scholarly journals The Priority of Common Sense in Philosophy

2021 ◽  
Vol 21 (62) ◽  
pp. 319-338
Author(s):  
Martin Nuhlíček
Keyword(s):  
Common Sense ◽  
Central Issue ◽  
Epistemic Status ◽  
Specific Nature ◽  
The Third ◽  
Fourth Part ◽  
Different Types ◽  
Legitimate Argument

The aim of this paper is to explore the issue of priority of common sense in philosophy. It is divided into four parts. The first part discusses examples of common-sense beliefs and indicates their specific nature, especially compared to mere common beliefs. The second part explores in more detail the supposed positive epistemic status of common-sense beliefs and the role they play in delimiting plausible philosophical theories. The third part overviews a few attempts to formulate a legitimate argument, or justification, in favor of the positive epistemic status of common-sense beliefs, none of which, however, appears to be clearly successful. Finally, the fourth part addresses the central issue of priority of common sense. Two different types of priority are introduced, epistemic and methodological, and it is argued that only the latter applies to common-sense beliefs. If so, then common-sense beliefs are not to be conceived as cases of knowledge but as the clearest cases of what we believe is knowledge.

Topoi in der Musik Béla Bartóks

2013 ◽  
Vol 54 (3) ◽  
pp. 289-299
Author(s):  
Jürgen Hunkemöller
Keyword(s):  
Bird Song ◽  
Musical Analysis ◽  
Piano Concerto ◽  
The Third ◽  
Different Types ◽  
Important Means

The recognition of topoi, i.e. traditional formulae, is an important means of musical analysis. To illustrate this, the paper discusses the types of the battaglia and the pastoral in Bach’s Cantata Halt im Gedächtnis Jesum Christ, and briefly enumerates different types of allusions to jazz in 20th-century compositions by Stravinsky, Milhaud, Blacher, Tippet, and Zimmermann. Then it raises the possibility of an analysis of topoi in Bartók’s music in four main categories. It considers Bartók’s musical quotations from Bach to Shostakovich; the chorale as special topos appearing in Mikrokosmos, in the Concerto for Orchestra, in the Adagio religioso of the Third Piano Concerto; the topos-like employment of the tritone; and finally the idea of a Bartókian Arcadia in the Finale of Music for Strings, and the integration of bird song in the Adagio religioso.

Sarakhsi’s Doctrine of Juristic Preference (Istihsan) as a Methodological Approach Toward Worldly Affairs (Ahkam al-Dunya)

1988 ◽  
Vol 5 (2) ◽  
pp. 181-203
Author(s):  
Husain Kassim
Keyword(s):  
Methodological Approach ◽  
The Third ◽  
Fourth Part

In the present investigation, we shall develop systematically Sarakhsrsdoctrine of Juristic preference from his Mabsut, Usul and Bab al-Muwada'aof Sharh al-Siyar al Kabir and demonstrate how Sarakhsi establishes itsrelevance as a methodological approach toward worldly affairs.The investigation is carried out in four parts:In the first part, we shall relate Sarakhsi’s doctrine of juristic preference(istihan) with his concept of treaties (muwada'a). According to Sarakhsimuwada'a is an autonomous discipline and its main focus is worldly affairsas relations (muamalat) of Muslims with other nations.In the second part, it is investigated how Sarakhsi strives to see thejustification for the application of the doctrine of juristic preference to itindependently of the doctrine of systematic reasoning (qiyas) by establishingthe ’illa (effective reasoning) of the doctrine of juristic preference on the basisof asl derived from the Qur’an and Hadith.In the third part, we shall discuss how Sarakhsi systematizes the doctrineof juristic preference by analyzing the ’illa employed by it in various formsand shows that it is connected with asl.Finally, in the fourth part, we shall show how Sarakhsi justifies theemployment of the doctrine of juristic preference as a methodological approachtoward muwadah and worldly affairs ...

scholarly journals Preliminary Study on Gold Recovery from High Grade E-Waste by Thiourea Leaching and Electrowinning

Minerals ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 235
Author(s):  
Nicolò Maria Ippolito ◽  
Ionela Birloaga ◽  
Francesco Ferella ◽  
Marcello Centofanti ◽  
Francesco Vegliò
Keyword(s):  
Sulfuric Acid ◽  
Leach Solution ◽  
High Grade ◽  
Gold Dissolution ◽  
Plastic Part ◽  
The Third ◽  
Current Consumption ◽  
Different Types ◽  
Preliminary Study ◽  
A Current

