Place Management/Making

Author(s):  
Hoe Su Fern

This chapter examines the role of the arts and artists in rejuvenating urban spaces in Singapore, where place management ideas are currently being used to rejuvenate parts of the city centre. Coexisting alongside state-driven initiatives are artist-led strategies where local art practitioners and organizations activate latent and/or under-utilized spaces. Through an analysis of policy documents and qualitative ethnographic fieldwork, this study explores the interplay between top-down aspirations and formal place management efforts, and the organic ways artists have activated and engaged with spaces. Ultimately, I argue that there is a need to balance formal governance structures with more support for artists engaging in organic, ground-up initiatives.

Author(s):  
Sadegh Fathi ◽  
Hassan Sajadzadeh ◽  
Faezeh Mohammadi Sheshkal ◽  
Farshid Aram ◽  
Gergo Pinter ◽  
...  

Along with environmental pollution, urban planning has been connected to public health. The research indicates that the quality of built environments plays an important role in reducing mental disorders and overall health. The structure and shape of the city are considered as one of the factors influencing happiness and health in urban communities and the type of the daily activities of citizens. The aim of this study was to promote physical activity in the main structure of the city via urban design in a way that the main form and morphology of the city can encourage citizens to move around and have physical activity within the city. Functional, physical, cultural-social, and perceptual-visual features are regarded as the most important and effective criteria in increasing physical activities in urban spaces, based on literature review. The environmental quality of urban spaces and their role in the physical activities of citizens in urban spaces were assessed by using the questionnaire tool and analytical network process (ANP) of structural equation modeling. Further, the space syntax method was utilized to evaluate the role of the spatial integration of urban spaces on improving physical activities. Based on the results, consideration of functional diversity, spatial flexibility and integration, security, and the aesthetic and visual quality of urban spaces plays an important role in improving the physical health of citizens in urban spaces. Further, more physical activities, including motivation for walking and the sense of public health and happiness, were observed in the streets having higher linkage and space syntax indexes with their surrounding texture.


2019 ◽  
Vol 11 (2) ◽  
pp. 203
Author(s):  
Miftahul Falah ◽  
Agusmanon Yuniadi ◽  
Rina Adyawardhina

Sebagai kota yang dibangun dengan mempertimbangkan aspek kosmologis, alun-alun merupakan salah satu elemen pembentuk Kota Bandung sejak menjadi pusat pemerintahan Kabupaten Bandung pada 25 September 1810. Alun-alun Kota Bandung mengalami perubahan fungsi, dari titik batas ruang profan dan ruang sakral menjadi ruang terbuka publik sehingga makna filosofisnya mengalami pergeseran. Untuk memahami perubahan tersebut secara kronologis, dilakukan penelitian historis dengan menerapkan metode sejarah yang terdiri dari empat tahap, yaitu heuristik, kritik, interpretasi, dan historiografi. Hasil penelitian menunjukkan bahwa dalam perkembangannya, warga Kota Bandung tidak lagi memandang alun-alun sebagai salah satu elemen penyeimbang antara makrokosmos dan mikrokosmos, melainkan sebagai ruang terbuka publik tempat bersosialisasi seluruh warga kota. Fungsi Alun-alun Kota Bandung menunjukkan perubahan, dari sebuah lapangan terbuka dengan fungsi administratif kota tradisional hingga menjadi sebuah taman kota yang menjadi destinasi wisata di pusat kota sehingga memperlihatkan fungsi sosial-ekonomi.As a city that was built which takes the cosmological aspect into consideration, the square is one of the elements that formed the city of Bandung since becoming the capital of Bandung Regency on September 25, 1810. Its changing functions, which were traditionally perceived as a boundary of profane and sacred space into modern public open space, reflected a shifting in philosophical meaning. To understand the changes chronologically, this paper uses historical method which consists of four stages, namely, heuristics, critique, interpretation, and historiography. The results show that gradually the citizens of Bandung no longer look at the city square as one of the elements of the balance between the macrocosm and microcosm, but rather as a place for community gatherings. Its function changes from an open field with the administrative role of the traditional city into a city park that became a tourist destination in the city centre with socio-economic functions.


Author(s):  
Olga A. Vasileva ◽  

This article discusses one relatively unknown aspect of the French writer and philosopher, Michel Butor’s works — his literary criticism through the example of “Improvisations sur Rimbaud”. Poet’s works are investigated by Butor unattainable apart from the stages of his life, and the most significant poems — in the context of the epistolary heritage of Rimbaud. Most attention is paid to the chapter “Improvisations”, dedicated to the collection of Rimbaud’s “Illuminations”: to the development of the theme of the city and its transformation, the role of structural rhyme and reprise at the beginning of the line overturning the classical system of versification, the appearance in the texts of Rimbaud mathematical structure. The new poetic language, the innovative artistic techniques of the poet , which are used in the composition of a number of texts in the collection, comprehensively explored by Butor, had an undeniable influence on the direction of the research for new literary forms in the works of Butor: his novel “Degrès”, which uses the numerical structure as a method of total description of reality as well as a number of texts written in the genre of experimental prose in which fragmentation is elevated to an aesthetic principle, the idea of synthesizing the arts is implemented and endless intertextual interactions are created.


