scholarly journals ANALISIS PERENCANAAN WISMA FAKULTAS TEKNIK DENGAN PENDEKATAN ARSITEKTUR POST-MODERN ROBERT VENTURI DI UNIVERSITAS NEGERI MANADO

2022 ◽  
Vol 2 (2) ◽  
pp. 90-97
Author(s):  
Rezky Natanael Tumundo Rezky ◽  
Morris S.S.S. Tumanduk ◽  
Rulyanto G.M. Lasut ◽  
Metsi Daud

ABSTRAK Tujuan perencanaan ini adalah untuk memusatkan kegiatan seminar, kunjungan kerja, penginapan dan kegiatan magang bagi mahasiswa serta bagi tamu pada umumnya dalam satu fasilitas yaitu Wisma. Metode perancangan yang digunakan dalam penelitian ini mengacu pada teori Metode Glass box JC. Jones didalamnya ada Analisis Makro, Analisis Mikro, Struktur dan Utilitas. Hasil dari perencanaan ini berupa desain bangunan yang ditampilkan dalam bentuk Site Plan, Denah, Potongan, Tampak dan Perspektif bangunan. Kesimpulan dari perencanaan Wisma ini adalah menggunakan pendekatan Arsitektur Post-Modern dari Robert Venturi dan diharapkan Fasilitas ini dapat mewakili nilai lokalitas yang ada di Minahasa. Kata Kunci : Wisma, Robert Venturi, Post-Modern ABSTRACT The purpose of this plan is to concentrate seminars, work visits, lodging and internship activities for students and for guests in general in one facility, namely the Wisma. The design method used in this study refers to the theory of the JC Glass box method. Jones in it is Macro Analysis, Micro Analysis, Structure and Utilities. The results of this planning are in the form of building designs that are displayed in the form of Site Plans, Floor Plans, Pieces, Views and Perspectives of the building. The conclusion of this Wisma planning is to use the Post-Modern Architecture approach from Robert Venturi and it is hoped that this facility can represent the locality values ​​that exist in Minahasa.Keywords : Wisma, Robert Venturi, Post-Modern

2017 ◽  
Vol 2 (1) ◽  
pp. 109
Author(s):  
Uzlifa Khanifatul Muttaqi

<div style="text-align: justify;">This research is motivated by the importance of knowing an Islamic great day calendar on AD calendar. It was intended to answer the question: How to design converter Hijri calendar to AD calendar for determining Islamic great days using Matlab? The research used ‘design’ method, because it was one of activities to translate the result of analysis to software form and also used to develop an existing application. This application made by a Matlab software. Matlab was a conversion tool to determine Islamic great days. Data of this research was obtained from questionnaire. And all the questionnaire datum was used to design application. The technique of feasibility analysis application was obtained from a validation. It was using black-box method. The result showed that the application was made by three ways: First, making an appearance in GUI Matlab appropriate with interface design application. Second, entering the script in each menu of application. Third, entering JD formula in application that were already functioning. ©2016 JNSMR UIN Walisongo. All rights reserved.</div>


