scholarly journals Representation of Female Figure in Sidhwa’s “The Bride”

2020 ◽  
Vol 1 (2) ◽  
pp. 91-97
Author(s):  
Hira Ali ◽  
Tabinda Khawer ◽  
Noor-ul- Ain
Keyword(s):  
Female Figure ◽  
Post Colonial ◽  
Patriarchal Society ◽  
History Of

The research aims at examining the essence of patriarchy in the ill-treatment of post-colonial women. Women were deliberately manipulated in that era. This highlights the absurdity of patriarchal society as a governing power. The ruthless customs, honor of tribes and word of shame has only meanings for women. A patriarchal society like Pakistan which is repressive and oppressive gives privilege to men and allows their harsh treatment toward women, they are considered inferior to men and are sexually oppressed. This work covers the ways of Sidhwa with which she has applied the feministic approach in her work through gynocritic lense and concludes the excellence of the writer by which she has presented such a marvelous piece of English fiction in the history of Pakistan. We will also make an effort to depict the suppressed, objective, gendered and marginalized journey of Sidhwa’s woman.

Jumbos and Jumping Devils

2020 ◽  
Author(s):  
Nisha P R
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
South Asia ◽  
Social History ◽  
Post Colonial ◽  
The Social ◽  
Wide Range ◽  
History Of

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.

The Oxford History of the Novel in English

2018 ◽  
Keyword(s):  
World War Ii ◽  
English Language ◽  
Book History ◽  
World Order ◽  
The United States ◽  
The Novel ◽  
History Of The Novel ◽  
Post Colonial ◽  
The World ◽  
History Of

Volume Nine of this series traces the development of the ‘world novel’, that is, English-language novels written throughout the world, beyond Britain, Ireland, and the United States. Focusing on the period up to 1950, the volume contains survey chapters and chapters on major writers, as well as chapters on book history, publishing, and the critical contexts of the work discussed. The text covers periods from renaissance literary imaginings of exotic parts of the world like Oceania, through fiction embodying the ideology and conventions of empire, to the emergence of settler nationalist and Indigenous movements and, finally, the assimilations of modernism at the beginnings of the post-imperial world order. The book, then, contains chapters on the development of the non-metropolitan novel throughout the British world from the eighteenth to the mid twentieth centuries. This is the period of empire and resistance to empire, of settler confidence giving way to doubt, and of the rise of indigenous and post-colonial nationalisms that would shape the world after World War II.

scholarly journals Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan

2021 ◽  
pp. 1-31
Author(s):  
MIMI HADDON
Keyword(s):  
Final Section ◽  
Theoretical Work ◽  
First Century ◽  
Post Colonial ◽  
The Third ◽  
Bob Dylan ◽  
Colonial Theory ◽  
History Of ◽  
Asymmetrical Power ◽  
American Popular Music

Abstract This article uses Joan Baez's impersonations of Bob Dylan from the mid-1960s to the beginning of the twenty-first century as performances where multiple fields of complementary discourse converge. The article is organized in three parts. The first part addresses the musical details of Baez's acts of mimicry and their uncanny ability to summon Dylan's predecessors. The second considers mimicry in the context of identity, specifically race and asymmetrical power relations in the history of American popular music. The third and final section analyses her imitations in the context of gender and reproductive labour, focusing on the way various media have shaped her persona and her relationship to Dylan. The article engages critical theoretical work informed by psychoanalysis, post-colonial theory, and Marxist feminism.

