scholarly journals URBAN LANDSCAPE ASSESSMENT

2017 ◽  
Author(s):  
Vicente Collado Capilla ◽  
Sonia Gómez-Pardo Gabaldón
Keyword(s):  
New York ◽  
Urban Landscape ◽  
Tall Buildings ◽  
Daily Basis ◽  
Landscape Assessment ◽  
Urban Landscapes ◽  
Cultural Issues ◽  
Strategic Element ◽  
The City

URBAN LANDSCAPE ASSESSMENT Vicente Collado Capilla1 and Sonia Gómez-Pardo Gabaldón21Servicio de Infraestructura Verde y Paisaje. Generalitat Valenciana. Ciutat Administrativa 9 D'Octubre-Torre 1, C/ Castán Tobeñas 77, 46018 Valencia; 2Servicio Territorial de Urbanismo. Provincia de Valencia. Generalitat Valenciana. Prop I, C/ Gregorio Gea, nº 27, 46009 Valencia. E-mail: [email protected] [email protected]  Key words: urban_landscape, streetcape, landscape_value, andscape_assessment, landscape_preferences. The urban landscape assesment as an important element in the quality of life and the sustainable development of the city constitutes an incipient field of investigation from a new perspective that adds meanings and values. An analysis of the different methodological developments and national and international experiences in the assessment of these landscapes will highlight its importance as a strategic element to improve the quality of the city. It starts from the concept of assessment as a system where tangible and intangible values ​​are considered by the population and the experts. These include among other formal, economic, environmental, social, cultural issues (…) and the relationships between them. Consideration of the opinions of experts from different points of view such as urbanism and architecture but also environment, economy, geography, history, archeology, sociology, social assistance, etc. Together with the preferences expressed by the population regarding the spaces they inhabit on a daily basis and their aspirations, strengthen the sense of belonging and the identity of the place as key elements in the perception of the urban landscapes that allows to contribute new qualities, integration criteria and ​​contemporary values to any type of intervention. These are strategies and intervention procedures that start from the complexity of the city as a system and incorporate the perception that citizens have or will have of their immediate environment.  References: Czynska Klara and Pawel Rubinowicz (2015). ´Visual protection Surface method: Cityscape values in context of tall buildings´. SSS10 Proceedings of the 10 th International Space Syntax Symposium. Paquette Sylvain (2008). Guide de gestion des paysages au Québec. Université de Montréal Pallasmaa, Juhani (2005). The Eyes of the Skin. Architecture and the Senses. New York: John Wiley. Ministry of Environment and Energy The National Forest and Nature Agency (1997). International Survey of Architectural Values in the Environment. Denmark . The Landscape Institute and Institute of Environmental Management & Assessment (2013). Guidelines for Landscape and Visual Impact Assessment. Third Edition, London: Routledge.

Perception of the Visual Quality of High-Rise Buildings in the Urban Landscape by the Users: The Case of Istanbul

2019 ◽  
Author(s):  
Feran Asur ◽  
Kubra Yazici
Keyword(s):  
Urban Landscape ◽  
User Preferences ◽  
Urban Landscapes ◽  
Landscape Studies ◽  
High Rise ◽  
Assessment Techniques ◽  
Visual Landscape ◽  
The City ◽  
Regression Tests

The image of many cities in today's world has been influenced by the growing globalization along with rapidly developing demographic, technological, and economic movements. From the perspective of the last two decades, the increased high-rise development in the world is clearly visible. In recent years, modern high-rise buildings have impacted the city landscape and have become a major issue in terms of the landscape protection of a city like Istanbul with a historical peninsula silhouette. In this study, which discusses the aesthetics of the man-made environment, various factors have been evaluated by the users based on the formal aesthetic dimension in the 4th Levent area, where high-rise buildings are dense. In this context, this study aims to determine the factors that increase preferences in urban landscapes, user preferences, and the attitudes of different social groups towards the place. The main method of the study, which is based on visual landscape assessment techniques, is the visual survey technique which is administered with visuals and which is used for determining the user's perception of the place. 95 individuals participating in the survey were asked to evaluate formal aesthetic parameters for 15 selected high-rise buildings. One-way ANOVA, correlation and regression tests were employed to analyze the data collected through the survey. The findings and conclusions are thought to provide significant resources to city stakeholders in future urban landscape studies.

