Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence

2021 ◽  
Author(s):  
Brian Jeffrey Maxson
Keyword(s):  
Fifteenth Century ◽  
The City

Although the city of Florence lacked a cardinal for most of the fifteenth century, the city was not lacking in cardinal portraits during the same period. This chapter examines two visual portraits of cardinals by Bicci di Lorenzo and Francesco di Antonio del Chierico alongside written portraits found in a diary by Bartolommeo di Michele del Corazza and the Lives of Vespasiano da Bisticci. The chapter argues that specific contexts can help explain the choices made by artists and authors to provide or shun idiosyncratic details in their works.

scholarly journals Gjirokastra’S Promotion as a Branding & Marketing City

2016 ◽  
Vol 6 (2) ◽  
pp. 290
Author(s):  
Jonida Avdulaj ◽  
Klodian Muço
Keyword(s):  
Fifteenth Century ◽  
Marketing Plan ◽  
Qualitative And Quantitative Analysis ◽  
City Image ◽  
Economic Sectors ◽  
The Sustainable Development ◽  
The Impact ◽  
The City ◽  
The Universe ◽  
Simple Economic

The sustainable development of the tourism phenomenon and the impact that it produces it is important not only for the enterprises receiving tourism but also for the economic sectors correlated with the structures above as handicrafts, trade and services, turning tourism in a primary factor for the economic development of a region or a country. To talk about tourism in a city very rich in "contrasts" such as Gjirokastra, is an issue that goes beyond simple economic aspect, generating significant consequences in terms of geography and especially in social level. This is because Gjirokastra is a city with a glorious history since the fifteenth century, rich in culture, archaeology, enogastronomia (Food and wine) and several endless natural beauties. Although is the capital of the most important cultural event, the national folk festival which perform the tradition through the art. Shortly, Gjirokastra is a genuine multidimensional brand; the promotion of it would increase the income, the employment, the consumption and most of all it would transform into in an international city. Certainly to promote this brand it is needed a coordination between decision-maker institutions and local businesses but above all is necessary an efficient and comprehensive marketing plan that promote "brand " pointing at the same time in the centre of the universe "tourist".Based on this affirmation, this paper requires just to give some modest idea on the development of the city image through qualitative and quantitative analysis of data obtained from a sample of tourists visiting various cities in the world and recently have visited the Gjirokastra.

scholarly journals Emotions, speech, and the art of politics in fifteenth-century York: House Books, mystery plays and Richard duke of Gloucester

Urban History ◽  
2016 ◽  
Vol 44 (4) ◽  
pp. 586-603 ◽  
Author(s):  
SARAH REES JONES
Keyword(s):  
Fifteenth Century ◽  
Political Activity ◽  
Mystery Plays ◽  
Corpus Christi ◽  
The Creation ◽  
Civic Literacy ◽  
The City

ABSTRACT:The York House Books provide much-cited evidence of Richard III's relationship with the City of York in 1485, yet the nature and purpose of the House Books has never been satisfactorily explored. Through a focus on the records of a single year (1476–77), this article places their development within the context of new forms of civic bureaucracy in England and France in which the recording of emotions and speech had particular rhetorical and political significance in the reign of Edward IV. This expanding culture of civic literacy led not only to the creation of fuller records of civic politics and events (including the surviving texts of the Corpus Christi drama), but also enabled new forms of political activity.

Identifying the Country of Meilugudun and the Significant Value of Zhou Qufei’s Lingwai daida

2017 ◽  
Vol 21 (1) ◽  
pp. 1-43
Author(s):  
Victoria Almonte
Keyword(s):  
Fifteenth Century ◽  
Song Dynasty ◽  
Social Differences ◽  
Political Consequences ◽  
Southern Song ◽  
The North ◽  
Maritime Silk Road ◽  
Chinese Texts ◽  
The Relationship ◽  
The City

