Exoticized Voices, Racialized Bodies

2019 ◽  
pp. 83-112
Author(s):  
Jake Johnson
Keyword(s):  
Twentieth Century ◽  
Musical Theater ◽  
Musical Life ◽  
Cultural Center ◽  
White American ◽  
Book Of Mormon ◽  
American Values ◽  
History Of ◽  
Polynesian Cultural Center ◽  
The 1960S

Just as Mormons used musical theater to purchase whiteness in the early twentieth century, so too do Mormons begin in the 1960s to use musical theater to associate other racial minorities with white American values. By allowing certain groups the opportunity to voice whiteness through the conventions of musical theater, Mormons reimagined the genre as a tool to transform some minority members into exemplars of whiteness. This chapter first details the history of Mormonism in Hawaii and the musical theater productions at the Mormon-owned Polynesian Cultural Center that began there in 1963. Importantly, Mormons have long understood dark-skinned Polynesians, like themselves, to be a chosen people, rather than cursed--displaced Jews, in fact, whose origins are explained in The Book of Mormon. The chapter then analyzes the Mormon musical Life . . . More Sweet than Bitter, billed as a sequel to Fiddler on the Roof, for its narrative explicitly connecting Mormons to Judaism. The musical stage thus becomes for modern Mormons a reckoning device to demonstrate belonging and acceptance in exotic terms--“whitening” the dark-skinned Polynesians and demonstrating fluidity between Mormonism and Judaism.

Frontiers of Visibility

Transfers ◽  
2013 ◽  
Vol 3 (2) ◽  
pp. 24-46 ◽  
Author(s):  
Franziska Torma
Keyword(s):  
Twentieth Century ◽  
Current Understanding ◽  
Machine Age ◽  
History Of ◽  
Three Stages ◽  
The 1950S ◽  
The 1960S ◽  
Popular Images ◽  
Cinematic Technology

This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.

Conclusion

2004 ◽  
Author(s):  
Vernon Bogdanor
Keyword(s):  
Twentieth Century ◽  
Great Britain ◽  
Self Confidence ◽  
History Of ◽  
To Come ◽  
The 1960S ◽  
Intellectual Elites

This concluding chapter sums up the key findings of this study on the history of the British constitution in the twentieth century. The findings reveal that while there was widespread confidence in the virtues of the constitution at the beginning of the twentieth century, that confidence seemed to have evaporated. This loss of confidence coincided with a collapse of national self-confidence that had begun in the 1960s when British political and intellectual elites began to come to terms with the fact that Great Britain was falling economically behind her continental competitors.

scholarly journals Neo-Tudor and its Enemies

2006 ◽  
Vol 49 ◽  
pp. 1-33 ◽  
Author(s):  
Gavin Stamp
Keyword(s):  
Twentieth Century ◽  
Middle Class ◽  
History Of ◽  
The 1960S ◽  
Housing Estates

Has any architecture – even the concrete ‘shoe boxes’ of the 1960s – received such consistent abuse as the neo-Tudor of the first half of the twentieth century – especially in its middle-class, suburban manifestations (Fig. 1)? ‘The abominable Tudoristic villa of the By-pass road’, ‘The worst bogus Tudor housing estates’, and ‘Those repellent, jerry-built, sham-Tudor houses that disfigure England’ are some contemporary judgements. And as far as that enthusiast for the modern, Anthony Bertram, in his 1935 book,The House: A Machine for Living In, was concerned:The man who builds a bogus Tudoresque villa or castellates his suburban home is committing a crime against truth and tradition: he is denying the history of progress, denying his own age and insulting the very thing he pretends to imitate by misusing it.

Voice Interrupted

2019 ◽  
pp. 142-168
Author(s):  
Jake Johnson
Keyword(s):  
Twentieth Century ◽  
Musical Theater ◽  
Book Of Mormon ◽  
Multiple Voices ◽  
Mormon Church ◽  
The Church

This chapter places the 2011 Broadway sensation Book of Mormon within the context of Correlation. The musical Book of Mormon demonstrates that interrupting ancient mythologies with current popular mythologies may help strengthen people facing unimaginable hardships, and that the singular message of American fundamentalism--one built upon obedience and narrow views of piety--will ultimately fail. Book of Mormon, along with other musical satires emerging in recent years from within Mormonism, represent musical theater affronts to the Mormon Church that have become more prominent in the last decades of the twentieth century as the Church removes dissenting members, including those espousing feminist or intellectual ideologies seemingly at odds with current Church policies. This chapter situates the concept of excommunication within musicologist Nina Eidsheim’s vibrational theory and Levinas’s ethics of communication, and suggests that Mormonism can be a powerful vehicle for improving lives if it returns to its original principle where multiple voices are seen as an asset, not a liability.

