scholarly journals The Ostenfeld farm at the open-air museum; Aspects of the role of folk museums in conflicts of national heritage

1970 ◽  
pp. 23
Author(s):  
Mette Skougaard

The founder of the Danish Folk Museum and the Open-Air Museum, Bernhard Olsen, took a special interest in former Danish provinces; Scandinavian areas lost to Sweden in the 17th century, and Schleswig lost to Prussia in 1864. This paper examines the efforts made by Bernhard Olsen to obtain a farm house from the village of Ostenfeld in Schleswigfor the Open Air Museum, and the struggle between the Danish and the German elements in the attempt to define the national and cultural heritage of the region. These nationalistic intentions are seen in relation to the choice of exhibits and exhibition language in the new folk museums of the period. 

2012 ◽  
Vol 4 (1) ◽  
Author(s):  
Brenda Q. Salang

The study was conducted in Highland Village, Upper Calarian Zamboanga City to analyze the role of women in the Yakan weaving particularly in the maintenance and preservation of cultural heritage. Specifically the study aimed to describe the role of women in the Yakan weaving, describe the Yakan weaving as it relates to the culture of the people in the Yakan village of Upper Calarian, Zamboanga City, determine the factors that preserve the Indigenous knowledge that is unique to the Yakan culture. Dtermine the perceived contribution of Yakan weaving to the social, economic and environmental aspects of the Yakan community; and Reommend development strategies and policies to ensure the sustainability of the weaving industry. Survey was used with a total enumeration of 52 household respondents in assessing the preservation of cultural heritage. An FGD with 15 weavers residing in the village was conducted. Questionnaire was administered on the Samal settlement to test the reliability of the instrument. Data was processed and analyzed using Statistical Package for Social Science (SPSS) software. Results of the study revealed that the continuous weaving activities of the local people developed the trait of the next generation. It developed a shared responsibility of maintaining the knowledge and preserving the endogenous craft in the Yakan tribe. Weaving portrays the condition and relevance of community life as well as understanding the nature and cultural characteristics of the Yakan people. Keywords - Cultural technology, Social capital, Cultural Heritage, Indigenous knowledge Cooperation and collaboration, self reliance and community control, Capacity building and Living with ecological limits


2021 ◽  
Vol 27 (41) ◽  
pp. 72-82
Author(s):  
Vasile Comendant

Abstract The article analyzes the contribution of the public administration authorities of the Republic of Moldova towards the protection and enhancement of the national cultural heritage. The competencies of the Parliament, the Executive and Ministry of Education, Culture and Research are investigated as central public authorities in the field of national heritage, as well as the attributions of local public authorities in this field. The attention is on the relationship of cooperation between the central public authorities and the local ones in certain areas. It is underlined the contribution of the European Union’s projects towards the reconstruction of some historical value objectives as part of the national heritage. Particular attention is given to the role of cultural heritage in the education of citizens by systematizing the knowledge about national and global cultural heritage.


2016 ◽  
Vol 14 (2) ◽  
pp. 225-240
Author(s):  
Arnis Rachmadhani

AbstractThis qualitative research was conducted in the Islamic communities who base all its activities on Aboge calendar calculations in the village of Cikakak,Wangon, District of Banyumas. Data collected by interview, observation, and documentation. This study found an association between the role of the Wali, the ancient mosque and shrine in the spread of Islam in the village Cikakak. Jaro Rajab ritual or grave pilgrimage or nyadran held every 26th of Rajab as a symbol of respect to KyaI Mustolih who spread Islam in the 17th century. Kyai Mustolih built Saka Tunggal Mosque in 1288 AD. Social practices of mutual assistance and cooperation is reflected in Jaro Rajab ritual performed in the tomb and mosque complex. Jaro Rajab ritual functioning as a unity element for communities and faiths.


2020 ◽  
Vol 6 (2) ◽  
pp. 163-190
Author(s):  
Carlotta Capurro ◽  
Gertjan Plets

Abstract Over the past two decades, the European Commission has mobilised cultural heritage to bolster a European identity. One of the main flagship initiatives promoted to this end has been Europeana, the most extensive digital cultural project financed by the EU. At the core of the project stands europeana.eu, a digital cultural portal aggregating metadata provided by national and local heritage institutions. Central in our analysis is the Europeana Data Model (EDM). Using standardised thesauri and vocabularies, EDM offers the possibility to create a semantic contextualisation for objects, allowing semantic operations on the metadata and their enrichment with Linked Open Data on the web. Due to its overarching nature, EDM cannot deliver the granularity that cultural heritage institutions need when documenting their resources. Nonetheless, heritage institutions accept to sacrifice accuracy to have their information represented in a Europewide collection. We study how this digital heritage infrastructure was designed to enact a sense of Europeanness amongst national and local institutions. Policy documents, ethnographic research and a systematic survey amongst the European heritage institutions enabled us to trace how a standardised European metadata structure plays a role in governing local and national heritage institutions. The EDM might enable heritage stakeholders to benefit from Europeana’s online exposure while enacting a European mindset. Ultimately, this study of the metadata model enriches the debate on the EU’s cultural heritage politics, which has not fully explored the role of the digital. At the same time, it also taps into debates about infrastructure and digital governmentality.


