scholarly journals A Poetic of Beauty: Nature, Memory and Resilience in El Botón de Nacar/The Pearl Button (2015)

2020 ◽  
Vol 8 (14) ◽  
pp. 143-163
Author(s):  
María Del Pilar Melgarejo

One of the pillars of the history of Latin American documentary filmmaking is undoubtedly the Chilean director Patricio Guzmán. During more than five decades of film production, he has given an account of Chile's political history, specifically dealing with the meaning of the Chilean dictatorship for the country's past, present and future, as well as its relevance in the Latin American context. His films undoubtedly represent one of the most relevant testimonies to the continent's history in the 20th century, with hundreds of hours of footage of the high points in the violent transition process between the Allende and Pinochet governments. His film proposal will take a radical turn in his last two productions: Nostalgia de la Luz ([2010] 2011) and El Botón de Nácar (2015), which are part of a trilogy - the latter film is currently in production. Its aesthetic proposal is revolutionary in the sense that it resignifies the relationship between memory and history by establishing a connection between nature, cosmology and historical memory. In this trilogy he deals separately in each film with the desert, the sea and the mountain, leading the viewer to a reflection that, through poetic language and a meditative tone, proposes a new look at history and memory. In this essay I analyze three elements that define his film El Botón de Nacar and that open the possibilities for a new type of theoretical reflection on the documentary genre: the relationship between nature, narration and history, history understood as genealogical memory and the new type of visual aesthetic that the director is proposing, which I call "poetry of beauty". 

Author(s):  
Matthew O'Hara

The arrival of Christianity in the Americas and its long-term development throughout the colonial era were closely connected to questions of time—whether the human experience and manipulation of time, the crafting of historical memory, or the imagining of potential futures. Exploring classic and recent scholarship on the colonial era, this chapter considers some of the ways that the history of Christianity in early Latin America is also a history of time. This chapter focuses on the viceroyalty of New Spain—Central Mexico in particular—but also makes some references to scholarship from other parts of Spanish America. The centering of attention on time starts a productive dialogue within the historiography on early Latin American Christianity—a conversation that steps beyond a tired debate about the relative “Europeanness” or “indigeneity” of post-conquest cultures, focusing, instead, on unique ways of being that emerged out of the remarkable convergence of intellectual traditions and cultural practices in the colonial world.


1997 ◽  
Vol 40 (1) ◽  
pp. 169-183 ◽  
Author(s):  
JAMES WALSTON

The history of fascism in Italy has been extensively covered while fascist Italy's role in colonies before the war, and occupied areas during it, have only been touched upon. There has been little or no coming to terms with fascist crimes comparable to the French concern with Vichy or even the Japanese recognition of its wartime and pre-war responsibilities. This article uses Italy's internment policy in Africa before the war and in the Balkans and Italy during the war to illustrate the repression of historical memory. On the one hand, foreign Jews were interned to protect them from deportation by German, Croatian or Vichy French forces. The reasons were political and humanitarian. On the other, Balkan civilians were interned in conditions that led to the death of thousands. Similar and worse policies had been carried out in Africa before the war. There is some excellent specialist work on Africa which is not part of general knowledge; the Balkans have not even been covered by specialists. This article puts forward some explanations for the repression of the recent past.


Author(s):  
Rocío De Diego Cordero ◽  
Juan Carlos Suárez Villegas

Introducción: La relación entre los flujos migratorios y las religiones es algo muy observado; haciendo un recorrido por la historia de la Iglesia de Jesucristo de los Santos de los Últimos Días en España (SUD) se evidenciará esta relación en el grupo español.Método: Revisión de la literatura de los científicos sociales de la religión que han tratado la relación entre los flujos migratorios y los movimientos religiosos en los últimos años (2005-2016). También se han analizado los datos aportados por el movimiento de los Santos de los Últimos Días en España así como datos del Observatorio de Pluralismo religioso en España.Resultados: Se evidencia cómo la inmigración ha sido un factor determinante para la Iglesia de Jesucristo de los Santos de lo Últimos Días, tanto en sus inicios a nivel mundial así también como determinante en el caso de la permanencia y crecimiento en la sociedad española.Conclusión: El fenómeno migratorio actúa como “salvador” del movimiento de los Santos en España ya que sólo una quinta parte de los bautizados en España son españoles y del idioma es un factor determinante en la procedencia de los miembros extranjeros, ocupando su mayoría la procedencia latinoamericana. Introduction: The relationship between migration and religions is very observed; making a tour of the history of The Church of Jesus Christ of Latter-day Saints (LDS) in Spain this relationship will be evident in the Spanish group.Method: Review of the literature of social scientists of religion that have addressed the relationship between migration and religious movements in the last years (2005-2016). We have analyzed the data provided by the Latter Day Saint movement in Spain and data from the Observatorio de Pluralismo religioso in Spain. Results: There is evidence of how immigration has been a determining factor for the Church of Jesus Christ of Latter-day Saints him, both in their early world as well as determining level in the case of permanence and growth factor in Spanish society.Conclusion: The migration acts as a "savior" of the movement of the saints in Spain since only one fifth of the baptized in Spain are Spanish and the language is a determining factor in the origin of foreign members, occupying most of Latin American origin.


wisdom ◽  
2018 ◽  
Vol 11 (2) ◽  
pp. 66-70
Author(s):  
Davit Mosinyan

This paper discusses the issue of the relationship of history and memory. Memory becomes a topic in historical discourses as it deals with identity, especially when we speak of collective memory. The paper presents the history of the relationship of history and memory and suggests a thesis according which the close interaction between these two concepts can solve the crisis of identity that has been most urgent in our days.


