Aggiornamento on Campus

2020 ◽  
pp. 157-188
Author(s):  
Christopher J. Renz
Keyword(s):  
College Students ◽  
Cultural Heritage ◽  
Art Music ◽  
Santa Fe ◽  
Catholic Faith ◽  
Fundamental Relationship ◽  
Catholic Liturgy

Beginning in 1960, William Blase Schauer, a Dominican friar of the Province of the Most Holy Name of Jesus, developed innovative ideas for telling a story to disengaged college students of the fundamental relationship between Catholic worship (Mass and domestic rituals) and its cultural heritage—its rich tradition of art, music, and theater. Using the themes of symbol, season, and heritage, he capitalized on the catechetical nature of the liturgy in order to draw them back more deeply into their Catholic faith. With initial success in Las Cruces, he transferred the “experiment” to Santa Fe where it achieved national success in educating clergy and parish leaders about Catholic liturgy and culture.

Robert Schuman’s Commitment to European Unification

2015 ◽  
Vol 80 (1) ◽  
pp. 140-157 ◽  
Author(s):  
Margriet Krijtenburg
Keyword(s):  
Cultural Heritage ◽  
Economic Cooperation ◽  
Foreign Affairs ◽  
Political Integration ◽  
Member States ◽  
European Continent ◽  
Catholic Faith ◽  
Common Interests ◽  
The Common ◽  
European Unification

With the eu struggling to maintain itself, it is highly relevant to look into the drive for and original vision on European unification of its principal architect, Robert Schuman, then French Minister of Foreign Affairs. The Schuman Declaration (1950) gave birth to the eu and procured the longest period of peace among its member states since the Treaty of Verdun (843). This article shows how Schuman’s Catholic faith influenced his life and therefore his politics. His drive to be a faithful instrument of Providence, supported by his origins from Alsace-Lorraine, made him strive towards peace on the European continent. He envisaged a European political integration through economic cooperation at the service of man and his transcendence and rooted in the common European spiritual and cultural heritage. This implied reconciliation, effective solidarity, subsidiarity and supra-nationality for European common interests through an integration in small steps.

scholarly journals PELESTARIAN KESENIAN RONGGENG NAGARI SIMPANG TONANG KECAMATAN DUA KOTO KABUPATEN PASAMAN

2020 ◽  
Vol 9 (1) ◽  
pp. 33
Author(s):  
Aulia Putra ◽  
Syeilendra Syeilendra
Keyword(s):  
Data Collection ◽  
Cultural Heritage ◽  
Direct Observation ◽  
Qualitative Method ◽  
Art Music ◽  
Literature Study ◽  
Life And Death ◽  
The Public ◽  
Qualitative Descriptive ◽  
Method Approach

AbstractThis writing aims to reveal about preservation as the cultural heritage of the Nagari Simpang Tonang community. The research in this thesis uses a qualitative method approach, in the form of qualitative descriptive. The results of the study are describing cultural phenomena regarding the preservation of Ronggeng Nagari Simpang Tonang arts. Data collection is done by direct observation techniques, with the approach of observation, interviews, recording and recording and using documentation and literature study. The preservation of Ronggeng's art now depends on the willingness, effort and efforts of local artists. It means that the life and death of Ronggeng art lies in the hands of artists. Local artists are the only people who are responsible and responsible today for the preservation of Ronggeng art. Whereas the public only wants to be a loyal audience. If the number of artists decreases and at one time all of them are no longer physically able to activate or they have died, it can be predicted Ronggeng art will be extinct in Nagari Simpang Tonang. Therefore, Ronggeng's art today is very dependent on the efforts and efforts of artists in their activitiesboth formally and informally.Keywords: Art, Music, Ronggeng, Culture

scholarly journals PROTECTION ON CULTURAL EXPRESSION AS A COPYRIGHTS OF THE KAKULA TRADITIONAL MUSIC

2016 ◽  
Vol 1 (2) ◽  
pp. 139
Author(s):  
Ratu Ratna Korompot ◽  
Nurul Miqat
Keyword(s):  
Cultural Heritage ◽  
Secondary Data ◽  
Traditional Music ◽  
Musical Instrument ◽  
Art Music ◽  
Primary Data ◽  
Cultural Resources ◽  
Cultural Expression ◽  
Approach Method ◽  
The City

Legal instruments that can be used to protect music Kakula as traditional cultural heritage namely Intellectual Property Rights, in this case the rules relating to Copyright can be used as a basis for the protection of traditional musical art music Kakula. Copyright law provisions can be used as a basis for protecting cultural works are included in the scope of knowledge of art and literature. Kakula is a traditional musical instrument which is the traditional cultural heritage which is always used at events such as marriage ritual, the coronation of noble titles or formal occasions regions. The approach method in use is normative and normative anthropology, which takes secondary data and primary data through interviews with the parties relating to the cultural resources in the city of Palu, Donggala, and Sigi. As a result of the research after proposed in 2015, in 2016 coincided Kakula has been proposed to register as one of the Objects of Folklore.

scholarly journals Video Game Development in India: A Cultural and Creative Industry Embracing Regional Cultural Heritage(s)

