scholarly journals The Roman epigraphic collection of 17th century antiquarian Ferenc Lugossy from Petreștii de Jos (Cluj County)

2020 ◽  
Vol 57 ◽  
pp. 187-204
Author(s):  
Dávid Petruț ◽  
Keyword(s):  
Original Composition ◽  
20Th Century ◽  
19Th Century ◽  
Construction Material ◽  
17Th Century ◽  
Stone Monument ◽  
15Th Century ◽  
Humanist Tradition ◽  
Set Up ◽  
The 19Th Century

The question of Roman epigraphic and antiquities collections in Transylvania is typically associated with the antiquarian activity of the local aristocracy during the 19th century, especially the “ruin parks” set up on their country estates. The beginnings of these antiquarian endeavours however date back to much earlier times, being linked to the circle of humanist church intellectuals active in Alba Iulia/Gyulafehérvár starting with the 15th century. The collection founded by Ferenc Lugossy, prominent member of the Transylvanian princely court during the second half of the 17th century, can be regarded as a later manifestation of the aforementioned humanist tradition, even though it was established at his estate in Petreștii de Jos/Magyarpeterd, situated at the foot of the Turda Gorge (Cheile Turzii/Tordai‑hasadék), rather than the princely capital. The sources indicate that we are dealing with one of the most important, if not the most important local Roman stone monument collections of the time. Documents also inform us that following the death of its founder – probably in 1692 – the collection swiftly began to disintegrate, and by the beginning of the 20th century it had completely ceased to exist, the monuments being either taken away or used as construction material by the locals. The present paper is an attempt to reconstruct the history and original composition of this important collection.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

On the Origin of the Zaraysk Gospel

2021 ◽  
Vol 70 (2) ◽  
pp. 193-204
Author(s):  
Alexey B. Mazurov ◽  
Alexander V. Rodionov
Keyword(s):  
19Th Century ◽  
17Th Century ◽  
Theoretical Development ◽  
Old Russian ◽  
15Th Century ◽  
Art Historians ◽  
Ancient Manuscripts ◽  
The 19Th Century ◽  
The Temple ◽  
The Church

The article considers theoretical development of the problem of the origin and provenance in the 15th — the first quarter of the 19th century of the famous Old Russian book monument — the Zaraysk Gospel. Although it has repeatedly attracted the attention of archaeographers, textologists, paleographers, linguists and art historians, this article is the first experience of studying these issues. Created in 1401 in Moscow, the Gospel, which is parchment manuscript, was purchased in 1825 by K.F. Kalaidovich for Count N.P. Rumyantsev from the Zaraysk merchant K.I. Averin, that determined its name by the place of discovery. The scribe book of Zaraysk in 1625 in the altar of the Pyatnitsky chapel of the St. Nikolas wooden church (“which’s on the square”) in the city’s Posad, recorded the description of the manuscript Gospel, corresponding by a number of features to the Zaraysk Gospel. The connection of the codex with the St. Nicholas church is indirectly confirmed by the drawing of the church placed on one of its pages (f. 156 ver.) with the remains of inscription mentioning St. Nicholas the Wonderworker. This allows concluding that the manuscript in the 17th century was in the book collection of the temple. In the 17th century, the ancient St. Nicholas church was re-consecrated to the Epiphany, and the sacristy was moved to the stone St. Nicholas cathedral in Zaraysk. It is most likely that in the first quarter of the 19th century, the merchant K.I. Averin purchased the Gospel from the members of the cathedral’s clergy. The article analyzes the context of the early contributions of the 15th century “to the Miraculous Icon of St. Nikolas of Zaraysk”, one of which, most likely, was the parchment Zaraysk Gospel. The authors assume that this contribution is related to the chronicle events of 1401 or 1408. The study is significant in terms of the theoretical development of methods for identifying ancient manuscripts and their origin.

