scholarly journals MUSEUM IN THE PROCESS. SELECTED TENDENCIES IN 20TH-CENTURY MUSEOLOGY

Muzealnictwo ◽  
2020 ◽  
Vol 61 ◽  
pp. 96-105
Author(s):  
Aldona Tołysz
Keyword(s):  
Modern Society ◽  
Past Century ◽  
Avant Garde ◽  
Operating Modes ◽  
The Status ◽  
The 1960S ◽  
The One ◽  
The 19Th Century ◽  
The Relationship ◽  
New Museology

The debate on the museum definition undertaken at the 2019 Kyoto ICOM General Conference points to the role played contemporarily by museums and the expectations they have to meet. It also results as a consequence of changes happening in museums beginning as of the 19th century until today. Extremely important processes took place in the past century. Initially, the changes covered the museum operating methods, mainly within museum education and display, however, they also had an impact on the status of objects in museum collections in the context of artistic and ethnographic collections. One of the most interesting ideas for museum’s redefinition was that proposed in the 1st half of the 20th c. in the formula of Museums of Artistic Culture. However, the departure from the traditionally conceived museum towards a ‘laboratory of modernity’ proposed by the Russian Avant-garde was still too revolutionary for its times. Beginning as of the 1960s, next to the reflection on museums’ operating modes, there increased the emphasis on the role they played and the one they should play in modern society. It was phenomena of political, social or economic character that had a direct impact on the transformation of the shape of museums, these phenomena appearing under the banners of globalization, liberalization, democratization, glocalization. Criticism of museums and their up-to-then praxes drew attention to the essential character of the relation between the institution and its public. The turn towards society allowed for such formats to appear as an ecomuseum, participatory museum, open museum. The solutions derived from the New Museology not only point to the necessity to move the level of the relationship between museum and society, but first and foremost to reflect on museum’s activity which is assumed to create an institution maximally transparent and ethical. It is for various reasons that not all the solutions proposed by museums meet the criteria. Museums continue to face numerous challenges, yet they boast potential to face them.

Misreading Egypt

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
New Media ◽  
Narrative Form ◽  
Experimental Film ◽  
Tower Of Babel ◽  
Avant Garde ◽  
Sergei Eisenstein ◽  
History Of ◽  
The One ◽  
The Relationship ◽  
Modern Technologies

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.

scholarly journals Lost in Migration – Mirandese at a Crossroads

2019 ◽  
Vol 5 (1) ◽  
pp. 488-495
Author(s):  
Cláudia Martins ◽  
Sérgio Ferreira
Keyword(s):  
Minority Language ◽  
Three Dimensions ◽  
Highly Qualified ◽  
Linguistic Rights ◽  
The Bible ◽  
Literary Forms ◽  
Before And After ◽  
The 1960S ◽  
The One ◽  
The 19Th Century

AbstractThe linguistic rights of Mirandese were enshrined in Portugal in 1999, though its “discovery” dates back to the very end of the 19th century at the hands of Leite de Vasconcellos. For centuries, it was the first or only language spoken by people living in the northeast of Portugal, particularly the district of Miranda do Douro. As a minority language, it has always moved among three dimensions. On the one hand, the need to assert and defend this language and have it acknowledged by the country, which proudly believe(d) in their monolingual history. Unavoidably, this has ensued the action of translation, especially active from the mid of the 20th century onwards, with an emphasis on the translation of the Bible and Portuguese canonical literature, as well as other renowned literary forms (e.g. The Adventures of Asterix). Finally, the third axis lies in migration, either within Portugal or abroad. Between the 1950s and the 1960s, Mirandese people were forced to leave Miranda do Douro and villages in the outskirts in the thousands. They fled not only due to the deeply entrenched poverty, but also the almost complete absence of future prospects, enhanced by the fact that they were regarded as not speaking “good” Portuguese, but rather a “charra” language, and as ignorant backward people. This period coincided with the building of dams on the river Douro and the cultural and linguistic shock that stemmed from this forceful contact, which exacerbated their sense of not belonging and of social shame. Bearing all this in mind, we seek to approach the role that migration played not only in the assertion of Mirandese as a language in its own right, but also in the empowerment of new generations of Mirandese people, highly qualified and politically engaged in the defence of this minority language, some of whom were former migrants. Thus, we aim to depict Mirandese’s political situation before and after the endorsement of the Portuguese Law no. 7/99.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

scholarly journals Democracy from the Point of View of Islamic Political Ethics: Khaled Abou El Fadl’s Doctrine