scholarly journals URBAN LANDSCAPE QUALITY AND FACTORS THAT HAVE INFLUENCE ON LANDSCAPE QUALITY IN LATGALE REGION

2005 ◽  
Vol 1 ◽  
pp. 155
Author(s):  
Ivars Matisovs
Keyword(s):  
Integrated Assessment ◽  
Urban Landscape ◽  
Landscape Assessment ◽  
Precise Information ◽  
Landscape Quality ◽  
Quality Article

The paper deals with urban landscape individualities in the cities and towns of Latgale region. Also show facilities and methods of integrated assessment of urban landscape quality. Article provides information about specifics of urban landscape and factors, that have influence on landscape quality. The paper presents the results of Daugavpils and Rēzekne urban landscape quality complex assessment, that have been realised in 2003- 2005. This results don’t establish significant disparities between quality of urban landscape among Daugavpils and Rēzekne. This method of urban landscape assessment makes possible to get believeable and precise information about landscapes quality.

scholarly journals Intervención pública en el paisaje urbano en Madrid. Un informe = Public intervention in the urban landscape in Madrid. A report

2019 ◽  
pp. 26
Author(s):  
Antonio Díaz Sotelo
Keyword(s):  
Economic Activity ◽  
Urban Landscape ◽  
Public And Private ◽  
Public Intervention ◽  
The Public ◽  
Historic Center ◽  
Commercial Landscape ◽  
The Relationship ◽  
The City

ResumenEl objeto de este texto es la exposición y análisis de los procedimientos de intervención pública en el paisaje urbano de la ciudad de Madrid. El objetivo último de ese análisis es identificar el modelo público para el paisaje urbano en Madrid.  Este texto se centra en la exposición analítica de documentos oficiales antes que en sus conclusiones definitivas, por lo que le corresponde la denominación de Informe.  Este informe se organiza en dos partes: una exposición teórica que enmarca el posterior análisis de instrumentos administrativos de intervención en el paisaje.  Se concibe como parte de la investigación de Tesis Doctoral titulada “Transformación Reciente del Paisaje Comercial en el Centro Histórico”, acotada en un marco temporal de apenas diez años, marcado por la crisis y la desregulación económica, y en un marco territorial limitado al centro histórico de Madrid. Esa investigación se enmarca en una reflexión general sobre la relación entre actividad económica y paisaje urbano. El interés de este informe para la investigación es sobre la utilidad de ese modelo público para el paisaje urbano en Madrid como parámetro para valorar la rentabilidad de los esfuerzos públicos y privados en la mejora de la calidad del paisaje urbano.AbstractThe purpose of this text is the exhibition and analysis of public intervention procedures in the urban landscape of the city of Madrid. The ultimate goal of this analysis is to identify the public model for the urban landscape in Madrid. This text focuses on the analytical exposition of official documents rather than on their final conclusions, for which reason the denomination of Report corresponds. This report is organized in two parts: a theoretical exposition that frames the subsequent analysis of administrative instruments of intervention in the landscape. It is conceived as part of the Doctoral Thesis research titled "Recent Transformation of the Commercial Landscape in the Historic Center", bounded within a period of just ten years, marked by the crisis and economic deregulation, and in a territorial framework limited to the historic center of Madrid. This research is part of a general reflexion on the relationship between economic activity and urban landscape. The interest of this report for the investigation is about the utility of that public model for the urban landscape in Madrid as a parameter to assess the profitability of public and private efforts in improving the quality of the urban landscape.

scholarly journals FRAGMENTATION AND DEGRADATION OF THE URBAN LANDSCAPE IN HERGLA, TUNISIA