Hans Memling

2015 ◽  
Author(s):  
Mitzi Kirkland-Ives
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Large Scale ◽  
Strong Influence ◽  
Northern Europe ◽  
High Profile ◽  
15Th Century ◽  
Italian Art ◽  
Second Tier ◽  
The 19Th Century

Hans Memling (b. c. 1440–d. 1494) was a German-born painter active in Bruges, Belgium, from 1465 to his death in 1494. Over the thirty years of his known activity Memling was one of the most successful painters in Bruges, producing works ranging from small devotional panels and individual portraits to large-scale retables for both a local and an international clientele. Memling was especially popular among the communities of foreign merchants and bankers present in Bruges, then among the most important mercantile centers of northern Europe. Memling was respected as one of the best-known northern artists internationally after his death, and ranked alongside such artists as Raphael in the 19th century and considered a paragon of pious medieval Christian artists—appealing to the Romantic tastes of that era—but his critical fortunes turned with 20th-century preferences and he was relegated by some scholars to the second tier of artists. The 500th anniversary of Memling’s death in 1994, however, saw a resurgence of interest in Memling’s work. In the years that have followed a number of high-profile exhibitions and related catalogues and essay collections have contributed greatly to the study of his work and legacy, as have a number of updated catalogues raisonnés. Today Memling is recognized as among the first rank of painters of the last quarter of the 15th century, particularly appreciated as a leading innovator in portraiture—among other contributions developing further the devotional portrait diptych—and credited with the development of novel new compositions (especially ingenious are the narrative panoramas). Memling is also recognized for his place among those northern artists identified as having a strong influence on developments in Italian art in the last quarter of the 15th century through his international clientele and the resulting presence and reception of his work in Florence in particular.

Revolutionary England, 1642-1702

2010 ◽  
Author(s):  
Sarah Covington
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
17Th Century ◽  
Historical Narrative ◽  
National Myth ◽  
British Identity ◽  
History Of ◽  
The 19Th Century ◽  
The Revolution

The 17th century is one of the most important periods in England’s history, eliciting highly charged and often ideologically driven debates among scholars. The story of England, as it was told during the 19th century, was central in defining British identity and creating a national myth, known as Whig history, of triumphant progress toward liberty. Not surprisingly, the 20th century revised this history in accordance with contemporary ideologies that included communism, while the 1970s witnessed a further revisionist turn when Conrad Russell, most notably, asserted the contingent nature of the causes leading to the war, in response to the traditional position that emphasized long-term events originating in a division between the crown and an oppositional parliament. This position has, unsurprisingly, been amended in recent years. Meanwhile, another shift has extended the midcentury upheavals to include the “Three Kingdoms” approach, which decenters England in its readings and incorporates Scotland and Ireland into the larger turmoil. But the 17th century was not simply about the Civil War and Interregnum dominated by Cromwell; the Restoration itself was also determined by the events that preceded it, with continuities as well as the more obvious cultural and political shifts blurring the demarcating historical line. And in some respects, the revolution of 1688 served as a culminating answer to the questions raised but never fully resolved by issues earlier in the century. Whether the revolution of 1688 was truly significant or not—and it was certainly once thought to be the crowning achievement of liberty and rights—has itself provoked debate, with James II’s “absolutism” or William III’s victory convincingly modified by historians. So many debates abound, and so many figures are subject to different readings, that it is difficult to fix this period into any stable meaning without lending it heavy qualifications. As a result, it is revealing that an increasingly common subgenre in the field consists of books solely devoted not to the history of these revolutionary years, but to the debates about it—just as the names of historians such as Gardiner, Hill, Stone, or Russell have become inextricably a part of the historical narrative as well. Such debates will continue as long as the 17th century resists clear interpretation—a testament to the dramatic complexity of the time, and to the historians who continue to interpret it.

scholarly journals MIDDLE BRONZE AGE JERUSALEM: RECALCULATING ITS CHARACTER AND CHRONOLOGY

