Odnajdując i tracąc miejsce. Łódzki underground wobec doświadczenia miejskiej codzienności.

2019 ◽  
Vol 26 (26) ◽  
pp. 188-203
Author(s):  
Błażej Filanowski
Keyword(s):  
Everyday Life ◽  
Graphic Design ◽  
The Other ◽  
Site Specific ◽  
Industrial City ◽  
New Knowledge ◽  
The One ◽  
Post Industrial

The Łódź underground had emerged from the punk aesthetic, yet it absorbed successive genres surprisingly quickly: hardcore, industrial, later also, among others, techno and rave. It utilized diverse forms of expression: most of all sound, but also projections, site-specific actions, graphic design or fashion. The article, drawing from the memories and output of several most important participants of the movement, poses the question, in what way the underground so easily absorbed new genres and aesthetic patterns on the one hand, while on the other – it remained so strongly separate. The separation is revealed in the tension between experiencing new, experimenting musical and aesthetic trends, and the overwhelming everyday life of the post-industrial city. This tension was the reason why the underground movement was so intensely performative in its character, in which new knowledge and new inspirations were mostly created in action.

Finding and losing a place. Łódź underground towards experience of everyday life of a city

2019 ◽  
Vol 26 (26) ◽  
pp. 188-202
Author(s):  
Błażej Filanowski
Keyword(s):  
Everyday Life ◽  
Graphic Design ◽  
The Other ◽  
Site Specific ◽  
Industrial City ◽  
New Knowledge ◽  
The One ◽  
Post Industrial

The Łódź underground had emerged from the punk aesthetic, yet it absorbed successive genres surprisingly quickly: hardcore, industrial, later also, among others, techno and rave. It utilized diverse forms of expression: most of all sound, but also projections, site-specific actions, graphic design or fashion. The article, drawing from the memories and output of several most important participants of the movement, poses the question, in what way the underground so easily absorbed new genres and aesthetic patterns on the one hand, while on the other – it remained so strongly separate. The separation is revealed in the tension between experiencing new, experimenting musical and aesthetic trends, and the overwhelming everyday life of the post-industrial city. This tension was the reason why the underground movement was so intensely performative in its character, in which new knowledge and new inspirations were mostly created in action.

„Staunest Fremdling / Diese Stein an?“ Das Außen des Innen in Tourismus und Idylle

2021 ◽  
Vol 50 (1) ◽  
pp. 17-33
Author(s):  
Jan Gerstner
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
The Other ◽  
Specific Difference ◽  
Early 19Th Century ◽  
Tourist Gaze ◽  
Structural Analogy ◽  
The One

Abstract This article examines the structural analogy between the literary idyll and tourism that lies in the specific difference between idyllic and touristic spaces on the one hand and those of a modern, functionally differentiated, and rational everyday life on the other. The peak in the production of literary idylls as well as the onset of tourism in the late 18th and early 19th century can thus be conceptualized as a reaction to experiences of alienation due to emerging processes of modernization. An analysis of Goethe’s Der Wandrer shows however how literary idylls not only helped to shape the tourist gaze, but also reflected on the touristic and idyllic experience as an experience between foreignness, alienation and belonging.

scholarly journals Certainty and Uncertainty in Tax Law: Do Opposites Attract?

Laws ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 30
Author(s):  
Alexander V. Demin
Keyword(s):  
Law Enforcement ◽  
Everyday Life ◽  
International Organizations ◽  
Good Faith ◽  
The Other ◽  
Tax Law ◽  
General Requirement ◽  
Law Enforcement Agencies ◽  
The One ◽  
Effective Channel

The principle of certainty of taxation is the dimension of a general requirement of certainty in the legal system. The purpose of this article is to argue the thesis that uncertainty in tax law is not always an absolute evil, sometimes it acts as a means of the most optimal (and in some cases the only possible) settlement of relations in the field of taxes. On the contrary, uncertainty and fragmentation in tax law are colossal problems subject to overcome by the efforts of scientists, legislators, judges, and practicing lawyers. Uncertainty in tax law is manifested in two ways: on the one hand, negatively—as a defect (omission) of the legislator and, on the other hand, positively—as a set of specific legal means and technologies that are purposefully used in lawmaking and law enforcement. In this context, relatively determined legal tools are an effective channel for transition from uncertainty to certainty in the field of taxation. A tendency towards increased use of relatively determined legal tools in lawmaking processes (for example, principles, evaluative concepts, judicial doctrines, standards of good faith and reasonableness, discretion, open-ended lists, recommendations, framework laws, silence of the law, presumptive taxation, analogy, etc.), and involving various actors (courts, law enforcement agencies and officials, international organizations, citizens, organizations and their associations) allow making tax laws more dynamic flexible, and adequate to changing realities of everyday life.