Author(s):  
Michelle Rahardja

Increasing healthier food demand and trend in consumption are causing the failure towards reaching food security. In response to current food crisis, the project proposed to shorten current food chain to transform local food system where the producer meets the consumer. This project aims to be a model to educate people through grow – distribution – cons umption – recycle to create food security for the community. Response to site is use as design method where the response results from the environment and site. Green and sustainable architecture are use as design approach to ensure the sustainability of the program and building. This project intend to be the hub for community and acts as a contribution to green space for the city and community. Constructions and materials design to adapt sustainable concept using renewable energy such as solar energy and by recycling food waste efficiently, in addition to minimize the use of artificial lights and air conditioner resulting to the façade designed to maximize natural ventilation throughout the building. Dynamic building designs are expected to increase visitors as education and culinary destination also as a community center for Rawa Belong community, consistent with the proposed program on this project such as the workshop area for learning, the restaurant and cafe area as a culinary attraction, and a multifunctional area for community activities.AbstrakPada generasi milenial banyak faktor yang mempengaruhi gagalnya mencapai keseimbangan pangan, seperti perubahan permintaan dan tren konsumsi. Dalam upaya merespon kondisi krisis pangan global secara lokal, proyek mengusulkan transformasi sistem pangan dimana rantai makanan disingkat menjadi produsen bertemu secara langsung dengan konsumen. Proyek ini diharapkan mampu menjadi contoh dan mengedukasi masyarakat melalui fungsi tanam - distribusi - konsumsi - daur ulang untuk mewujudkan keseimbangan pangan masyarakat. Metode perancangan adalah respon terhadap tapak, dimana hasil rancangan yang dihasilkan berasal dari kebutuhan kawasan dan tapak itu sendiri. Sistem hijau dan bekerlanjutan dipilih sebagai pendekatan secara arsitektur untuk mewujudkan keberlanjutan proyek dan bangunan. Rancangan pada tapak adalah menjadikan proyek sebagai wadah kegiatan masyarakat dan kontribusi Ruang Terbuka Hijau bagi kota dan komunitas masyarakat Rawa Belong. Konstruksi dan penggunaan material dirancang sesuai dengan konsep keberlanjutan dengan memperhatikan efisiensi dan daur ulang energi terbarukan seperti cahaya matahari dan limbah pangan serta minim penggunaan penerangan artifisial dan penyejuk udara sehingga dinding fasad dibuat agar bisa memberikan ventilasi alami pada seluruh ruangan. Rancangan bangunan yang bersifat dinamis diharapkan mampu meningkatkan pengunjung sebagai tujuan edukasi dan wisata kuliner serta kegiatan masyarakat di Rawa Belong dan sekitarnya, sesuai dengan program yang diusulkan pada proyek seperti area lokakarya untuk belajar, area restoran dan kafe sebagai daya tarik kuliner, dan area multifungsi untuk kegiatan masyarakat.


Arsitektura ◽  
2018 ◽  
Vol 16 (1) ◽  
pp. 67
Author(s):  
Ivana Thalia ◽  
Made Suastika ◽  
Leny Pramesti

<p class="Abstract"><em>Modern architecture is an approach in the field of architectural engineering that is used as a design approach. The research is done to discuss the field of architectural engineering, especially in planning and design. The purpose of this research is to reveal the concept of planning and design on the application of modern architecture as a design method in Wedding Center building in Surakarta. The method used is a descriptive explorative method on the preparation of planning and modern architecture design methods on the building design. Modern architectural design method is used as a method of design approach on building Wedding Center in Surakarta in order to be able to provide a building image in accordance with the concept of Wedding Center building as a one-stop wedding service in Surakarta. The results and discussion of analysis in this research are qualitative analysis. The final concept formed from this research is a conceptual model and the physical design model of Wedding Center with Modern Architecture Approaches in Surakarta.</em></p>


2013 ◽  
Vol 671-674 ◽  
pp. 2344-2350
Author(s):  
Jing Sun ◽  
Kun Zhou ◽  
Shu Guang Zhu

This paper mainly discusses the influence of Huipai architecture on modern building design, and deals with the typical building forms and characteristics of location and layout. Taking an example of architectural design and course assignments we expound characteristics of Huipai influence on modern architecture, and finally the paper summarizes some techniques related to building design.


