scholarly journals Yuri Gagarin public astronomical observatory – the first in Bulgaria: 60 years later

2021 ◽  
Vol 4 (3) ◽  
pp. 356-366
Author(s):  
A. Stoev ◽  
P. Maglova

The report presents an analysis of the history of the Public Astronomical Observatory (NAO) "Yuri Gagarin", the city of Stara Zagora, which was officially opened on February 26, 1961. The initiative to open it belongs to a group of enthusiasts, among which the figure of Boncho Bonev is of particular importance. With financial and material assistance from the municipality of Stara Zagora, the first premises were equipped and the first astronomical instruments and equipment were purchased. The observatory bears the name of the world's first pilot - cosmonaut Yuri Gagarin. The natural evolution of the development of the Observatory is presented, as well as the need of creation an observational base outside the city, in the area of the Ayazmo Park (opened in 1968). The supply with amateur telescopes is shown, as well as of a large optical instrument for professional astronomical work – a refractor (200/3000 mm), the Kude system, the production of the Carl Zeiss, Jena (former East Germany). The acquired ZKP-2 planetarium at the Carl Zeiss factory in Jena expands the NAO's capabilities in the education and promotion of astronomy and space science.The evolution of extracurricular astronomy training and the mass popularization of the achievements of astronomy, aeronautics, physics and human technology in PAOP are analyzed, as well as scientific observations of artificial Earth satellites. In this connection, in 1979 a specialized out-of-town observation base was built in the area of the Stara Zagora Mineral Baths, equipped with one of the most modern devices of its time – the AFU-75 satellite camera. An attempt was made to periodize the history of PAOP «Yu. Gagarin», the main stages being arranged in time according to significant historical, technological, organizational or other events.

2019 ◽  
Vol 44 (2) ◽  
pp. 62-67
Author(s):  
Dijana Alic

On 6 april 1992, the european union (eu) recognised bosnia and hercegovina as a new independent state, no longer a part of the socialist federal republic of Yugoslavia. The event marked the start of the siege of sarajevo, which lasted nearly four years, until late february 1996. It became the longest siege in the history of modern warfare, outlasting the leningrad enclosure by a year. During its 1425 days, more than 11,500 people were killed. The attacks left a trail of destruction across the city, which began to transform it in ways not experienced before. This paper explores how the physical transformation of sarajevo affected the ways in which meaning and significance were assigned to its built fabric. I argue that the changes imposed by war and the daily destruction of the city challenged long-established relationships between the built fabric and those who inhabited the city, introducing new modes of thinking and interpreting the city. Loosely placing the discussion within the framework of ‘Thirdspace', established by urban theorist and cultural geographer edward soja, i discuss the relationship that emerged between the historicality, sociality and spatiality of war-torn sarajevo. Whether responding to the impacts of physical destruction or dramatic social change, the nexus of time, space and being shows that the concept of spatiality is essential to comprehending the world and to adjusting to and resisting the impact of extraordinary circumstances. Recognising the continuation of daily life as essential to survival sheds light on processes of renewal and change in a war-affected landscape. These shattered urban spaces also show the ways in which people make a sense of place in relation to specific socio-historical environments and political contexts.


Lituanistica ◽  
2021 ◽  
Vol 67 (2) ◽  
Author(s):  
Julija Paškevičiūtė

The article focuses on the origins of French culture in Palanga, a Lithuanian seaside resort, that go back to the years of the rule of the Tyszkiewicz family. The emphasis is put on Palanga Botanical Park (created before the end of the nineteenth century) as the most significant trace of French culture present in the resort and the seaside region until now. The specific symbols in the park created according to the will of the Counts Tyszkiewicz reflect the actualities of French culture. The importance of this space in the city is revealed, and Édouard François André’s principles of park creation are discussed in a new context. They are related to the dialogue that has been established between the residents of Palanga, the park, its creator, and his granddaughter Florence André since the first years of the independence of Lithuania. In order to give a meaning to Édouard André’s creation and to the relationship between the two countries, the correspondence between the great-granddaughter of the famous French landscape designer and the former director of the park, Antanas Sebeckas, is disclosed. It reflects the endeavour of these two personalities and its value for the international relations in representing French culture to the public. Florence André’s letters to the author of this article are also an important resource as she explains the reasons why the park plays an essential role in Palanga. It is shown how certain personal life events (Florence André’s wedding ceremony in Palanga, the park created by her great-grandfather) have become an inclusive part of the history of the town and represent intercultural relations and exchanges. The article is also based on some memories and narratives of the members of the local community in which the park features as a symbol and tradition of the city.


TERRITORIO ◽  
2013 ◽  
pp. 40-47
Author(s):  
Rodrigues Juciano Martins

In the next few years Brazil will receive the largest sum of investment in urban transport in the history of the country for the coming mega sports events. Theoretically, these investments should address the transport crisis that Brazilian cities are experiencing. The paper shows that the issue of transportation is present on the public agenda and in planning connected with mega events in strictly engineering terms. The ‘question of urban transportation' is introduced and a discussion is given of its connection with the preparation of cities for the mega sports events starting with Rio de Janeiro. Here the huge resources involved will probably have deep impacts on urban dynamics and on the socio-spatial configuration of the city without, however, providing solutions to the long standing transportation problems of the more vulnerable population groups.


