Językowo-stylistyczna kreacja rodziców w Pamiętniku Wacławy Elizy Orzeszkowej

2021 ◽  
Vol 2 (24 A) ◽  
pp. 151-169
Author(s):  
Elżbieta Skorupska-Raczyńska
Keyword(s):  
Young Woman ◽  
Social Life ◽  
Young Lady ◽  
Second Stage ◽  
Language Style ◽  
University Professor ◽  
The Creation ◽  
Drawing Room

Pamiętnik Wacławy by E. Orzeszkowa is a novel presenting the fate of a young woman in a twofold reality: at first, it is assigned to the drawing room and social life; then, in the second stage, to a study. An important role in the linguistic creation of Wacława’s fate is played by the parents: mother – the parlor lady, father – researcher, university professor. The construction of these characters reflects the two different worlds that a young woman explores in order to ultimately choose the latter. The language (style, lexis, syntax) corresponds with the creation of Wacława as a spoiled miss (in the first volume) and a mature young lady (in the second volume).

CHARACTERIZATION OF RELIGIOUS STYLE AS A FUNCTIONAL STYLE IN LINGUISTICS

2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  
Keyword(s):  
Social Life ◽  
Religious Language ◽  
Religious Texts ◽  
World Outlook ◽  
The People ◽  
The Social ◽  
Functional Features ◽  
The Creation

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.

scholarly journals Żywe strefy wyobraźni. Przyjmowanie gości jako praktyka oporu

2020 ◽  
Vol 64 (1) ◽  
pp. 3-23
Author(s):  
Adam Pisarek
Keyword(s):  
Social Life ◽  
Cultural Practices ◽  
Considerable Degree ◽  
A Value ◽  
The World ◽  
Cultural Order ◽  
The Creation ◽  
Polish Culture ◽  
Important Basis

This article concerns “living zones of the imagination”—areas of social life in which intensive “interpretive labor” is underway. Thanks to these zones, it is possible to engage in universally accepted exercises that enable a person to “see the world through the eyes of another person” and that yet do not disturb the current socio-cultural order. They provide an important basis for understanding among people, for harmonizing meanings in the sphere of social realities, and for integration that goes beyond certain permanent boundaries and hierarchies. The basic aim of the article is to prove that hospitality, understood as a value in Polish culture, could contribute to a considerable degree to the creation of such zones. The author analyzes the zones’ character, function, and meaning, paying attention to how they resist the expansion of bureaucratic ways of organizing social life. He also draws attention to the influence that an axio-normative pattern could havewithin specific models of behavior and cultural practices.

scholarly journals THE IMPACT OF CONFUCIAN VALUES ON CHINA’S FOREIGN POLICY DURING THE PERIOD OF “REFORMS AND OPENNESS”

2020 ◽  
pp. 100-113
Author(s):  
Tetyana Meteliova ◽  
Vira Chghen
Keyword(s):  
Foreign Policy ◽  
Social Life ◽  
Soft Power ◽  
Public Diplomacy ◽  
The State ◽  
Confucian Values ◽  
China’S Foreign Policy ◽  
The Creation ◽  
The Impact

The article is devoted to identifying the role of the Confucian component in shaping China’s foreign policy during the period of “reforms and openness”. The author analyzes the Chinese “soft power” model and its differences from the classical one, the theoretical foundations of which were formulated by J. Nye, and discovers the China’s “soft power” features in foreign policy and establishes its meaningful connection with Confucian values and concepts. The article provides an overview of “soft power” interpretations in the main works of Chinese scholars, examines the reflection of Confucian “soft power” ideas in the state and party documents and decisions of the period of “reforms and openness”, shows the application of Confucian principles in the foreign policy of China. It is shown that the creation of effective Chinese “soft power” tools is becoming a part of a purposeful and long-term policy of the state. Such tools include the swift reform of leading media, TV and radio companies using modern technologies and focusing on foreign audience abroad, promoting China’s traditional and modern culture in foreign cultural markets, increasing China’s presence on the world market, spreading and promoting the Chinese language, “Education Export” and widening educational contacts, economic ties development and scientific and technical cooperation, public diplomacy development, support of the compatriots living abroad. Geopolitically, China’s soft power strategy is focused on developing relations with its close neighbors and creating a security belt around China. It has been proved that modern China seeks to proclaim itself as a new “soft power” center, the creation of which is a part of the State purposeful long-term policy. It is accompanied by the active appeal of Chinese ideologists to the country's traditional cultural heritage and basing of this new foreign policy on the conservative values of Confucianism, which is a kind of civilizational code determining all aspects of social life for China.