2020 ◽  
Vol 5 (12) ◽  
pp. 60-77
Author(s):  
Meriem Chaggar ◽  
Mohsen Boubaker
Keyword(s):  
Citizen Participation ◽  
Urban Sprawl ◽  
Planning Process ◽  
Urban Landscape ◽  
Survey Method ◽  
Urban Landscapes ◽  
Landscape Degradation ◽  
The City

This research proposes to identify the factors of the urban landscapes degradation in Hergla’s city (Tunisia) according on the citizen participation. It is based on the survey method which is developed around two axes: the citizen perception of urban landscapes and the factors of their degradation. According to the responses obtained, "the sea" represents the particular value of the landscapes identified as "quality" in Hergla. Citizens don’t appreciate landscapes of urban sprawl which makes the city lose its identity. Moreover, the lack of citizen participation in the urban actions and the non-observance of the urban regulations are the most cited factors of the landscape degradation. These results highlight the importance of involving the citizens in the planning process for a sustainable territory.

The City in Film

2014 ◽  
Author(s):  
Pamela Robertson Wojcik
Keyword(s):  
New York ◽  
Los Angeles ◽  
Urban Landscape ◽  
Urban Life ◽  
Early Cinema ◽  
Romantic Comedy ◽  
Art Cinema ◽  
German Expressionism ◽  
Cinematic Space ◽  
The City

Cinema and the city are historically interrelated. The rise of cinema followed on the heels of urbanization and industrialization, and early cinema production and exhibition was largely urban. Moreover, the city has proved to be a rich and diverse cinematic setting and subject. Early cinema recorded scenes of urban life in actuality, melodrama, and City Symphonies. Gangster films, German expressionism, and Film Noir rendered an urban underworld; the musical and romantic comedy produced a more utopian view of the city; and art cinema rendered the everyday reality of urban life. Recent films imagine dystopic post-urban settings and, alternately, megacities populated by superheroes. The relationship between the cinema and the city can be examined in numerous ways. In part, cinema provides an urban archive or memory bank that reflects changes in the urban landscape. At the same time, cinema serves to produce the city, both literally—in the way that film production shapes Los Angeles, Mumbai, Rome, Hong Kong, and other centers of production—and also by producing an imaginary urbanism through the construction of both fantasy urban spaces and ideas and ideals of the city. Theorists suggest that there is an inherent urbanism to cinema. Kracauer 1997 (cited under General Overviews) claims the city, and especially the street, as exemplary and essential cinematic space, attuned to the experience of contingency, flow, and indeterminacy linked to modernity. Hansen 1999 (also cited under General Overviews) suggests that cinema worked as a kind of vernacular modernism to articulate and mediate the experience of modernity—and especially urbanization. More recently, attention to theories of space and urbanism across the academy have generated broad interest in cinematic urbanism. Much of this work brings film scholars into conversation with urban planners, geographers, and architects. Of course neither cinema nor the city is singular. Thus work on the city and film must attend to multiple global cities at different historical periods and, furthermore, consider that cinema produces multiple versions of even a single city, such as New York, as different narratives, genres, studios, directors, and individual films will each produce a different city. Some books and articles tangentially examine films set in cities. This article will include only those texts that have the urban sphere as a primary focus of their investigation.

City Space, Technology, Popular Culture: The Modernism of Paul Strand and Charles Sheeler's Manhatta

2002 ◽  
Vol 36 (1) ◽  
pp. 85-106 ◽  
Author(s):  
JUAN A. SUÁREZ
Keyword(s):  
New York ◽  
Urban Landscape ◽  
Suspension Bridges ◽  
Space Technology ◽  
Avant Garde ◽  
High Rise ◽  
City Space ◽  
Charles Sheeler ◽  
History Of ◽  
The City