2021 ◽  
pp. 155541202110451
Author(s):  
Xenia Zeiler ◽  
Souvik Mukherjee
Keyword(s):  
Cultural Heritage ◽  
Video Game ◽  
Art Music ◽  
Creative Industry ◽  
Game Development ◽  
Video Game Development ◽  
History Of ◽  
Recent Trends ◽  
Production Practices ◽  
Made In

Game development and production practices are complex and highly reflected processes—worldwide. This explorative article discusses video game development as a cultural and creative industry in India, including the industry’s history and introducing recent trends which indicate profound transformations—the use and implementation of Indian cultural heritage in game settings. In the rather short history of Indian game development as compared to other countries—a significant number of games made in India first were produced around 2010—the industry has already lived through big changes and challenges. This article aims at introducing Indian game development and argues that especially independent (so-called indie) game studios in their search for their own, region-specific game development and stand-alone characteristics for Indian games increasingly turn to what they perceive as their own cultural heritage, including, for example, elements from history, art (music, dance, dress styles, and others), and architecture.

A MELTING POT OF MALANG: LINGUISTICS LANDSCAPE OF MALANG CULINARY SIGNS

Lire Journal ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 254-275
Author(s):  
Milania Fitri Iwana ◽  
Emy Sudarwati
Keyword(s):  
College Students ◽  
Data Collection ◽  
Cultural Heritage ◽  
Language Use ◽  
Public Spaces ◽  
Foreign Languages ◽  
State University ◽  
Melting Pot ◽  
Qualitative Descriptive ◽  
The University

There are numerous studies of linguistics landscape or study of texts in public spaces. However, study on the culinary sign is still rare in Indonesia. Thus, this paper explores the linguistics landscape of culinary signs around campus in Malang, East Java, Indonesia, the melting pot of cultures and languages. The research aims to analyze the form of language use and its function. The data collection is photographing culinary signs around three advanced campuses in Malang, namely the University of Brawijaya, State University of Malang, and the University of Muhammadiyah Malang. Qualitative descriptive was used in analyzing the data. The results showed that Indonesian, English, and Javanese are the most frequent languages used in culinary banners or storefronts and other foreign languages (Japanese, Korean, Arabic, Malay) and vernaculars (Sundanese, Banjarese, Minangnese). It was found that the Malang culinary linguistics mirrored the taste and service of the store. Furthermore, foreign languages are becoming a way to go global and known by college students who most like modernization. The use of Javanese also acts as a symbol of maintaining the cultural heritage of Javanese people.

scholarly journals The application of impact counselling in therapy started with individual counseling expressive to cope the personal problems by college students

2017 ◽  
Vol 2 (2) ◽  
pp. 63
Author(s):  
Syahniar Syahniar
Keyword(s):  
College Students ◽  
Art Music ◽  
Creative Arts ◽  
Individual Counseling ◽  
Creative Arts Therapy ◽  
Teaching Process ◽  
Personal Problems ◽  
Music Drama ◽  
Expressive Therapy ◽  
The Impact

Various approaches and theory can be applied to help students to cope personal problems; one approach that can be applied is the impact counseling. Impact Therapy is a teaching process that carried out by the counselor, where a counselor wrote and visualized to clients about what the client wants, the client will do, how clients assess their behavior and how clients to plan what to do next. This is illustrated by Ed Jacobs As WDEP (Want, Doing, Evaluate, and Plan). Before using the impact counseling for students who are not able to communicate the problems that they experienced first counselor implemented expressive therapy. Expressive therapy known as a therapy in counseling and psychotherapy in which the client can communicate and express its feelings and their thoughts through activities related to art, music, dance, drama, poetry, as well as games. Expressive therapy is also called the "Creative Arts Therapy". Especially art, music, drama and poetry

scholarly journals Mapping the Soundscape in Communicative Forms for Cultural Heritage: Between Realism and Symbolism

Heritage ◽  
2021 ◽  
Vol 4 (4) ◽  
pp. 4495-4523
Author(s):  
Eva Pietroni
Keyword(s):  
Virtual Reality ◽  
Cultural Heritage ◽  
Cultural Context ◽  
Mixed Reality ◽  
Sound Design ◽  
Place And Space ◽  
The Public ◽  
Fundamental Relationship ◽  
Mind And Body ◽  
Acoustic Space

The dimension of sound plays a central role as a form of cultural representation. Sound is a means of knowledge and experiential involvement, as it is inextricably linked to place and space, mind and body, cultural context and emotion. This contribution aims to explore how sound design follows different paradigms and methods in the various media. Virtual reality, videogame, cinema and documentary have differently codified rules to provide acoustic verisimilitude to the simulated space, to orient or stimulate the user, to suggest contents or evoke events and to emotionally involve the public. These rules follow artistic principles closer to psychoacoustics than to scientific reproduction of sound in the simulated space. Under what conditions, however, is the scientific simulation of an acoustic space preferable to the more common paradigms of psychoacoustics? How could this be created? Immersive and non-immersive virtual reality for cultural heritage is currently the field of experimentation most open to future developments. Some virtual reality and mixed reality applications will be presented, dedicated to archaeological or historical-artistic contexts, where a fundamental relationship between sound and multisensory interaction has been created.

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