scholarly journals НОВИ ИСТОРИЧЕСКИ И ДИАЛЕКТОЛОЖКИ ИЗСЛЕДВАНИЯ НА БЪЛГАРСКИЯ ЕЗИК / NEW HISTORICAL AND DIALECTAL STUDIES OF BULGARIAN

2022 ◽  
Vol 68 (68.04) ◽  
pp. 9-12
Author(s):  
Tatyana Aleksandrova

The first three papers featured in Issue 4/2021 of Balgarski ezik present results of the work on a project titled Everyday Life in the Middle Ages according to Lexical Data from Bulgarian and Romanian – a bilateral effort between the Bulgarian Academy of Sciences and the Romanian Academy. Mariyana Tsibranska-Kostova’s paper Magic and its Faces (the 61st Canon of Trullo in Slavic Translations) proposes an analysis of several representatives of the lexical-semantic group of performers of magical practices according to three translations of the canon. The author discusses the word-formation structure of the lexical group as well as the semantic adaptation of Greek names for unknown realia. The text of the 61st Canon of Trullo is published as an appendix. Elka Mircheva provides a discussion on the topic of Bad Thoughts are Worse than Illness (to the Analysis of Medieval Texts) by analysing examples of illness in Pope Gregory the Great’s Dialogues which have been interpreted by earlier studies as cases of psychological conditions. The author’s analysis points to the fact that some of these occurrences are evidence of the influence of bad thoughts resulting in unacceptable reprehen-sible behaviour. Vanya Micheva’s paper Names for Living Places in the Bulgarian Language Picture of the World in the Middle Ages deals with the linguistic and semantic realisations of the concept of living places in the Old Bulgarian classical and original works from the 9th – 11th centuries and in the works of Patriarch Euthymius. The author traces the process of enrichment of the names for living places and the changes in the conceptual content of the studied lexemes. Tatyana Braga’s paper A Little-known Damaskin from the Karlovo-Adzhar School of Calligraphy and Art: Odessa Damascus № 36 (62) – Palaeography, Codicology, Dating offers a meticulous palaeographic and codicological description of a Bulgarian written monument, the Odessa Damaskin № 36 (62) from the manuscript collection of V.I. Grigorovich. Nadka Nikolova’s paper Общ язик с виражение народно. The Language Norms in the Translation of A. Granitski’s За Тръговско писмописанїе (On Commercial Letter Writing), 1858 presents the results of a study on Anastas Granitski’s contribution to the establishment of the structural basis and spelling and language norms of the Bulgarian literary language of the Revival period. On the basis of her observations on adjectives, numerals, pronouns and verbs, the author comes to the conclusion that the text reveals significant convergence of written and spoken language. Maria Mitskova addresses some Issues in the Verb Morphology of Bulgarian Dialects in the Studies of Three European Slavicists from the First Half of the 19th Century – Vuk Karadžić, Victor Grigorovich, Stefan Verković. The paper emphasises the contribution of the first Slavicists whose work marks the origination of the scientific interest in one of the most characteristic features of Bulgarian verbs. Elena Kanevska-Nikolova and Simeon Marinov present a study on the Names for Women’s Outerwear in the Rhodope Folk Clothing based on ma-terial excerpted from various ethnographic, regional historical and dialectological studies. The authors examine ambiguous and synonymous terms, main word-formation patterns, as well as the etymology of some of the names under study. They go on to analyse the terminological unity of many names for women’s outerwear characteristic of both confessional groups to which the Bulgarian population in the Rhodopes belong. Georgi Mitrinov’s paper Is there a Pomak Dialect in Bulgaria? is a critical look at a study by Emel Balakchi dealing with the Bulgarian Rhodope dialects. The author addresses Balakchi’s attempt at presenting the Rhodope dialects as Pomak dialects, while ignoring the presence of a native Bulgarian Christian population in the Rhodopes. Using numerous examples, Georgi Mitrinov reveals the study’s lack of scientific competence and objectivity in presenting the characteristic features of the Bulgarian Rhodope dialects. The issue concludes with a paper that remains outside its thematic scope. Stative Predicates in Contemporary Linguistic Theories by Svetlozara Leseva, Hristina Kukova and Ivelina Stoyanova offers a critical overview of the thematic classes of stative verbs based on a contrastive study of several thematic classifications. The authors analyse the different views of the properties of stative predicates from an aspectual and semantic perspective.