Abstract During the last century, considerable interest arose regarding Chinese knowledge of western territories, with a long list of works being published on the topic. Joseph Needham’s Science and Civilisation in China (1959) states that Arab thinking had clearly influenced the Chinese conception of geography over the centuries. Zhang Xinglang analyses the relationship between the Chinese empire and countries overseas, focusing on Islamic countries and particularly those in the north of Africa. Feng Chengjun’s western territories toponyms and Gudai nanhai diming huishi have provided two powerful and even fundamental tools for the research presented here. The first gathers together a large collection of toponyms from various literary works; these are written in western language with their relative transcription or translation in Chinese. The second, the Gudai nanhai diming huishi, is divided in two volumes analysing many Chinese toponyms and their use in several geographical works. Li Qingxin’s Haishang Sichou zhilu, focuses on the development of the Maritime Silk Road and its economic-political consequences for China’s empire. Gabriele Foccardi’s research focuses instead on the motives for Chinese travellers and their expeditions, highlighting the historical and social differences between the different dynasties. Friedrich Hirth and William Rockhill provide a crucial literary resource with their translation of Zhao Rukuo’s work, Zhufanzhi (1966), as does J.V.G. Mills with his annotated translation of Ma Huan’s Yingya shenglan, a journey work of the fifteenth century. Yang Wuquan’s research into Zhou Qufei’s work, published in 1999, identifies several toponyms used by Zhou and compares several foreign geographical works. Zhou Qufei and Zhao Rukuo were both imperial officials during the Southern Song dynasty. They spent many years in the border territories of China: Zhou Qufei in Qinzhou, Guangxi province, and Zhao Rukuo in Quanzhou, Fujian province. Their works mention several toponyms never used before in Chinese texts: ‘Meilugudun’, or ‘Meilugu’ (as written by Zhao Rukuo), is one of these. The identification of this toponym has not been determined until now. Therefore, the aim of this paper is to determine which kingdom was identified with the ‘Meilugudun’ toponym during the Song Dynasty. Two different questions are here discussed and resolved. First, can the land of Meilugudun be identified with the city of Merv in Turkmenistan? Second, do Zhou’s ‘Meilugudun’ and Zhao’s ‘Meilugu’ both stand for the same place? This paper can be divided into four sections. The first section focuses on Zhou Qufei, the second on Zhao Rukuo. The third analyses and compares previous scholars’ studies. The fourth proposes the new identification of the Meilugudun kingdom.

The Fifteenth-Century Garner at Leadenhall, London

1989 ◽  
Vol 69 (1) ◽  
pp. 119-153 ◽  
Author(s):  
Mark Samuel
Keyword(s):  
Fifteenth Century ◽  
Common Market ◽  
The West ◽  
Dual Purpose ◽  
Ground Plan ◽  
Documentary Sources ◽  
The North ◽  
City Of London ◽  
The City ◽  
Full Height

Excavation and observations from 1984–6 on the Leadenhall Court site in the City of London revealed elements of the fifteenth-century market building known as ‘The Leadenhall’. The truncated foundations were located in various areas of the site; 177 medieval moulded stones were found reused in later cellar walls; and a fragment of the west wall survived to its full height of 11.17m encased between Victorian buildings. The recording and subsequent study of these features, together with a reassessment of such plans and drawings of the building as have survived, established the ground plan of the quadrangle and chapel, and made possible a complete reconstruction of the north range of this important civic building. The methodology used in the reconstructions is described with particular emphasis upon the analysis of the moulded stones. In conclusion, both the design of the structure and the documentary sources are studied to show how it may have been intended to function.The arcaded ground floor functioned as part of a common market, while the upper floors were intended to be a granary. For convenience, however, this dual-purpose building is referred to as the ‘garner’ throughout the text.

scholarly journals Parading in public: patrician women and sumptuary law in Renaissance Siena

Urban History ◽  
2010 ◽  
Vol 37 (3) ◽  
pp. 452-463 ◽  
Author(s):  
PHILIPPA JACKSON
Keyword(s):  
Fifteenth Century ◽  
Social Order ◽  
Social Values ◽  
Political Regime ◽  
The Political ◽  
Urban Identity ◽  
Major Mode ◽  
Renaissance Italy ◽  
The City ◽  
New Social Order

ABSTRACT:In Renaissance Italy clothing, particularly of women, was strictly regulated; individuals were regularly denounced when walking through the city. Modesty was a virtue in a republican state and dress played a major part in urban identity, reflecting social values and those of the political regime. Sumptuary laws were a major mode of control, particularly of patrician women, whose dress reflected both their own and their family's wealth and status. Despite increased availability of luxurious fabrics encouraged by urban policies, legislation was used to prohibit new forms of dress and raise money for state coffers. At the end of the fifteenth century Pandolfo Petrucci (1452–1512) took control of Siena. The inner elite of his regime, particularly its female members, were given exemptions from the strict legislation and were able to flaunt their elevated status and the new social order.