Radiocarbon ◽  
2021 ◽  
pp. 1-31
Author(s):  
Johanna Regev ◽  
Yuval Gadot ◽  
Helena Roth ◽  
Joe Uziel ◽  
Ortal Chalaf ◽  
...  
Keyword(s):  
Bronze Age ◽  
19Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Southern Levant ◽  
15Th Century ◽  
Middle Bronze Age ◽  
In The Beginning ◽  
The 19Th Century ◽  
Early Phases

ABSTRACT The following paper presents the results of radiocarbon (14C) dating of Middle Bronze Age (MB) contexts in Jerusalem. The dates, sampled with microarchaeology methods from three different locations along the eastern slopes of the city’s ancient core, reveal that Jerusalem was initially settled in the early phases of the period, with public architecture first appearing in the beginning of the 19th century BC and continued to develop until the 17th century BC. At that time, a curious gap in settlement is noted until the 16th century BC, when the site is resettled. The construction of this phase continued into the early 15th century BC. The dates presented are discussed in both the site-level, as well as their far-reaching implications regarding MB regional chronology. It is suggested here that the high chronology, dating the Middle Bronze Age between 2000 and 1600 BC is difficult to reconcile with dates from many sites. In contrast, a more localized chronology should be adopted, with the Middle Bronze Age continuing into the early 15th century BC in certain parts of the southern Levant, such as the region of Jerusalem.

scholarly journals Eesti- ja Liivimaa libahundipärimus rahvapärase ontoloogia muutumise peegeldajana

Mäetagused ◽  
2021 ◽  
Vol 80 ◽  
pp. 71-88
Author(s):  
Merili Metsvahi ◽  
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Modern Society ◽  
17Th Century ◽  
Human Mind ◽  
The Other ◽  
Human Being ◽  
The World ◽  
The One ◽  
The 19Th Century

The article gives a short overview of the Estonian werewolf tradition in the 16th and 17th centuries and a glimpse into the 19th–20th-century werewolf beliefs. The image of werewolf of the earlier and later periods is compared. The differences between the images of these two periods are explained with the help of the approaches of Tim Ingold and Philipp Descola, which ground the changes in the worldview taking place together with the shift from the pre-modern society into modernity. The mental world of the 16th–17th-century Estonian and Livonian peasant did not encompass the category of nature, and the borders between the human being and the animal on the one side and organism and environment on the other side were not so rigid as they are in today’s people’s comprehension of the world. The ability to change into a wolf was seen as an added possibility of acquiring new experiences and benefits. As the popular ontology had changed by the second half of the 19th century – the human mind was raised into the ultimate position and the animal was comprehended as being inferior – the transformation of a man into an animal, if it was seriously taken at all, seemed to be strange and unnatural.

scholarly journals ON THE DATE OF BIRTH OF PATRIARCH HADRIAN OF MOSCOW AND ALL RUSSIA

2019 ◽  
pp. 88-93
Author(s):  
A. G. Avdeev
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Critical Analysis ◽  
17Th Century ◽  
Early 20Th Century ◽  
Visual Study ◽  
The 19Th Century ◽  
Source Of Information ◽  
Made In

The Russian historiographic sources recognize three probable birth dates of Hadrian, the last Patriarch of Moscow and all Russia in 17th century, i.e.1627, 1637 and 1639. The fourth date, 1636, is not widely recognized. Two epitaphs to the Patriarch Hadrian, both written by Karion Istomin, a major court poet of that time, serve as the main source of information about the life of the head of the Russian Church. The first epitaph is prosaic, mounted on his tomb in the shrine of the heads of the Russian Church in the Assumption Cathedral in the Moscow Kremlin, and the second is poetic, preserved in the papers of the poet. . This paper establishes that the cause of chronological differences were errors in reading and interpreting the date of the Patriarch's death in the prosaic epitaph, which were made in historical studies of the 19th - early 20th century and without cross-checking with the gravestone inscription were reproduced in various publications. A visual study of the prosaic epitaph, conducted by the author in March 2014, indicates that Patriarch Hadrian died on October 2, 1700 at the age of 62 . The same date is written in the poetic epitaph. The “birthday” of Patriarch Hadrian (October 2), also raises doubts; most likely this date originated in the 19th century on the basis of the day of his baptism. The conducted research on the base of combination of archival sources and critical analysis of the writings of historians of the 19th - early 20th centuries established that Patriarch Hadrian was born in 1638.