Author(s):  
Mykhailo Tyshchenko

The purpose of the article is to analyze the image of the Fried Swan from the stage cantata of Carl Orff "Carmina Burana" through the category of grotesque - the worldview principle in the culture of the Middle Ages and one of the leading types of artistic imagery in art nouveau. The paper reviews literary and musicological research on the grotesque as an aesthetic category and its application as a method of revealing the artistic image. What is being analyzed: the aesthetics of vagrant poetry, which is the basis of the libretto of Karl Orff's stage cantata; traditions of interpretation of the image of a swan in mythology, folk culture, folklore of different peoples of Europe, Christianity, literature of the Middle Ages, the Renaissance and the New Age, in particular in Romanticism, as well as in the fine arts; features of Latin poetry in general and "Swan Song" from the poetry of vagrants in particular; application of alliteration; a variant of translation into Ukrainian is provided, which is intended for a more accurate understanding of the essence of the image, reveals its new facets and is addressed to the performers of the Fried Swan part in the preparatory period of work on the image, as well as listeners. The image of the Fried Swan is the embodiment of "grotesque realism" (A. Gurevich) of the Middle Ages. The methodology is based on the application of a holistic musicological analysis, which includes philosophical-aesthetic, literary-linguistic and musical-theoretical levels. The scientific novelty of the work lies in the application of the grotesque as a philosophical and aesthetic category for studying, in particular, one of the most original images of K. Orff's work and the concept of modern musical theater in general. Therefore, the artistic and aesthetic interpretation of the figurative sphere of the cantata is considered relevant, and this work is the first such attempt in Ukrainian musicology. Conclusions. The image of the Fried Swan embodies the grotesque, in which the high and the low, the believable and the unreal, the tragic and the comic, coexist. It reflects the mentality of the Middle Ages as a unity of antinomies and at the same time possesses the characteristic features of the culture of art nouveau, where the grotesque is a typical tool for perceiving reality. The image of the Fried Swan can be considered as a kind of "key" for understanding two "artistic mentality" at once - of the Middle Ages and of the Art Nouveau.


2021 ◽  
Vol 68 (03) ◽  
pp. 108-119
Author(s):  
Nadka Nikolova

he article presents the results of a study on the contribution of Anastas Granitski, one of the most active translators of popular and widely read literary works, to building the structural basis and spelling and language norms of the Bulgarian literary language of the Revival period. The subject of observation is a part of the translation of the 1858 Тръговско рѫководство (Commercial Guidebook) titled За тръговско писмописанїе (On Commercial Letter Writing), a practical guide for keeping business correspondence. The author analyses nouns with respect to the categories of gender, number, case and definiteness/indefiniteness. The study of the forms helps to identify the original works the translator complied with: the grammars by Neofit Rilski (1835) and Ivan Bogorov (1844). Keywords: Bulgarian Revival, modern Bulgarian literary language, linguistic and spelling norms, nouns


2022 ◽  
Vol 68 (68.04) ◽  
pp. 45-59
Author(s):  
Vanya Micheva

This study presents the linguistic and semantic realizations of the concept of living places in the Old Bulgarian classical and original works from the 9th – 11th centuries and in the works of Patriarch Euthymius. A system of words and collocations and their use in different contexts are analyzed in view of their relation to Christian culture and the medieval picture of the world. The author traces the process of enrichment of the names for living places and the changes in the conceptual content of the studied words and collocations. Keywords: names for living places, medieval conceptosphere, history of the Bulgarian literary language


