scholarly journals DIGITAL PRESENTATION AND COMMUNICATION OF CULTURAL HERITAGE IN THE POST-PANDEMIC ERA

2021 ◽  
Vol VIII-M-1-2021 ◽  
pp. 187-192
Author(s):  
F. F. Wang ◽  
J. Du
Keyword(s):  
Cultural Heritage ◽  
Digital Communication ◽  
Physical Space ◽  
Communication Technologies ◽  
Internet Technology ◽  
Digital Data ◽  
Communication Model ◽  
Communication Ecology ◽  
Virtual Interaction ◽  
The Times

Abstract. In the post-pandemic era, coronaviruses will forge a long-term coexistence with humanity, and the fight against the pandemic will become the normal. With international social isolation and limited physical space for communication during the COVID-19 pandemic, the digital communication of cultural heritage based on internet technology has not only proven the importance and necessity of cultural heritage digitalization, but will also greatly accelerate the digital transformation that has already begun. In the post-pandemic era, the accumulation of rich digital data on cultural heritage will form the basis for further cultural communication. However, the collection of digital data is not the final link in this digital chain. Effectively leveraging the advantages of the digital technology – which spreads rapidly and has a broad audience as well as vivid information presentation – to integrate and digitally process the existing and emerging cultural heritage data will continuously combine the cultural heritage with new communication technologies. We should use diversified media platforms to achieve further breakthroughs in the communication model, present the digital communication content of the cultural heritage showing the characteristics of the times, and form real and virtual interaction of cultural heritage in a converged media environment, in order to further ease interpersonal isolation and even space-time constraints brought about by the pandemic, reconstruct the communication ecology of cultural heritage, and inherit and utilize the precious wealth left to humanity by history.

Masspersonal communication: A model bridging the mass-interpersonal divide

2017 ◽  
Vol 20 (3) ◽  
pp. 1161-1180 ◽  
Author(s):  
Patrick B O’Sullivan ◽  
Caleb T Carr
Keyword(s):  
Interpersonal Communication ◽  
Mass Communication ◽  
Digital Communication ◽  
Communication Technologies ◽  
Two Dimensions ◽  
Communication Model ◽  
Communication Tools ◽  
False Dichotomy

Theoretical discussions about the false dichotomy between interpersonal and mass communication scholarship continue while the emergence of powerful and flexible digital communication tools have made the old distinctions more permeable than ever. Individuals are using communication technologies in ways that expand the intersection of interpersonal communication and mass communication, calling for new frameworks. We introduce masspersonal communication as a concept at the intersections of mass and interpersonal communication, with examples from older and newer communication technologies and practices. The masspersonal communication model is introduced incorporating two dimensions—perceived message accessibility and message personalization—that link mass communication and interpersonal communication and redefine each independent of channel.

scholarly journals Design and Implementation of key Generation Algorithm for Secure Image

2019 ◽  
Vol 8 (2) ◽  
pp. 5139-5146
Keyword(s):  
Digital Communication ◽  
Communication Technologies ◽  
Digital Data ◽  
Key Generation ◽  
Image Communication ◽  
Digital Devices ◽  
Design And Implementation ◽  
Digital Era ◽  
Cryptographic System ◽  
Result Analysis

The advancements in internet and 5G communication technologies enormously use images as a crucial element for effective digital communication. Most of the digital devices support image communication as a prominent way of communication in digital Era. Most of the unauthorized access of digital Era communications leads to serious issues in digital data or digital image communications. Hence, Image Security in digital communication becomes an egress area of research in Digital Era. This paper is to design and implement an algorithm with a 96 bits cryptographic system. The result analysis carries out in this paper on input images and presents the comparative analysis of our proposed algorithm with the standard algorithms through standard performance evaluation metrics.