Colonial vindications. More on the history of South African prehistoric research

2003 ◽  
Vol 10 (1) ◽  
pp. 42-55
Author(s):  
Nathan Schlanger
Keyword(s):  
South African ◽  
Indigenous Populations ◽  
Substantial Part ◽  
Economic Potential ◽  
African Archaeology ◽  
Post Colonial ◽  
Colonial Archaeology ◽  
History Of ◽  
Power Games

Together with the welcome insights they have brought to the matters at hand, the archaeological dialogues here engaged have certainly made me appreciate where my claims could be modified and my arguments amplified. Since I have already been taxed with a questionable insistence on setting the record straight, and with a penchant for academically coup de poing-ing my way through the archaeological establishment and its established historiography, I may as well persevere and thank the commentators for helping me grasp the following key point: what has been motivating a substantial part of my investigations, I can now better specify, is a growing unease with the well-established paradigm of ‘colonial vindication’. This is not, let me hasten to add, a reference to the genuine injustice done to those indigenous populations whose pasts have been expropriated and denigrated by the colonizing powers (i.e. Trigger's sense of ‘colonial archaeology’). Likewise, there is obviously no denying that the globalization of archaeology in the colonial and post-colonial eras has entailed considerable intellectual and institutional struggles, alongside innumerable power games, financial calculations and scientific compromises – and here Shepherd is surely right to give as example the ‘cradle of humanity’, a shifting zone whose ideological, diplomatic and economic potential Smuts had already fully sized in the 1930s (cf. Schlanger 2002b, 205–6). Rather, what I wish here to open to scrutiny is this apparently long-standing notion that South African archaeology has been systematically ‘done down’, ‘passed over’ and ‘badly used’ (Shepherd's terms) by the metropole – making it quite evident that its history, if not its ethos, should be primarily geared towards securing due recognition and redress.

scholarly journals The Values of Versatility: Pharmacists, Plants, and Place in the French (Post)Colonial World

2016 ◽  
Vol 58 (2) ◽  
pp. 432-462 ◽  
Author(s):  
Laurence Monnais ◽  
Noémi Tousignant
Keyword(s):  
Medicinal Plant ◽  
Scientific Activity ◽  
Public Health Care ◽  
French West Africa ◽  
Post Colonial ◽  
Plant Medicine ◽  
History Of ◽  
French Colonial ◽  
Simple Equations ◽  
The Relationship

AbstractColonial pharmacists bio-prospected, acclimatized, chemically screened, and tinkered with plants and their parts, hoping to create products to supply colonial public health care, metropolitan industries, and imperial markets. This article's approach is to examine the trajectories of expertise of two French colonial pharmacists, Franck Guichard and Joseph Kerharo, to illuminate the history of modern medicinal plant research. Both men studied medicinal plants as part of their colonial duties, yet their interests in indigenous therapies exceeded and outlived colonial projects. We take this “overflow” as our point of departure to explore how science transformed medicinal plant values in French colonial and postcolonial contexts. Our focus is on the relationship between value and space—on the processes of conceptual and material (de-/re-)localization through which plant value is calculated, intensified, and distributed. We study and compare these processes in French Indochina and French West Africa where Guichard and Kerharo, respectively, engaged in them most intensively. We show that their engagements with matter, value, knowledge, and mobility defy easy categorizations of medicinal plant science as either extractive or neo-traditionalist. By eschewing simple equations of scientists' motivations with political projects and knowledge-production, we argue that approaching plant medicine through trajectories of expertise opens up grounds for finer analyses of how colonial power and projects, and their legacies, shaped scientific activity.

scholarly journals Hierarchical Reciprocities and Tensions between Migrants and Native Moluccas in the Post Reformation

2019 ◽  
Vol 3 (2) ◽  
pp. 344
Author(s):  
Hatib Abdul Kadir
Keyword(s):  
State Government ◽  
Collective Identity ◽  
Popular Politics ◽  
Post Colonial ◽  
Migrant Populations ◽  
Political Status ◽  
The Reformation ◽  
History Of ◽  
Sectarian Conflict ◽  
Migrant Groups

