The Role of the Advisor for the Gallery Guggenheim Jeune Establishment in London (1938–1939). The Cultural Stage at London in the End of the 30th Years of the XX Century and the Place of Peggy Guggenheim in it

2018 ◽  
Vol 2 (1) ◽  
Author(s):  
Mila Stareyshinska-Angelova ◽  
Keyword(s):  
Modern Art ◽  
Art Gallery ◽  
Art Scene ◽  
The Status ◽  
Short Time

The presented research aims to study the work of Peggy Guggenheim as a gallerist. In 1938, she opened her first art gallery named Guggenheim Jeune in London. The status of the gallery is private, commercial and independent. The gallery is inaugurated in January 1938 and closed in June 1939. For the short time the gallery has been operating, it has contributed to the development of the London modern art scene. The work of Peggy Guggenheim and the management of her gallery during this period were determined by her advisors, who played a key role in the formation of the gallery and the development of her career as a gallerist.

scholarly journals Editorial foreword

2010 ◽  
Vol 2 (2) ◽  
pp. 127-130
Author(s):  
Silviu-Marian Miloiu
Keyword(s):  
International Relations ◽  
The Black Sea ◽  
First Year ◽  
Art Gallery ◽  
Archival Documents ◽  
The Status ◽  
Eastern Question ◽  
History Of ◽  
Sea Area

This issue of Revista Română pentru Studii Baltice şi Nordice [The Romanian Journal of Baltic and Nordic Studies, RRSBN] crowns a year of steady progress in terms of number and quality of the programs and actions run by The Romanian Association for Baltic and Nordic Studies (ARSBN). The highlights of this year have been the first international conference for Baltic and Nordic Studies in Romania entitled Romania and Lithuania in the Interwar International Relations: Bonds, Intersections and Encounters, the opening of the exhibition dedicated to the 90th anniversary of the establishment of the Romanian-Finnish diplomatic relations (exhibition which has travelled since its first opening about 850 miles) and of the first Lithuanian exhibition displayed in a Romanian art gallery and the awarding of the title of Doctor Honoris Causa of Valahia University to Dr. Vladimir Jarmolenko, the Ambassador of Lithuania to Bucharest and Honorary Chairman of our Association. Besides, the members of the Association have been involved in research whose results have been disseminated in books, international and national conferences, thus contributing to the spreading of knowledge and the encouragement of debates on subjects close to its aims. The second issue of RRSBN also brings a novelty in the meaning that 2010 is the first year when the journal is published biannually as it will appear henceforth. Having been projected at the end of 2008, its first volume was published in November 2009. The articles published in this issue bring forth new documentary evidences and fresh interpretations upon a variety of topics regarding the history, the history of international relations or the history of commercial bonds of Baltic and Nordic European nations, in some cases in connection to the developments in the Black Sea area. In spite of the array of topics, some sections can be however distinguished. The first one encompasses the two articles signed by Costel Coroban and Veniamin Ciobanu regarding the role of Sweden in the international relations at the beginning of the 18th and of the 19th centuries when this power had to cope with its declining role in the international relations. After its defeat in the Battle of Poltava, Sweden gradually came to be regarded as the minor actor in the international diplomatic game in comparison with its more powerful neighbors of Britain, Russia or Napoleon’s France. The first article describes how Sweden tried to rise again to the status of Great Power with the financial support of the Jacobites and what were the international implications of the plot in which Swedish emissaries have allowed themselves to be engaged in Britain. Integrating a number of nine important archival documents, the second article proves the wide interest of Sweden regarding the international circumstances leading to the downfall of Imperial France in its attempt to adopt a wise foreign policy to compensate through the annexation of Norway for the loss of Finland to Tsarist Russia in 1809. Thus, Sweden was also looking to the developments of the Eastern Question and to the policies of Britain, France and Russia with regard to the Ottoman Empire.