2020 ◽  
Vol 16 (1) ◽  
pp. 27-42
Author(s):  
D. V. Mukhetdinov
Keyword(s):  
Point Of View ◽  
Political Regime ◽  
Political Ethics ◽  
Political Values ◽  
Checks And Balances ◽  
Islamic Tradition ◽  
Adequate Understanding ◽  
The Status ◽  
The One ◽  
The Relationship

This paper focuses on the analysis of the Islamic thinker Kh. A. ElFadl’s political and legal conception. This conception assesses the potential of the Islamic tradition for the legitimization of democracy. We indicates that El-Fadl’s concept is not another ‘Islamic democracy’ project, but an analysis of the relationship between democratic ethos and Islamic political values. It is demonstrated that an adequate understanding of this relationship requires a comprehension of Qur’anic anthropology — the idea of human call, in particular. The logical transition from acceptance of God’s sovereignty and the status of man as His earthly governor (a successive authority’) to the inadmissibility of usurpation of power is considered reasonable. The article proves that El-Fadl allows historical variability of the forms of checks and balances that impede usurpation of power. Therefore, he emphasizes precisely the democratic ethos, and not a particular political theory or a specific political regime. The irregularity of the monopolization of a democratic ethos by the Western culture, on the one hand, and the monopolization of Shari‘a by Islamists, on the other, is thoroughly noted. In the conclusion the author outlines a general understanding of the nature of Shari‘a and the Shari‘ah foundations of political practice in the concept of El-Fadl.

Readymades

2018 ◽  
Author(s):  
Danielle Child
Keyword(s):  
New York ◽  
John Cage ◽  
Marcel Duchamp ◽  
Avant Garde ◽  
Jasper Johns ◽  
Robert Rauschenberg ◽  
The Status ◽  
The 1960S ◽  
Common Understanding ◽  
Bicycle Wheel

In 1916, the French artist Marcel Duchamp coined the term "readymade" to describe a body of his own work in which everyday and often mass-produced objects were given the status of a work of art with little or no intervention by the artist beyond signing and displaying them. He began to produce these works in Paris, beginning with Bottle Rack (1914) and Bicycle Wheel (1913). (Duchamp, however, did not explicitly acknowledge these works until his move to New York in 1915.) These two works present examples of the two distinct types of readymades: readymade unaided and readymade aided. The most well-known readymade is Duchamp’s Fountain (1917), which was famously refused entry into an exhibition with no entry conditions. Much later, Fountain became symbolic of the emergent shift from modernism to postmodernism in the 1960s, with the group of artists who gathered around the composer John Cage, including Robert Rauschenberg and Jasper Johns, sometimes referred to as the neo-avant-garde. It was during this period that Duchamp’s account of the function of the readymade was consolidated into the now common understanding, which is that "readymade" constitutes an object chosen by an artist and declared to be art.

Understanding Dynamic Transactions Between Personality Traits and Partner Relationships

2016 ◽  
Vol 25 (6) ◽  
pp. 411-416 ◽  
Author(s):  
Marcus Mund ◽  
Christine Finn ◽  
Birk Hagemeyer ◽  
Franz J. Neyer
Keyword(s):  
Personality Traits ◽  
Status Quo ◽  
Future Research ◽  
Dynamic Nature ◽  
Functional Perspective ◽  
The Status ◽  
Partner Relationships ◽  
The One ◽  
Analysis Models ◽  
The Relationship

When examining the associations between personality traits and partner relationships, the majority of studies have focused on the one-way effects of personality traits on the quality and stability of relationships. Recent work, however, has shown that relationships likewise retroact on personality traits and their development. Apart from these mutual influences, recent studies have also emphasized the necessity of considering both members of a couple in order to understand how their personalities and perceptions of the relationship interact. We review the status quo of research on personality-relationship transactions and outline suggestions for future research that move the focus from predicting the interplay between the two domains to explaining how personality traits and partner relationships dynamically interact. Specifically, we propose the need for (a) a functional perspective on personality traits, (b) a differentiated view of behavior, and (c) acknowledgment of the dynamic nature of traits and relationships in appropriate analysis models.