The present paper is focused on the extraction of gold from high-grade e-waste, i.e., spent electronic connectors and plates, by leaching and electrowinning. These connectors are usually made up of an alloy covered by a layer of gold; sometimes, in some of them, a plastic part is also present. The applied leaching system consisted of an acid solution of diluted sulfuric acid (0.2 mol/L) with thiourea (20 g/L) as a reagent and ferric sulfate (21.8 g/L) as an oxidant. This system was applied on three different high-grade e-waste, namely: (1) Connectors with the partial gold-plated surface (Au concentration—1139 mg/kg); (2) different types of connectors with some of which with completely gold-plated surface (Au concentration—590 mg/kg); and (3) connectors and plates with the completely gold-plated surface (Au concentration—7900 mg/kg). Gold dissolution yields of 52, 94, and 49% were achieved from the first, second, and third samples, respectively. About 95% of Au recovery was achieved after 1.5 h of electrowinning at a current efficiency of only 4.06% and current consumption of 3.02 kWh/kg of Au from the leach solution of the third sample.

scholarly journals Art Criticism and the State of Feminist Art Criticism

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 28
Author(s):  
Katy Deepwell
Keyword(s):  
Women Artists ◽  
Art Criticism ◽  
The State ◽  
Art World ◽  
Feminist Art ◽  
The Gaze ◽  
The Third ◽  
Fourth Part ◽  
State Of Art ◽  
First Offers

This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”. In the fourth part, against the limits of the first three, the state of feminist art criticism across the last fifty years is reconsidered by highlighting the plurality of feminisms in transnational, transgenerational and progressive alliances.

How switching the substituent of a pyrene derivative from a methyl to a butyl affects the fluorescence response of polystyrene randomly labeled with pyrene

2010 ◽  
Vol 88 (3) ◽  
pp. 217-227 ◽  
Author(s):  
Mark Ingratta ◽  
Manoj Mathew ◽  
Jean Duhamel
Keyword(s):  
Organic Solvents ◽  
Excellent Agreement ◽  
Fluorescence Spectra ◽  
Series Solutions ◽  
Specific Nature ◽  
Polymer Backbone ◽  
Excimer Fluorescence ◽  
Fluorescence Response ◽  
Different Types ◽  
Blob Model

A series of polystyrenes randomly labeled with 1-pyrenebutanol were prepared by copolymerizing styrene and 1-pyrenebutylacrylate yielding the CoBuE–PS series. Solutions of CoBuE–PS were prepared in nine organic solvents having viscosities ranging from 0.36 to 5.5 mPa·s and the fluorescence spectra and pyrene monomer and excimer fluorescence decays were acquired. Analysis of the fluorescence spectra yielded the IE/IM ratio, whereas analysis of the fluorescence decays with the fluorescence blob model (FBM) yielded the parameters N blobo , <kblob × Nblob> , and k blobo . These parameters were compared to those obtained with two other series of pyrene-labeled polystyrenes, which had been studied earlier, namely CoA–PS and CoE–PS where pyrene was attached to the polymer backbone via a methylamide and benzyl methylether linker, respectively. Although the parameters IE/IM, N blobo , <kblob × Nblob>, and k blobo took different values according to the specific nature of the linker connecting pyrene to the polystyrene backbone, they exhibited trends that were quite similar for all the pyrene-labeled polystyrene constructs. The excellent agreement between the parameters retrieved for the three different types of pyrene-labeled polystyrenes suggests that the FBM accounts satisfyingly for differences in the nature of the label used, while still retrieving information pertinent to the polymer of interest.

Ancient Hinduism as a Missionary Religion

Numen ◽  
1992 ◽  
Vol 39 (2) ◽  
pp. 175-192 ◽  
Author(s):  
Arvind Sharma
Keyword(s):  
Tenth Century ◽  
Fifth Century ◽  
Historical Material ◽  
Textual Evidence ◽  
The Third ◽  
Fourth Part ◽  
History Of

AbstractThe paper is conceptually divided into four parts. In the first part the widely held view that ancient Hinduism was not a missionary religion is presented. (The term ancient is employed to characterize the period in the history of Hinduism extending from fifth century B.C.E. to the tenth century. The term 'missionary religion' is used to designate a religion which places its followers under an obligation to missionize.) In the second part the conception of conversion in the context of ancient Hinduism is clarified and it is explained how this conception differs from the notion of conversion as found in Christianity. In the third part the view that ancient Hinduism was not a missionary religion is challenged by presenting textual evidence that ancient Hinduism was in fact a missionary religion, inasmuch as it placed a well-defined segment of its members under an obligation to undertake missionary activity. Such historical material as serves to confirm the textual evidence is then presented in the fourth part.