The research subject of this paper focuses on the Butonese, who are considered “outside” the local culture, despite having lived in the Moluccas islands of Indonesia for more than a hundred years. The Butonese compose the largest group of migrants to the Moluccas. This article research does not put ethnicity into a fixed, classified group of a population; rather, the research explores ethnicity as a living category in which individuals within ethnic groups also have opportunities for social mobility and who struggle for citizenship. The Butonese has a long history of being considered “subaltern citizens” or have frequently been an excluded community in post-colonial societies. They lack rights to land ownership and bureaucratic access. This article argues that Indonesian democracy has bred opposition between indigenous and migrant groups because, after the Reformation Era, migrants, as a minority, began to participate in popular politics to express themselves and make up their rights as “citizens”. Under the condition of democratic political participation, the Butonese found a way to mobilize their collective identity in order to claim the benefits of various governmental programs. Thus, this paper is about the contentiousness of how the rural Butonese migrants gained advantageous social and political status in the aftermath of the sectarian conflict between 1999 to 2003. Migrant’s ability to express their grievance in a constructive way through the politics of their representatives and state government policies have led to the new contentious issues between indigenous and migrant populations.  

scholarly journals KEKRISTENAN DAN NASIONALISME DI INDONESIA

2019 ◽  
Vol 15 (1) ◽  
pp. 111-141
Author(s):  
Arthur Aritonang
Keyword(s):  
The Other ◽  
New Order ◽  
Political Movement ◽  
History Of Christianity ◽  
Post Colonial ◽  
Old Order ◽  
History Of ◽  
Monetary Crisis ◽  
The Republic ◽  
Over Time

“Kekristenan dan Nasionalisme di Indonesia” membahas mengenai sejarah kekristenan di Indonesia yang diasumsikan sebagai agama yang pro terhadap penjajah dari Barat namun asumsi itu tidak benar sebagai bukti ada banyak tokoh Kristen yang ikut memperjuangkan kemerdekaan Indonesia dengan didasarkan semangat nasionalisme. Kemudian pasca-kolonial Belanda kekristenan ingin menampilkan wajah baru yang sungguh-sungguh keindonesiaan dengan lahirnya organisasi DGI/PGI. Namun seiring waktu ketika berakhirnya era orde baru dan memasuki era reformasi, kekristenan dan masyarakat lainnya di Indonesia menghadapi arus gelombang yang mengatas-namakan agama yang pergerakannya cukup masif dibandingkan di era orde lama diantaranya: kelompok Islam fundamentalis yang ingin menjadikan NKRI bersyariat Islam, adanya gerakan politik transnasional HTI yang ingin menghidupkan kembali kejayaan Islam pada abad ke-6 dan faham Wahabisme yang sarat dengan kekerasan. Persoalan lainnya ialah adanya kemiskinan yang terstruktur akibat dari krisis moneter yang melanda di Indonesia tahun 1997. Melalui masalah ini, setiap agama-agama di Indonesia harus melakukan konvergensi atas dasar keprihatinan yang sama. Abstract: Christianity and Nationalism in Indonesia” discuss the history of Christianity in Indonesia, which is assumed to be a religion that is pro to Western colonialism. Still, this assumption is incorrect as evidence that many Christian figures fought for Indonesian independence based on the spirit of nationalism. Then post-colonial of Dutch, Christianity wanted to be presented a truly Indonesian face with the birth of the DGI / PGI organization. But over time when the end of the new order and entering the era of reform, Christianity and the other societies in Indonesia faced challenges in the name of religion whose movements were quite massive compared to the old order including fundamentalist Islamic groups who wanted to make the Republic of Syariat Muslim Indonesia, a transnational HTI political movement that wanted to revive the glory of Islam in the 6th century and the ideology of Wahhabism which is loaded with violence. Another problem is the existence of structured poverty due to the monetary crisis that hit Indonesia in 1997. Through this problem, every religion in Indonesia must converge on the basis of the same concerns.

scholarly journals الإبداعات المغربية باللغات الأجنبية بين سلطة اللغة وسلطة الهوية: قراءة تراتبية