Role Inversion and Its Function in the Iphigeneia at Aulis

Ramus ◽  
1986 ◽  
Vol 15 (2) ◽  
pp. 83-92
Author(s):  
Dale Chant
Keyword(s):  
Everyday Life ◽  
Crucial Role ◽  
Final Analysis ◽  
The Other ◽  
The Subject ◽  
The One ◽  
Pyrrhic Victory

In the Iphigeneia at Aulis role and role inversion are paramount concerns. Indeed it could be contended that in this play we find Euripides' clearest and best defined account of human (and divine) variability. Agamemnon, Menelaos, Achilleus, Iphigeneia, and even, in the final analysis, Artemis, all take positions and attitudes diametrically opposed to those initially adopted. Moreover, the basic thrust behind these movements in position and attitude is the same for each of these characters. All are concerned, in one way or another, with the saving or destruction of Iphigeneia, a situation which most emphatically includes Iphigeneia herself. For on the one hand she wildly supplicates to be saved, while on the other she gladly offers her body to the blade. In addition, Iphigeneia plays a crucial role in greater destructions. If she is destroyed by Agamemnon's and the army's actions, then Greece is destroyed in turn by her (Agamemnon's and the Greeks' final triumph is a ‘Pyrrhic’ victory at best), a situation made all the more ironic by her affected stance of saviour to the fatherland. In Iphigeneia's case, however, the discrepancy between intention and the consequences of action is innocent enough. The play gives no hint that she is at all aware of the irony implicit in her actions. But such lack of awareness is not postulated with regard to Agamemnon, Menelaos and Achilleus. The duplicities and hypocrisies of these three have been the subject of much analysis, and it is at least a critical commonplace to observe that they are characterised in a way more reminiscent of the sour end of everyday life than of the due proprieties associated with heroic, or Homeric, behaviour.

scholarly journals Poetic Storytelling in Contemporary Photography. Relation to Nature and the Poesis of Everyday Life in Works of Selected Artist in Iceland and Other Nordic Countries

Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir
Keyword(s):  
Everyday Life ◽  
Nordic Countries ◽  
The Other ◽  
The Past ◽  
The World ◽  
Phenomenological Perspective ◽  
The One ◽  
Climate Crisis ◽  
The Relationship ◽  
Narrative Medium

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.

scholarly journals Die taal of die cheetah? Perspektiewe op die belang van taalsigbaarheid by die nuwe Vrystaatse nommerplaat as openbare teken

Literator ◽  
2007 ◽  
Vol 28 (2) ◽  
pp. 119-144 ◽  
Author(s):  
T. Du Plessis
Keyword(s):  
Graphic Design ◽  
Motor Vehicle ◽  
The Other ◽  
Free State ◽  
Linguistic Features ◽  
Positive Identification ◽  
Other Hand ◽  
Negative Effect ◽  
The One

The language or the cheetah? Perspectives on the importance of language visibility on the new Free State number plate as public sign This article investigates the importance of language visibility on the new Free State number plate, on the basis of a survey that was conducted during 2002 among a representative group of motor-vehicle owners in the province. This survey tested the opinions of respondents in respect of two aspects. On the one hand, opinions regarding the illustrated design of the new number plate which was introduced in 2002, were tested; and on the other hand, opinions concerning the linguistic features of the number plate were also investigated. In this article, selected responses to two sets of questions relating to the above will be compared, in order to determine the effect of the graphic design of the new number plate on respondents’ opinions regarding language visibility. A positive identification therewith would provide an indication of the degree to which the negative effect of reduced language visibility on the illustrated number plate in the province’s two main languages, by this minimised.

scholarly journals City of Nostalgia: The Semiotics of Urban Retrotopias

2019 ◽  
Vol 15 (1) ◽  
pp. 77-94
Author(s):  
Massimo Leone
Keyword(s):  
Everyday Life ◽  
Interior Design ◽  
The Other ◽  
Special Administrative Region ◽  
Cultural Dynamics ◽  
Urban Settings ◽  
Administrative Region ◽  
Other Hand ◽  
The One ◽  
The City

Abstract The Casa da Nostalgia, or “Nostalgic house,” in the Taipa area of the special administrative region of Macau, is a museum devoted to temporary exhibitions reconstructing everyday life in the city, especially in the epoch of Portuguese ruling. Just opposite the museum, on the other side of a large pond, a giant casino, the Venetian Macau, reproduces Venice both with its external architecture and its interior design. The article analyzes these two urban settings in order to develop a semiotic understanding of as many ways of symbolically reconstructing cities. On the one hand, cities can be reconstructed in a nostalgic form; the essay inquires on the origin and the consequences of urban nostalgia; on the other hand, cities can be reconstructed as ersatz. The article further investigates the dialectics between predominantly temporal or prevailingly spatial urban reconstructions, with reference to the socio-cultural dynamics that have changed Macau in the last decades. The article concludes with the methodological suggestion that the study of urban re-constructions requires the combined efforts of several disciplines, jointly investigating why, how, but also to what effect cities are re-built.