New Communication Techniques and Online Image Management via Narrative Advertising

2019 ◽  
pp. 211-218
Author(s):  
Murat Koçyiğit
Keyword(s):  
Digital Storytelling ◽  
Word Of Mouth ◽  
Digital Communication ◽  
Communication Technologies ◽  
Internet Technology ◽  
Image Management ◽  
Control Plan ◽  
New Developments ◽  
Communication Techniques ◽  
Word Of Mouth Communication

New developments and changes in Internet technology have also changed communication techniques. New communication technologies with interactive features have a user-based content control feature. It also offers new possibilities to share content more easily. New communication technologies have changed the communication techniques. In this direction, new communication techniques come to the forefront with the features of up-to-date, multi-use, sharing and digital storytelling. In this direction, online image management has become a necessity with new communication technologies. The effect of electronic word-of-mouth communication is increasing rapidly. However, the importance of the crisis control plan and online image management has also increased. Online image management has become one of the most important components in new communication techniques. New digital communication platforms have increased consumer interaction with the brand. In this respect, transparency is the most important feature of new communication techniques.

FACEBOOK SEBAGAI MEDIA BARU TAFSIR AL-QUR’AN DI INDONESIA

2018 ◽  
Vol 2 (2) ◽  
pp. 69-80
Author(s):  
Wildan Imaduddin Muhammad
Keyword(s):  
Social Media ◽  
Methodological Problem ◽  
The Self ◽  
Internet Technology ◽  
Basic Character ◽  
Hermeneutic Approach ◽  
The Times ◽  
Qur'anic Interpretation

This article analyzes the product of Salman Harun's Qur'anic  interpretation with  Facebook  as the medium. As one of the senior professors who pursue the field of interpretation, he has managed to follow the times by utilizing internet technology. There are two focus areas in the study; the first aspect of the sense of Indonesian tafsir attached to the self of Salman Harun, the two aspects of the novelty of discourse that became the basic character of social media. Both aspects are interesting to be studied with a hermeneutic approach. Given that  the  methodological problem that often arises from the hermeneutic approach is the context of the interpreter that is difficult to trace accurately, then this article finds its relevance to the case of Salman Harun's interpretation which uses the facebook media as the actualization of its interpretation product.

Cyber socialization: trends and prospects

2020 ◽  
Vol 45 (4) ◽  
pp. 115-123
Author(s):  
A. Igibayeva ◽  
◽  
D. Erbolatuly ◽  
G. Turarova ◽  
◽  
...  
Keyword(s):  
Information And Communication Technologies ◽  
New Technologies ◽  
Communication Technologies ◽  
Modern World ◽  
The Internet ◽  
Young Generation ◽  
Spiritual Values ◽  
Information And Communication ◽  
Virtual Interaction ◽  
Pedagogical Research

The development of the modern world is very complex and rapid, and the process is characterized by high rates of development of information and communication technologies. The Internet space is a means of searching and obtaining information, as well as a medium for communication, virtual interaction, and has a significant impact on the formation of stereotypes of behavior of the young generation, as well as ideals, spiritual values, personal and social worldview. The article identifies the positive aspects of the development of cyberspace by young people, and also notes the threats and barriers to cyber socialization for modern youth. The necessity of conducting psychological and pedagogical research on cyber socialization is actualized, a conclusion is made about the use of new technologies for the purpose of positive cyber socialization of the younger generation.

scholarly journals An Application of Integrated 3D Technologies for Replicas in Cultural Heritage

2019 ◽  
Vol 8 (6) ◽  
pp. 285 ◽  
Author(s):  
Balletti ◽  
Ballarin
Keyword(s):  
3D Printing ◽  
Cultural Heritage ◽  
Laser Scanning ◽  
Low Cost ◽  
Three Dimensional ◽  
Digital Data ◽  
Survey Analysis ◽  
Critical Issues ◽  
Data Acquisition And Processing ◽  
Short Time

In recent decades, 3D acquisition by laser scanning or digital photogrammetry has become one of the standard methods of documenting cultural heritage, because it permits one to analyze the shape, geometry, and location of any artefact without necessarily coming into contact with it. The recording of three-dimensional metrical data of an asset allows one to preserve and monitor, but also to understand and explain the history and cultural heritage shared. In essence, it constitutes a digital archive of the state of an artefact, which can be used for various purposes, be remodeled, or kept safely stored. With the introduction of 3D printing, digital data can once again take on material form and become physical objects from the corresponding mathematical models in a relatively short time and often at low cost. This possibility has led to a different consideration of the concept of virtual data, no longer necessarily linked to simple visual fruition. The importance of creating high-resolution physical copies has been reassessed in light of different types of events that increasingly threaten the protection of cultural heritage. The aim of this research is to analyze the critical issues in the production process of the replicas, focusing on potential problems in data acquisition and processing and on the accuracy of the resulting 3D printing. The metric precision of the printed model with 3D technology are fundamental for everything concerning geomatics and must be related to the same characteristics of the digital model obtained through the survey analysis.

