scholarly journals Impact of Qibla's direction on dynamics of movement in mosques with the study of Iranian-Islamic architectural styles

2021 ◽  
Vol 9 (4) ◽  
pp. 0-0
Author(s):  
Seyed Mohsen Moosavi ◽  
Mahya Ghouchani ◽  
◽  
Keyword(s):  
Architectural Styles

CRITICAL DETERMINANTS OF HERITAGE PROPERTY VALUE: A CONCEPTUAL FRAMEWORK

2019 ◽  
Vol 17 (9) ◽  
Author(s):  
Normayuni Mat Zin ◽  
Suriatini Ismail ◽  
Junainah Mohamad ◽  
Nurul Hana Adi Maimun ◽  
Fatin Afiqah Md. Azmi
Keyword(s):  
Real Estate ◽  
Conceptual Framework ◽  
Structural Characteristics ◽  
Property Values ◽  
Property Value ◽  
Architectural Styles ◽  
Online Databases ◽  
The Status ◽  
Conference Papers ◽  
Published Research

Real estate is complex in nature, whereby its value is determined by many characteristics. Heritage property is different as compared with non-heritage property, thus; it is essential to identify the heritage property value determinants due to limited published research about it. This paper closes the gap by reviewing the literature to identify the determinants. To achieve this, academic journals and conference papers in online databases from 1974 to 2017 have been reviewed. The results indicated that there are four groups of heritage property value determinants namely; i) transaction characteristics, ii) structural characteristics, iii) spatial characteristics, and iv) historical characteristics. It can be concluded that heritage property values are differentiated by historical characteristics notably on their architectural styles or design and the status of the heritage property itself. This finding should be a useful guidance for the valuers in valuation practice.

Restating Classicist Monumentalism in Soviet Architecture, 1930s–early 1950s

2019 ◽  
pp. 64-88
Author(s):  
William C. Brumfield
Keyword(s):  
Soviet Union ◽  
Visual Culture ◽  
Critical Role ◽  
Socialist Realism ◽  
Avant Garde ◽  
Bolshevik Revolution ◽  
Stalin Era ◽  
Imperial Russia ◽  
Architectural Styles ◽  
The Soviet Union

This article examines the development of retrospective styles in Soviet architecture during the Stalin era, from the 1930s to the early 1950s. This highly visible manifestation of communist visual culture is usually interpreted as a reaction to the austere modernism of 1920s Soviet avant-garde architecture represented by the constructivist movement. The project locates the origins of Stalin-era proclamatory, retrospective style in prerevolutionary neoclassical revival architecture. Although functioning in a capitalist market, that neoclassical reaction was supported by prominent critics who were suspicious of Russia’s nascent bourgeoisie and felt that neoclassical or neo-Renaissance architecture could echo the glory of imperial Russia. These critics left Russia after the Bolshevik Revolution, but prominent architects of the neoclassicist revival remained in the Soviet Union. Together with the Academy of Architecture (founded 1933), these architects played a critical role in reviving classicist monumentalism—designated “socialist realism”—as the proclamatory style for the centralized, neoimperial statist system of the Stalin era. Despite different ideological contexts (prerevolutionary and Stalinist), retrospective styles were promulgated as models for significant architectural projects. The article concludes with comments on the post-Stalinist—and post-Soviet—alternation of modernist and retrospective architectural styles.

Seasonal changes of mite allergen (Der 1) levels in houses with different architectural styles and ventilation systems

2021 ◽  
Vol 147 (2) ◽  
pp. AB162
Author(s):  
Hideharu Shirai ◽  
Hiromichi Yamaguchi ◽  
Kohara Yudai ◽  
Makoto Yoshida ◽  
Junko Ishihara ◽  
...  
Keyword(s):  
Seasonal Changes ◽  
Mite Allergen ◽  
Architectural Styles ◽  
Ventilation Systems

Measuring Hohokam Household Inequality with Construction Costs of Domestic Architecture at Pueblo Grande

2020 ◽  
pp. 1-27
Author(s):  
David R. Abbott ◽  
Douglas B. Craig ◽  
Hannah Zanotto ◽  
Veronica X. Judd ◽  
Brent Kober
Keyword(s):  
Social Issues ◽  
Household Wealth ◽  
Domestic Architecture ◽  
High Status ◽  
Construction Costs ◽  
Architectural Styles ◽  
House Construction ◽  
Public Areas ◽  
Household Inequality ◽  
Over Time

Recent archaeological efforts to explain the emergence and persistence of social inequality have been hampered by little information about how wealth was transmitted across generations, and how it may have accumulated or diminished over time. Building on studies that have shown domestic architecture to be an excellent material expression of household wealth, we provide a method for reconstructing the amount of labor invested in house construction among the Hohokam of southern Arizona. We also account for different architectural styles from different time periods. To illustrate the utility of the method for addressing broader social issues, we investigate the relationship among population increases, resource shortages, and wealth differentials at Pueblo Grande—one of the preeminent settlements in the Hohokam region. Inequality at Pueblo Grande was tracked over time and compared to similar results at the Grewe site. High-status households at both sites were distinguished architecturally by larger and, in some instances, more elaborate houses. The proximity of these households to public areas for ceremonial expression further suggests that access to ritual played a key role in creating and maintaining inequality in Hohokam society.

scholarly journals Evaluating Stress Relief from Architecture: A Case Study Based on Buildings in Taiwan, China and Japan