Everyday Life as Critique in Late Colonial Korea: Kim Namch'ŏn's Literary Experiments, 1934–43

2009 ◽  
Vol 68 (3) ◽  
pp. 861-893 ◽  
Author(s):  
Sunyoung Park
Keyword(s):  
Everyday Life ◽  
The Other ◽  
Colonial Korea ◽  
Modern Life ◽  
Urban Modernity ◽  
Utopian Vision ◽  
The Everyday ◽  
Aesthetic Principle ◽  
The One ◽  
Aesthetic Sensibility

Perhaps the most renowned leftist writer of late colonial Korea, Kim Namch'ŏn left a complex body of work that has so far defied an encompassing interpretation. On the one hand, in his theoretical writings, Kim consistently advocated realism as his aesthetic principle. On the other hand, within his fictional writings, Kim also displayed an antithetical interest in the fragmentary scenes of modern life, which he often depicted through experimental techniques of a modernist aesthetic sensibility. In this essay, an attempt is made to provide a unified account of Kim's works. Special attention is given to Kim's early theorization of the everyday as a proper literary space for a materialist critique of society. This focus on everyday life, it is argued, enabled Kim to critique both the teleological outlook of dogmatic socialism and the utopian vision of pan-Asianism, but it did not shelter him from a fascination with the daily spectacles of urban modernity.

scholarly journals Loves Me or Loves Me Not? Passing through the Forest of Love Symbols and Unveiling Its Social Nature

2021 ◽  
Vol 13 (2) ◽  
pp. 73
Author(s):  
Hsin-Yi Yeh
Keyword(s):  
Everyday Life ◽  
The Other ◽  
Analytic Approach ◽  
Symbolic System ◽  
Social Categories ◽  
Cognitive Sociology ◽  
Social Nature ◽  
Spatial Aspect ◽  
The One ◽  
Shed Light

This article unveils how love, as a signified, can be constituted by the artificially constructed symbolic signs (“signifiers”) represented in our everyday life. Only when we regard love as a symbolic system and try to decipher its meanings can we understand how love is transmitted through sociomental patterns. This article attempts to provide examples from language, symbolic materials, the imprinted body, the code of temporality, and the spatial aspect to interpret the general elements that commonly form the forest of love symbols. Moreover, this article introduces cognitive sociology as a significant analytic approach to examining love. On the one hand, taking the “semantic square” proposed by Zerubavel, I articulate that when we want to understand the meanings of symbols, we usually have to embed them into their symbolic context. On the other hand, based on the distinction between marked and unmarked social categories proposed by Brekhus, I explain that more often than not, we can shed light on the marked love types even when we focus on love issues. Last, this article reminds us that the symbols of love are not fixed and constant but change according to the transformations of context.

scholarly journals Metaphor in Funny Language

2018 ◽  
Vol 222 (1) ◽  
pp. 13-24
Author(s):  
Asst. Instructor: Ayad Enad Khalaf
Keyword(s):  
Everyday Life ◽  
Written Language ◽  
The Other ◽  
The World ◽  
Long Time ◽  
New Ideas ◽  
Life Education ◽  
The One ◽  
Relationship Of ◽  
The Relationship

This article highlights different ways of metaphorical use in language and shows its potential in attracting the readers' attention. Language as a biological being lives its own life witnessing never-ending changes: falling outs and newly built elements. We enrich our language not only by new elements but also by new styles and reusing of existing sources. One of these ways which makes language more alive and active is metaphor. Metaphor nowadays is found in all the fields of life, education, medicine, policy and everyday life. Metaphor, in fact, reflects the relationship of language to culture and the world of ideas. Language, on the one hand, is a repository of culture; the traditions, proverbs, and knowledge of our ancestors. On the other hand, language is the mirror of the world of ideas. People reflect their new ideas in using language in new ways, even such devices as paintings and riddles. Metaphor has many shapes and is found in spoken and written language, graphics, cartoon or caricature, riddles, jokes and paintings to express novel shades of meanings, e.g., metaphor in newspaper photos, magazines or even in advertisements attracts the attention of readers and are memorized for a long time. Metaphoric use is also a way of enjoying the readers. It is used for both real and logical aims such as; warnings, advises, or invitations ...etc

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