2015 ◽  
Vol 20 (80) ◽  
pp. 142-111
Author(s):  
فؤاد بوعلي
Keyword(s):  
Cultural Identity ◽  
Foreign Language ◽  
Literary Text ◽  
Post Colonial ◽  
Colonial Studies ◽  
Cultural Alienation ◽  
History Of ◽  
Points Of View ◽  
Creative Writings ◽  
The Relationship

أثارت الكتابة الإبداعية باللغات الأجنبية العديد من المواقف المتعارضة في الحقلين: الأكاديمي، والثقافي. فقد عرف تاريخ المغرب الحديث سجالاً قوياً بخصوص هوية الكتابات الإبداعية باللغات الأجنبية، بين مَن يرى فيها استلاباً ثقافياً، ومَن يرفض ربط الجنسية الأدبية بالانتماء اللغوي، بل وربطها بالمتخيّل الجماعي أكثر من أيّ شيء آخر، ثمّ بالمنتوج الأدبي بوصفه تجسيداً لهذا المتخيّل. فالتعبير عن الذات بلغة أجنبية يطرح للنقاش مفاهيم، مثل: الهوية الثقافية، والسلطة، والخصوصية، والعلاقة بالآخر. وباستخدام القراءة التراتبية التي ظهرت في الدراسات بعد الكولونيالية أمكننا إثبات التلازم بين استعمال اللغة الفرنسية في الإبداع ومسار الفرنكفونية بوصفها إيديولوجيا استعماريةً تفرض لغتها على الشعوب والفضاءات الذيلية. The debate over literary writing in a foreign language has instigated a lot of dichotomous points of view in Moroccan academic and cultural circles. History of modern Morocco has witnessed strong ongoing debates about the identity of creative writings in foreign language. There are those who would consider such writings as cultural alienation. Contrary to that, there are those who refuse to link literary text to language belonging, and link it instead to the collective imaginary and to the literary product as a manifestation of this imaginary. In fact, expressing the self by using a foreign language puts into question notions such as cultural identity, authority, nation-building, and otherness. By applying the theory of hierarchical reading which appeared in the post colonial studies, we have established the relationship between using French in creative writings and La Francophonie as a colonial ideology imposed on people and annexed spaces.

scholarly journals Narrative Strategies of Decolonisation: Autoethnography in Mamang Dai’s The Legends of Pensam

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Samrita Sinha ◽  
Keyword(s):  
United Nations ◽  
Northeast India ◽  
Self Determination ◽  
Narrative Strategies ◽  
Human Right ◽  
Post Colonial ◽  
History Of ◽  
The United Nations ◽  
Culture Of Impunity ◽  
Right Of Self Determination

According to John Quintero, “The decolonisation agenda championed by the United Nations is not based exclusively on independence. It is the exercise of the human right of self-determination, rather than independence per se, that the United Nations has continued to push for.” Situated within ontologies of the human right of self-determination, this paper will focus on an analysis of The Legends of Pensam by Mamang Dai, a writer hailing from the Adi tribe of Arunachal Pradesh, to explore the strategies of decolonisation by which she revitalizes her tribe’s cultural enunciations. The project of decolonisation is predicated on the understanding that colonialism has not only displaced communities but also brought about an erasure of their epistemologies. Consequently, one of its major agenda is to recuperate displaced epistemic positions of such communities. In the context of Northeast India, the history of colonial rule and governance has had long lasting political repercussions which has resulted not only in a culture of impunity and secessionist violence but has also led to the reductive homogeneous construction of the Northeast as conflict ridden. In the contemporary context, the polyethnic, socio-cultural fabric of the Northeast borderlands foregrounds it as an evolving post-colonial geopolitical imaginary. In the light of this, the objective of this paper is to arrive at the ramifications of employing autoethnography as a narrative regime by which Mamang Dai reaffirms the Adi community’s epistemic agency and reclaims the human right towards a cultural self-determination.

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