Prelapsarian landscapes and post-diluvian politics in mid-century Iraqi art

2021 ◽  
Vol 15 (1-2) ◽  
pp. 67-83
Author(s):  
Huma Gupta ◽  
Suheyla Takesh
Keyword(s):  
Modern Art ◽  
National Development ◽  
Status Quo ◽  
Guiding Principle ◽  
Political Transformations ◽  
Surrounding Environment ◽  
Modes Of Representation ◽  
Art Scene ◽  
State Patronage ◽  
The Status

The 1950s was a decade marked by radical artistic, environmental and political transformations in Iraq. The decade began with an elite-driven programme of national development and ended in a popular anti-monarchic revolution on 14 July 1958. Between these competing visions of development and revolution, members of the Baghdad modern art scene negotiated between a drive towards institutionalization and state patronage with more radical critiques of the status quo. In 1950, for instance, the artist Faiq Hassan founded The Pioneers (Ar-Ruwwād) collective. It grew out of La Société Primitive, which Hassan originally established under the guiding principle that art should be taken outside the studio and into the streets. Their objective was to paint ‘directly from the surrounding environment’ (Floyd n.d.). But what exactly did Iraqi artists consider to be the environment? This article addresses this question by examining the divergent modes of representation adapted by mid-century Iraqi artists to reflect their environmental imaginations. These imaginations ranged from romantic depictions of prelapsarian landscapes to devastating floods, migration and dispossession faced by the majority of the country’s poorer inhabitants who disproportionately bore the consequences of environmental catastrophes and interventions alike.

Inaugurating the “White Passage”: Art ‘76

2021 ◽  
pp. 1-20
Author(s):  
Hera
Keyword(s):  
Large Scale ◽  
Modern Art ◽  
Historical Study ◽  
National Museum ◽  
Art Exhibition ◽  
Art Gallery ◽  
Exhibition Space ◽  
The 1960S

Abstract Within an art exhibition, the disposition of space is fundamental in experiencing artworks. A study of the exhibition space as discourse enmeshes art within a framework of relationship and processes instead of viewing art as an isolated and autonomous object. This paper features the case study of Art ‘76, the inaugural exhibition of Singapore's first large-scale institution of art, the National Museum Art Gallery (NMAG). The NMAG's opening in 1976 had been much anticipated by artists and the art audience since the 1960s, it was also an important milestone in the National Museum of Singapore's process of modernisation and revitalisation. During Singapore's post-independent period, the National Museum began to redefine itself as a civic museum focussing on Singapore's history and culture, shifting away from its previous incarnation of a research-focused colonial institution, the Raffles Library and Museum. Singapore was not alone in exploring the role of modern art in nation-building, as neighbouring Southeast Asian countries such as Indonesia, Philippines, Malaysia and Thailand also began to moot for their own institution of modern art around the same period of time. Art ‘76 and the NMAG represent a case of distinct spatial typology that arose out of unique institutional and socio-political dynamic in post-independent Singapore. In analysing the legacy as well as the relationships and contentions that shaped the spatial articulation of Art ‘76, this paper studies existing visual and oral archive, as well as critically evaluating the concepts of space as a subject of historical study.

Moscow Merz and Russian Rhythm

Experiment ◽  
2017 ◽  
Vol 23 (1) ◽  
pp. 117-126
Author(s):  
Miriam Häßler
Keyword(s):  
Twentieth Century ◽  
Modern Art ◽  
Russian Civil War ◽  
Art Exhibition ◽  
Comprehensive Overview ◽  
Russian Art ◽  
Art Scene ◽  
Remarkable Event ◽  
History Of

Abstract The Erste Russische Kunstausstellung [First Russian Art Exhibition] of 1922 was a remarkable event not only for Berlin’s art lovers at that time, but also for the history of twentieth century art. Held at Galerie van Diemen, the show gave a comprehensive overview of Russia’s artistic achievements from late Tsardom to the Russian Civil War. Of all styles in the exhibition, the non-objective art movements of suprematism and constructivism provoked the greatest sensation among the visitors, many of whom were Western artists. Relating Russia’s variations of non-objectivity with their—assumed—political notions, Western modernists reacted in various ways. This article aims at tracking the long-lasting vestiges of the Erste Russische Kunstausstellung in the personal and artistic developments of two key-figures of Germany’s modern art scene: Kurt Schwitters and Hans Richter. While the role of El Lissitzky, who designed the catalogue’s cover, has already been canonized, this article wants to highlight lesser-regarded aspects.