2008 ◽  
Vol 16 (2) ◽  
pp. 169-181 ◽  
Author(s):  
Mariano Gomez-Aranda

The Jews of Spain in the Middle Ages played an important role in the transmission of Graeco-Arabic learning by translating, or participating in translations, of scientific texts. They also composed original works on mathematics, astronomy, astrology and medicine in which they adapted the theories of the ancients for their own time. Science was used by the ruling powers as an element of prestige, and by the Jewish scientists as a way to obtain a high social status. The policy of cultural sponsorship of Muslim caliphs, as well as of Christian kings, was fundamental in the process of transmission of the Greek sciences to the Western world. The School of Translators of Toledo is an example of this process. The astronomical theories developed by Jewish scientists at the end of the 15th century played an important role in the Spanish and Portuguese discoveries of the 16th century. Their knowledge of astronomy, astrology, mathematics, and medicine was also used by the Jewish intellectuals to provide a rational and scientific support for the Jewish religion and tradition, as is reflected in the interpretations of the Bible by medieval Spanish Jewish authors.


wisdom ◽  
2021 ◽  
Vol 19 (3) ◽  
pp. 204-216
Author(s):  
Volodymyr ORTYNSKYI ◽  
Stepan SLYVKA ◽  
Nadiya SCOTNA ◽  
Oksana LEVYTSKA ◽  
Ivanna SHCHERBAI

The article aims to study the genesis of the philosophical understanding of the law, from the Middle Ages to modern times. The reason for choosing such a significant period of time is that the purpose of the article is to trace the dynamics of understanding the philosophy of law. The methodological basis of this scientific article was formed by the most important approaches, methods and principles of historical research. A study was carried out on the genesis of philosophical understanding of the law, from the Middle Ages to modern times. The understanding of the philosophy of law in different eras of time was considered. In addition, the understanding of the philosophy of law during the Renaissance was examined in detail. The main ideas of law in the philosophical spins of the thinkers of the Enlightenment are considered. The characteristic features of the modern philosophy of law are determined.


Traditio ◽  
1980 ◽  
Vol 36 ◽  
pp. 347-372
Author(s):  
Pearl Kibre

The Repertorium of Hippocratic Latin texts in the Middle Ages, begun in Traditio 31 (1975) 99–126 and continued in the issues following, here resumes with a number of tracts clearly labelled as by Hippocrates in medieval Latin manuscripts. In general, these texts contain traditional or characteristic features of Hippocratic medical theory and practice, particularly the emphasis upon the relation of climate and seasons to health, upon the four humors and the importance of maintaining a harmonious relation between food and exercise. They also, especially in the Oath (Iusiurandum) and the Law (Lex), reveal the importance placed on ethics and the moral and correct professional conduct of the physician. The fact that most of these treatises were available in the Latin West before the close of the fourteenth century should serve to modify traditional views regarding the lack of direct knowledge of Hippocrates before the so-called Renaissance of the fifteenth and sixteenth centuries.


2021 ◽  
pp. 45-55
Author(s):  
Krasimira CHAKAROVA ◽  
Radostina KOLEVA

The object of analysis in the present study are some characteristic features of the linguistic means expressing negation (and in particular – general negation) in two unrelated languages – Bulgarian and German. The paper presents a brief outline of the basic concepts of negation as a linguistic phenomenon, and a contrastive study of the specific linguistic means of its verbalization in the two languages, focusing on the cases of interlingual asymmetry. The conclusions are drawn on the basis of rich taxonomic material, excerpted from literary texts translated from German into Bulgarian and from Bulgarian into German. A number of arguments are presented in support of the thesis that in the contemporary Bulgarian language there is a process of grammaticalization of the verbal negation within an independent morphological verbal category, called existential status of the action (result of an action) or a state. In contrast, there is no single formal indicator of negation in German; there are no manifestations of synthetic forms, as for example – the Bulgarian auxiliary verbs няма and недей, and the degree of separability of the negative markers is high. In the final part of the study a conclusion is drawn that the linguistic concepts of general negation and status negation are not identical. The first one is semantic-syntactic and encompasses the cases in which the action of negation refers to the whole sentence. As for the status negation in the Bulgarian language, it means absence (negation) of an action (result of an action) or a state and is expressed morphologically – on the level of the verb word formation.


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