Reputedly, painter Charles Sheeler and photographer Paul Strand's Manhatta is the first significant title in the history of American avant-garde cinema. It is a seven-minute portrait of New York City and focuses on those features which make the city a modern megalopolis – the traffic, the crowds, the high-rise buildings, the engineering wonders, and the speed and dynamism of street life. The film strives to capture rhythmic and graphic patterns in the movements and shapes of cranes, trains, automobiles, boats, steam shovels, suspension bridges, and skyscrapers. Due to the dominance of technology, the entire urban landscape appears in the film as a machine-like aggregate of static and moving parts independent from human intention.

scholarly journals TIGHT OR FLEXIBLE? THE DEGREE OF DETAIL OF LOCAL LAW REGULATIONS AND ITS IMPACT ON A QUALITY OF URBAN SPACE – SELECTED CASES FROM POZNAN

space&FORM ◽  
2021 ◽  
Vol 2020 (46) ◽  
pp. 165-186
Author(s):  
Wojciech Skórzewski ◽  
Keyword(s):  
Urban Space ◽  
Urban Landscape ◽  
Spatial Development ◽  
High Quality ◽  
Development Plans ◽  
Local Law ◽  
The One ◽  
The City

Local spatial development plans, are one of the most important urban landscaping tools. Their goal is, on the one hand, to protect urban space including, inter alia, prevention of creation of illconsidered developments, that are bad to the urban landscape, the environment or the local communities. For this purpose, there is a number of restrictions introduced into local spatial development plans. On the other hand, the role of local plans is also creating the space, so they should be conducive to projects with high-quality architecture, that are often unconventional and innovative, adding new value to the architectural landscape of the city, which could be blocked by too strict regulations. The trick is to create regulations in a way that can help reconcile that two goals.

scholarly journals Nature and image: a city in the art of Chernivtsi of the 20th – the beginning of the 21st century

2021 ◽  
pp. 149-153
Author(s):  
Iryna Mishchenko
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Urban Landscape ◽  
Urban Life ◽  
Subjective Perception ◽  
Urban Landscapes ◽  
Cultural Traditions ◽  
Early 21St Century ◽  
Iconic Images ◽  
The City

The purpose of this article is to consider the peculiarities of the reflection of the city – its architecture and inhabitants – in the works of Chernivtsi artists of the 20th and early 21st century, to analyze the differences between their views on the reproduction of urban motifs. The methodology consists in the application of the historical-chronological method, art analysis, and generalization, comparative and systematic approach. The scientific novelty lies in the introduction into scientific circulation of works by artists of the specified time, in understanding the evolution in the reflection of the city in the works of authors with various artistic orientations. Conclusions. In the paintings and graphics of the 20th – 21st centuries, several options for solving urban landscapes can be defined, among which the most common is a careful reflection of existing architectural monuments. In the 19th century in European art, in particular in Impressionist painting, the desire to convey not only the appearance but above all the spirit of the city became noticeable, depicting the townspeople, emphasizing the bustle or poetry of squares and streets. At the turn of the 20th-21st centuries the artists are no longer limited to the usual fixation of what is seen, but try to create a conceptual image of the city, to tell a story through iconic images and symbols, reveal their own position in particular and to preserve the authenticity of an object or the city in general. Such a variety of approaches for creating an urban landscape is partly due to differences in preferences formed during studies in art institutions and is also characteristic for the art of Chernivtsi – a city where people of many nationalities with different cultural traditions have lived side by side for centuries. Ultimately, the artists who worked here in the 20th century were often graduates not only of Ukrainian schools or universities, but also of well-known European institutions, including Vienna, Munich, Florentine, Berlin, Kraków, or Bucharest academies. While in the second half of the 19th – early 20th century the city often appears as the sum of certain architectural structures in the works of artists of Bukovina and visiting masters (F. Emery, R. Bernt, J. Shubirs), in the second half of the 19th – first third of the 20th century the artists mostly try to recreate the dynamics of urban life instead, sometimes depicted with a touch of irony, using the grotesque in the image of the inhabitants (lithography and watercolors by F.-K. Knapp, O. Laske and G. Löwendal). Subsequently, we meet emphasized mood images, in which the author's subjective perception of a particular motive, which he seeks to reproduce in a work full of emotions, is important (L. Kopelman, G. Gorbaty). A peculiar historical retrospection is present in the exquisite graphics of O. Kryvoruchko and in the distilled-finished sheets of O. Lyubkivsky, and the lyrical watercolors and sketches of N. Yarmolchuk represent the non-festive side of the city center. In O. Litvinov's paintings Chernivtsi surprises with desolation and restraint, and in M. Rybachuk's paintings it is distinguished by an unexpected riot of colors. Therefore, each of the artists creates his own image of Chernivtsi, which landscapes often become only a stimulus for the author's imagination, allowing him to depict a completely individual sense of space and life of the city.