scholarly journals Contemporary Lithuanian Artists: Career Opportunities

2017 ◽  
Vol 13 (1) ◽  
pp. 88-110
Author(s):  
Vilma Mačianskaitė
Keyword(s):  
Modern Art ◽  
Art Market ◽  
Art Gallery ◽  
Art Galleries ◽  
Career Opportunities ◽  
Art Scene ◽  
Main Factors ◽  
Global Art ◽  
The Relationship ◽  
Contemporary Artists

Summary By analysing the careers of internationally recognized artists from Lithuania and the relationship between Lithuanian contemporary artists and art galleries and museums, the author explores the challenges faced by today’s artists and hypothetically underlines the principles that could be useful for them in seeking to enter into the global art scene. The essay analyses the lack of cooperation between artists and galleries, and the representation of artists in Lithuanian museums, which is considered to be the base of a contemporary artist’s career. The essay assesses the influence of the main participants in the art market upon artists’ careers, by investigating the Lithuanian art market’s position after the restoration of independence in 1990. Twenty Lithuanian artists, major galleries or representatives of museums (such as the National Art Gallery and the MO Museum, formerly known as the Modern Art Centre) were interviewed for the purposes of this study. This examination of the Lithuanian art market reveals the peculiarities that artists have encountered, and could help international art market players to better understand the problems that the Lithuanian art market is facing. The author seeks to identify the main factors helping artists to navigate the global art scene and the global art market.

The study of interfacial reactions of nickel thin films on GaAs

1983 ◽  
Vol 41 ◽  
pp. 156-157
Author(s):  
L.J. Chen ◽  
Y.F. Hsieh
Keyword(s):  
Thin Films ◽  
Integrated Circuits ◽  
Interfacial Reactions ◽  
Metal Contacts ◽  
Nickel Thin Films ◽  
Thin Foils ◽  
The Status ◽  
Si Doped ◽  
Electron Microscopes

One measure of the maturity of a device technology is the ease and reliability of applying contact metallurgy. Compared to metal contact of silicon, the status of GaAs metallization is still at its primitive stage. With the advent of GaAs MESFET and integrated circuits, very stringent requirements were placed on their metal contacts. During the past few years, extensive researches have been conducted in the area of Au-Ge-Ni in order to lower contact resistances and improve uniformity. In this paper, we report the results of TEM study of interfacial reactions between Ni and GaAs as part of the attempt to understand the role of nickel in Au-Ge-Ni contact of GaAs.N-type, Si-doped, (001) oriented GaAs wafers, 15 mil in thickness, were grown by gradient-freeze method. Nickel thin films, 300Å in thickness, were e-gun deposited on GaAs wafers. The samples were then annealed in dry N2 in a 3-zone diffusion furnace at temperatures 200°C - 600°C for 5-180 minutes. Thin foils for TEM examinations were prepared by chemical polishing from the GaA.s side. TEM investigations were performed with JE0L- 100B and JE0L-200CX electron microscopes.

Strategic Role of Zakat in Multidimensional Quality of Life in Sijunjung, Indonesia

2018 ◽  
Vol 15 (1) ◽  
pp. 55-72
Author(s):  
Herlin Hamimi ◽  
Abdul Ghafar Ismail ◽  
Muhammad Hasbi Zaenal
Keyword(s):  
Quality Of Life ◽  
Positive Impact ◽  
Wealth Distribution ◽  
Absolute Poverty ◽  
Before And After ◽  
The Status ◽  
Being There ◽  
The Impact