scholarly journals Productive Protection of Intangible Cultural Heritage Based on the Theory of Involvement: A Case Study on the Farmers’ Paintings of XinJi County, Hebei Province, China

2020 ◽  
Vol 86 ◽  
pp. 01031
Author(s):  
Kong Xuhong ◽  
Hong Jingjing
Keyword(s):  
Cultural Heritage ◽  
Field Investigation ◽  
Hebei Province ◽  
Intangible Cultural Heritage ◽  
Cultural Connotation ◽  
Involvement Theory ◽  
Present Context ◽  
History Of ◽  
The Times

The productive protection of intangible cultural heritages, always in the form of tourism development under the present context, is put forward by Chinese scholars, which are beneficial to both the protection of the heritage and the economy development of the locals. While not all intangible cultural heritages can be understood and accepted by tourists due to the reasons that the living circumstances and contexts of these heritages are changing and disappearing that it’s hard for tourists to understand, neither do they desire to pay for it. Therefore, how to make tourists even including some craftsmen understand and accept the heritage means a lot to the protection and inheritance of these heritages. The paper argues that the Involvement Theory can be referred to analyze settle the problems. A case study of the farmers’ painting in Xinji County, Hebei Province was carried out as the example, which is one of the most representative intangible cultural heritage of folk art in Hebei Province, China, with a long history of development, rich cultural connotation and high artistic value. A field investigation and deep-interview was carried out to gather the information of its status quo, problems of its inheriting and developing were analyzed, the paper found that with the development of the times and society, farmers’ painting is losing its survival environment, the income of farmers’ painting is not proportional to their putting-in and cost, the value of farmers painting can not be reflected, and the productive protection is seriously hindered. Therefore, based on the perspective of involvement theory, this study analyzed the bottleneck of productive protection of Xinji Farmers’ Painting, suggested how to stimulate the involvement of tourists into the understanding and producing and creation of the paintings in order to promote the inheritance of the heritage.

scholarly journals REPLICAS IN CULTURAL HERITAGE: 3D PRINTING AND THE MUSEUM EXPERIENCE

2018 ◽  
Vol XLII-2 ◽  
pp. 55-62 ◽  
Author(s):  
M. Ballarin ◽  
C. Balletti ◽  
P. Vernier
Keyword(s):  
3D Printing ◽  
Cultural Heritage ◽  
Laser Scanner ◽  
Original Data ◽  
Digital Data ◽  
Physical Representation ◽  
Museum Exhibitions ◽  
3D Printed ◽  
Museum Experience ◽  
Partially Sighted

3D printing has seen a recent massive diffusion for several applications, not least the field of Cultural Heritage. Being used for different purposes, such as study, analysis, conservation or access in museum exhibitions, 3D printed replicas need to undergo a process of validation also in terms of metrical precision and accuracy.<br> The Laboratory of Photogrammetry of Iuav University of Venice has started several collaborations with Italian museum institutions firstly for the digital acquisition and then for the physical reproduction of objects of historical and artistic interest. The aim of the research is to analyse the metric characteristics of the printed model in relation to the original data, and to optimize the process that from the survey leads to the physical representation of an object. In fact, this could be acquired through different methodologies that have different precisions (multi-image photogrammetry, TOF laser scanner, triangulation based laser scanner), and it always involves a long processing phase. It should not be forgotten that the digital data have to undergo a series of simplifications, which, on one hand, eliminate the noise introduced by the acquisition process, but on the other one, they can lead to discrepancies between the physical copy and the original geometry. In this paper we will show the results obtained on a small archaeological find that was acquired and reproduced for a museum exhibition intended for blind and partially sighted people.

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