Gescheiden en dan ? :Herpartneren in Vlaanderen anno 2010

2013 ◽  
Vol 3 (3) ◽  
pp. 1-66
Author(s):  
Inge Pasteels ◽  
Dimitri Mortelmans
Keyword(s):  
Higher Order ◽  
Gender Perspective ◽  
Partner Status ◽  
The Third ◽  
Current Partner ◽  
Different Types ◽  
Unmarried Cohabitation ◽  
Mate Waarin

In deze bijdrage wordt het herpartneren na een scheiding uit een eerste huwelijk beschreven. Met gegevens van “Scheiding in Vlaanderen” verzameld bij 1192 mannen en 1448 vrouwen gescheiden tussen 1981 en 2005, wordt vooreerst de timing van het herpartneren alsook de leefvorm waarvoor men kiest in postmaritale relaties, bestudeerd. We onderscheiden LAT‐relaties, ongehuwd samenwoonrelaties en tweede huwelijken. Daarna wordt de huidige partnerstatus van gescheidenen anno 2010 in kaart gebracht. Ten derde komt de mate waarin partners uit eerste huwelijken of postmaritale relaties gelijkend zijn aan bod. Vervolgens wordt de stabiliteit van LAT‐relaties of ongehuwde samenwoonrelaties na een eerste huwelijk bestudeerd. Een beschrijving van postmaritale relatietrajecten met aandacht voor relatierang en relatietype rondt deze bijdrage af. Alle analyses worden apart uitgevoerd voor mannen en vrouwen van verschillende scheidingscohorten. Abstract : Using surveydata of “Divorce in Flanders” for 1192 men and 1448 women, divorced between 1981 and 2005, we explore repartnering after a first divorce. Firstly, prevalence and timing of repartnering are examined. LAT‐relationships, unmarried cohabitation and remarriage are considered as different types of repartnering. Secondly, the current partner status for divorcees in 2010 is described. Homogamy in first marriages and in higher order relationships is the third topic in this article. At last, stability of postmarital relationships and partnership trajectories are explored. Data are analyzed using a cohort perspective and a gender perspective.

Natur als Metapher

1997 ◽  
Vol 2 ◽  
pp. 47-67
Author(s):  
Johann Kreuzer
Keyword(s):  
The Self ◽  
The Third ◽  
Fourth Part

Abstract The first part of this essay treats Eriugena's concept of theophany. Because nature is to be understood as theophany, every visible and invisible creature is a divina apparitio. The second part explains that appearing nature is the metaphor of a creative principle. Metaphor is the inner structure of nature as a process of appearance and the inner structure of our speaking about nature as metaphor. The third part infers that the recognition of nature as metaphor is based upon the thinking of appearance. To understand the cause through which every phenomenon of nature becomes a metaphor means to understand the dialectic of appearing nature: it means to understand nature as apparitio non apparentis. The fourth part concludes that in moments of beauty we recognize the nature of metaphor and nature as metaphor. Beauty is the givenness of what we think as the vivid cause of appearing nature. Its cause - and beauty fundamentally - is the self-consciousness of nature as appearance. Both nature as well as beauty are nonmetaphorical metaphors of themselves.

scholarly journals On Monomorphisms and Subfields

2019 ◽  
Vol 27 (2) ◽  
pp. 133-137
Author(s):  
Christoph Schwarzweller
Keyword(s):  
Irreducible Polynomial ◽  
Field Extension ◽  
Isomorphic Copy ◽  
Field Extensions ◽  
The Third ◽  
Fourth Part ◽  
Roots Of Polynomials ◽  
Classical Proof ◽  
Do So

Summary This is the second part of a four-article series containing a Mizar [2], [1] formalization of Kronecker’s construction about roots of polynomials in field extensions, i.e. that for every field F and every polynomial p ∈ F [X]\F there exists a field extension E of F such that p has a root over E. The formalization follows Kronecker’s classical proof using F [X]/<p> as the desired field extension E [5], [3], [4]. In the first part we show that an irreducible polynomial p ∈ F [X]\F has a root over F [X]/<p>. Note, however, that this statement cannot be true in a rigid formal sense: We do not have F ⊆ [X]/ < p > as sets, so F is not a subfield of F [X]/<p>, and hence formally p is not even a polynomial over F [X]/ < p >. Consequently, we translate p along the canonical monomorphism ϕ : F → F [X]/<p> and show that the translated polynomial ϕ (p) has a root over F [X]/<p>. Because F is not a subfield of F [X]/<p> we construct in this second part the field (E \ ϕF )∪F for a given monomorphism ϕ : F → E and show that this field both is isomorphic to F and includes F as a subfield. In the literature this part of the proof usually consists of saying that “one can identify F with its image ϕF in F [X]/<p> and therefore consider F as a subfield of F [X]/<p>”. Interestingly, to do so we need to assume that F ∩ E = ∅, in particular Kronecker’s construction can be formalized for fields F with F ∩ F [X] = ∅. Surprisingly, as we show in the third part, this condition is not automatically true for arbitray fields F : With the exception of 𝕑2 we construct for every field F an isomorphic copy F′ of F with F′ ∩ F′ [X] ≠ ∅. We also prove that for Mizar’s representations of 𝕑n, 𝕈 and 𝕉 we have 𝕑n ∩ 𝕑n[X] = ∅, 𝕈 ∩ 𝕈 [X] = ∅ and 𝕉 ∩ 𝕉 [X] = ∅, respectively. In the fourth part we finally define field extensions: E is a field extension of F iff F is a subfield of E. Note, that in this case we have F ⊆ E as sets, and thus a polynomial p over F is also a polynomial over E. We then apply the construction of the second part to F [X]/<p> with the canonical monomorphism ϕ : F → F [X]/<p>. Together with the first part this gives - for fields F with F ∩ F [X] = ∅ - a field extension E of F in which p ∈ F [X]\F has a root.