scholarly journals « Rabat, a Metropolitan City », Between Displayed Image, Reality of Image and Identity

2020 ◽  
Vol 3 (4) ◽  
pp. 85
Author(s):  
Hassan Kharmich ◽  
Mouna Sedreddine
Keyword(s):  
Quality Of Life ◽  
Urban Landscape ◽  
Spatial Relationship ◽  
Urban Setting ◽  
Metropolitan City ◽  
Urban Model ◽  
Urban Image ◽  
The Impact ◽  
The City

Embodying for a long time the image of an administrative capital where the functionary dominate, where the urban setting is aging and where quality of life is declining, the city of Rabat has recently embarked on a frantic race to reinvent a new image: a modern, innovative and qualitative image.In order to achieve this, several projects and programs of development, embellishment and construction, has been initiated with a common feature which is greatness (large theater, high towers, large stations, large arteries, new centralities, etc.). This greatness aspect is visible through the importance of the areas involved, the volumes and the shapes designed, the modes of transport developed, the means and resources deployed in add to the promotion of architectural signatures of the renowned architects, and the modes of governance and project management. Henceforth, Rabat shows its ambition as a city of culture, as a green city and as a “city of light”.  The time of Rabat, as administrative city, is over.However, the image displayed and publicized seems controversial compared to the reality of certain urban spaces, often with high heritage value, that develop on the margins of programs and projects initiated. Real deficits are observed in terms of basic equipment and services, in terms of transport network and in terms of urban coherence and social cohesion. Everything contributes to an urban image with two facets: one more qualitative, more modern and more elitist, while the other is more spontaneous, more vulnerable and more devalued.Faced with this identity transition and this double temporality, what image and identity do we want for Rabat? What vocations do we claim for this city which aspires to become a national and international metropolis? What developments should be advocated for a capital with such a rich and diversified history? What relationship can be established between the local identity and the global identity of the city? How does the citizen apprehend his living spaces in the face of such universal urban model, where social connections as well as the spatial relationship mutate towards new practices?These questions will be enlightened through the confrontation of major projects underway and urban realities, through the analysis of the new urban model which is universal, modern and generating a new image and a new urban identity, as well as through the impact of these major projects both on the urban landscape and quality of life. It’s with these considerations in mind that this paper is drawn up: « Rabat, a metropolitan city », between displayed image and reality of image and identity.

scholarly journals Visibility Analysis of the Oriental Pearl Based on Digital Landscape Simulation – View from East Daming Road of Shanghai

2015 ◽  
Vol XL-5/W7 ◽  
pp. 299-303
Author(s):  
S. Liu ◽  
S. Zhang
Keyword(s):  
Visual Analysis ◽  
Urban Landscape ◽  
Landscape Planning ◽  
City Image ◽  
Analysis Model ◽  
Good Tool ◽  
The North ◽  
The City ◽  
Digital Landscape

As the demand for visual quality of environment increases, visual analysis therefore plays progressively important role in current urban landscape construction and management. Guided by the City Image theory, this paper presents a covered scene index “X” to describe the visibility of the target scene, and formulates a digital analysis model based on ArcGIS and 3D simulation. This method is applied to the viewpoint analysis from the East Daming Road of the North Bund to the Oriental Pearl in Shanghai and optimized solutions are proposed according to the results. It turns out that this simple and objective technique can serve as a good tool for the reference of urban landscape planning and management.

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