scholarly journals DECONSTRUCTION AND RECONSTRUCTION OF THE KACU CONCEPT OF BATIK AS INSPIRATION FOR ARTWORKS

2021 ◽  
Vol 20 (3) ◽  
pp. 337-348
Author(s):  
Ahda Yunia Sekar Fardhani
Keyword(s):  
Screen Printing ◽  
Qualitative Method ◽  
Local Form ◽  
Visual Objects ◽  
The Arts ◽  
Ancient Times ◽  
The Universe ◽  
Printing Techniques

Batik is one of the arts that contains a whole descriptive belief about how Javanese interpret their lives. It is found inclassical batiks, which are still committed to the standard elements from Keraton as a center for preserving Javaneseculture. Through studying classical batik, the writer finds a concept of Kacu ratio used in making batik. For thewriter, the kacu is a local form of genius that belongs to the Javanese community. The consciousness of the emptinesspermeates all material forms that exist in the universe. This belief is also applied to the process of designing batikfabrics. For the Javanese, beauty lies in the balance of macro and microcosmos. The actual balance lies at the pointof paradox. Through this research, similarities in the numbers of the Kacu ratio, which is believed to be the goldenratio of the Javanese people in ancient times were sought. Then the equation would be applied to the artwork. Thisstudy uses a qualitative method with several literature sources to dissect the Kacu concept and apply it to works ofart. The writer uses the Kacu concept to arrange visual objects as a scale and balance composition through a formalistapproach. Finally, the writer presents batik and screen-printing techniques on textile. Therefore, the writer needsto study the Kacu ratio further to understand what this ancient ratio means in the beliefs of the Javanese people.

scholarly journals Perubahan Musik Calung Punklung Menuju Musik Modern (Parakan Muncang-Kabupaten Sumedang Tahun 2003-2010)

2020 ◽  
Vol 4 (2) ◽  
pp. 313-334
Author(s):  
Riyanti Nurina Fadillah ◽  
Widiati Isana
Keyword(s):  
Research Method ◽  
Qualitative Method ◽  
Musical Instruments ◽  
Heuristic Methods ◽  
The West ◽  
Modern Music ◽  
The Arts ◽  
Analysis Technique ◽  
History Of ◽  
Ancient Times

Calung art is one of the original arts typical of the West Java region and has existed since ancient times, and is commonly used during traditional ceremonies such as traditional ceremonies offered to Dewi Sri or better known as traditional ceremonies "seren taun". In this traditional ceremony the calung art became one of the supporting musical instruments played in the ceremonial process. However, it cannot be denied that this era which is increasingly developing into modern day more or less makes the existence of this calung experience a shift. This study aims to determine how the history of Calung Punklung's music and the process of its change to modern music. The research method used in this study is a qualitative method by collecting sources of literature coupled with sources of interviews and documentation. The analysis technique used is by using heuristic methods, criticism, interpretation and historiography. The results of this study show that the presence of the Calung Punklung music group is an effort to preserve Sundanese culture in the arts in particular. As for the changes made by the Punklung Clung group, this has only just happened in the aspect of bringing the genre of the song that was sung and how to dress when the performance.

Karateristik Pendidikan Inter-Religius Dalam Al-qur’an

2021 ◽  
Vol 20 (1) ◽  
pp. 127-146
Author(s):  
Muhammad Hariyadi ◽  
Imronuddin Imronuddin
Keyword(s):  
Religious Education ◽  
Social Life ◽  
Qualitative Method ◽  
Research Libraries ◽  
The Universe

The conclusion of this article is that inter-religious education in the Quran is an education that encourages all students to have an intellectual, moral, achievement and noble personality with humanity and togetherness orientation to develop the principles of democracy, equality and justice in social life and compassion for the universe on the basis of faith in God. Students are required to know the background of each religion and not see it from just one perspective, but also through the perspectives of others to avoid excessive fanaticism in religion that can be a trigger for conflict so far. The article also found two things needed in the construction of Inter-Religious Education, namely; firs! to carry out dialogue by placing each religion in an equal position. Second, develop an attitude of tolerance by providiug opportunities for each religion to urderstand each other. The method that authors use in this study is a qualitative method that is supported by research libraries. While the method of interpretation that authors use is the method of interpretation maudu'i, the authors chose this method because this method can be used as an excavator of lnter-Religious Education according to the Qur'an more comprehensively.