Byzantines and Italians in Fifteenth-Century Constantinople: Commercial Cooperation and Conflict

1995 ◽  
Vol 12 ◽  
pp. 129-143
Author(s):  
Nevra Necipoğlu
Keyword(s):  
Fifteenth Century ◽  
Social Economic ◽  
Active Group ◽  
Western World ◽  
Fourth Crusade ◽  
Byzantine Period ◽  
The City ◽  
Commercial Center ◽  
Foreign Competitors ◽  
Foreign Merchants

During the final centuries of Byzantine rule, the city of Constantinople, unable to recover completely from the effects of the Fourth Crusade (1204) and continuously challenged from two directions by the western world and the Ottomans, could no longer live up to its former glory and reputation as the magnificent capital of a powerful empire. Yet, surprisingly, the critical circumstances of the late Byzantine period that negatively affected almost every aspect of life in the city did not affect its commercial function to the same extent. Hence, despite persistent political, social, economic, and demographic problems during the last fifty years preceding the Ottoman conquest, Constantinople still continued to function as a lively commercial center where Byzantine merchants operated side by side with foreigners, including Italians, Catalans, Ragusans, Ottomans, and others. But the most active group of foreign merchants operating in Constantinople were the Italians, particularly the Venetians and the Genoese, who had established more or less autonomous trade colonies in the city and enjoyed commercial privileges (most importantly exemptions from customs duties) since the eleventh-twelfth centuries. Amplified and made more extensive during the Palaiologan period (1261-1453), these privileges pushed the native merchants of the Byzantine capital into a clearly disadvantaged position vis-à-vis their foreign competitors.

scholarly journals Actors and Structures in Machiavelli’s Istorie Fiorentine

2007 ◽  
Vol 28 (2) ◽  
pp. 45-87
Author(s):  
Sverre Bagge
Keyword(s):  
Fifteenth Century ◽  
Thirteenth Century ◽  
Class Structure ◽  
Gradual Decline ◽  
Structural Forces ◽  
History Of ◽  
Individual Achievement ◽  
Dramatic Narrative ◽  
The Relationship ◽  
The City

This article examines Machiavelli's understanding of the relationship between actors and structures in the history of Florence through a study of five selected episodes in the Istorie Fiorentine. Together, these episodes show the gradual decline of virtue in the city, from the relatively healthy conditions of the late thirteenth century to the pathetic incompetence of the Pazzi rebellion in 1478. These episodes also show that the main cause of this decline was not internal struggles, as stated in the preface, but the decline of military virtue which in turn was caused by changes in the class structure. In expressing these conclusions in the form of dramatic narrative and not only explicit reasoning, Machiavelli brings out tension between actors and structures, showing the limits the structural forces set to individual achievement as well as the possibilities for individuals to assert themselves under particular conditions. Generally, the scope for individual achievement increases as a result of the decline from the thirteenth-century republic, dominated by collective forces, to the fifteenth-century oligarchy dominated by the Medici family.

scholarly journals Waarom die vorm en oriëntatie van Borssele?

Bulletin KNOB ◽  
2021 ◽  
pp. 1-13
Author(s):  
Pieter Van der Weele ◽  
Reinout Rutte
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Driving Force ◽  
Cultural Landscape ◽  
Dutch Republic ◽  
Conscious Decision ◽  
The Family ◽  
Double Symmetry ◽  
The Village ◽  
The City

The village of Borssele was founded in 1616 in a polder of the same name on the island of Zuid-Beveland in the province of Zeeland. The driving force behind both the diking of the polder and the construction of the village during the Twelve Year Truce (1609-1621) in the young Dutch Republic was the mayor of the city of Goes, Cornelis Soetwater. This article argues that the unusual form and orientation of the Borssele village plan reflects a conscious decision by Soetwater to combine and improve on the best of the Zeeland’s impoldering and village planning tradition, and on the most striking old Zuid-Beveland villages. Soetwater’s decision to give Borssele’s main square a resolutely northern orientation and an unconventional, rotated positioning within the polder grid, and to model its plan on that of the most distinctive medieval villages on the islands of Zuid-Beveland, Nisse and Kloetinge, served to anchor the new village emphatically in its immediate surroundings. Moreover, Borssele represents the culmination of an honourable tradition initiated during the fifteenth century by the Zeeland nobleman Adriaan van Borssele with the construction of ringstraatdorpen[1] such as Dirksland, Sommelsdijk and Middelharnis, in the large Flakkee polders. The marquises of Bergen op Zoom and the family of Orange continued this tradition during the sixteenth century in the construction of Willemstad and Colijnsplaat, among others. Soetwater exploited the symbolic significance of these new villages, which was as important to Adriaan van Borssele and his followers as their economic and administrative function, for his own purposes. By continuing a trend towards orthogonality and symmetry in the layout of sixteenth-century ringstraatdorpen in the double symmetry of the Borssele street plan, Soetwater was able to emphasize the victory of rationality over chaos. Not just in the sense that the wild water had been turned into orderly cultural landscape, but also in the sense that after many years of war, the Twelve Year Truce had ushered in a period of peace, order and the prospect of a bright future. [1]  The ringstraatdorp was a combination of two older types of Zeeland village plans, the kerkringdorp and the voorstraatdorp. Its main street (voorstraat) was perpendicular to the polder dike and its landward end terminated in a kerkring (church encircled by a street).

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