Author(s):  
David MacDougall

Research in the sciences, including the social sciences, is usually supposed to be conducted in a systematic way, working from research questions to the gathering of empirical data, to conclusions. But in an analogy drawn from the art of fencing, the author argues for an alternative approach in visual anthropology. Films look at the world differently from the ways we conventionally see, and these differences have optical, social, and structural origins. To overcome these differences, filmmakers may have to voluntarily ‘dislocate’ themselves in order to put themselves in a position to view their subject from a different perspective, and so uncover new knowledge. The argument is supported by a discussion of the realities of ethnographic fieldwork, the processes of filmmaking, and the role of play and improvisation in the arts and other human endeavours.


Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.


1995 ◽  
Vol 13 (3) ◽  
pp. 159-171 ◽  
Author(s):  
Doug Hayes ◽  
Raymond Bunker
Keyword(s):  

2020 ◽  
Vol 19 (1) ◽  
pp. 063-082
Author(s):  
Dariusz Dziubiński

This text presents considerations encouraged by thoughts and conclusions gained from research on several beach bars and their comparison with other urban public spaces, run in Wrocław from 2018 to 2019. The similarities and differences between the two types of spaces provoke a question about the meaning of what we call „public spaces” today. The question is also asked, somewhat perversely, about the validity of following best practices based on proxemic principles and focused on attracting and retaining people in urban spaces. The paper examines not so much the rules but the purpose, in other words the type of space we receive/can achieve as a result of applying these principles, since people in the urban space (private or public) are only guests, while their choice is reduced to the top-down offer. The above doubt also results from the conclusion regarding the most important feature determining attractiveness of a beach bar space, which in my opinion, is the freedom of behaviour for users. In it we can see deficiencies of the prevailing narrative about our participation in space and, above all, the possibility of choice, or what should be called the limitations of choice – the lack of possession/self-agency. Such a situation, largely conditioned by politics (and economics), reduces public space to the role of a  “space of attractions” (curiosities), whose action and participation is based on experiencing – on a direct experience. The clash of these two forces – standardization and individualization, erodes the current model of common spaces based on the historical (nineteenth century) one, whose images are transferred only in the form of empty clichés. Thus, the limitation of choices, the need to fall into line and appearances of a community lead to an escape upwards – enclaves for the chosen ones (omnitopia) and downwards – niches for the rebellious ones (heterotopia), while beach bars represent both ways of escape. Against this background, the purposefulness of expert/ top-down creation of public spaces, carried out in isolation from other essential values and laws, appears problematic.


Author(s):  
Murat Yeşil ◽  
Pervin Yeşil

Children's playgrounds which are safe and quiet environments that children can play there have started to become rare as a result of rapid urbanization. Because, the studies have shown that unplanned and distorted urban spaces affect children's behaviours, attitudes and reactions in a bad way. In this study, the availability of children's playgrounds in 22 districts of the city centre of Ordu was investigated. In this context, firstly, children's play areas were determined based on the neighbourhood scale and then area calculations were made and the amount of play area by per child between 0-14 years was calculated in each district. In the second stage, accessibility maps for children's playgrounds were obtained by determining the availability of the playgrounds at 200m distance. The results of this study showed that children's playgrounds are not balanced in the city, increased in some districts, in some cases they are not within reachability limits and can not meet their needs.


2018 ◽  
Vol 2 (3) ◽  
pp. 234
Author(s):  
Haitham El Sharnouby

Egyptian urban spaces suffer from a chaos that is the result of crowded and disordered pedestrian sidewalks, streets and shop signage. This chaos creates a negative effect on, both, the image of the city and the quality of life within these urban spaces. Many legislations and regulations in Egypt attempted to deal with these issues. Similarly, the Egyptian government established many organizations and authorities in order to deal with these issues with little success. The National Organization of Urban Harmony (NOUH) is one of those organizations established by the government to take the responsibility of dealing with pedestrian sidewalk and shops’ signage while the municipality deals with road occupations. These organizations should perform their responsibilities through the Egyptian legislations. The research at hand aims to find a solution to that particular problem which has influenced the quality of the street and its reflection to the quality of life as result. In order to find a solution, the research attempts to find a mechanism to boost the role of shop signage as an element of urban spaces in order to emphasize street quality. Thus, the research well be divided into four parts: part one reviews the quality of urban spaces and the meaning of its terms while part two reviews the concept of the quality of life and the relation between the quality of life and urban spaces. Part three demonstrates the urban quality of life through tangible and intangible approaches. Finally, part four reviews the Egyptian legislations that deal with research issues and attempts to find the difficulties that faced when enforcing laws. Finally, the research conclusion illustrates the most important issues in the research and their proposed solutions.


2018 ◽  

This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.


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