2021 ◽  
Vol 13 (14) ◽  
pp. 7899
Author(s):  
Ming-Chyuan Ho ◽  
Yung-Chia Chiu
Keyword(s):  
Urban Landscape ◽  
Stress Relief ◽  
Future Trend ◽  
Differential Method ◽  
City Image ◽  
Structured Interviews ◽  
Architectural Styles ◽  
Stress Relieving ◽  
Study Results ◽  
Image Identity

The urban landscape can be improved to reduce the stress experienced by citizens. Therefore, stress-relieving buildings constitute a crucial topic and a future trend in architecture and design. In this study, different architectural styles were investigated to explore design methods for and characteristics of stress-relieving building shapes and to identify indicators for measuring participant stress relief while viewing buildings. To understand stress relief from architecture, we performed semi-structured interviews with 60 participants who viewed images of 30 buildings. The semantic differential method with a 7-point image scale was used to rate stress relief from different architectural styles. The study results revealed that the participants perceived curvilinear buildings as interesting but do not relieve stress. The participants identified as feeling high pressure considering rectilinear patterns to relieve more stress. To support this observation, we identified three principles—city image, identity, and spiritual atmosphere—as fundamental loci of designing cities for livability. We illustrate the three principles with several cases that facilitate a detailed understanding of their applicability in biodesign practices.

Berlin's Architectural Citations: Reconstruction, Simulation, and the Problem of Historical Authenticity

PMLA ◽  
2003 ◽  
Vol 118 (5) ◽  
pp. 1268-1289 ◽  
Author(s):  
Rolf J. Goebel
Keyword(s):  
Urban History ◽  
Historical Memory ◽  
Tourist Industry ◽  
National Politics ◽  
Cultural Discourses ◽  
Architectural Styles ◽  
Historical Authenticity ◽  
Potsdamer Platz ◽  
Architectural Restoration

Reunified Berlin's ubiquitous examples of architectural citation—such as the Reichstag, the plans for the Stadtschloß, the Sony Center at Potsdamer Platz, the new Hotel Adlon, and the FriedrichstadtPassagen—variously inscribe contemporary architectural styles with allusive reinventions of previous forms and cultural discourses, incorporate remnants of older edifices, or use partial reconstructions for new social purposes. In the process, these projects problematize conventional principles of architectural restoration by dramatizing a productive tension between past and present, between authenticity and simulation, between genuine nostalgia and the sometimes cynical manipulation of historical memory. Relying on the synchronicity of (seemingly) nonsynchronous styles, architectural citation goes beyond postmodern pastiche; such citation signifies Berlin's renegotiation of its identity as the new-old capital by recycling half-obliterated and yet irrepressible traces of urban history within the parameters of international capitalism, Europe-directed national politics, and the rampant tourist industry.

Strindberg's A Dream Play: Postmodernist Visions on the Modernist Stage

1999 ◽  
Vol 40 (2) ◽  
pp. 43-70
Author(s):  
Klaus van den Berg
Keyword(s):  
Michel Foucault ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Spatial Relationships ◽  
Theatre History ◽  
Historical Events ◽  
Architectural Styles ◽  
Theatre Theory ◽  
Theatre Historiography ◽  
Historical Periods

Since the 1980s, new approaches to theatre historiography, the study of what Sue-Ellen Case has called the “convergence of history and theory,” have begun to arise in a challenge to generally accepted principles of theatre history, such as the supremacy of independent facts, the autonomy of dramatic texts, and the hierarchy of text, performance, and culture. The French critic and philosopher Michel Foucault has pointed out that the grouping and ordering of events into historical periods creates a “space of reference,” which lends some events a heightened meaning, while obscuring or submerging others. In a substantial challenge to traditional methods of theatre history, historiographers influenced by this view have begun to examine the theoretical underpinnings of historical periodization. In theatre theory, Thomas Postlewait has investigated the often unarticulated assumptions by which theatre historians isolate a group of historical events and designate them with period names.Many scholars now center their attention on historical discontinuity: searching for ruptures in the historical narrative, focusing on dynamics which lend instability rather than stability to historical periods, and reconceptualizing temporal historical narratives into spatial relationships. For example, from a perspective of discontinuity, a play is conceived not simply as a fixed entity created at some moment in history, but as a representation of layers of historical influences; likewise, a theatre building is not simply a material location in space, but a physical expression of historically emergent architectural styles and sociopolitical circumstances, and a performance is not simply a translation of a text to the stage, but a collage of past and emergent cultural and aesthetic processes.

The history of construction of St. Petersburg museums in the time of Nicholas II

2020 ◽  
Vol 2020 (12-2) ◽  
pp. 60-68
Author(s):  
Marina Deveykis
Keyword(s):  
Cultural Heritage ◽  
Spiritual Development ◽  
Stylistic Analysis ◽  
Museum Architecture ◽  
Architectural Styles ◽  
Important Region ◽  
History Of Construction ◽  
History Of ◽  
First Time

The topic is relevant, since the museum, having become a civilization achievement, has been serving the spiritual development of society for over three centuries and preserving St. Petersburg’s cultural heritage. The article considers the peculiarities of building museums in the most important region of the country, different architectural styles of museum buildings, for the first time the grouping of all created museums of St. Petersburg from 1894 to 1917 in accordance with the areas of museum architecture was carried out, the problems faced by architects in designing museum buildings of each group were highlighted, the degree of dependence between museum founders and types of buildings was determined. The methods of historicism, artistic and stylistic analysis and systematization were used in the research.

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