Author(s):  
Gwynne Tuell Potts

George and Serena Croghan’s son, St. George Croghan, inherited Locust Grove and moved from New York with his young family in hopes of farming the estate. He failed, and after mortgaging the place, returned to New York to spend years litigating his wife’s inheritance. With no means of support, he joined the Confederate Army in 1861 and was killed that November. The Croghan homestead was rented, then sold, and today stands as a National Historic Landmark museum open to the public. The enslaved Croghan workforce was freed in 1856 by the terms of Dr. Croghan’s will, and although Stephen Bishop and the slave guides eventually opened a hotel for black tourists who visited Mammoth Cave, the farm’s enslaved people moved to the city and disappeared from the history of the place where most of them had been born.


2021 ◽  
pp. 99-99
Author(s):  
Elena Grigoryeva

Nowadays, one can hardly deny the importance of the system of public spaces. Its role as an integral element of urban infrastructure is actively studied, yet not fully comprehended. This section presents a collection of publications devoted to the history of the question using the example of public spaces in Krasnoyarsk. The therapeutic role of urban gardens is an example of the innovative approach of the Crimean scientists to the problem of the city infrastructure.Philosophy of separate objects is discussed in the articles of our regular authors. The fountain and the city well, of course, are both part of the public spaces and part of the engineering infrastructure that (for free!) ensures life of the city and citizens. The city is indeed rooted in wells.


Porta Aurea ◽  
2018 ◽  
pp. 244-268
Author(s):  
Dominika Piluk

Gdansk architecture of last decade of 20th century by all means tried to reconnect to the Gdansk architectural tradition, especially the glorified 19th-century German/ Gdańsk Renaissance. The essay aims to present a preliminary analysis of the phenomenon strongly present in the Gdańsk architectural discussion in the nineties: the phenomenon of reconstruction. The city’s architectural achievements of the 19th-century were reinterpreted. Moreover, not only did architects in democratic Poland have to face a new economic situation, but also the need to emphasize the departure from the visual form imposed by the communist system, which, particularly in Gdańsk, took a form of historicism. The complex history of the city, preserved in its architecture, had a huge impact on the aesthetics of buildings designed during the transformation period. Tis thorough introduction is aimed to show commitment to the great tradition of the harbour city, which often resulted in neglecting innovations and modern architectural standards, these forced by the diffcult times of the economic change, as well as the concept of the city’s identity. The article focuses on the examples of buildings erected after 1989, as well as the public opinion debate, which jointly attempted to emphasise the mythical greatness of old Gdańsk.


2021 ◽  
Author(s):  
Beata Palka

This research paper is a case study examining the development of the Vision for the Ontario Power Generation lands in Lakeview. The interests if stakeholders such as the City of Mississauga, the Lakeview residents, the Region of Peel, the Province of Ontario, Credit Valley Conservation, as well as the Toronto and Region Conservation will be discussed. The importance of the history of Lakeview, the public consulation process, the project structure, as well as the next steps will be critically talked about in detail. This purpose of this paper is t provide other municipalities with recommendations on brownfield redevelopment and thus give them a better understanding of things to consider and potential roadblocks and challenges that could arise.


2021 ◽  
Vol 13 (2) ◽  
pp. 305-320
Author(s):  
Ömer TÜRKMENOĞLU ◽  
Zümra AZİZOĞLU

The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the city of Shusha in Azerbaijan, which was developed in the field of literature and music and called the "natural conservatory." He developed his existing talent here and built it on solid foundations. He was interested in music and literature, wrote many books, articles, and was a writer for newspapers. The subject of the opera Leyli and Majnun is taken from Fuzuli's "Leyli and Majnun" poetry of the same name. At the age of 13, the composer decided to write this opera, influenced by the theater show "At the tomb of Majnun Leyli'' which he watched in Shusha, his home city. He started working on opera in 1907 when he was only 22 years old. By bringing a different perspective to opera, he used the tonal structure of western music with 'mugham,' also known as Azerbaijani folk music. This type of opera is also called "Mugam Opera.'' The opera, which was composed and performed despite the conditions of the period, preserved its originality by combining two cultures and was performed many times in other countries. Operas from the Turkish world are rarely staged in our country, and there is a need for such an article because the opera "Leyli and Majnun" has not been staged much in Turkey and there are very few theses, articles, and books about it. In this study; Different titles have been created such as the history of Azerbaijan opera, the life of Uzeyir Hajibeyli, the composer's process of creating the opera, and the content of the opera Leyli and Majnun. Keywords: Leyli and Majnun, Uzeyir Hajibeyli, Turkish World, Opera


2019 ◽  
Vol 47 (2) ◽  
pp. 385-407
Author(s):  
Peter Gilles ◽  
Evelyn Ziegler

Abstract In this article we outline how corpus-based studies can contribute to the methodology of linguistic landscape research. Linguistic-landscape research can be roughly understood as the “study of writing on display in the public sphere” (Coulmas 2009: 14). From a historical perspective, we investigate the emergence and use of the public sphere as a place of attention for official top-down communication in Luxembourg. Based on a large corpus of public announcements of the municipality of the city of Luxembourg, the history of public top-down communication is analysed by taking into account both sociolinguistic and linguistic factors. The analysis reveals that the public announcements are increasingly typographically and linguistically adapted to the conditions of public perception and self-reading in the course of time – whereby initially the multimodal embedding of the older presentation form is maintained.


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