scholarly journals Conversations about Home, Community and Identity

2015 ◽  
Author(s):  
Theano Moussouri ◽  
Eleni Vomvyla

Despite an increased interest in how societies produce, present and interpret the past, empirical studies of how people make sense of and use the past in their everyday life are less common in public history. This paper explores how people use material culture to make sense of their recent past by (re)constructing personal, family and community histories both in museum exhibitions and through everyday engagements at home. We use two case studies: The West Indian Front Room – Memories and Impressions of Black British Homes exhibition at the Geffrye Museum, London, and the homes of six families of Albanian heritage in Athens, Greece. In both cases, objects play a key role in mediating and reflecting identity and meaning-making.

2018 ◽  

What does it mean to be a good citizen today? What are practices of citizenship? And what can we learn from the past about these practices to better engage in city life in the twenty-first century? Ancient and Modern Practices of Citizenship in Asia and the West: Care of the Self is a collection of papers that examine these questions. The contributors come from a variety of different disciplines, including architecture, urbanism, philosophy, and history, and their essays make comparative examinations of the practices of citizenship from the ancient world to the present day in both the East and the West. The papers’ comparative approaches, between East and West, and ancient and modern, leads to a greater understanding of the challenges facing citizens in the urbanized twenty-first century, and by looking at past examples, suggests ways of addressing them. While the book’s point of departure is philosophical, its key aim is to examine how philosophy can be applied to everyday life for the betterment of citizens in cities not just in Asia and the West but everywhere.


Author(s):  
Agata Bachórz ◽  
Fabio Parasecoli

This article examines the future-oriented use of the culinary past in Poland’s food discourse through a qualitative analysis of popular food media (printed magazines and TV). We analyze how interpretations of food and culinary practices from the past are connected to contemporary debates. We contend that media representations of the culinary past co-create projects of Polish modernization in which diverse voices vie for hegemony by embracing different forms of engagement with the West and by imagining the future shape of the community. We distinguish between a pragmatic and a foodie type of culinary capital and focus on how they differently and at times paradoxically frame cultural memory and tradition. We observe the dynamics of collective memory and oblivion, and assess how interpretations of specific periods in Poland’s past are negotiated in the present through representations of material culture and practices revolving around food, generating not only contrasting evaluations of the past but also diverging economies of the future. Finally, we explore tradition as a set of present-day values, attitudes, and practices that are connected with the past, but respond to current concerns and visions of the future.


2014 ◽  
Vol 50 ◽  
pp. 294-306
Author(s):  
Michael Ashby

Over the past three decades, the study of material culture has become a pervasive feature of historical scholarship. From art to shoes, from porcelain to glass, ‘things’ are increasingly viewed as a useful medium through which to reconstruct what mattered to historical actors in everyday life. Taking its lead from this vast scholarship, this discussion examines how material culture was integrated into a programme of devotion, edification and religious instruction within England’s episcopal palaces, a group of buildings in which the relationship between the material and the spiritual was particularly fraught. Adopting a long chronological span, from 1500 to 1800, it analyses how that relationship evolved into the eighteenth century, a period noted for its proliferation of things and apparently ‘secular’ character.


1995 ◽  
Vol 12 (2) ◽  
pp. 155-184
Author(s):  
Abdulkader I. Tayob

Political and social explanations for the contemporary Islamic resurgenceabound. Most of these, however, are reductionist in that they do notpay attention to the religious component of a clearly religious phenomenon.Without rejecting its social and political locations, I believe theIslamic resurgence represents a paradigm shift involving a major reinterpretationof Islamic sources in the modem world.In the modem world, Muslims draw on a treasure of significantinsights into the dilemmas and options facing them. The sources of theseinsights, from Shariati to Bennabi to Khomeini, may vary in many respectsand often differ in fundamental fonnulations. In Islamic organizations andmovements, however, Muslims draw on this diversity to construct meaningin uniquely modem ways. At the level of practice, in contrast to thatof the thinkers, a measure of affinity is clearly noticeable in terms of modemIslamic thought and practice. I believe that the idea of a paradigm, proposedby Kuhn, is a useful and fertile way of coming to understand thiscommon meaning-making exercise.A new paradigm of understanding and living Islam, under the impactof the West, has taken shape over the past two centuries. The West as villain,the implementation of the Shari'ah, the search for Islamic solutions,and the Islamization of the sciences are some of the most important featuresof this new paradigm. In this paper, I will explore the basic idea andstructure of the modem Islamic paradigm.Knowledge, Power, and ParadigmsIn his analysis of modem medical, human, and social sciences, MichelFoucault has unmasked the power relations inherent in the formation of ...