2014 ◽  
Vol 73 (2) ◽  
pp. 226-247 ◽  
Author(s):  
Sarah Deyong

In An Architectural Theory of Relations: Sigfried Giedion and Team X, Sarah Deyong uncovers an important aspect of the theoretical framework underpinning Team X’s work: Sigfried Giedion’s philosophical orientation and aesthetic theories in the late 1940s and early 1950s. Because Giedion is often seen as an old-guard CIAM (Congrès Internationaux d’Architecture Moderne) member that Team X opposed, his contribution to Team X’s design method has been grossly underestimated. Deyong rectifies the link between Giedion and Team X to accomplish two goals. She casts new light on Giedion’s unique contribution to the reinvention of modern architecture at midcentury, and she offers a new interpretation of Team X’s legacy, constructed around missing pieces of the group’s intellectual history. Deyong’s evidence for this argument derives from two archival sources in particular: Giedion’s papers in the Archives of the Institute for the History and Theory of Architecture (gta Archives) in Zurich, and the unpublished transcripts of Team X meetings, housed in the Collection Het Nieuwe Instituut in Rotterdam.


Author(s):  
Roger Such Sanmartin

Resumen: En 1966 Robert Venturi publica Complexity and Contradiction in Architecture. Este libro representa uno de los alegatos más severos contra las limitaciones de la arquitectura moderna. Concebido como un ensayo visual, mediante una colección de ejemplos de épocas y lugares muy heterogéneos, las tesis de Venturi denotan una fuerte animadversión hacia las posiciones funcionalistas de la ortodoxia moderna. De entre todas las obras que lo ilustran, Le Corbusier aparece paradójicamente como el arquitecto al que más se alude y la Villa Savoye, por sorpresa, como la obra de referencia. Frente a la lectura establecida y canónica de la arquitectura de Le Corbusier, el análisis de Venturi supone una mirada fresca y alternativa de sus posiciones teóricas. A través de sus estrategias basadas en la fenomenología de la complejidad y la contradicción, Venturi descubre la arquitectura tensa y vibrante de Le Corbusier que, sin renunciar nunca a sus convicciones modernas, tampoco sucumbió ante ellas. Abstract: In 1966 Robert Venturi publishes Complexity and Contradiction in Architecture. This book represents one of the most serious allegations against the limitations of the modern architecture. Conceived as a visual essay, with a collection of examples from different times and places, the text of Venturi denotes a strong hostility against the functionalist positions of the orthodox Modern architecture. Paradoxically, in the book of Venturi, Le Corbusier appears as the most mentioned architect and the Villa Savoye -by surprise- as the most quoted work. In opposition of the classical view of Le Corbusier’s work, the analysis of Venturi represents a new fresh look and alternative view of his theoretical positions. Through his multiple strategies based on the phenomenology of complexity and contradiction, Venturi discovered the intense and vibrant architecture of Le Corbusier who, without ever renouncing his modern convictions, he didn’t succumb to them.  Palabras clave: Le Corbusier, Venturi, Complejidad y contradicción, Norma y transgresión. Keywords: Le Corbusier, Venturi, Complexity and Contradiction, Norm and Transgression. DOI: http://dx.doi.org/10.4995/LC2015.2015.827


2009 ◽  
Vol 6 ◽  
pp. 12-20
Author(s):  
Kate Linzey

In 1984, the book-of-the-television-show The Elegant Shed was released by Otago University Press, and subsequently reviewed by Libby Farrelly in New Zealand Architect (1985) 2:39-40. Declaring the cover "wholly seductive ... glutinous sensuality," but its contents only "occasionally brilliant," Farrelly asks a lot of a not very big volume: to be "a definitive treatise on New Zealand's architecture." Though concluding that such a demand was "unsupporting" Farrelly's persistent fear is that David Mitchell and Gillian Chaplin lacked a "valiant idea." The review included the plan of Hill, Manning, Mitchell Architects' design for the Auckland School of Music. Citing Mitchell's comment in The Elegant Shed that "there was no logical connection between the side of a grand piano and the shape of a noise deflecting wall," Farrelly warns that such arbitrary aesthetics condemns architecture to mere "applique." Though "applique" is not, strictly speaking, collage, patching together is an apt description of the design process evident in the Music School plan. In their description of the design Hill, Manning, Mitchell Architects tauntingly declared that the project contains elements of "Baroque, Spanish Mission and Post-Modern" architecture (New Zealand Architect (1981) 5/6:1-3), and suggested that their transition from being "straight-line modernists" to "sensuous and baroque... [is] not unexpected in middle age." This paper will discuss Manning & Mitchell's design of the Auckland Music School in the context of their own writings and seminal international texts on the post-modern architecture, Learning From Las Vegas (1972) and Complexity and Contradiction (1966) by Robert Venturi et al. and Colin Rowe's Collage City (1978). I will argue that the hardest thing for architecture to bear/bare, especially New Zealand architecture, is a sense of humour.


