector that refers to modern technology used to transact, check deposit rates, transfer funds, and perform various other financial services. The creative industries are an industry that utilizes the creativity and skills of individuals use as goods of value. The purpose of this study is to determine the role of financial technology and its constraints in the creative industry in Indonesia. The existence of innovation and creativity that arises in the community, making the creative industry is an essential role in the development of a regional economy. The research method used in writing this article is descriptive qualitative. Thus, qualitative research only describes responses to situations or events so that it does not explain causality or do hypothesis testing.


Author(s):  
ABU HASSAN HASBULLAH

Penulisan ini mengupas secara kritis tentang perkembangan industri kreatif di abad ke 21 dan selepasnya. Ia turut mengenalpasti peluang-peluang yang wujud dalam usaha untuk menjadikan Malaysia sebagai laboritorium dunia dalam bidang industri kreatif ini. Kreativiti tidak wujud secara sampingan dalam industri seni atau media, tetapi sebagai sentral - dan mencetuskan kepentingan – ia adalah input buat semua sektor di mana bentuk rekacipta dan kandungan wujud dalam lingkaran ekonomikal global, khususnya dengan perkembangan participatory democracy.Perkembangan ini telah mencetuskan fenomena “creative futures” Kurun 21 apabila di waktu yang sama berlakunya kepesatan berganda kemajuan dalam bidang sains dan teknologi informasi dengan terciptanya pelbagai rangkaian komunikasi dan media baru dengan internet menjadi struktur sistem penghidupan terpenting.   This writing critically reviews the development of creative industries in the 21st century andbeyond to see the opportunities that exist in order to make Malaysia a laboritorium world in this creative industry. Creativity is not simply incidental in art or media industry, but as a central -and sparked an interest - as an input for all sectors in which form and content design in the global economical circles, especially with the development of participatory democracy. This development has given rise to the phenomenon of "creative futures" of 21st Century when at the same time rapid progress in science and technology is taking place with the invention of a variety of communication networks and new media with the internet becoming the most important structure of living systems.


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