Zakat is one of the five pillars of Islam which has a function of faith, social and economic functions. Muslims who can pay zakat are required to give at least 2.5 per cent of their wealth. The problem of poverty prevalent in disadvantaged regions because of the difficulty of access to information and communication led to a gap that is so high in wealth and resources. The instrument of zakat provides a paradigm in the achievement of equitable wealth distribution and healthy circulation. Zakat potentially offers a better life and improves the quality of human being. There is a human quality improvement not only in economic terms but also in spiritual terms such as improving religiousity. This study aims to examine the role of zakat to alleviate humanitarian issues in disadvantaged regions such as Sijunjung, one of zakat beneficiaries and impoverished areas in Indonesia. The researcher attempted a Cibest method to capture the impact of zakat beneficiaries before and after becoming a member of Zakat Community Development (ZCD) Program in material and spiritual value. The overall analysis shows that zakat has a positive impact on disadvantaged regions development and enhance the quality of life of the community. There is an improvement in the average of mustahik household incomes after becoming a member of ZCD Program. Cibest model demonstrates that material, spiritual, and absolute poverty index decreased by 10, 5, and 6 per cent. Meanwhile, the welfare index is increased by 21 per cent. These findings have significant implications for developing the quality of life in disadvantaged regions in Sijunjung. Therefore, zakat is one of the instruments to change the status of disadvantaged areas to be equivalent to other areas.

The Kenya National Commission on Human Rights under the 2010 Constitutional Dispensation

2018 ◽  
Vol 26 (2) ◽  
pp. 205-226
Author(s):  
Bonolo Ramadi Dinokopila ◽  
Rhoda Igweta Murangiri
Keyword(s):  
Human Rights ◽  
Transitional Justice ◽  
National Commission ◽  
Bill Of Rights ◽  
Institutional Perspective ◽  
Post Conflict ◽  
National Human ◽  
The Status ◽  
Protection Of Human Rights

This article examines the transformation of the Kenya National Commission on Human Rights (KNCHR) and discusses the implications of such transformation on the promotion and protection of human rights in Kenya. The article is an exposition of the powers of the Commission and their importance to the realisation of the Bill of Rights under the 2010 Kenyan Constitution. This is done from a normative and institutional perspective with particular emphasis on the extent to which the UN Principles Relating to the Status of National Institutions for the promotion and protection of human rights (the Paris Principles, 1993) have been complied with. The article highlights the role of national human rights commissions in transformative and/or transitional justice in post-conflict Kenya. It also explores the possible complementary relationship(s) between the KNCHR and other Article 59 Commissions for the better enforcement of the bill of rights.

Moderating Role of Gender in the Relationship between Cognitive Errors and Anxiety among Adolescents

2020 ◽  
Vol 4 (1) ◽  
pp. 86-102
Author(s):  
Tasnim Rehna ◽  
Rubina Hanif ◽  
Muhammad Aqeel
Keyword(s):  
Mental Health Problems ◽  
Adolescent Psychopathology ◽  
Future Research ◽  
Cognitive Errors ◽  
Adolescent Anxiety ◽  
Study Results ◽  
The Status ◽  
Manifest Anxiety ◽  
The Relationship

Background: Widespread social paradigms on which the status variances are grounded in any society, gender plays pivotal role in manifestation of mental health problems (Rutter, 2007). A hefty volume of research has addressed the issue in adults nonetheless, little is vividly known about the role of gender in adolescent psychopathology. Sample: A sample of 240 adolescents (125 boys, 115 girls) aging 12-18 years was amassed from various secondary schools of Islamabad with the approval of the Federal Directorate of Education (FDE), relevant authorities of the schools and the adolescents themselves. Instruments: Taylor Manifest Anxiety Scale (Taylor & Spence, 1953) and Children’s Negative Cognitive Errors Questionnaire (CNCEQ) by Leitenberg et al., (1986) were applied in present study. Results: Multiple regression analysis revealed that cognitive errors jointly accounted for 78% of variance in predicting anxiety among adolescents. Findings also exhibited that gender significantly moderated the relationship between cognitive errors and adolescent anxiety. Implications of the findings are discoursed for future research and clinical practice.

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