scholarly journals De Sitter and power-law solutions in non-local Gauss–Bonnet gravity

2018 ◽  
Vol 15 (11) ◽  
pp. 1850188 ◽  
Author(s):  
E. Elizalde ◽  
S. D. Odintsov ◽  
E. O. Pozdeeva ◽  
S. Yu. Vernov
Keyword(s):  
Power Law ◽  
Sufficient Conditions ◽  
Model Parameters ◽  
Local Form ◽  
De Sitter ◽  
Dynamical Equations ◽  
Non Local ◽  
Necessary And Sufficient ◽  
The Universe ◽  
Universe Evolution

The cosmological dynamics of a non-locally corrected gravity theory, involving a power of the inverse d’Alembertian, is investigated. Casting the dynamical equations into local form, the fixed points of the models are derived, as well as corresponding de Sitter and power-law solutions. Necessary and sufficient conditions on the model parameters for the existence of de Sitter solutions are obtained. The possible existence of power-law solutions is investigated, and it is proven that models with de Sitter solutions have no power-law solutions. A model is found, which allows to describe the matter-dominated phase of the Universe evolution.

scholarly journals Musik Dewa-Dewa Dalam Upacara Erau Pelas Benua di Guntung Kota Bontang Kalimantan Timur

SELONDING ◽  
2019 ◽  
Vol 14 (14) ◽  
Author(s):  
Yusuf Rizky
Keyword(s):  
Qualitative Method ◽  
Ritual Music ◽  
Physical Response ◽  
The Universe

Erau Pelas Benua Guntung is the ritual ceremony that held by Kutai Guntung society Bontang, East Borneo. Erau will be held for seven days. In this ceremony, the erau ritual can’t be held if they are not doing the Pelas Benua. Pelas Benua is a ritual that sorrounds the four direction of the wind in Guntung as the form to clean up from the negative things. This ritual using Dewa-Dewa music as accompanist, the belian communicate to Dewa  Semega, He is The God who control the universe. This research using qualitative method with ethnomusicology perspective. Music Dewa-Dewa is ritual music which is specially used in Pelas Benua procession. Music Dewa-Dewa is an ansamble which consist Klentangan, Gong, Gendang and Gimar instrument.                                                                                                  There are three function of Dewa-Dewa music in this ceremony, as communication, ritual function, and physical response. The form of presentation music Dewa-Dewa always can not be separated with form the context of Pelas Benua ceremony and presenting as the ansamble.

scholarly journals On generalized Lemaitre–Tolman–Bondi metric: Fractal matter at the end of matter–antimatter recombination

2021 ◽  
pp. 2150086
Author(s):  
Sergio L. Cacciatori ◽  
Alessio Marrani ◽  
Federico Re
Keyword(s):  
Dark Matter ◽  
Relativistic Effects ◽  
Partial Explanation ◽  
First Order ◽  
Acceleration Of The Universe ◽  
Particular Solution ◽  
Ancient Times ◽  
The Universe ◽  
Recombination Epoch ◽  
Ltb Metric

Many recent researches have investigated the deviations from the Friedmannian cosmological model, as well as their consequences on unexplained cosmological phenomena, such as dark matter and the acceleration of the Universe. On one hand, a first-order perturbative study of matter inhomogeneity returned a partial explanation of dark matter and dark energy, as relativistic effects due to the retarded potentials of far objects. On the other hand, the fractal cosmology, now approximated by a Lemaitre–Tolman–Bondi (LTB) metric, results in distortions of the luminosity distances of SNe Ia, explaining the acceleration as apparent. In this work, we extend the LTB metric to ancient times. The origin of the fractal distribution of matter is explained as the matter remnant after the matter–antimatter recombination epoch. We show that the evolution of such a inhomogeneity necessarily requires a dynamical generalization of LTB, and we propose a particular solution.