scholarly journals Embracing the Modern: Edna Cress Staebler at the University of Toronto, 1926-1929

2008 ◽  
pp. 69-88
Author(s):  
Alyson E. King
Keyword(s):  
National Identity ◽  
Young Woman ◽  
University Of Toronto ◽  
New Ideas ◽  
The Creation ◽  
The University ◽  
Interwar Era

Edna Cress Staebler was a fairly typical young woman when she arrived at the University of Toronto in 1926. While attending the university, she explored the new ideas and norms of the interwar era. This article examines Staebler’s experiences within the context of modernity, the university and the creation of a Canadian nation. Staebler’s university years provided the foundations for her later career as a journalist and author during which she helped to create a modern Canadian national identity.

Investigation of the Cost of Future Naval Amphibious Capability

2015 ◽  
Author(s):  
Andrew J. Jones ◽  
Rob Armstrong
Keyword(s):  
Task Group ◽  
Second Stage ◽  
The Creation ◽  
Two Stages ◽  
Vessel Impact ◽  
The Cost ◽  
The Impact

Through the creation of a large number of concept designs, the cost and vessel impact of deploying and supporting amphibious operations has been investigated. The investigation has looked at capabilities such as the transportation and delivery of vehicles, landing craft, aviation and embarked troops in a number of platform types such as LPDs, LHDs and Ro-Ros. A series of trends describing the costs of the capability have been investigated to estimate the cost of individual capabilities within a design. Over the timeframe of the study, vessel manning is predicted to change and a method of predicting the crew requirement has been developed to investigate the impact of reduced manning on amphibious platform designs. This is the first of two stages of work; in the second stage the requirements for a task group will be investigated to determine the best way to deploy capability at a fleet level.

The directionality of grammaticalization in Spanish

2008 ◽  
Vol 9 (2) ◽  
pp. 200-224 ◽  
Author(s):  
Concepción Company Company
Keyword(s):  
Subjective Meaning ◽  
Second Stage ◽  
Level 3 ◽  
Points Of View ◽  
The Creation ◽  
Semantic Properties

The paper examines three directions of grammaticalization by subjectification. Using the general cline Grammar > Discourse and Discourse > Grammar or Grammar ↔ Discourse, Spanish shows three types of diachronic subjectification, going in three different directions: (1) Grammar > Grammar; (2) Grammar > Discourse; (3) Grammar > Discourse > and again Grammar. Directions 1 and 2 are well known; direction 3, as far as I know, is unknown in the literature about grammaticalization. (1) Initiates in the Grammar, at the textual-syntactic level, and continues to function in the Grammar, with a different distribution and different syntactic-semantic properties as regards its etymon. (2) Begins in the Grammar, cancels the syntactic and morphological capacities of the etymon, produces syntactic isolation and widening of scope and results in the creation of autonomous forms which work at the discourse level. (3) Begins in the Grammar, goes to the Discourse via the cancellation of the morphological and syntactic capacities of the objective form, widens its scope and results in an autonomous form. Once it has operated in the Discourse, it returns to the Grammar, narrowing its scope, taking a new grammatical role again, and paradigmatizing with other forms. The form preserves the subjective meaning of the second stage. The process in all cases is semantically the same: the speaker’s appraisals, points of view and attitudes about the event and his/her interaction with regard to the hearer find explicit codification in grammar, becoming a coded and highly-conventionalized meaning in the grammar of a language (Traugott 1995b, 1999), but the direction of the change is different in each case. Subjectification looks like a multi-dimensional process, not a unidirectional one.