2020 ◽  
pp. 18-32
Author(s):  
Ndlovu Sifiso Mxolisi

In order to prove that the relationship between South Africa and Russia began well before the democratic dispensation in South Africa, the author is of the belief that the present Russian state inherited the mantle of the former Soviet Union state and therefore the two place names are used interchangeably. The timeline for this article begins from the 1960s to the present, particularly the era after the formation of post-1994 democratic South Africa. The themes to be analysed relate to the writing of a brief ‘diplomatic’ history of South Africa and the Soviet Union and will focus on progressive internationalism, diplomacy, foreign policy, communism and anti-communism in South Africa.


Author(s):  
Katie Donington ◽  
Ryan Hanley ◽  
Jessica Moody

The Introduction to this volume (Britain’s History and Memory of Transatlantic Slavery) sets out the current context of scholarship on the history of Britain’s involvement in transatlantic slavery and the slave trade and its abolition, and work around the memory of this history. This chapter considers what is ultimately at stake through configuring, reconfiguring and contesting the place of slavery and the slave trade in British national identity narratives, how this has changed in the last thirty years and why examining such relationships through a ‘local’ lens is important for interrogating the relationship between history, memory and identity. The Introduction sets out the structure of the book in its two parts and gives brief overviews of the following chapters.


2005 ◽  
Vol 17 (1) ◽  
pp. 107-128 ◽  
Author(s):  
Christopher Larkosh

Abstract This essay examines the role of translation in the redefinition of the relationship between authors and their respective national cultures, and in continuing discussions of gender, sexuality, migration and cultural identity in translation studies. The translation of Witold Gombrowicz’s novel Ferdydurke from Polish into Spanish by Cuban author Virgilio Piñera and a Translation Committee, not only calls into question the conventional dichotomy of author and translator, but also creates a transnational literary community which questions a number of assumptions about the history of translation in the West, its complicity both in the construction of literary canonicity and the maintenance of the educational institution.


Transilvania ◽  
2021 ◽  
pp. 55-62
Author(s):  
Alex Ciorogar ◽  
Jessica Brenda Codină ◽  
Alex Văsieș ◽  
Vlad Pojoga ◽  
Ștefan Baghiu ◽  
...  

A post-anthropocentric epistemological assemblage becomes indispensable in the investigation of the ecology of the Romanian novel. We examine the interactive relationship of various dynamic systems, such as 1) the evolution of the Romanian novel, 2) the modes of representation of the environment, and 3) the social-political history of the autochthonous space. Using a wide range of methodological perspectives, this paper also examines the relationship between literature and the Earth sciences, thus envisioning a new type of literary history where the Romanian novel should be thought as existing within hyper-objects, such as the climate, agriculture, wilderness, pollution, biosphere, cultural politics, capitalism, or geology. The article finally addresses the issue of zoopoetics both as an object of study in the MDRR digital archive (1845-1947) and as a reading strategy, thus, favoring the relationship between animality and narrativity.


2009 ◽  
Vol 2009 ◽  
pp. 1-6 ◽  
Author(s):  
Inara J. Chacón ◽  
Aldrín E. Molero ◽  
Gloria Pino-Ramírez ◽  
José A. Luchsinger ◽  
Joseph H. Lee ◽  
...  

The relationship between total homocysteine (tHcy) and dementia risk remains controversial, as the association varies among populations and dementia subtypes. We studied a Venezuelan population that has high prevalence of both elevated tHcy and dementia. We tested the hypotheses that (1) elevated tHcy is associated with increased dementia risk, (2) the risk is greater for vascular dementia (VaD) than for Alzheimer's disease (AD), and (3) a history of stroke may partly explain this association. 2100 participants (≥55 years old) of the Maracaibo Aging Study underwent standardized neurological, neuropsychiatric, and cardiovascular assessments. Elevated tHcy was significantly associated with dementia, primarily VaD. When history of stroke and other confounding factors were taken into account, elevated tHcy remained a significant risk factor in older (>66 years), but not in younger (55–66 years) subjects. Ongoing studies of this population may provide insight into the mechanism by which tHcy increases risk for dementia.


2020 ◽  
Author(s):  
Alexandra Canaveira de Campos

To the often-studied relationship between dance and cinema, kindred arts of the moving body-moving image, I propose to add an original analysis of the relationship between the sub-genres of historical dance (in particular the social and theatrical dances of the seventeenth and eighteenth centuries) and period cinema. To that end, it is not only important to question the extent to which dance is merely illustrative, or serves as a narrative instrument in this type of films, but also how period cinema contributes to the construction of a historical memory of dance.There are several contexts that justify the introduction of a staged dance on film and they depend on a number of choices on the part of the artistic team. In period cinema these choices are particularly delicate, especially when the “world of the play” is relatively unconcerned with historical accuracy. Based on a selection of films including Valmont (1989), by Milos Forman, Jefferson in Paris (1995), by James Ivory, Le Roi danse (1999), by Gérard Corbiau, Marie Antoinette (2006), by Sofia Coppola, and Alan Rickman’s A Little Chaos (2014), I analyse the criteria for the introduction of dance scenes, and reflect not only on their aesthetic and metaphorical effects, but also on their power of transmission, as well as of (de)construction, of a stereotype of historical dance.


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