scholarly journals SIMETRISITAS SEBAGAI KOSMOLOGI RUANG JAWA PADA RUMAH KOLONIAL DI KAMPUNG BUBUTAN SURABAYA (The Symmetricity of Colonial House as Javanese Space Cosmology at Kampung Bubutan Surabaya)

2015 ◽  
Vol 12 (2) ◽  
pp. 141
Author(s):  
Risqi Cahyani ◽  
Lisa Dwi Wulandari ◽  
Antariksa Antariksa
Keyword(s):  
The Netherlands ◽  
Qualitative Methods ◽  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Living Room ◽  
Main Principle ◽  
15Th Century ◽  
Two Phases ◽  
The 19Th Century

Symmetricity is part of the Javanese Cosmology that describes the perfection of Javanese. Symmetricity has been the main principle in Javanese house, not only in the faade of the house but olso the hierarchy of spatial inside. Kampung Bubutan is the ancient settlement experienced two phases of Government which strongly influenced the architectural character, which at the time became the Kingdom of Mataram (15th century) and the colonialism of the Netherlands (17th century up to the 19th century). The remains of the era of colonialism in Surabaya can still be felt by many colonial buildings surounding in the settlement. This study will explore how the principles of Javanese symmetricity in Kampung Bubutan colonial house, by using descriptive qualitative methods. Can the Javanese symmetricity still become principal in colonial house and survive? The results shows that the symmetricity of fasade became decreased at the last peroide of 19th century, when the NA-Romantiek was popular. Spatial symmetricity at the colonial houses have inconsistancy since the beginning of 19th century until the early 20th century. The main hierarchy of the spatial Javanese House, which are pendopo (verandah), pringgitan (foyer), dalem (living room) and senthong (bedroom), have become inconsistence since the end of 19th century periode

scholarly journals Von der Nachhaltigkeit als Beschränkung zur nachhaltigen Entwicklung als Programm | From Sustainability as a Limiting Factor to a Sustainable Development as a Policy

2000 ◽  
Vol 151 (12) ◽  
pp. 497-501 ◽  
Author(s):  
Anton Schuler
Keyword(s):  
Sustainable Development ◽  
20Th Century ◽  
19Th Century ◽  
Production Capacity ◽  
17Th Century ◽  
Limiting Factor ◽  
Time Period ◽  
Calculation Parameter ◽  
The 19Th Century

The development of sustainability is presented on the basis of quotations from German forestry literature published from the 17th century up until now. At the beginning of this time period, the demand for sustainability was limited to the exploitation of the increment. However, in the 19th century,the conservation of the site's production capacity was included and ‹sustainability› was backed up by arguments such as the forest’s role within the forest economy. In the 20th century,sustainability developed from a mere calculation parameter to a behavioural norm with regard to all interventions dealing with forest and ecosystems.

scholarly journals Zwermen mensen en véél water – Tsjechen over het Nederlandse landschap

2019 ◽  
Vol 28 ◽  
pp. 105-118
Author(s):  
Wilken Engelbrecht
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
17Th Century ◽  
The Third ◽  
Karel Capek ◽  
The 19Th Century

Swarms of people and lots of water – Czech people on the Dutch landscapeThe paper concerns the image of Dutch scenery in several travel messages of Czech people from the 17th through the 20th centuries. The paper starts with the presentation of two diaries written in the 17th century by the Counts Sternberg and the Protestant Hartmann. One of the first real Czech tourists of the 19th century Josef Štolba is the third author discussed in this study. Then, the paper focuses on the better-known writer Karel Čapek and ends with the discussion of two 20th-century travellers. The paper aims to show which elements are constant in the Czech picture of the Dutch landscape throughout the centuries.

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