Posttraditional Migrants

2015 ◽  
Vol 44 (5) ◽  
pp. 617-635
Author(s):  
Dariuš Zifonun
Keyword(s):  
Everyday Life ◽  
Social Order ◽  
Social Life ◽  
Social Structures ◽  
Self Organization ◽  
Complex Societies ◽  
Social Worlds ◽  
The Creation

This article analyses the participation of migrants in sport. Based on the case study of a Turkish soccer club in Germany, it scrutinizes the structural and processual features of ethnic self organization. The club responds to the problems of social order in modern complex societies—problems emanating from the pluralization of social life-worlds—by employing a number of characteristic answers. Among them are the segmentation into sub-worlds, the composition of an integrative ideology of friendship as well as the creation of a soccer style. In processes of legitimation and delegitimation, questions of belonging and recognition are being negotiated. All of this allows for the management of ambivalence in everyday life and contributes to the distinctively posttraditional character of community. The article suggests that a sociology of social worlds approach can substantially contribute to the study of the interactive social structures of society.

Louis Pasteur's three artist compatriots—Henner, Pointelin, and Perraud: A story of friendship, science, and art in the 1870s and 1880s

2016 ◽  
Vol 25 (1) ◽  
pp. 18-27 ◽  
Author(s):  
Bert Hansen ◽  
Richard E Weisberg
Keyword(s):  
Social Life ◽  
Fine Arts ◽  
Medical Science ◽  
Working Relationship ◽  
Research Project ◽  
Science And Art ◽  
Work Habits ◽  
Works Of Art ◽  
The Creation ◽  
Home Region

Biographers have largely ignored Louis Pasteur's many and varied connections with art and artists. This article is the second in a series of the authors' studies of Pasteur's friendships with artists. This research project has uncovered data that enlarge the great medical chemist's biography, throwing new light on a variety of topics including his work habits, his social life, his artistic sensibilities, his efforts to lobby on behalf of his artist friends, his relationships to their patrons and to his own patrons, and his use of works of art to foster his reputation as a leader in French medical science. In a prior article, the authors examined his unique working relationship with the Finnish painter Albert Edelfelt and the creation of the famous portrait of Pasteur in his laboratory in the mid-1880s. The present study documents his especially warm friendship with three French artists who came from Pasteur's home region, the Jura, or from neighboring Alsace. A forthcoming study gives an account of his friendships with Max Claudet and Paul Dubois, both of whom made important images of Pasteur, and it offers further illustrations of his devotion to the fine arts.

scholarly journals Stages of busi(-)ness and identity

Ethnologies ◽  
2003 ◽  
Vol 24 (1) ◽  
pp. 225-249 ◽  
Author(s):  
Geoff Lightfoot ◽  
Valérie Fournier
Keyword(s):  
Family Business ◽  
Social Relations ◽  
Family Life ◽  
Social Life ◽  
Work Space ◽  
Small Family ◽  
The Family ◽  
Private And Public ◽  
The Creation

Résumé This article explores how space gets mobilised in the performance of “family business”. The very concept of the “family business” collapses some deeply entrenched distinctions in Western modern societies, those between home and work, private and public, family life and business rationality, distinctions that are mapped over space through the creation of boundaries between work space and family space, home and office. The “family business”, especially when run from home, unsticks this ordered sense of space as familial images and business stages are collapsed. Our analysis of small family run boarding kennels focuses on the way space is used to frame different stages of action. In particular, we draw upon theatrical metaphors to explore the work that goes into the staging of identities and social relations. We first discuss the relationships between space, stages, performance and identity through a theatrical lens; we then draw upon material from our study of family run boarding kennels to explore how owner-managers use space as a malleable resource from which they carve out and assemble different stages to perform their business and themselves to different audiences. After going back into the theatre to discuss the role of stages in weaving together coherent stories in the family business or in drama, we close by exploring the limitations of the theatrical metaphor for the analysis of social life.

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