2020 ◽  
Vol 47 (1) ◽  
pp. 115-129
Author(s):  
Aditi Mann

The present article is based on the field study which was done in one of the districts of capital city Delhi and the state of Haryana with a focus on the study of stone sculptures worshipped by the village communities. There have been several examples where sculptures and other architectural fragments were being deified by the local communities and are revered as tutelary deities. Most of these sculptures once adorned the temples and shrines of ancient or early medieval period. However, in a lot of villages where sculptures were reported earlier were found missing for several reasons. In fact, it was realised that most of the antiquities were later smuggled out of the country. This brought the attention to the harsh reality that there are hundreds and thousands of undiscovered and undocumented sculptures, which make them easy targets. There are many organisations, both state run and private, that have devoted themselves in the task of preserving them.2 Similarly, many historical sites and monuments have been ruined due to the negligence of both natives and the government authorities. Whether in ignorance or in a deliberate attempt, these sculptures are rapidly being targeted and depriving this area of its legacy. This attitude is steadily leading the historical heritage towards its extinction. Thus, how can the historical legacy be protected from the ravages? This brought the discussion to legal reforms, which have been introduced since the British times. This article will trace the journey of specific laws with regard to the conservation of the national heritage; more specifically, sculptures with an emphasis on the role of individuals in the introduction of the laws. It then discusses the legislations that were enacted by the Government of India since independence till the most recent times and, finally, about the relevance and awareness regarding the laws that ensure the conservation of national heritage from further pilferage.


2020 ◽  
Vol 10 (3) ◽  
pp. 70-79
Author(s):  
Natalya A. KOSENKOVA ◽  
Denis V. LITVINOV ◽  
Elizaveta V. KOSENKOVA

The key aspects of Russian wooden temple architecture a reconsidered. Analyzed are wooden churches of the XVIII-XX centuries of the Samara region. Examples of surviving temples are given, which had a great infl uence on the historical and cultural heritage of the region. A project is proposed for the restoration of the wooden church of the Kazan Icon of the Mother of God in the village of Pokrovka. In order to identify the lost elements of the temple, the analysis of archival data and similar wooden temples of the Samara region is carried out. Similar temporal, stylistic, constructive, planning features of the temples are considered. Based on the analysis performed, a model of theoretical and graphic reconstruction of the temple of the Kazan Icon of the Mother of God in the village of Pokrovka is being built. The role of Russian Orthodox wooden architecture in world culture is determined.


2020 ◽  
Vol 155 (5) ◽  
pp. 1071-1080
Author(s):  
Yaroslava KOROBEINYKOVA ◽  
Olha NYKODIUK
Keyword(s):  

2020 ◽  
Vol 58 ◽  
pp. 181-192
Author(s):  
Anna A. Komzolova

One of the results of the educational reform of the 1860s was the formation of the regular personnel of village teachers. In Vilna educational district the goal was not to invite teachers from central Russia, but to train them on the spot by establishing special seminaries. Trained teachers were supposed to perform the role of «cultural brokers» – the intermediaries between local peasants and the outside world, between the culture of Russian intelligentsia and the culture of the Belarusian people. The article examines how officials and teachers of Vilna educational district saw the role of rural teachers as «cultural brokers» in the context of the linguistic and cultural diversity of the North-Western Provinces. According to them, the graduates of the pedagogical seminaries had to remain within the peasant estate and to keep in touch with their folk «roots». The special «mission» of the village teachers was in promoting the ideas of «Russian elements» and historical proximity to Russia among Belarusian peasants.


Author(s):  
Marsel Eliaser Liunokas

Timorese culture is patriarchal in that men are more dominant than women. As if women were not considered in traditional rituals so that an understanding was built that valued women lower than men. However, in contrast to the article to be studied, this would like to see the priority of women’s roles in traditional marriages in Belle village, South Central Timor. The role of women wiil be seen from giving awards to their parents called puah mnasi manu mnasi. This paper aims to look at the meaning of the rituals of puah mnasi maun mnasi and the role and strengths that women have in traditional marriage rituals in the village of Belle, South Central Timor. The method used for this research is a qualitative research method using interview techniques with a number of people in the Belle Villa community and literature study to strengthen this writing. Based on the data obtained this paper shows that the adat rituals of puah mnasi manu mnasi provide a value that can be learned, namely respect for women, togetherness between the two families, and brotherhood that is intertwined due to customary marital affrairs.


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