scholarly journals Struktur Janturan Wayang Kulit Purwa Yogyakarta

2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Endah Budiarti
Keyword(s):  
Structural Analysis ◽  
Grammatical Structure ◽  
Teaching Materials ◽  
The Third ◽  
Fourth Part ◽  
Puppet Show ◽  
Wayang Kulit

The purpose of this study was to find the structure janturan of the Yogyakarta shadow puppet. A further goal of this research is to find a method for learning puppetry language, especially janturan language. To achieve the above objectives, the researchers will first identify and categorize the structure of janturan carried out by Ki Hadi Sugito, Ki Timbul Hadiprayitno, Ki Suparman, and Mudjanattistomo. Second, the grammatical structure of the Yogyakarta senior puppeteers’ puppets wasthen reduced to the grammatical structure of the Yogyakarta shadow puppet show. To find the structure janturan of Yogyakarta Purwa shadow puppet, this study will apply structural analysis. The concept of tatas in chess aesthetics is the version of Soetarno et al. (2007) and the grammatical structure of the Sasangka version (1989) were used as analysis blades in this study. Janturan is the ukara-ukara (‘sentences’) kenès which are arranged in a complete, sequential, and not overlapping manner. As a ukara certainly has a grammatical structure. To be able to find the grammatical structure of scattering, the tatas concept and the grammatical theory of Javanese language are used. From the results of the study of the (grammatical) structure of the Yogyakarta senior mastermind’s succession, the following pattern is obtained: The first part is a section that contains worship. The second part of the janturan contains the greatness of the kingdom which is the center of storytelling. The third part of janturan contains the great king in the great kingdom who is the center of storytelling. The fourth part of the janturan is about the preparation of the trial and those present at the hearing. It is expected that the results of this study can improve teaching materials in thesubject of Bahasa Pedalangan, Pedalangan Rhetoric, and Basics of Pakeliran in the Pedalangan Department.Tujuan penelitian ini adalah menemukan struktur janturan wayang kulit purwa Yogyakarta. Tujuan lebih jauh dari penelitian ini ialah menemukan satu metode belajar bahasa pedalangan khususnya bahasa janturan. Untuk mencapai tujuan di atas, pertama-tama peneliti akan mengidentifikasi dan mengkategorikan struktur janturan yang dibawakan oleh Ki Hadi Sugito, Ki Timbul Hadiprayitno, Ki Suparman, dan Mudjanattistomo. Kedua, struktur gramatikal janturan dalang-dalangsenior Yogyakarta tersebut kemudian direduksi menjadi struktur gramatikal janturan wayang kulit purwa Yogyakarta. Untuk menemukan struktur janturan wayang kulit purwa Yogyakarta penelitian ini akan menerapkan analisis struktural. Konsep tatas dalam estetika catur versi Soetarno dkk. (2007) dan struktur gramatikal ukara versi Sasangka (1989) digunakan sebagai pisau analisis dalam penelitian ini. Janturanmerupakan ukara-ukara (‘kalimat-kalimat’) kenès yang disusun secara lengkap, urut, dan tidak tumpang tindih. Sebagai sebuah ukara tentu memiliki struktur gramatikal. Untuk dapat menemukan struktur gramatikal janturan digunakan konsep tatas dan teori struktur gramatikal bahasa Jawa. Dari hasil pelacakan terhadap struktur (gramatikal) janturan para dalang senior Yogyakarta, diperoleh pola sebagai berikut: Bagian pertama merupakan satu bagian yang berisi tentang doa pemujaan.  Bagian kedua dari janturan berisi tentang kebesaran kerajaan yang menjadi pusat penceritaan. Bagian ketiga dari janturan berisi tentang raja agung di kerajaan besar yang menjadi pusat penceritaan. Bagian keempat dari janturan berisi tentang persiapan sidang dan yang hadir di dalam sidang. Diharapkan hasil penelitian ini dapat menyempurnakanbahan ajar mata kuliah Bahasa Pedalangan, Retorika Pedalangan, dan Dasar-dasar Pakeliran di Jurusan Pedalangan.

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