ARSNET ◽  
2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Bramasta Putra Redyantanu

The purpose of this paper is to reflectively explore minimalist architecture as an architecture that is driven by the reduction-based design method. The discussion aims to reframe the design processes and methods of minimalist architecture as informed by field observation. The phenomenon of applying a minimalist architectural approach has become a trend in small-scale housing in Indonesia lately. In the country, the small-scale residential design processes take place in different contexts and are faced with various limitations, from resources, budgets, land size, materials, and so on. The study will frame this discussion around exploring the reductive design method as a way of responding to these limitations. Informed by design strategies from the modern architecture movement, the study was conducted by observing reduction strategies in eight small-scale domestic design which was published and well-narrated in various media. The study findings demonstrate that the reduction does not only exist in the visual aspect of the design and construction process. It also exist in numerous other design elements, such as materials, forms, spaces, and ornamentation, as a strategic response towards the limitations of various resources.


2021 ◽  
Author(s):  
◽  
Isabelle Bush

<p>The ‘material turn’ of the twentieth century focuses on the vibrancy of matter and non-human agency, providing an engaging platform from which to re-assess, and also promote, the role of materiality in design. The material turn draws away from a ‘representational’ paradigm towards a focus on materials as being non-objective, performative and responsive, where materials operate as authoritative matter. This design research thesis investigates the agential capacity of materials to amplify atmospheric experience in architecture. Through this research proposition, the thesis harnesses contemporary material perspectives to drive a series of enquiries that explore material agency in design. Within this framework, the design research seeks to strengthen relationships between user, matter and site. This method engages and evaluates materials on a tactile and emotional level, reflected in its atmospheric outputs.  Ultimately, the design research employs materiality as an agent in the production of a 1:1 scale installation and two speculative building designs at the domestic and public scale. A historic site in East London has been selected to provide the contextual and material foundations for the design research. This thesis concludes that materials have an ability to exert force on the design process when they are engaged in a responsive feedback loop which acknowledges the transformative capacity of both ‘human’ and ‘nonhuman’ elements. The dynamic nature of scaling as a design method supported these findings by encouraging progressive dialogue between matter and design process.</p>


2019 ◽  
Vol 9 (19) ◽  
pp. 4076 ◽  
Author(s):  
Sha Liu ◽  
Xin Ning

Buildings are one of the largest energy consumers in the world, and have great energy saving potential. Thermal systems and lighting systems take most of the energy in a building. Comparing with the optimization solutions developed for a thermal system, the research of improving the lighting system is insufficient. This study aims to improve the lighting environment and reduce the energy by optimizing the building design, which has the largest potential for cutting energy economically compared with the other stages in the life cycle of a building. Although many approaches have been developed for building design optimization, there is still one big problem obstructing their successful practices, in that the designers who take the responsibility of making building designs are not experts in building physics, thus they are not capable of calculating the most appropriate parameters and operating the professional software to optimize their designs. Therefore, this study proposes a user-friendly method for designers to improve building designs. Firstly, Building Information Modeling (BIM) and particle swarm optimization algorithm are applied to build an intelligent optimal design search system. The optimized design from this system can largely use daylighting for internal illumination and save energy. Secondly, different types of lighting control systems are compared and the one which can save maximal energy is added to the selected optimal design. A case study demonstrates that optimized designs generated by the proposed design method can save large amounts of life cycle energy and costs, and is effective and efficient.


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