Reflecții asupra conceptului de artă obiectivă în contextul artei contemporane

2020 ◽  
Vol 65 (1) ◽  
pp. 175-184
Author(s):  
Carmen Belean
Keyword(s):  
Contemporary Art ◽  
Arbitrary Element ◽  
Human Life ◽  
The Other ◽  
Future Generations ◽  
Literary Sources ◽  
Art Forms ◽  
Ancient Times ◽  
The Universe

"Reflections on the concept of objective art in the context of contemporary art. Objective art communicates about the human being and his/her place in the universe, about the cosmic laws and the role they play in human life and provide clues as to how man can relate to them. From literary sources attesting to the idea that art in its origin had the role of transmitting knowledge to future generations, we deduce that in ancient times all art forms could be read like a book, and those who knew how to read, fully understood the meaning of the knowledge that was incorporated in these art forms. Nevertheless, there are two forms of art, one very different from the other: objective art and subjective art. Everything that we call art today is subjective art. Objective art is the authentic work resulted from the deliberate, premeditated efforts of a conscious artist. In the act of his creation, the artist avoids or eliminates any subjective or arbitrary element and the impression that such a work evokes in others is always defined. Keywords: objective art, the art of antiquity, contemporary art "

scholarly journals Images as documents for the history of science: some remarks concerning classification

2017 ◽  
Vol 20 ◽  
pp. 112 ◽  
Author(s):  
Maria Helena Roxo Beltran ◽  
Vera Cecilia Machline
Keyword(s):  
Present Article ◽  
History Of Science ◽  
The Past ◽  
The Arts ◽  
History Of ◽  
Ancient Times

Studies on history of science are increasingly emphasizing the important role that, since ancient times, images have had in the processes of shaping concepts, as well as registering and transmitting knowledge about nature and the arts. In the past years, we have developed at Center Simão Mathias of Studies on the History of Science (CESIMA) inquiries devoted to the analysis of images as forms of registering and transmitting knowledge about nature and the arts – that is to say, as documents pertaining to the history of science. These inquiries are grounded on the assumption that all images derive from the interaction between the artistic technique used in their manufacture and the concept intended to be expressed by them. This study enabled us to analyze distinct roles that images have had in different fields of knowledge at various ages. Some of the results obtained so far are summarized in the present article.

R2R-printed inverted OPV modules – towards arbitrary patterned designs

Nanoscale ◽  
2015 ◽  
Vol 7 (21) ◽  
pp. 9570-9580 ◽  
Author(s):  
M. Välimäki ◽  
P. Apilo ◽  
R. Po ◽  
E. Jansson ◽  
A. Bernardi ◽  
...  
Keyword(s):  
Screen Printing ◽  
Printing Techniques

R2R fabrication of inverted OPV modules using gravure and rotary screen printing techniques showing the potential of direct 2D printing in the patterning of arbitrarily shaped and sized features.

Writing Cultural History in Early Modern Europe: Christophe Milieu and his Project

1999 ◽  
Vol 52 (2) ◽  
pp. 342-365
Author(s):  
Donald R. Kelley
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Early Modern Europe ◽  
Philosophy And Literature ◽  
The Arts ◽  
The World ◽  
Human Understanding ◽  
History Of ◽  
The Universe ◽  
Comprehensive History

AbstractChristophe Milieu's De Scribenda Vniversitatis rervm historia libri qvinqve (Basel, 1551) interprets the "universe of things" (universitas return) within an evolutionary and historical framework consisting of five connected and progressive "grades" (gradus) of existence accessible to human understanding: nature (natura), the world of God's creation and man's animal aspect; prudence (prudentia), including the arts of survival; government (principatus), the stage of civil society and political history; wisdom (sapientia), equivalent to civilization and including the higher sciences and philosophy; and literature (litetatura), in which knowledge of the preceding phases of "progress" (progressio) is expressed in writing. Milieu's "narrative" constitutes a pioneering and comprehensive history of western culture.

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