‘Histories of Everyday Life’ in Local Museums

2021 ◽  
pp. 128-161
Author(s):  
Laura Carter
Keyword(s):  
Twentieth Century ◽  
Everyday Life ◽  
Social History ◽  
Local Community ◽  
Community Settings ◽  
Industrial Heritage ◽  
History Of ◽  
Folk History ◽  
1960S And 1970S ◽  
The 1960S

The second part of this book, of which this chapter is part, is about the ‘history of everyday life’ in practice. This chapter examines the ‘history of everyday life’ in local community settings. It argues that folk museums were the museological vehicles of popular social history in mid-twentieth-century Britain. The British folk museum movement is traced via museum case studies in Luton, Cambridge, York, and the Highlands. Collecting practices, curation, visitors, and the educational programmes within each museum are analysed. The practices of several curator-collectors of everyday life, notably Enid Porter and Isabel Grant, are explored in depth. The chapter argues that folk history, so often thought of as a talisman of the extreme right, was recast at a community level into a feminized and conservative ‘history of everyday life’ for ordinary people. The final part of the chapter connects the ‘history of everyday life’ to debates about the emergence of commercial and industrial heritage in Britain during the 1960s and 1970s.

Forest Extraction to Theme Parks: The Modern History of Land Change

2004 ◽  
Author(s):  
Peter Klepeis
Keyword(s):  
Nineteenth Century ◽  
Land Use ◽  
Twentieth Century ◽  
Land Change ◽  
Modern History ◽  
Human Environment ◽  
Forest Clearing ◽  
Calakmul Biosphere Reserve ◽  
History Of ◽  
The 1960S

Modern-day deforestation in the southern Yucatán peninsular region began in earnest in the late 1960s. The composition of the region’s forest and options for land uses, however, were partly shaped by eighty years of activity leading up to the 1960s, just as it was by the ancient Maya over a millennium ago (Ch. 2). Most of the modern impacts began in the twentieth century and are traced here through three major episodes of use and occupation of the region: forest extraction, 1880–1983; big projects and forest clearing, 1975–82; and land-use diversification, conservation, and tourism, 1983 to the present. Each episode corresponds to different visions of how the region should be used and to different human–environment conditions shaping the kind, location, and magnitude of land change. Understanding these changing conditions underpins all other assessments of the SYPR project. The episode of forest extraction spans the bulk of the modern history of the region. It began in the late nineteenth century and ended with the demise of parastatal logging companies in the 1970s and early 1980s, due primarily to the depletion of reserves of mahogany and Spanish cedar throughout the region. Before this episode fully expired, a new one, that of big projects and forest clearing began, marked by large-scale rice and cattle schemes undertaken in the mid to late 1970s and early 1980s. This episode accelerated the road construction that began in the latter part of the 1960s, and it witnessed expanded settlement linked to colonization programs. The Mexican debt crisis of 1982 brought this episode to an abrupt halt, triggering the search for a new alternative to developing the frontier. This search, made in the context of neoliberal economic reforms, led to the establishment of the Calakmul Biosphere Reserve in 1989 and other, more recent initiatives, defining the most recent episode of land-use diversification, conservation, and tourism. From the collapse of the Classic Maya civilization to the twentieth century, the occupation of the region was sparse (Turner 1990), the forest serving as a refuge during the colonial period for those Maya fleeing Spanish domination along the coasts and in the north, especially during the Caste War of the middle nineteenth century, when the northern Maya revolted against Mexico (Jones 1989).

scholarly journals ПОКАЗИ МОДЕЛЕЙ ОДЯГУ ШВЕЙНИХ ПІДПРИЄМСТВ УКРАЇНИ В 1940–1960-ті РОКИ

2020 ◽  
pp. 66-77
Author(s):  
Ю. О. Костогриз ◽  
О. Д. Герасименко ◽  
Р. Т. Шмагало ◽  
К. Л. Пашкевич
Keyword(s):  
Twentieth Century ◽  
Analytical Methods ◽  
Scientific Research ◽  
Compositional Analysis ◽  
Practical Significance ◽  
Light Industry ◽  
Constructive Analysis ◽  
History Of ◽  
Adults And Children ◽  
The 1960S

The purpose to investigate the peculiarities of the development of fashion shows of the 1940-1960s  in  Ukraine  based  on  archival materials. Methodology. In the recearce of materials and  visual  sources  historical,  visual-analytical  methods,  art-compositional analysis of products were used. Results. On the basis of archival materials, the demonstrations of clothing models that took  place  at  the  sewing  and  profile enterprises of light industry of Ukraine from the mid-1940s to the end of the 1960s were studied.  An  artistic  and  compositional analysis  of  clothing  models,  which  were demonstrated at fashion shows, was carried out. Samples of models of men's, women's and children's clothes made by the sewing enterprises  of  the  USSR  in  the  specified years are  resulted.  The analysis of  clothing models is performed in order to determine the main fashion trends in the period under study.  An  overview  of  the  plots  of  film periodicals  of  the  1940–1960s  is  given,  in which the finished products of light industry. The  formation  and development  of  fashion  shows  for  adults and  children  at  sewing  and  specialized enterprises of Ukraine in the 1940–1960s of the  twentieth  century  on  the  basis  of  the study of archival materials is considered. Practical  significance.  The  collected materials and their analysis made it possible to trace the formation of  fashion shows at the sewing enterprises of the Ukrainian SSR in  the  1940–1960s  and  provide  a compositional-constructive  analysis  of clothing models. The results can be used in teaching disciplines related to the history of costume  and  fashion,  as  well  as  in  further scientific research.