2020 ◽  
Vol 27 (suppl 1) ◽  
pp. 253-262
Author(s):  
Manon Sian Parry

Abstract In the last five years there has been a resurgence of scholarly research and museum exhibitions on the history of HIV and AIDS. This work has called into question some of the conventions of archiving and interpreting the history of the pandemic. It is increasingly clear that a narrow range of materials have been saved. As historians and curators turn to these holdings for analysis and exhibition, they find they inadequately represent the impact of AIDS across diverse groups as well as the range of local, national, international responses. This essay considers some of the factors that shape collection of the material culture, particularly the heritage of public health, and the consequences for our understanding of lessons from the past.


1956 ◽  
Vol 21 ◽  
pp. 84-92 ◽  
Author(s):  
Gutorm Gjessing

‘They have accused the archaeologist of tatting endless taxonomic rosettes of the I same old ball of “material culture” and maintained that his findings are next to useless for the purpose of history and culture study. It seems that the archaeologists are becoming as Tolstoy once said of modern historians, like deaf men answering questions which no one has asked them. In their broader implications these accusations are all too true’ (Taylor, 1948, p. 95). Certainly this not too kind, ironical remark was explicitly aimed at archaeologists in the United States; yet it may, perhaps, be suspected that even some of their European colleagues feel somewhat uneasy on being confronted by such an unflattering mirror. One has, undoubtedly, the feeling that relatively few archaeologists in the West have ever really scrutinized critically what they and their field of study are ultimately aiming at, apart from the somewhat loose and undefined aim of ‘reconstructing the past’. Now, this ‘past’ obviously does not consist of ‘taxonomic rosettes’ for their own sake, nor of economic techniques only. There can be little doubt of the validity of V. Gordon Childe's remark that the cultures established by archaeology represent societies, and in other of his writings, most explicitly in his intriguing book, Social Evolution (Childe, 1951), he has laid down the foundations of a ‘socio-archaeology’.


Author(s):  
Annabel Teh Gallop

The focus of this paper is not on theological aspects of the Qur’an, or on the study of the Qur’anic sciences in Southeast Asia over the past centuries, but rather to attempt to trace the path of the appreciation of old copies of the Qur’an in Southeast Asia as part of the historical record of the Islamic heritage of the region.  In this light, Qur’an manuscripts are viewed as objects of material culture which can cast light on the societies which produced them, and as works of art which testify to the heights of artistic creativity in the region, for illuminated Qur’an manuscripts represent the pinnacle of achievements in the arts of the book in Southeast Asia. This historical record can be measured through a survey of how, where, when and by whom Qur’an manuscripts in Southeast Asia were collected, documented, studied and published, both in Southeast Asia itself and in the west.


Author(s):  
Oliver Taplin

Tragedy has inspired such feverish activity over the past half-century, both in scholarship and in the theatre, that it is hard to sketch the main lines of past explorations, let alone indicate how they may develop and ramify in the future. This article attempts to do just that. It presents an overview of approaches to tragedy in the recent past, and some divinations about areas of study that may reward interest in the future. Presently, in Greek tragic studies, the solidity of material culture provides a counterbalance to relentless object-lessons in the instability of knowledge. As such, a new emphasis on the changing functions and manifestations of theatre is turning the continual changes in cultural emphasis over time into a positive heuristic resource.


2019 ◽  
Vol 13 (1) ◽  
pp. 131-154
Author(s):  
Tenno Teidearu

Abstract This article concentrates on the practice of wearing crystals in Estonia. The practice is currently a popular phenomenon in New Spirituality on a global scale, although it is not an entirely novel trend. Crystals are part of the materiality of New Spirituality and so the aim of the article is to emphasize the meaning-making process of this materiality and of vernacular interpretations in the practice. Following the methodology of material culture studies, I focus on mutual relationships and interaction between humans and crystals and the significances gained through practice. Based on the perspectives of vernacular religion, the practice is embedded in people’s everyday lives. People wear crystals to support their human qualities and daily activities, and in practice crystals as material objects evolve intimate and profound relationship with people.


2014 ◽  
Vol 6 (1) ◽  
pp. 56
Author(s):  
Bozhin Traykov

On June 17th 2011 graffiti artists transformed the West side of the Monument of the Soviet Army (MSA) in Sofia, Bulgaria. MSA comprises part of a spatial environment where the invented traditions of the Bulgarian state interact and compete. The art of provocation challenges those invented traditions and opens up the potential for alternative readings and discursive practices of the past and present, contrary to the official political and NGO discourse. As such it subverts ideological symbols in a fashion similar to the carnivalesque. The graffiti art provides the potential to reevaluate, bridge and connect a violent past with an equally violent present, as well as pose questions about the future. It signifies the presence of history and politics in everyday life.


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