Heartfelt Driving: Discourses on Manners, Safety, and Emotion in Japan's Era of Mass Motorization

2012 ◽  
Vol 71 (1) ◽  
pp. 171-192 ◽  
Author(s):  
Joshua Hotaka Roth
Keyword(s):  
Social Control ◽  
Traffic Accidents ◽  
Emotional Reactions ◽  
Government Agencies ◽  
The 1960S ◽  
The One ◽  
Relationship Of ◽  
Social Management ◽  
The Relationship ◽  
School Curricula

This paper explores the contradictory discourses on manners, safety and emotion that arose with mass motorization in Japan in the 1960s and which continue through the present. It documents the way in which multiple government entities end up working at cross-purposes in their attempts to cultivate safer drivers and slow the epidemic of traffic accidents. On the one hand, the discourse on driving manners suggests a widespread embrace of the Traffic Bureau's and other government agencies' concern with safety. On the other hand, the emphasis on manners may lead to angrier driving, which promotes accidents according to psychological studies of driving. The picture that emerges is one in which attempts at social control are complicated by the often unpredictable emotional reactions of subjects caught in a web of institutional and ideological processes. By exploring the relationship of emotion to driving school curricula and the discourse on manners, this article extends previous studies of self, social control, and social management in Japan.

scholarly journals The apparatus theory: ‘Religion in the city’

2018 ◽  
Vol 74 (4) ◽  
Author(s):  
Leon Geel ◽  
Jaco Beyers
Keyword(s):  
Urban Environment ◽  
Modern Society ◽  
Theoretical Background ◽  
Diverse Backgrounds ◽  
The One ◽  
Urban Conditions ◽  
Different Cultures ◽  
The Relationship ◽  
The City ◽  
The Way

The apparatus theory is used to challenge the interpretation of religion and also to determine whether religion is a factor to contend with in modern society. Religion could be the element that keeps the city intact or could be the one element that is busy ruining our understanding of reality and the way this interacts with society in the urban environment. Paradigms determine our relationships. In this case, the apparatus theory would be a more precise way of describing not only our relationship towards the city but also the way in which we try to perceive our relationship with religion and the urban conditions we live in. This article gives theoretical background to the interpretation and understanding of the relationship between various entities within the city. The apparatus of the city creates space for religion to function as a binding form. Religion could bind different cultures, diverse backgrounds and create space for growth.

scholarly journals MODERNISATION AND AVANT-GARDE IN CENTRAL-EASTERN EUROPE (1918–1939)

Muzealnictwo ◽  
2018 ◽  
Vol 59 ◽  
pp. 198-202
Author(s):  
Andrzej Szczerski
Keyword(s):  
World War I ◽  
Eastern Europe ◽  
Traditional Values ◽  
Avant Garde ◽  
Central Eastern Europe ◽  
Political Reality ◽  
The Status ◽  
Independent States ◽  
New Ideas ◽  
The One

The establishment of new independent states in Central and Eastern Europe after 1918 not only brought changes in European geopolitical reality, but also initiated many cultural processes, stimulated by the need for modernisation of the region. They aimed at strengthening the identity of individual states based on their civilizational advancement. It was possible thanks to political independence, which many central European nations gained for the first time in their history. Their expected growth was not only to confirm their right of existence, but also of being among the leading states in Europe. Within the Old Continent the central and eastern part of Europe turned out to be a domain of modernisation par excellence. Here its progression, on the one hand, was most awaited, on the other – raised the greatest controversy. Arts and artists had their particular role in this process; it was their mission to spread the new ideas, calling for a change of the status quo. Instead of simply adopting the already existing patterns of modernity they tried, however, to work out their original concepts of reforms, based on an attempt to reconcile modernity with traditional values, which were found worth preserving within individual cultures. These processes were supported by representatives of both the avant-garde and the more moderate modernisation, which resulted in peaceful coexistence of radical programmes and endeavours to find conservative definitions of modernism. “New Europe” in the years 1918–1939 was in favour of modernity, pursuing consistently civilizational advancement, with the good use of tools brought about by the new political reality and, first and foremost, the national independence gained by many states in the aftermath of World War I.

scholarly journals Network Internet communication as a new form of organization of the communicative process in modern society

2017 ◽  
Vol 6 (4) ◽  
pp. 56-65
Author(s):  
N.V. Zhukova ◽  
B.B. Aismontas
Keyword(s):  
Interdisciplinary Research ◽  
Scientific Information ◽  
Modern Society ◽  
The Other ◽  
Internet Communication ◽  
Communicative Process ◽  
Communication Space ◽  
New Form ◽  
The One ◽  
The Relationship

The article analyses the results of scientific information retrieval, aimed at identifying the relationship between certain parameters of archetypes and social behaviors of modern adolescents: on the one hand — development of personality, identity, socialization, on the other hand — the use of social networks as a communication space. The search was conducted within the complex of modern neurosciences at the systematic level and interdisciplinary research.

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