“A Triumph in Culinary Art”: Epicurean Displays at the Copley Plaza

2011 ◽  
Vol 11 (4) ◽  
pp. 78-85
Author(s):  
Michelle Tolini Finamore
Keyword(s):  
Twentieth Century ◽  
Oral History ◽  
Fine Art ◽  
Three Generations ◽  
Early Twentieth Century ◽  
History Of ◽  
The Creation ◽  
The 1960S ◽  
Extensive Family

From the early twentieth century through the 1960s, three generations of the Tolini family participated in culinary expositions organized by the Epicurean Society of Boston and Les Amis d'Escoffier. The French gastronomic traditions of Auguste Escoffier and Antonin Carême informed the creation of the elaborate and highly decorative tallow sculptures that were the centerpieces of these displays. Drawing upon an extensive family archive of photographs, menus, and ephemera, the author delves into the history of these extraordinaires, or pièces montées. The article explores the fabrication techniques and aesthetics of the centerpieces through oral history and seminal nineteenth- and twentieth-century culinary books such as The Escoffier Cook Book: A Guide to the Fine Art of Cookery and more obscure works such as Escoffier's Les Fleurs en Cire. The investigation uncovers the original sources of inspiration for the annual competitions, as well as a unique tradition of craftsmanship that was handed down from father to son to grandson.

scholarly journals What the Progressives Had in Common

2011 ◽  
Vol 10 (3) ◽  
pp. 331-339 ◽  
Author(s):  
Glen Gendzel
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York University ◽  
Progressive Movement ◽  
Core Theme ◽  
Early Twentieth Century ◽  
Wide Range ◽  
History Of ◽  
The 1950S ◽  
The 1960S

When Professor Benjamin Parke De Witt of New York University sat down to write the first history of the progressive movement in 1915, he promised “to give form and definiteness to a movement which is, in the minds of many, confused and chaotic.” Apparently it was a fool's errand, because confusion and chaos continued to plague historians of early twentieth-century reform long after Professor De Witt laid his pen to rest. The maddening variety of reform and reformers in the early twentieth century has perpetually confounded historians' efforts to identify what, if anything, the progressives had in common. Back in the 1950s, Richard Hofstadter charitably allowed that progressives were “of two minds on many issues,” whereas Arthur Link argued that “the progressive movement never really existed” because it pursued so many “contradictory objectives.” In the 1960s, Robert Wiebe concluded that the progressives, if they constituted a movement at all, showed “little regard for consistency.” In the 1970s, Peter Filene wrote an “obituary” for progressivism by reasserting Link's claim that the movement had “never existed” because it was so divided and diffuse. In the 1980s, Daniel Rodgers tried to recast the “ideologically fluid” progressive movement as a pastiche of vaguely related rhetorical styles. By the 1990s, so many competing characterizations of progressivism had emerged that Alan Dawley wondered if “they merely cancel each other out.” In 2002, Glenda Elizabeth Gilmore declared emphatically that “historians cannot agree” on progressivism. In 2010, Walter Nugent admitted that “the movement's core theme has been hard to pin down” because progressivism had “many concerns” and “included a wide range of persons and groups.”

“Old” Economic History in the United States: 1939–1954

2004 ◽  
Vol 26 (2) ◽  
pp. 221-239 ◽  
Author(s):  
Cristel de Rouvray
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Social Science ◽  
Economic History ◽  
Paradigm Shift ◽  
Scientific Revolution ◽  
The United States ◽  
History Of ◽  
The Creation ◽  
The 1960S

This paper investigates the actions of a small, yet influential group of American economists who sought to claim economic history for themselves and use it as a springboard to launch a wider transformation of economics. Their actions constitute an episode of dissent in the history of twentieth century economics, albeit an unusual one. These dissenters were not a socially or intellectually marginalized group, but rather a set of privileged scholars who were able to leverage their contacts within the profession and amongst its patrons to further their vision. Their actions could almost be described in Kuhnian terms: they consciously sought to trigger a “paradigm shift” to bring about a social science better suited, in their views, to a world in political and economic turmoil (Kuhn 1962). In spite of the Kuhnian allusion to “scientific revolution,” this paper is not about the 1960s “cliometric revolution,” but about the 1940s and '50s and the little known events that led to the creation of the Economic History Association, the Journal of Economic History, and Explorations in Entrepreneurial History (subsequently Explorations in Economic History).

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